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Hairpin Bridge
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Looking for a thriller that you can’t put down? Then try this book that everyone’s talking...
MILLIONAIRE TYCOON™
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••• #1 ITUNES BOARD GAME ••• ••• IN 3 COUNTRIES & TOP 10 ••• + BOARD GAME IN...
June's Journey
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A hidden object game for story lovers everywhere Discover June’s Journey, the brand new hidden...
Food Guide
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The Food Guide is your culinary adviser in an app. The program contains basic information for 2,000...
Mappy pour iPad – itinéraire et recherche locale
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Mappy, l’assistant de tous vos déplacements ! Le point de départ de toutes vos envies !...
The Unbreakables: A Novel
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A delicious, sharp novel about a woman who jets off to France after her perfect marriage collapses,...
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Bob Mann (459 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Sep 28, 2021
Lestranger than fiction.
I must be one of the last people to watch this in the cinema, thanks to an irritating bout of sickness and – well – frankly total bloody apathy! For me this is the franchise that nobody asked for and nobody wanted. (Well, “nobody” is probably overstating the case, since there is probably a bunch of Potterheads out there who are shouting at me right now). But judging from the opinion of my daughter-in-law, who could win “Mastermind” with her knowledge of the original Potter series as her specialist subject, I am certainly not alone in my lack of enthusiasm.
The Plot
I’d really love to tell you about the plot. I really would! But I would struggle to pull all the multitude of strands together from J.K. Rowling’s story and coherently explain them to anyone. If Rowling had put ten thousand monkeys (not a million – it’s no bloody Shakespeare) into a room with typewriters and locked the door I wouldn’t be surprised.
Let me try at a high level….. The arch-criminal wizard Grindelwald (Johnny Depp) is being tortured in ‘Trump Tower’, but manages to escape and flees to Paris in pursuit of a mysterious circus performer called Credence (Ezra Miller) and his bewitched companion Nagini (nudge, nudge, wink, wink) played fetchingly by Claudia Kim. Someone needs to stop him, and all eyes are on Albus Dumbledore (Jude Law). But he is unable to do so, since he and Grindelwald are “closer than brothers” (nudge, nudge, wink, wink). So a reluctant and UK-grounded Newt Scamander (Eddie Redmayne) is smuggled into the danger zone… which suits him just fine since his love Tina (Katherine Waterston) is working for the ministry there, and the couple are currently estranged due to a (topical) bout of ‘Fake News’.
Throw in a potential love triangle between Newt, his brother Theseus (Callum Turner) and old Hogwart’s schoolmate Leta Lestrange (Zoë Kravitz) and about a half dozen other sub-plots and you have… well… a complete bugger’s muggle – – sorry – – muddle.
A plot that’s all at sea
Above all, I really can’t explain the crux of the plot. A venerable diarrhoea of exposition in a crypt, during an inexplicably quiet fifteen minutes (given ‘im-who-can-be-named is next door with about a thousand other people!) left me completely bewildered. A bizarre event at sea (no spoilers) would seem to make absolutely NO SENSE when considered with another reveal at the end of the film. I thought I must have clearly missed something… or I’d just not been intelligent enough to process the information…. or…. it was actually completely bonkers! Actually, I think it’s the latter: in desperation I went on a fan site that tried to explain the plot. While it was explained there, the explanation aligned with what I thought had happened: but it made no mention of the ridiculousness of the random coincidence involved!
The turns
The film’s a mess. Which is a shame since everyone involved tries really hard. Depp oozes evil very effectively (he proves that nicely on arriving in Paris, and doubles-down about 5 minutes later: #veryverydark). Redmayne replays his Newt-act effectively but once again (and I see I made the same comments in my “Fantastic Beasts” review) his character mumbles again so much that many of his lines are unintelligible.
I also complained last time that the excellent actress Katherine Waterston was criminally underused as the tentative love interest Tina. this trend unfortunately continues unabated in this film…. you’ll struggle afterwards to write down what she actually did in this film.
