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Gareth von Kallenbach (980 KP) rated Safe House (2012) in Movies
Aug 7, 2019
In a complicated deadly game of international espionage things are rarely what they appear to be. Take the case of Matt Weston (Ryan Reynolds), a young man who, for all intents and purposes, appears to divide his time between his adoring French girlfriend (Nora Arnezeder) and a South African hospital. But if one were to pull back the curtain they would learn that Matt is actually a CIA agent who spends his time watching over a safe house, an assignment of painfully tedious monotony.
In the new action thriller “Safe House”, Reynolds eschews his typical charming, cocky, wisecracking on-screen personas to portray Matt as a mature young man with ambitions both inside and outside of his job. Matt longs to be assigned to a more glamorous position and is hopeful that when his 12 month tour in South Africa is up, a more exciting post awaits him in Paris. It doesn’t hurt that a Paris post will also allow him to be closer to his girlfriend when she returns to Europe in the near future. But his boss David Barlow (Brendan Gleason) isn’t as optimistic.
As his frustrations at the lack of mobility grows, Matt soon finds his quiet world torn asunder by the arrival of Tobin Frost (Denzel Washington). Frost is a former agent who went rogue and is considered an extremely dangerous and high-profile target. Having eluded the CIA for years, he only draws even more suspicion when he surrenders himself to a US consulate in South Africa. The CIA knows they have to act fast to determine what Frost knows, and quickly whisk him away to a safe house for intense interrogation. But the CIA aren’t the only ones who want to know Tobin’s secrets.
Although Matt is highly trained for his job running the safe house, he is very green when it comes to the reality of having to defend his domain against a surprise attack which leaves Tobin and Matt as the only survivors. Forced to flee and with nowhere to turn, Frost tries to convince Matt that they have been set up because someone in the agency does not want Frost to talk. At first skeptical, Matt is forced to step outside of his comfort zones and confront a deadly array of assassins as well as the threat posed by Frost himself and the unseen elements working against them. In a frantic race, Matt must keep Frost and himself alive as they attempt to reach safety and get to the truth behind the deadly game in which they’ve been cast.
Washington and Reynolds worked very well together and had a very natural, unforced chemistry. It was very nice to see Reynolds take on a grittier and more intense role than we have seen from him previously. Washington is a true artist at playing taciturn and wiley, and no one else can portray the pain and shock of being shot as subtly or as convincingly as Washington with just a simple change of expression.
That being said, the film had a number of issues. First and foremost, plot holes that you could drive a truck through and gaps in logic that really require the audience to take some serious leaps of faith. While there was some intense action, it was difficult to appreciate when it looked like the camera was being kicked around the floor during fight scenes, giving the film a very jerky quality. The film also suffered from some pacing issues with parts of the movie dragging as it worked toward an extremely predictable conclusion, one that I figured out very early into the film. There is some fine supporting work in the movie, particularly that of Gleeson and Arnezeder, as well as Ruben Blades as an old cohort of Frost’s, but it is not enough to help the film live up to its intriguing premise.
In the new action thriller “Safe House”, Reynolds eschews his typical charming, cocky, wisecracking on-screen personas to portray Matt as a mature young man with ambitions both inside and outside of his job. Matt longs to be assigned to a more glamorous position and is hopeful that when his 12 month tour in South Africa is up, a more exciting post awaits him in Paris. It doesn’t hurt that a Paris post will also allow him to be closer to his girlfriend when she returns to Europe in the near future. But his boss David Barlow (Brendan Gleason) isn’t as optimistic.
As his frustrations at the lack of mobility grows, Matt soon finds his quiet world torn asunder by the arrival of Tobin Frost (Denzel Washington). Frost is a former agent who went rogue and is considered an extremely dangerous and high-profile target. Having eluded the CIA for years, he only draws even more suspicion when he surrenders himself to a US consulate in South Africa. The CIA knows they have to act fast to determine what Frost knows, and quickly whisk him away to a safe house for intense interrogation. But the CIA aren’t the only ones who want to know Tobin’s secrets.
Although Matt is highly trained for his job running the safe house, he is very green when it comes to the reality of having to defend his domain against a surprise attack which leaves Tobin and Matt as the only survivors. Forced to flee and with nowhere to turn, Frost tries to convince Matt that they have been set up because someone in the agency does not want Frost to talk. At first skeptical, Matt is forced to step outside of his comfort zones and confront a deadly array of assassins as well as the threat posed by Frost himself and the unseen elements working against them. In a frantic race, Matt must keep Frost and himself alive as they attempt to reach safety and get to the truth behind the deadly game in which they’ve been cast.
