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Doug Nichol recommended The Red Balloon (1956) in Movies (curated)

 
The Red Balloon (1956)
The Red Balloon (1956)
1956 | Comedy, Drama
8.0 (1 Ratings)
Movie Favorite

"I saw both of these for the first time in film school, then I moved to Paris in my twenties and lived there for many years, always kind of romanticizing the Paris of the late 1950s that I saw in these two films but never quite finding it. You can still find a few little streets and alleyways in Ménilmontant where The Red Balloon was filmed, and a few years ago I found myself on the same beach in Normandy where Jean-Pierre Léaud runs in those beautiful long tracking shots that end The 400 Blows. Landscapes are just as important as story."

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40x40

Doug Nichol recommended The 400 Blows (1959) in Movies (curated)

 
The 400 Blows (1959)
The 400 Blows (1959)
1959 | Drama
(0 Ratings)
Movie Favorite

"I saw both of these for the first time in film school, then I moved to Paris in my twenties and lived there for many years, always kind of romanticizing the Paris of the late 1950s that I saw in these two films but never quite finding it. You can still find a few little streets and alleyways in Ménilmontant where The Red Balloon was filmed, and a few years ago I found myself on the same beach in Normandy where Jean-Pierre Léaud runs in those beautiful long tracking shots that end The 400 Blows. Landscapes are just as important as story."

Source
  
The Breakdown
The Breakdown
B.A. Paris | 2017 | Fiction & Poetry
8
8.0 (16 Ratings)
Book Rating
Stick with it, takes a while to like the protagonist
After reading the brilliant 'Behind Closed Doors', I was wondering how BA Paris would be able to excel expectations - and she has thankfully managed to avoid the usual psychological thriller pitfalls once again.

There was a massive red herring which provides a brilliant twist and opportunity for the ultimate revenge. Feeling claustrophobic throughout, due to the main character's apparent early onset dementia, it sets an unnerving tone from the outset. At this point I did worry it would end up with the same gaps in information such as in The Girl on the Train. However, Paris manages to steer clear of becoming another wannabe Gone Girl, and totally holds her own.

For about 75 per cent of the time, you will find the protagonist's almost neurotic personality quite annoying until the last quarter of the book where you will end up completely empathising with her. Another fantastic dark tale from BA Paris.