Search
Search results
BookInspector (124 KP) rated The House: The Terrifying Thriller That's Keeping Readers Up All Night in Books
Sep 24, 2020
More reviews can be found at https://bbookinspector.wordpress.com
When I read the description of this book, it sounded so exciting and riveting, and I was prepared for this mystery and crime solving, but when I read this book, everything what was written in the blurb happened waaaaay slower and more confusing than I expected.
The main characters in this book are Syd and Jack, and this whole novel is told from their perspectives. Even though this novel is told from two people’s perspectives, they are describing lives of many other characters as well. All the characters chosen for this book are really diverse, complex, and incredibly disturbed, that’s what made this book so interesting, and gave a wide variety of characters to choose from. In this novel, I could not pick my favourite one, all of the characters have their charm and charisma. Personally, I would’ve loved, if author would’ve add Syd’s father’s thoughts in this book, I would’ve loved to pick his brains and understand why he did, what he did.
The narrative of this novel starts pretty slow, Jack’s main concentration was on the house, and he was the one who finds those ghostly things about the house. Meanwhile, Syd was telling the story of her life, comparing it with the teenage girl Elsie, whom she is trying to save from abusive father. Even though both characters are telling quite different stories, it all entangles later in the book, making perfect sense. This book is pretty intense psychological thriller, because there are a lot of mind games involved, and the detailed child abuse scenes, makes this book pretty disturbing. So, if you are sensitive to this topic, you might want to skip this one, as it might make you really upset and angry. I really loved topics which Simon Lelic discussed in this book, such as: child physical and psychological abuse; drug addiction; complicated but deep love; difficult child – parent relationships.
The writing style of this novel is not very easy to understand, there are a lot of jumps, but eventually it makes perfect sense and it is pleasant to read, with decent length chapters, which didn’t leave me bored. I am thankful, that author explained everything at the end of the book and didn’t leave a cliffhanger, that would’ve made me furious. So, to conclude, it is quite confusing book, but do not give up on it, it will make sense as you read it, and I hope you will not be disappointed. It is really intense psychological thriller, filled with plenty of twists and turns, which creates tension and incredibly well thought through mind games, and I do strongly recommend reading it.
Was given this book by publisher and NetGalley for honest review.
When I read the description of this book, it sounded so exciting and riveting, and I was prepared for this mystery and crime solving, but when I read this book, everything what was written in the blurb happened waaaaay slower and more confusing than I expected.
The main characters in this book are Syd and Jack, and this whole novel is told from their perspectives. Even though this novel is told from two people’s perspectives, they are describing lives of many other characters as well. All the characters chosen for this book are really diverse, complex, and incredibly disturbed, that’s what made this book so interesting, and gave a wide variety of characters to choose from. In this novel, I could not pick my favourite one, all of the characters have their charm and charisma. Personally, I would’ve loved, if author would’ve add Syd’s father’s thoughts in this book, I would’ve loved to pick his brains and understand why he did, what he did.
The narrative of this novel starts pretty slow, Jack’s main concentration was on the house, and he was the one who finds those ghostly things about the house. Meanwhile, Syd was telling the story of her life, comparing it with the teenage girl Elsie, whom she is trying to save from abusive father. Even though both characters are telling quite different stories, it all entangles later in the book, making perfect sense. This book is pretty intense psychological thriller, because there are a lot of mind games involved, and the detailed child abuse scenes, makes this book pretty disturbing. So, if you are sensitive to this topic, you might want to skip this one, as it might make you really upset and angry. I really loved topics which Simon Lelic discussed in this book, such as: child physical and psychological abuse; drug addiction; complicated but deep love; difficult child – parent relationships.
The writing style of this novel is not very easy to understand, there are a lot of jumps, but eventually it makes perfect sense and it is pleasant to read, with decent length chapters, which didn’t leave me bored. I am thankful, that author explained everything at the end of the book and didn’t leave a cliffhanger, that would’ve made me furious. So, to conclude, it is quite confusing book, but do not give up on it, it will make sense as you read it, and I hope you will not be disappointed. It is really intense psychological thriller, filled with plenty of twists and turns, which creates tension and incredibly well thought through mind games, and I do strongly recommend reading it.