Washington and Reynolds worked very well together and had a very natural, unforced chemistry. It was very nice to see Reynolds take on a grittier and more intense role than we have seen from him previously. Washington is a true artist at playing taciturn and wiley, and no one else can portray the pain and shock of being shot as subtly or as convincingly as Washington with just a simple change of expression.
That being said, the film had a number of issues. First and foremost, plot holes that you could drive a truck through and gaps in logic that really require the audience to take some serious leaps of faith. While there was some intense action, it was difficult to appreciate when it looked like the camera was being kicked around the floor during fight scenes, giving the film a very jerky quality. The film also suffered from some pacing issues with parts of the movie dragging as it worked toward an extremely predictable conclusion, one that I figured out very early into the film. There is some fine supporting work in the movie, particularly that of Gleeson and Arnezeder, as well as Ruben Blades as an old cohort of Frost’s, but it is not enough to help the film live up to its intriguing premise.
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Bob Mann (459 KP) rated Mission: Impossible - Fallout (2018) in Movies
Sep 28, 2021
Hunt on the edge… again.
2015’s “MI: Rogue Nation” was one of my favourite films of that year, so of all the summer blockbusters this was the one I was most looking forward to. Was I delighted? It’s a slightly qualified “YES!”.
The film neatly follows on from Rogue Nation with arch terrorist-in-need-of-a-razor Solomon Lane (Sean Harris) being extraordinarily renditioned (probably not a valid phrase!) between multiple countries who want to torture/punish him. But his followers – “The Apostles” – are still active and on the trail of plutonium that could devestate key sites, with religious centres being the top of the target list. Since Ethan Hunt (Tom Cruise) originally caught Lane, IMF Director Hunley (Alec Baldwin) despatches Hunt to intercept the plutonium.
But CIA director Erica Sloan (Angela Bassett) has no faith in the IMF, or trust that the organisation has not been infiltrated, and she insists that her ‘heavy’ August Walker (Henry Cavill) goes along for the ride. But they are not the only parties in play, for Isla Faust (Rebecca Ferguson) is also involved. But who is she working for?
What makes these films a cut above your average action adventure is the stunt work, with the knowledge that Cruise is at the centre of the action. In “Skyscraper” you KNOW Dwayne Johnson is standing on the ‘edge’ in front of a big green screen. Similarly here you KNOW Cruise is standing on the edge of the Tate Modern tower – probably without a safety line – as the camera goes 360 degrees around him. This makes all the difference to the adrenalin count.
There are some outstanding set pieces in the film, with extraordinarily spectacular shots from a ‘halo jump’ and a dramatic helicopter finale. But it is some of the smaller stuff that really impresses: a dramatic edge-of-the-seat car and motorbike chase through central Paris is one of the most impressive and terrifying things I’ve seen on film for many years; and Cruise’s literally bone-crunching run through London is also extremely exciting, with Simon Pegg adding good humour in his regular role of Benji. By the way, series regulars Ving Rhames, as Luther, and Michelle Monaghan, as Hunt’s ex-wife Julia, also make welcome returns but Jeremy Renner is missing this time.
Tom Cruise at 56 (he’s just 15 months younger than I am, damn it!) will eventually meet a Roger Moore-like Bond cliff when his Hunt role is no longer credible. But he’s not there yet! Rebecca Ferguson is again outstanding as Faust and as a newcomer in a similar role Vanessa Kirby (memorable as Princess Margaret in “The Crown”) impresses as the “White Widow” – someone with a familial link to a villain from the past!
Unusually, for a film series which has traditionally been kept fresh by changing directors and composers at each turn, Christopher McQuarrie (“Edge of Tomorrow“, “The Mummy“) returns following “Rogue Nation“, and he also writes the screenplay. The composing baton is handed over this time though to Lorne Balfe (“Churchill“, “Terminator: Genisys“) and for me this was a bit of a step down from the “Rogue Nation” soundtrack by Joe Kraemer which I really enjoyed.
Is it sufficiently fresh though? Let’s be clear here, I was enormously entertained throughout, and this should be near the top of your summer watch list. But it did ultimately feel at times a little like a light retread of “Rogue Nation“. Some of the stunts – notably the Paris and London scenes as above – were a step up for me, but there are some annoyances in McQuarrie’s script (see the spoiler section below the trailer), so for me the rating plateaus at the same as “Rogue Nation“.