Jacob (Dan Fogler) and Queenie (Alison Sudol, looking for all the world in some scenes like Rachel Weisz) reprise their roles in a sub-plot that goes nowhere in particular.
Of the newcomers, Jude Law as Dumbledore is a class-act but has very little screen time: hopefully he will get more to do next time around. Zoë Kravitz impresses as Leta.
Wizards of the screen
As you would expect from a David Yates / David Heyman Potter collaboration, the product design, costume design and special effects are all excellent. Some scenes are truly impressive – an ‘explosion’ in a Parisian garret is particularly spectacular.
But special effects alone do not a great film make. Many reviews I’ve seen complain that this was a ‘filler’ film… a set-up film for the rest of the series. And I can understand that view. If you analyse the film overall, virtually NOTHING of importance actually happens: it’s like the “Order of the Phoenix” of the prequels.
Final Thoughts
I dragged myself along to see this one because “I thought I should”. The third in the series will really need to sparkle to make me want to see it. If J.K. Rowling were to take me advice (she won’t – she NEVER returns my calls!) then she would sculpt the story-arc but leave the screenwriting to someone better. The blame for this one, I’m afraid, lies at Rowling’s door alone.
The Plot
I’d really love to tell you about the plot. I really would! But I would struggle to pull all the multitude of strands together from J.K. Rowling’s story and coherently explain them to anyone. If Rowling had put ten thousand monkeys (not a million – it’s no bloody Shakespeare) into a room with typewriters and locked the door I wouldn’t be surprised.
Let me try at a high level….. The arch-criminal wizard Grindelwald (Johnny Depp) is being tortured in ‘Trump Tower’, but manages to escape and flees to Paris in pursuit of a mysterious circus performer called Credence (Ezra Miller) and his bewitched companion Nagini (nudge, nudge, wink, wink) played fetchingly by Claudia Kim. Someone needs to stop him, and all eyes are on Albus Dumbledore (Jude Law). But he is unable to do so, since he and Grindelwald are “closer than brothers” (nudge, nudge, wink, wink). So a reluctant and UK-grounded Newt Scamander (Eddie Redmayne) is smuggled into the danger zone… which suits him just fine since his love Tina (Katherine Waterston) is working for the ministry there, and the couple are currently estranged due to a (topical) bout of ‘Fake News’.
Throw in a potential love triangle between Newt, his brother Theseus (Callum Turner) and old Hogwart’s schoolmate Leta Lestrange (Zoë Kravitz) and about a half dozen other sub-plots and you have… well… a complete bugger’s muggle – – sorry – – muddle.
A plot that’s all at sea
Above all, I really can’t explain the crux of the plot. A venerable diarrhoea of exposition in a crypt, during an inexplicably quiet fifteen minutes (given ‘im-who-can-be-named is next door with about a thousand other people!) left me completely bewildered. A bizarre event at sea (no spoilers) would seem to make absolutely NO SENSE when considered with another reveal at the end of the film. I thought I must have clearly missed something… or I’d just not been intelligent enough to process the information…. or…. it was actually completely bonkers! Actually, I think it’s the latter: in desperation I went on a fan site that tried to explain the plot. While it was explained there, the explanation aligned with what I thought had happened: but it made no mention of the ridiculousness of the random coincidence involved!
The turns
The film’s a mess. Which is a shame since everyone involved tries really hard. Depp oozes evil very effectively (he proves that nicely on arriving in Paris, and doubles-down about 5 minutes later: #veryverydark). Redmayne replays his Newt-act effectively but once again (and I see I made the same comments in my “Fantastic Beasts” review) his character mumbles again so much that many of his lines are unintelligible.
I also complained last time that the excellent actress Katherine Waterston was criminally underused as the tentative love interest Tina. this trend unfortunately continues unabated in this film…. you’ll struggle afterwards to write down what she actually did in this film.
Jacob (Dan Fogler) and Queenie (Alison Sudol, looking for all the world in some scenes like Rachel Weisz) reprise their roles in a sub-plot that goes nowhere in particular.