Was given this book by publisher and NetGalley for honest review.
BookInspector (124 KP) rated Only Child in Books
Sep 24, 2020
Our protagonist in this book is a seven-year-old Zach, during shooting in his school, his older brother Andy got killed. This book is a story of how Zach and his parents deal with Andy’s loss. The variety of characters is pretty limited in this book, it sticks to Zach’s close family. I really liked Zach and his father Jim in this book. I think Zach is a very smart, kind and very cute boy. I liked his dad because he was the only one, who was paying attention to Zach after the tragedy. Father was trying to talk to Zach and make him open up about what he, as a child, is going through. I absolutely despised Zach’s mother. I think she is a self-centred cow, who cared only about what she feels and ignored her family for her own sake. I am not a parent, but I know one thing, I would put my child first.
As it says in the blurb, the narrative is told by Zach, and all the events are from his perspective. This book is like a seven-year-old’s diary. Zach talks a lot about what he sees around him, how he feels and how he deals with various situations. The narrative is very detailed, and even though there are some interesting nuances, there is not much happening in this book. I hoped that something groundbreaking will happen to pace up the book, but it kind of plodded along, making me pretty bored. There are some interesting topics discussed in this book, related to family and it’s issues, and the grown-ups have an insight into a child’s point of view. Which is quite interesting, and I am curious, how the author got all this information, and how she came up with this kind of writing style.
The writing style was very cute, simplified and easy to read. The setting of the book doesn’t change much and is concentrated around the family’s house. I liked that the chapters are pretty short, I didn’t want to DNF this book, so the short chapters helped to finish it. The ending rounded up the story nicely and left me satisfied with the outcome.
So, to conclude, even though it started really promising, this book wasn’t for me. It has well-developed characters, and I see where it can be heartbreaking for some people, but for me, it was too detailed and kind of draggy. If you like family drama, books about loss, and curious to find out how a child sees and deals with loss, give this book a try, and I hope you will enjoy it.
As it says in the blurb, the narrative is told by Zach, and all the events are from his perspective. This book is like a seven-year-old’s diary. Zach talks a lot about what he sees around him, how he feels and how he deals with various situations. The narrative is very detailed, and even though there are some interesting nuances, there is not much happening in this book. I hoped that something groundbreaking will happen to pace up the book, but it kind of plodded along, making me pretty bored. There are some interesting topics discussed in this book, related to family and it’s issues, and the grown-ups have an insight into a child’s point of view. Which is quite interesting, and I am curious, how the author got all this information, and how she came up with this kind of writing style.
The writing style was very cute, simplified and easy to read. The setting of the book doesn’t change much and is concentrated around the family’s house. I liked that the chapters are pretty short, I didn’t want to DNF this book, so the short chapters helped to finish it. The ending rounded up the story nicely and left me satisfied with the outcome.
So, to conclude, even though it started really promising, this book wasn’t for me. It has well-developed characters, and I see where it can be heartbreaking for some people, but for me, it was too detailed and kind of draggy. If you like family drama, books about loss, and curious to find out how a child sees and deals with loss, give this book a try, and I hope you will enjoy it.
In a world where everything can be bought and sold, even pregnancy has a value in The Farm by Joanne Ramos. Make no mistake: this isn’t dystopian fiction. In fact it’s probably closer to what is actually happening than we could imagine.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
Becs (244 KP) rated Shadow and Bone (The Grisha #1) in Books
Aug 23, 2019
Captivating story that leaves you enthralled
You can also find this review along with others on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: violence, manipulation, death, blood, absent of parent(s), emotional abuse, anger issues, anxiety – panic attacks, talk of hallucinations
Review:
Firstly, I did not realize that Shadow and Bone was set in Russia or should I say – based on Russia and spun into a fantasy filled folklore novel. It starts off strong in the prologue and holds that captivating appeal throughout. I was enthralled with the whole basis of the story.