The film neatly follows on from Rogue Nation with arch terrorist-in-need-of-a-razor Solomon Lane (Sean Harris) being extraordinarily renditioned (probably not a valid phrase!) between multiple countries who want to torture/punish him. But his followers – “The Apostles” – are still active and on the trail of plutonium that could devestate key sites, with religious centres being the top of the target list. Since Ethan Hunt (Tom Cruise) originally caught Lane, IMF Director Hunley (Alec Baldwin) despatches Hunt to intercept the plutonium.
But CIA director Erica Sloan (Angela Bassett) has no faith in the IMF, or trust that the organisation has not been infiltrated, and she insists that her ‘heavy’ August Walker (Henry Cavill) goes along for the ride. But they are not the only parties in play, for Isla Faust (Rebecca Ferguson) is also involved. But who is she working for?
What makes these films a cut above your average action adventure is the stunt work, with the knowledge that Cruise is at the centre of the action. In “Skyscraper” you KNOW Dwayne Johnson is standing on the ‘edge’ in front of a big green screen. Similarly here you KNOW Cruise is standing on the edge of the Tate Modern tower – probably without a safety line – as the camera goes 360 degrees around him. This makes all the difference to the adrenalin count.
There are some outstanding set pieces in the film, with extraordinarily spectacular shots from a ‘halo jump’ and a dramatic helicopter finale. But it is some of the smaller stuff that really impresses: a dramatic edge-of-the-seat car and motorbike chase through central Paris is one of the most impressive and terrifying things I’ve seen on film for many years; and Cruise’s literally bone-crunching run through London is also extremely exciting, with Simon Pegg adding good humour in his regular role of Benji. By the way, series regulars Ving Rhames, as Luther, and Michelle Monaghan, as Hunt’s ex-wife Julia, also make welcome returns but Jeremy Renner is missing this time.
Tom Cruise at 56 (he’s just 15 months younger than I am, damn it!) will eventually meet a Roger Moore-like Bond cliff when his Hunt role is no longer credible. But he’s not there yet! Rebecca Ferguson is again outstanding as Faust and as a newcomer in a similar role Vanessa Kirby (memorable as Princess Margaret in “The Crown”) impresses as the “White Widow” – someone with a familial link to a villain from the past!
Unusually, for a film series which has traditionally been kept fresh by changing directors and composers at each turn, Christopher McQuarrie (“Edge of Tomorrow“, “The Mummy“) returns following “Rogue Nation“, and he also writes the screenplay. The composing baton is handed over this time though to Lorne Balfe (“Churchill“, “Terminator: Genisys“) and for me this was a bit of a step down from the “Rogue Nation” soundtrack by Joe Kraemer which I really enjoyed.
Is it sufficiently fresh though? Let’s be clear here, I was enormously entertained throughout, and this should be near the top of your summer watch list. But it did ultimately feel at times a little like a light retread of “Rogue Nation“. Some of the stunts – notably the Paris and London scenes as above – were a step up for me, but there are some annoyances in McQuarrie’s script (see the spoiler section below the trailer), so for me the rating plateaus at the same as “Rogue Nation“.
Whatchareadin (174 KP) rated Wreck and Order in Books
May 10, 2018
Elsie is a wreck just as the title of the book suggests. She is living mostly off of her father's money with some little jobs to hold her over. She's seeing a guy who barely respects her and she doesn't really seem to have found her direction in life. Taking trips overseas to Paris and Sri Lanka improves on her recklessness, but once she's back in the states, it's hard to control old habits. Will Elsie find her place in this world before she destroys her life?
At the beginning of the book, I could relate to Elsie on some level. During my early 20's I was pretty reckless with my own life doing things that now I can look back and see weren't the best decisions. Those things have made me into the person I am today, but who would I of been without those experiences. Who is Elsie without her crazy alcohol induced, drug addicted boyfriend, Jared? Who is she without Suriya, her Sri Lankan "sister" and without her parents who continue to support her financially even if it's not the best thing for her
I was so looking forward to this book. I first discovered it through Penguin's First To Read Program, but at the time I had some difficulty downloading it to my Kindle I had the opportunity to borrow it from the library, but I was not as thrilled with the overall story as I was hoping to be from the description. To me Elsie seemed like she was going in circles instead of moving forward in her life. Continuing to make the same choices sh know are not good for her, not learning from her mistakes, or maybe she does learn from them but doesn't implement these changes into her life. I rated it three stars, but it's more of 2.5 for me. It started off strong, but the ending left something to be desired.
