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Kristy H (1252 KP) rated Faultlines in Books
Feb 13, 2018
At 20, Jordy Cline's life should be just beginning. Instead, it seems as if he's looking at a long period in jail and a lifetime of guilt. It all begins when his mother, Sandy, receives the call every mother dreads: there's been a car accident. Jordy and his cousin, Travis, were thrown from the vehicle, and their passenger, Michelle, is in a coma. Both boys are seriously injured and even worse, it looks like they were drinking. Local law enforcement seems to think Jordy was drinking and driving--a natural assumption given his history of underage drinking and Travis' usual role as the designated driver--but Jordy is insistent that he wasn't. Suddenly, Sandy finds herself fighting for her son's survival and dealing with her sister Jenna's anger over Jordy's role in the crash. The crash also reveals more family and town secrets. Will things ever be the same? And was Jordy really responsible for the crash?
This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost making it a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent.
While none of the characters are fully fleshed out, I liked Sandy well-enough and found myself gravitating toward Jordy, even if I couldn't fully trust him. Jordy's nemesis, local police sergeant Huckabee, is easy to dislike, even as you're constantly guessing as to why exactly he harbors this hatred toward a near teen. The chapters alternate between Sandy and another character, Libby, and she's a sympathetic and enjoyable character as well.
Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available for publication everywhere as of 09/06/2016.
This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost making it a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent.
While none of the characters are fully fleshed out, I liked Sandy well-enough and found myself gravitating toward Jordy, even if I couldn't fully trust him. Jordy's nemesis, local police sergeant Huckabee, is easy to dislike, even as you're constantly guessing as to why exactly he harbors this hatred toward a near teen. The chapters alternate between Sandy and another character, Libby, and she's a sympathetic and enjoyable character as well.
Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available for publication everywhere as of 09/06/2016.
David McK (3425 KP) rated Star Wars: Catalyst: A Rogue One Novel in Books
Jan 28, 2019
In much the same way that 'Rogue One: A Star Wars story' acts as a prequel to the original Star Wars movie (since subtilted 'A New Hope') by detailing the mission to steal the plans for the Death Star, so this is a direct prequel to Rogue One itself.
That movie starts, remember (minus the traditional opening crawl) with the Erso's hiding out on a planet before they are found by Director Krennic, with Galen Erso then forced to finish his work on the weapon that the Death Star was built to house before jumping forward about a decade or so to his daughter in a prison transport: Jynn then becoming the main focus of the rest of the film.
This novel details hiow they came to be hiding out on that planet in the first place, focusing nearly exclusivley on Jynn's parent Galen and Lyra Erso: the former a genius involved in the study of Kyber crystals (those that power the Jedi's lightsabre's) believing - at least initially - that he was involved in exploring new methods of renewable energy; the latter his wife and assistant.
Te novel takes place over a span of years: as it starts, the Clone Wars are still raging across the galaxy, with Order 66 yet to be implemented by the soon-to-be Emperor Palpatine: a character who, though mentioned, has no direct impact on the events in this at all. Indeed, the conclusion of the Clone Wars, the fall of the Jedi and the appearance of Vader are all really only background noise, 'fluff' (if you will) to the story told in this, with the novel split into three segemens: the first showing the friendship(?) between Erso and Krennic (or, at least, the latter manipulating events so that the former would believe this is the case), the middle segment Erso's work on the Kyber crystals leading up the first test-firing of the super-weapon (with Krennic keeping this secret from Erso) and the final section with Galen and Lyras growing doubts and disillusionment about the work they are involved in - doubts and disillusionments shared by the secondary character of Has Obitt who finds himself going from working for Krennic to being instrumental in providing the Empire for excuses to take over worlds to joining the (pre)Rebellion rebellion against the Empire before being captured and employed by Tarkin to spy on Krennic - yes, Tarkin also plays a role in these proceedings, albeit not to the exten he does in Rogue One, via his rivalry with Krennic.
Solid if not spectacular entry in the 'new' Star Wars canon - be prepared to find out more than you could possibly want to know, though, about crystals!