The one thing that knocked half of a star off of this review is the extremely overused trope of “the main character is ordinary and then finds out that they are extraordinary.” In Leigh Bardugo’s doing, this trope works perfectly well with the plot line of this story. But it made me really dislike the main character, Alina, quite a lot. Behind that awful trope, lies a girl who is not only strong, but shows intelligence and loyalty. Alina was also extremely relatable through her sarcastic perceptiveness but there was something else about her that I couldn’t put my finger on and found rather annoying.
The Darkling on the other hand was this morally gray character that fascinated me. For example: how he is willing to be ruthless just to pursue his goal of freeing Ravka from the Shadow Fold. His sarcasm that outwits Alina’s. His good looks and charms. I love to hate him! Plus that one scene had me heated from head to toe. If only The Darkling were real…
Overall, all of the characters were multidimensional and extremely interesting! The pacing of Shadow and Bone was done excruciating well and I was absorbed in this fantastical world of magic and war, love and mystery. Finding out more of who the Grisha truly were, kept me turning page after page. The chemistry between characters was even amazing! There was a bit of a love triangle style of trope, yet it wasn’t quite that exactly. All in all, Leigh did an excellent job with giving Alina more than one love interest but showing how vastly different feelings she feels for each.
The plot was extremely engaging and continued on, even after the climax. It enthralled the reader, calling them with a whisper that is interwoven with a dark energy, seeking to break your heart. I did not notice any spelling and/ or grammatical errors that took away from the story. I do however want to know more of not only Alina’s and Ravkas fate, but The Darklings as well.
Leigh Bardugo, why do you do cruel things to me…
“What is infinite? The universe and the greed of men.”
TRIGGER WARNINGS: violence, manipulation, death, blood, absent of parent(s), emotional abuse, anger issues, anxiety – panic attacks, talk of hallucinations
Review:
Firstly, I did not realize that Shadow and Bone was set in Russia or should I say – based on Russia and spun into a fantasy filled folklore novel. It starts off strong in the prologue and holds that captivating appeal throughout. I was enthralled with the whole basis of the story.
The one thing that knocked half of a star off of this review is the extremely overused trope of “the main character is ordinary and then finds out that they are extraordinary.” In Leigh Bardugo’s doing, this trope works perfectly well with the plot line of this story. But it made me really dislike the main character, Alina, quite a lot. Behind that awful trope, lies a girl who is not only strong, but shows intelligence and loyalty. Alina was also extremely relatable through her sarcastic perceptiveness but there was something else about her that I couldn’t put my finger on and found rather annoying.
The Darkling on the other hand was this morally gray character that fascinated me. For example: how he is willing to be ruthless just to pursue his goal of freeing Ravka from the Shadow Fold. His sarcasm that outwits Alina’s. His good looks and charms. I love to hate him! Plus that one scene had me heated from head to toe. If only The Darkling were real…
Overall, all of the characters were multidimensional and extremely interesting! The pacing of Shadow and Bone was done excruciating well and I was absorbed in this fantastical world of magic and war, love and mystery. Finding out more of who the Grisha truly were, kept me turning page after page. The chemistry between characters was even amazing! There was a bit of a love triangle style of trope, yet it wasn’t quite that exactly. All in all, Leigh did an excellent job with giving Alina more than one love interest but showing how vastly different feelings she feels for each.
The plot was extremely engaging and continued on, even after the climax. It enthralled the reader, calling them with a whisper that is interwoven with a dark energy, seeking to break your heart. I did not notice any spelling and/ or grammatical errors that took away from the story. I do however want to know more of not only Alina’s and Ravkas fate, but The Darklings as well.
Leigh Bardugo, why do you do cruel things to me…
“What is infinite? The universe and the greed of men.”
Letter Quiz Lite - alphabet tracing game for kids
Games and Education
App
Letter Quiz Free is the preview version of Letter Quiz. Take our best selling app for a test drive!...
Pregnancy Tracker & Baby App
Health & Fitness and Medical
App
From the brand chosen by over 400 million expecting parents, BabyCenter's pregnancy tracker and baby...