At the beginning of the book, I could relate to Elsie on some level. During my early 20's I was pretty reckless with my own life doing things that now I can look back and see weren't the best decisions. Those things have made me into the person I am today, but who would I of been without those experiences. Who is Elsie without her crazy alcohol induced, drug addicted boyfriend, Jared? Who is she without Suriya, her Sri Lankan "sister" and without her parents who continue to support her financially even if it's not the best thing for her
I was so looking forward to this book. I first discovered it through Penguin's First To Read Program, but at the time I had some difficulty downloading it to my Kindle I had the opportunity to borrow it from the library, but I was not as thrilled with the overall story as I was hoping to be from the description. To me Elsie seemed like she was going in circles instead of moving forward in her life. Continuing to make the same choices sh know are not good for her, not learning from her mistakes, or maybe she does learn from them but doesn't implement these changes into her life. I rated it three stars, but it's more of 2.5 for me. It started off strong, but the ending left something to be desired.
ClareR (5879 KP) rated The Parisian in Books
May 30, 2019
Compelling historical fiction
Midhat Kamal arrives in Montpellier in 1914 to study at the University to become a doctor. He falls in love with his University professor landlords daughter, Jeanette, but he becomes disillusioned with the family, and leaves to continue studying in Paris. He lives here during the war, and becomes friends with other Arabic men during a tumultuous time in the Middle East.
When Midhat returns home to Nablus, he is expected to conform to his fathers wishes, marry a woman from a good Muslim family, and work for the family business. He is thereafter known as The Parisian to those who don’t really know him, because of his style of dress and his outlook on life.
Politics soon begin to affect every part of his life, as the colonial powers of Britain and France flex their muscles. Their unwillingness to learn histories and the way people actually want to live cause untold problems, which actually we still see the consequences of today.
I can see that some may struggle with the French and Arabic peppered through the dialogue (I don’t speak Arabic), but I do think it was used in such a way that I didn’t lose track of what was happening, and it lent some credibility to the story. Midhat slips in french words to his speech when something surprises him, or he feels strongly about something. His second language has become a part of him. Endearments are usually in Arabic as well (it took a little while for me to realise what they were, and there are other words used that aren’t just endearments, I’m sure!).
This is a beautifully told story. It’s hard to read in places - history isn’t always very pretty. But I think it’s important to learn about the past in order to understand the present and hopefully learn from past mistakes.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
When Midhat returns home to Nablus, he is expected to conform to his fathers wishes, marry a woman from a good Muslim family, and work for the family business. He is thereafter known as The Parisian to those who don’t really know him, because of his style of dress and his outlook on life.
Politics soon begin to affect every part of his life, as the colonial powers of Britain and France flex their muscles. Their unwillingness to learn histories and the way people actually want to live cause untold problems, which actually we still see the consequences of today.
I can see that some may struggle with the French and Arabic peppered through the dialogue (I don’t speak Arabic), but I do think it was used in such a way that I didn’t lose track of what was happening, and it lent some credibility to the story. Midhat slips in french words to his speech when something surprises him, or he feels strongly about something. His second language has become a part of him. Endearments are usually in Arabic as well (it took a little while for me to realise what they were, and there are other words used that aren’t just endearments, I’m sure!).
This is a beautifully told story. It’s hard to read in places - history isn’t always very pretty. But I think it’s important to learn about the past in order to understand the present and hopefully learn from past mistakes.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
Goddess in the Stacks (553 KP) rated Sweet Little Lies in Books
Aug 26, 2018
Sweet Little Lies was billed as a thriller in Book of the Month's description, but it's more of a police procedural. I hadn't read one before, though I watch plenty of them on Netflix - they're a bit of a guilty pleasure! It was interesting having one in book form. It's not my typical fare, but I did enjoy it, far more than I probably would have enjoyed a true thriller. It's got all your typical parts of a police procedural - older family man cop, ball-busting female chief who isn't as bitchy as she first appears, troubled main character who snapped on a case, police psychiatrist, puzzling case, lying witnesses. All we're really missing is a partner who isn't actually a cop but somehow worms his way into cases anyway.
I'm conflicted about Cat herself. I like her - but I disagree with some of her decisions. I think she should have come clean about her connection to the case immediately. She doesn't because she's trying to protect her dad, but why? She spends most of the book talking about how much she dislikes him! Her entire family dynamic is pretty weird. They have issues.