That movie starts, remember (minus the traditional opening crawl) with the Erso's hiding out on a planet before they are found by Director Krennic, with Galen Erso then forced to finish his work on the weapon that the Death Star was built to house before jumping forward about a decade or so to his daughter in a prison transport: Jynn then becoming the main focus of the rest of the film.
This novel details hiow they came to be hiding out on that planet in the first place, focusing nearly exclusivley on Jynn's parent Galen and Lyra Erso: the former a genius involved in the study of Kyber crystals (those that power the Jedi's lightsabre's) believing - at least initially - that he was involved in exploring new methods of renewable energy; the latter his wife and assistant.
Te novel takes place over a span of years: as it starts, the Clone Wars are still raging across the galaxy, with Order 66 yet to be implemented by the soon-to-be Emperor Palpatine: a character who, though mentioned, has no direct impact on the events in this at all. Indeed, the conclusion of the Clone Wars, the fall of the Jedi and the appearance of Vader are all really only background noise, 'fluff' (if you will) to the story told in this, with the novel split into three segemens: the first showing the friendship(?) between Erso and Krennic (or, at least, the latter manipulating events so that the former would believe this is the case), the middle segment Erso's work on the Kyber crystals leading up the first test-firing of the super-weapon (with Krennic keeping this secret from Erso) and the final section with Galen and Lyras growing doubts and disillusionment about the work they are involved in - doubts and disillusionments shared by the secondary character of Has Obitt who finds himself going from working for Krennic to being instrumental in providing the Empire for excuses to take over worlds to joining the (pre)Rebellion rebellion against the Empire before being captured and employed by Tarkin to spy on Krennic - yes, Tarkin also plays a role in these proceedings, albeit not to the exten he does in Rogue One, via his rivalry with Krennic.
Solid if not spectacular entry in the 'new' Star Wars canon - be prepared to find out more than you could possibly want to know, though, about crystals!
Marylegs (44 KP) rated The Lovely Bones in Books
Aug 14, 2019
This is another book I have felt the urge to read after watching the film. I probably would never have picked this book up if I hadn’t seen the film previously. The Lovely Bones is not the easiest story to read, as it is the story of a 14 year old girl, Susie Salmon, being raped and murdered. Told from the perspective of Susie in her heaven watching over her family, friends and murderer as they carry on with their life in the years after her death. The story develops from the initial stages of grief and devastation felt by her family and friends to how the move on and, not forget her, but learn to live again.
This story could be hard work to read due to the subject matter, but in fact it is beautiful in all the right places. It is raw in detailing human emotions, and how people can feel guilty for feeling normal after the death of a loved one occurs. It is a lovely thought, of people moving onto a place where the heaven is what they make of it, that it is different for each person and that they can build upon it and still have the ability to watch over the family they left behind.
My one bug bear with the book was the character of Susie’s mother, Abigail. I understand that grief affects everyone differently but I couldn’t warm to her due to the actions she took in the subsequent years after her eldest daughter was killed. But I found all the other characters interesting and well developed including in particular Susie’s sister Lindsey, who had to grow up to quickly and Susie’s could have been boyfriend Ray, who didn’t let being accused of her murder destroy him. Even the killers’ character was interesting to read about and whilst I never sympathised with his past history as it is told, it felt important to include more about him than just having him defined by the murder he committed. Probably the most developed and grief stricken character was Susie’s father Jack, the way he dealt with his emotions is more how I imagined a parent would act after losing a child this way. It really pulled at your heart when he had to push down his grief to still try to be a father to his two remaining children, but the whole time feeling guilty that Susie wasn’t there which obviously made it harder for his to let go. I would recommend this book but due to the subject matter, no matter how delicately it is written and dealt with, still may not be for everyone.
This story could be hard work to read due to the subject matter, but in fact it is beautiful in all the right places. It is raw in detailing human emotions, and how people can feel guilty for feeling normal after the death of a loved one occurs. It is a lovely thought, of people moving onto a place where the heaven is what they make of it, that it is different for each person and that they can build upon it and still have the ability to watch over the family they left behind.