Play-Doh TOUCH - Shape, Scan, Explore
Games and Entertainment
App
** The following devices are not compatible with the Play-Doh TOUCH app: iPad Mini (1st generation),...
Short Vowel Word Study
Education and Games
App
Teaching kids to spell includes much more than a list of spelling words students should memorize and...
Tennis Coach Plus
Sports and Education
App
VIDEO ANALYSIS - ANYONE ANYWHERE ANYTIME RECORD | COMPARE | IMPROVE your Tennis technique Tennis...
Kirk Bage (1775 KP) rated Light of My Life (2019) in Movies
Jan 22, 2021
It is difficult to talk about Casey Affleck in a positive light as a movie-maker without mentioning the heightened media storm that surrounded him in 2017, at the time of #metoo and his own moment of personal glory in winning the Best Actor Oscar for his excellent performance in Manchester By the Sea. The Oscar was deserved, as was the criticism. The latter affecting the sweetness of the former entirely, and perhaps explaining why a recent Academy Award winner would be so quiet for the next 3 years.
The facts are that he settled out of court for two sexual harassment claims, that in interviews later he would admit some guilt and shame towards. He never tried to hide it and seemed genuinely regretful of his part in whatever crimes took place. He never tried to deny it or belittle it or excuse it as something small and insignificant, he owned up and hung his head.
For which I’d be tempted to say, yes, he behaved like an asshole and abused his position, but is worthy of forgiveness, on probation that he learned from the mistake and never remotely did anything like it again. However, the media doesn’t forget, and in a personal and professional way he has been persona non grata ever since.
Like many others in the spotlight before him for nefarious reasons, I believe emphatically in saying it is possible to separate a person from their work. If someone has done something where they need to be in jail, then let the system take care of it, otherwise let them get on with life and continue to work. Affleck is such a talented actor that it is his performances that spring to mind above anything else by far, and that probably won’t change. I’d absolutely hate to think his negative reputation prevented him from doing the best work of his life.
One way to ensure some relative solitude and privacy whilst remaining at work, then, is to write, produce, direct and star in a small personal film about a father and daughter, alone for 90% of the movie, in a post apocalyptic wilderness. Affleck is the nameless “dad” to the pre-teen daughter he dotes on and will do anything to protect, named “Rag”, for reasons that are explained beautifully in the narrative.
Played by promising newcomer Anna Pniowsky, it is a testament to Affleck’s skill and sensitivity as actor and director that Rag always feels as important and centre stage as the “star” of the show. The film begins very unusually with a 7 minute static dialogue between the two, which demonstrates the relationship and energy of the film perfectly, and in such an interesting way. Pniowsky gives as good as she gets in terms of detailed characterisation, and the dynamic between the two is an absolute delight.
Inevitably, this film is always going to be seen as a poor cousin to The Road, starring Viggo Mortensen, from 2009. It is very similar, it can’t be denied. Even the idea of the parent ensuring “the light / fire” is kept alive within the child, considering that the survival of humanity in all senses is paramount, and supercedes the notion of survival at any cost. Dignity, kindness and non-violence must be maintained, or they will be lost. It is a message worth passing on – enough to make Affleck want to fly so close to the themes and tone of a bigger, well liked film. He must certainly have been aware of how similar they are.
It doesn’t always work, and I did find myself wishing for more action, or at least incident, rather than all the static talking scenes. Although they were often beautifully done, there were just one too many of them to keep the film fully engaging. The use of flashback, where we see the past they came from and the absent mother (presumed long dead) played by Elizabeth Moss, who does not get enough screen time to leave a mark, also doesn’t fully ring true.
Where it does work is in the simple beauty of the relationship between father and daughter. Her innocence and growing curiosity about the tainted world she is inheriting, and his single minded insistence on teaching her things his way and keeping her oblivious to the harshness of life for as long as possible. We begin to suspect his methods are not always the best, and that inevitably the time is coming where for good or bad she will have to find her own path without him.
Which leads to a very touching last 20 minutes I can’t possibly explain without leaving spoilers. If it wasn’t two hours but 90 minutes I believe the idea would have had more impact and not outstay its welcome. As it is, it is just a little flabby in the edit to be described as “great”, and might be otherwise described as slightly indulgent and naive, directorially. It is a tough one to pin down, because whilst I don’t think there is much wrong with it, I also don’t think there is enough right to fully recommend it to a wide audience.