Of the newcomers, Jude Law as Dumbledore is a class-act but has very little screen time: hopefully he will get more to do next time around. Zoë Kravitz impresses as Leta.
Wizards of the screen
As you would expect from a David Yates / David Heyman Potter collaboration, the product design, costume design and special effects are all excellent. Some scenes are truly impressive – an ‘explosion’ in a Parisian garret is particularly spectacular.
But special effects alone do not a great film make. Many reviews I’ve seen complain that this was a ‘filler’ film… a set-up film for the rest of the series. And I can understand that view. If you analyse the film overall, virtually NOTHING of importance actually happens: it’s like the “Order of the Phoenix” of the prequels.
Final Thoughts
I dragged myself along to see this one because “I thought I should”. The third in the series will really need to sparkle to make me want to see it. If J.K. Rowling were to take me advice (she won’t – she NEVER returns my calls!) then she would sculpt the story-arc but leave the screenwriting to someone better. The blame for this one, I’m afraid, lies at Rowling’s door alone.
Mike Wilder (20 KP) rated Taken (2009) in Movies
May 30, 2018
This film ranks in the top films I have ever seen.
Contains spoilers, click to show
I saw the trailer for this film a few months before its release. I can't remember looking forward to a film so much from just seeing the trailer. The Trailer set the film up perfectly. By the time I finally got to see it, my expectations were so high I knew I would be disappointed. Wow was I wrong.
The film starts off well, good introductions to the key characters. Bryan's daughter manipulating her parents into allowing her to go the Paris with her friend. She makes the promise to call at regular intervals. A promise that is broken almost immediately. Her father, played excellently by Liam Neeson, finally gets to speak to her on the phone. During this time the house she is staying in is broken into and she sees her friend being attacked. She lets her father know what is happening. He tells her to hide under the bed. Then, shockingly he tells her that she will be taken. His prediction is right and after she is taken one of the abductors finds the phone and hears her father telling them that he will find them and kill them. The abductor wishes him luck and hangs up the phone.
This is also the main part of the trailer. What grabbed me was the way Neeson spoke to the abductor. You would expect panic and anger, but no. He speaks to him in the calmest voice you will ever hear. This tone is frightening. You totally believe that this man will carry out his threat. And he does so with such style and believability. You find out he has Special Forces training and he puts them to use in dispatching everyone in his way. But unlike classic action films, the way he does it I found to be very believable. Everything he does is calculated and no energy is wasted. There are no crazy drawn out gunfights, no spectacular martial arts fight scenes. What you get is believable, he takes out people in his way quickly and efficiently.
Neeson is perfect in this role, not a typical action star, but he pulls the role off effortlessly. You believe in his character and when the film ended I found myself wanting more. For me this is what movies should be about.
The film is written by Luc Besson, a master in this kind of film.
This film ranks in the top films I have ever seen along with Leon: The Professional also by Luc Besson.
The film starts off well, good introductions to the key characters. Bryan's daughter manipulating her parents into allowing her to go the Paris with her friend. She makes the promise to call at regular intervals. A promise that is broken almost immediately. Her father, played excellently by Liam Neeson, finally gets to speak to her on the phone. During this time the house she is staying in is broken into and she sees her friend being attacked. She lets her father know what is happening. He tells her to hide under the bed. Then, shockingly he tells her that she will be taken. His prediction is right and after she is taken one of the abductors finds the phone and hears her father telling them that he will find them and kill them. The abductor wishes him luck and hangs up the phone.
This is also the main part of the trailer. What grabbed me was the way Neeson spoke to the abductor. You would expect panic and anger, but no. He speaks to him in the calmest voice you will ever hear. This tone is frightening. You totally believe that this man will carry out his threat. And he does so with such style and believability. You find out he has Special Forces training and he puts them to use in dispatching everyone in his way. But unlike classic action films, the way he does it I found to be very believable. Everything he does is calculated and no energy is wasted. There are no crazy drawn out gunfights, no spectacular martial arts fight scenes. What you get is believable, he takes out people in his way quickly and efficiently.