My one bug bear with the book was the character of Susie’s mother, Abigail. I understand that grief affects everyone differently but I couldn’t warm to her due to the actions she took in the subsequent years after her eldest daughter was killed. But I found all the other characters interesting and well developed including in particular Susie’s sister Lindsey, who had to grow up to quickly and Susie’s could have been boyfriend Ray, who didn’t let being accused of her murder destroy him. Even the killers’ character was interesting to read about and whilst I never sympathised with his past history as it is told, it felt important to include more about him than just having him defined by the murder he committed. Probably the most developed and grief stricken character was Susie’s father Jack, the way he dealt with his emotions is more how I imagined a parent would act after losing a child this way. It really pulled at your heart when he had to push down his grief to still try to be a father to his two remaining children, but the whole time feeling guilty that Susie wasn’t there which obviously made it harder for his to let go. I would recommend this book but due to the subject matter, no matter how delicately it is written and dealt with, still may not be for everyone.
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BookInspector (124 KP) rated The House: The Terrifying Thriller That's Keeping Readers Up All Night in Books
Sep 24, 2020
More reviews can be found at https://bbookinspector.wordpress.com
When I read the description of this book, it sounded so exciting and riveting, and I was prepared for this mystery and crime solving, but when I read this book, everything what was written in the blurb happened waaaaay slower and more confusing than I expected.
The main characters in this book are Syd and Jack, and this whole novel is told from their perspectives. Even though this novel is told from two people’s perspectives, they are describing lives of many other characters as well. All the characters chosen for this book are really diverse, complex, and incredibly disturbed, that’s what made this book so interesting, and gave a wide variety of characters to choose from. In this novel, I could not pick my favourite one, all of the characters have their charm and charisma. Personally, I would’ve loved, if author would’ve add Syd’s father’s thoughts in this book, I would’ve loved to pick his brains and understand why he did, what he did.
The narrative of this novel starts pretty slow, Jack’s main concentration was on the house, and he was the one who finds those ghostly things about the house. Meanwhile, Syd was telling the story of her life, comparing it with the teenage girl Elsie, whom she is trying to save from abusive father. Even though both characters are telling quite different stories, it all entangles later in the book, making perfect sense. This book is pretty intense psychological thriller, because there are a lot of mind games involved, and the detailed child abuse scenes, makes this book pretty disturbing. So, if you are sensitive to this topic, you might want to skip this one, as it might make you really upset and angry. I really loved topics which Simon Lelic discussed in this book, such as: child physical and psychological abuse; drug addiction; complicated but deep love; difficult child – parent relationships.
The writing style of this novel is not very easy to understand, there are a lot of jumps, but eventually it makes perfect sense and it is pleasant to read, with decent length chapters, which didn’t leave me bored. I am thankful, that author explained everything at the end of the book and didn’t leave a cliffhanger, that would’ve made me furious. So, to conclude, it is quite confusing book, but do not give up on it, it will make sense as you read it, and I hope you will not be disappointed. It is really intense psychological thriller, filled with plenty of twists and turns, which creates tension and incredibly well thought through mind games, and I do strongly recommend reading it.
Was given this book by publisher and NetGalley for honest review.
When I read the description of this book, it sounded so exciting and riveting, and I was prepared for this mystery and crime solving, but when I read this book, everything what was written in the blurb happened waaaaay slower and more confusing than I expected.
The main characters in this book are Syd and Jack, and this whole novel is told from their perspectives. Even though this novel is told from two people’s perspectives, they are describing lives of many other characters as well. All the characters chosen for this book are really diverse, complex, and incredibly disturbed, that’s what made this book so interesting, and gave a wide variety of characters to choose from. In this novel, I could not pick my favourite one, all of the characters have their charm and charisma. Personally, I would’ve loved, if author would’ve add Syd’s father’s thoughts in this book, I would’ve loved to pick his brains and understand why he did, what he did.
The narrative of this novel starts pretty slow, Jack’s main concentration was on the house, and he was the one who finds those ghostly things about the house. Meanwhile, Syd was telling the story of her life, comparing it with the teenage girl Elsie, whom she is trying to save from abusive father. Even though both characters are telling quite different stories, it all entangles later in the book, making perfect sense. This book is pretty intense psychological thriller, because there are a lot of mind games involved, and the detailed child abuse scenes, makes this book pretty disturbing. So, if you are sensitive to this topic, you might want to skip this one, as it might make you really upset and angry. I really loved topics which Simon Lelic discussed in this book, such as: child physical and psychological abuse; drug addiction; complicated but deep love; difficult child – parent relationships.