I’m putting this one in the box marked “little seen gems”, intersecting with the one marked “near miss with potential”. When in a patient mood, this could be a film you relate to and enjoy. Just don’t go in expecting too much to happen and concentrate on what it means to be a parent in a cruel world. In that sense it has a lot to say and is well worth your time.
The facts are that he settled out of court for two sexual harassment claims, that in interviews later he would admit some guilt and shame towards. He never tried to hide it and seemed genuinely regretful of his part in whatever crimes took place. He never tried to deny it or belittle it or excuse it as something small and insignificant, he owned up and hung his head.
For which I’d be tempted to say, yes, he behaved like an asshole and abused his position, but is worthy of forgiveness, on probation that he learned from the mistake and never remotely did anything like it again. However, the media doesn’t forget, and in a personal and professional way he has been persona non grata ever since.
Like many others in the spotlight before him for nefarious reasons, I believe emphatically in saying it is possible to separate a person from their work. If someone has done something where they need to be in jail, then let the system take care of it, otherwise let them get on with life and continue to work. Affleck is such a talented actor that it is his performances that spring to mind above anything else by far, and that probably won’t change. I’d absolutely hate to think his negative reputation prevented him from doing the best work of his life.
One way to ensure some relative solitude and privacy whilst remaining at work, then, is to write, produce, direct and star in a small personal film about a father and daughter, alone for 90% of the movie, in a post apocalyptic wilderness. Affleck is the nameless “dad” to the pre-teen daughter he dotes on and will do anything to protect, named “Rag”, for reasons that are explained beautifully in the narrative.
Played by promising newcomer Anna Pniowsky, it is a testament to Affleck’s skill and sensitivity as actor and director that Rag always feels as important and centre stage as the “star” of the show. The film begins very unusually with a 7 minute static dialogue between the two, which demonstrates the relationship and energy of the film perfectly, and in such an interesting way. Pniowsky gives as good as she gets in terms of detailed characterisation, and the dynamic between the two is an absolute delight.
Inevitably, this film is always going to be seen as a poor cousin to The Road, starring Viggo Mortensen, from 2009. It is very similar, it can’t be denied. Even the idea of the parent ensuring “the light / fire” is kept alive within the child, considering that the survival of humanity in all senses is paramount, and supercedes the notion of survival at any cost. Dignity, kindness and non-violence must be maintained, or they will be lost. It is a message worth passing on – enough to make Affleck want to fly so close to the themes and tone of a bigger, well liked film. He must certainly have been aware of how similar they are.
It doesn’t always work, and I did find myself wishing for more action, or at least incident, rather than all the static talking scenes. Although they were often beautifully done, there were just one too many of them to keep the film fully engaging. The use of flashback, where we see the past they came from and the absent mother (presumed long dead) played by Elizabeth Moss, who does not get enough screen time to leave a mark, also doesn’t fully ring true.
Where it does work is in the simple beauty of the relationship between father and daughter. Her innocence and growing curiosity about the tainted world she is inheriting, and his single minded insistence on teaching her things his way and keeping her oblivious to the harshness of life for as long as possible. We begin to suspect his methods are not always the best, and that inevitably the time is coming where for good or bad she will have to find her own path without him.
Which leads to a very touching last 20 minutes I can’t possibly explain without leaving spoilers. If it wasn’t two hours but 90 minutes I believe the idea would have had more impact and not outstay its welcome. As it is, it is just a little flabby in the edit to be described as “great”, and might be otherwise described as slightly indulgent and naive, directorially. It is a tough one to pin down, because whilst I don’t think there is much wrong with it, I also don’t think there is enough right to fully recommend it to a wide audience.
I’m putting this one in the box marked “little seen gems”, intersecting with the one marked “near miss with potential”. When in a patient mood, this could be a film you relate to and enjoy. Just don’t go in expecting too much to happen and concentrate on what it means to be a parent in a cruel world. In that sense it has a lot to say and is well worth your time.