Neeson is perfect in this role, not a typical action star, but he pulls the role off effortlessly. You believe in his character and when the film ended I found myself wanting more. For me this is what movies should be about.
The film is written by Luc Besson, a master in this kind of film.
This film ranks in the top films I have ever seen along with Leon: The Professional also by Luc Besson.
Gareth von Kallenbach (980 KP) rated Call of Duty: WWII - The Resistance in Video Games
Jun 19, 2019
The first of four planned DLC packs for Call of Duty: WW2 has arrived for PC and Xbox One owners after being available for PS4 owners for a month.
The Resistance keeps the usual theme of four new maps and a new episode for the Zombie series but this time does it with a bit of a twist.
Usually players see the name of the DLC in the Multiplayer menu and once selected; players can see the various modes available to play the new maps in.
Resistance does away with this and puts the content in the “Featured” area where players have to play either standard or Hardcore Mosh pits and experience the maps in a rotating selection of game modes vs picking a mode.
The three maps available are
Anthropoid
Based in Prague; this is a detailed map with a river, central bridge and lots of terrain to cover. Snipers will love the central area but those who want to run and gun can have some luck if they make sure to duck in and out of buildings.
Occupation
This is a remastered map set in Paris where multiple levels, side streets, shops, and vehicle littered streets allow for some great mid to close range combat. This is a fast-paced map where you can set an ambush, sneak up on enemies, or squad up to take the streets.
Valkyrie
If you like a nice run and gun mode based in bunkers; this is the mode for you. Inspired by the Eastern Front headquarters; this is a fast action map ideal for players of all styles.
The fourth map is only available in War mode and is Operation Intercept. Set in France, players need to set up communications, stop a train, and other team based missions.
The new Zombie mode is The Darkest Shore and pits the four heroes on a remote island where the Undead come fast and often. The map mixes bunkers, beaches, and emplacements with the usual weapon, armor, and power up stations and gameplay players got to expect in the original mission.
This time a think and concealing fog will roll in frequently which adds a new danger as you must fight the unending hordes with limited visibility.
Resistance provides more WW2 action for gamers and while it does not radically change the online portion of the game, it does offer some new wrinkles for fans to enjoy and should keep fans happy until the next DLC arrives.
http://sknr.net/2018/03/05/call-duty-ww2-resistance-dlc/
The Resistance keeps the usual theme of four new maps and a new episode for the Zombie series but this time does it with a bit of a twist.
Usually players see the name of the DLC in the Multiplayer menu and once selected; players can see the various modes available to play the new maps in.
Resistance does away with this and puts the content in the “Featured” area where players have to play either standard or Hardcore Mosh pits and experience the maps in a rotating selection of game modes vs picking a mode.
The three maps available are
Anthropoid
Based in Prague; this is a detailed map with a river, central bridge and lots of terrain to cover. Snipers will love the central area but those who want to run and gun can have some luck if they make sure to duck in and out of buildings.
Occupation
This is a remastered map set in Paris where multiple levels, side streets, shops, and vehicle littered streets allow for some great mid to close range combat. This is a fast-paced map where you can set an ambush, sneak up on enemies, or squad up to take the streets.
Valkyrie
If you like a nice run and gun mode based in bunkers; this is the mode for you. Inspired by the Eastern Front headquarters; this is a fast action map ideal for players of all styles.
The fourth map is only available in War mode and is Operation Intercept. Set in France, players need to set up communications, stop a train, and other team based missions.
The new Zombie mode is The Darkest Shore and pits the four heroes on a remote island where the Undead come fast and often. The map mixes bunkers, beaches, and emplacements with the usual weapon, armor, and power up stations and gameplay players got to expect in the original mission.
This time a think and concealing fog will roll in frequently which adds a new danger as you must fight the unending hordes with limited visibility.
Resistance provides more WW2 action for gamers and while it does not radically change the online portion of the game, it does offer some new wrinkles for fans to enjoy and should keep fans happy until the next DLC arrives.
http://sknr.net/2018/03/05/call-duty-ww2-resistance-dlc/