The writing style of this novel is not very easy to understand, there are a lot of jumps, but eventually it makes perfect sense and it is pleasant to read, with decent length chapters, which didn’t leave me bored. I am thankful, that author explained everything at the end of the book and didn’t leave a cliffhanger, that would’ve made me furious. So, to conclude, it is quite confusing book, but do not give up on it, it will make sense as you read it, and I hope you will not be disappointed. It is really intense psychological thriller, filled with plenty of twists and turns, which creates tension and incredibly well thought through mind games, and I do strongly recommend reading it.
Was given this book by publisher and NetGalley for honest review.
BookInspector (124 KP) rated Only Child in Books
Sep 24, 2020
Our protagonist in this book is a seven-year-old Zach, during shooting in his school, his older brother Andy got killed. This book is a story of how Zach and his parents deal with Andy’s loss. The variety of characters is pretty limited in this book, it sticks to Zach’s close family. I really liked Zach and his father Jim in this book. I think Zach is a very smart, kind and very cute boy. I liked his dad because he was the only one, who was paying attention to Zach after the tragedy. Father was trying to talk to Zach and make him open up about what he, as a child, is going through. I absolutely despised Zach’s mother. I think she is a self-centred cow, who cared only about what she feels and ignored her family for her own sake. I am not a parent, but I know one thing, I would put my child first.
As it says in the blurb, the narrative is told by Zach, and all the events are from his perspective. This book is like a seven-year-old’s diary. Zach talks a lot about what he sees around him, how he feels and how he deals with various situations. The narrative is very detailed, and even though there are some interesting nuances, there is not much happening in this book. I hoped that something groundbreaking will happen to pace up the book, but it kind of plodded along, making me pretty bored. There are some interesting topics discussed in this book, related to family and it’s issues, and the grown-ups have an insight into a child’s point of view. Which is quite interesting, and I am curious, how the author got all this information, and how she came up with this kind of writing style.
The writing style was very cute, simplified and easy to read. The setting of the book doesn’t change much and is concentrated around the family’s house. I liked that the chapters are pretty short, I didn’t want to DNF this book, so the short chapters helped to finish it. The ending rounded up the story nicely and left me satisfied with the outcome.
So, to conclude, even though it started really promising, this book wasn’t for me. It has well-developed characters, and I see where it can be heartbreaking for some people, but for me, it was too detailed and kind of draggy. If you like family drama, books about loss, and curious to find out how a child sees and deals with loss, give this book a try, and I hope you will enjoy it.
As it says in the blurb, the narrative is told by Zach, and all the events are from his perspective. This book is like a seven-year-old’s diary. Zach talks a lot about what he sees around him, how he feels and how he deals with various situations. The narrative is very detailed, and even though there are some interesting nuances, there is not much happening in this book. I hoped that something groundbreaking will happen to pace up the book, but it kind of plodded along, making me pretty bored. There are some interesting topics discussed in this book, related to family and it’s issues, and the grown-ups have an insight into a child’s point of view. Which is quite interesting, and I am curious, how the author got all this information, and how she came up with this kind of writing style.
The writing style was very cute, simplified and easy to read. The setting of the book doesn’t change much and is concentrated around the family’s house. I liked that the chapters are pretty short, I didn’t want to DNF this book, so the short chapters helped to finish it. The ending rounded up the story nicely and left me satisfied with the outcome.
So, to conclude, even though it started really promising, this book wasn’t for me. It has well-developed characters, and I see where it can be heartbreaking for some people, but for me, it was too detailed and kind of draggy. If you like family drama, books about loss, and curious to find out how a child sees and deals with loss, give this book a try, and I hope you will enjoy it.
In a world where everything can be bought and sold, even pregnancy has a value in The Farm by Joanne Ramos. Make no mistake: this isn’t dystopian fiction. In fact it’s probably closer to what is actually happening than we could imagine.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.