I really enjoyed the writing of this book. The pacing was excellent - slow enough to absorb each new reveal properly, but fast-paced enough that the action rolls along. Goodreads says the book is "Cat Kinsella #1" implying it's the start of a series. I'll have to keep an eye out for them. For a debut novel, I am impressed at the level of writing, pacing, plot, and characterization. There's a lot of threads in this book that get gathered together at the end and tied up nicely, with only one escaping. That worried me until I discovered it's the beginning of a series; the one loose thread makes sense in that context.
While I didn't like this one quite as much as Goodbye, Paris, it's still another great pick from Book of the Month.
You can find all my reviews at http://goddessinthestacks.com
I'm conflicted about Cat herself. I like her - but I disagree with some of her decisions. I think she should have come clean about her connection to the case immediately. She doesn't because she's trying to protect her dad, but why? She spends most of the book talking about how much she dislikes him! Her entire family dynamic is pretty weird. They have issues.
I really enjoyed the writing of this book. The pacing was excellent - slow enough to absorb each new reveal properly, but fast-paced enough that the action rolls along. Goodreads says the book is "Cat Kinsella #1" implying it's the start of a series. I'll have to keep an eye out for them. For a debut novel, I am impressed at the level of writing, pacing, plot, and characterization. There's a lot of threads in this book that get gathered together at the end and tied up nicely, with only one escaping. That worried me until I discovered it's the beginning of a series; the one loose thread makes sense in that context.
While I didn't like this one quite as much as Goodbye, Paris, it's still another great pick from Book of the Month.
You can find all my reviews at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Jun 19, 2019
Newt Scamander (Eddie Redmayne), is back in the second installment of the
Fantastic Beasts series. The film opens with Grinderlwald (Johnny Depp),
conducting an elaborate escape from custody which in turn starts off a
search to find him and bring him to justice.
After a few months of fruitless searching; the Ministry of Magic offers
Newt a chance to have his travel ban lifted if he will locate and
eliminate Grindelwald. Newt refuses especially since he would have to
join his brother’s division as an Orator and instead opts to travel to
Paris to help Jacob and Queeenie find Tina. Newt still has strong
feelings for Tina and is eager to resolve a misunderstanding which has
arisen.
At the same time, Grindelwald as well as forces from the Ministry are
eagerly trying to find Credence (Ezra Miller), who has become obsessed
with finding his mother.
To say there is a lot going on would be an understatement as I have not
even touched upon Dumbledore (Jude Law) and his conflicts with the
Ministry over his unwillingness to fight Grindlelwald and you can get a
sense of just how busy and at times convoluted the plot can be.
There are plenty of nice visuals and the cast works well with one another
but the film has a darker tone than the previous one and there are aspects
of the film which will appeal to the hardcore fans but will be lost by
newer or more casual fans.
The entire films plays more as a setup to the next chapter in the series
so aside from a few moments, there is little real resolution as most of
the film is simply setting up what is to be the focus of the remaining
films.
While it does entertain; it does seem to be better suited to the hardcore
versus the casual fan who might need more than the magical splendor it
offers.
http://sknr.net/2018/11/15/fantastic-beasts-the-crimes-of-grindlewald/
Fantastic Beasts series. The film opens with Grinderlwald (Johnny Depp),
conducting an elaborate escape from custody which in turn starts off a
search to find him and bring him to justice.
After a few months of fruitless searching; the Ministry of Magic offers
Newt a chance to have his travel ban lifted if he will locate and
eliminate Grindelwald. Newt refuses especially since he would have to
join his brother’s division as an Orator and instead opts to travel to
Paris to help Jacob and Queeenie find Tina. Newt still has strong
feelings for Tina and is eager to resolve a misunderstanding which has
arisen.
At the same time, Grindelwald as well as forces from the Ministry are
eagerly trying to find Credence (Ezra Miller), who has become obsessed
with finding his mother.
To say there is a lot going on would be an understatement as I have not
even touched upon Dumbledore (Jude Law) and his conflicts with the
Ministry over his unwillingness to fight Grindlelwald and you can get a
sense of just how busy and at times convoluted the plot can be.
There are plenty of nice visuals and the cast works well with one another
but the film has a darker tone than the previous one and there are aspects
of the film which will appeal to the hardcore fans but will be lost by
newer or more casual fans.
The entire films plays more as a setup to the next chapter in the series
so aside from a few moments, there is little real resolution as most of
the film is simply setting up what is to be the focus of the remaining
films.
While it does entertain; it does seem to be better suited to the hardcore
versus the casual fan who might need more than the magical splendor it
offers.
http://sknr.net/2018/11/15/fantastic-beasts-the-crimes-of-grindlewald/
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