Search
Whatchareadin (174 KP) rated Beautiful Bad in Books
Apr 3, 2019
Maddie is a wife and a mother who would do anything to protect her family and those she loves. After college Maddie decides she is going to to go Bulgaria to write and tutor. She isn't quite alone as her friend Joanna, is not too far away in Macedonia. When she visits Joanna it's always a good time, even though they are in a war-torn country. When Maddie meets Ian, there is an instant connection, but time and opportunity are never on their side, so they see each other when they can, and are friends for a very long time. Eventually, they are able to get together and build a life and start a family. But everything isn't as it seems. Ian is suffering from PTSD from his many years serving as protection in Iraq, Bosnia, and other countries. And Maddie has anxiety about it all. Will their relationship last, or will the events of their pasts be too much for their future to handle.
Thank you to NetGalley and Harlequin-Park Row for the opportunity to read and review this book.
The story starts with a call to 911 and you can hear a woman and child in distress. The book takes you back and forth from Maddie's time in Bulgaria, to the days and weeks leading up to this 911 call. I will admit the very beginning drew me in, but then all the in between felt very unnecessary. Until you get to the end and you see everything unfold. I definitely did not see the end coming and I was pleasantly surprised.
Beautiful Bad drew me in from the beginning with the 911 call. I was disappointed a few chapters in when it seems as though the whole incident was forgotten. Then when it popped back up, I didn't even remember the characters from that time. So that is why I gave the book the lower rating. I would like to see the finished book to see if there were any differences. I read an interview with the author that said that this book started off as a memoir, but her editor convinced her to change it into fiction. I think the middle parts where the memoir that got thrown out.
Overall, I enjoyed the book and I stayed up way past my bedtime once I reached the 60% mark to finish it. The ending was really good and it made up for the slow middle. I look forward to reading more by Annie Ward.
Here is an interview that Shelf Awareness did with Annie Ward. It gives you insight on the book that I believe is valuable.
https://www.shelf-awareness.com/readers-issue.html?issue=796#m13960
Thank you to NetGalley and Harlequin-Park Row for the opportunity to read and review this book.
The story starts with a call to 911 and you can hear a woman and child in distress. The book takes you back and forth from Maddie's time in Bulgaria, to the days and weeks leading up to this 911 call. I will admit the very beginning drew me in, but then all the in between felt very unnecessary. Until you get to the end and you see everything unfold. I definitely did not see the end coming and I was pleasantly surprised.
Beautiful Bad drew me in from the beginning with the 911 call. I was disappointed a few chapters in when it seems as though the whole incident was forgotten. Then when it popped back up, I didn't even remember the characters from that time. So that is why I gave the book the lower rating. I would like to see the finished book to see if there were any differences. I read an interview with the author that said that this book started off as a memoir, but her editor convinced her to change it into fiction. I think the middle parts where the memoir that got thrown out.
Overall, I enjoyed the book and I stayed up way past my bedtime once I reached the 60% mark to finish it. The ending was really good and it made up for the slow middle. I look forward to reading more by Annie Ward.
Here is an interview that Shelf Awareness did with Annie Ward. It gives you insight on the book that I believe is valuable.
https://www.shelf-awareness.com/readers-issue.html?issue=796#m13960
Sharpie0499 (114 KP) rated Avengers: Infinity War (2018) in Movies
Jul 9, 2018 (Updated Jul 9, 2018)
Best Marvel film yet (2 more)
Thanos and Black Order were the most terrifying villains yet
Ended on cliffhanger so am excited for Part 2
Best Marvel Film Yet!!!
Contains spoilers, click to show
Overall, Infinity War was the most powerful Marvel film to date; not just because of the powerful superheroes, but because it was able to fill you with adrenaline during fight scenes, fill you with hope when seeing lovers reunited, and wrench at your heartstrings during those difficult to watch, depressing scenes all in one movie. The casting was brilliantly done: Ebony Maw had me internally reeling just at the sight of him, and don't even get me started on Thanos. When seeing Thanos in previous Marvel films, it was obvious he was a threat to humanity but I never really felt afraid of him. But in the first scene when Hulk is beating up Thanos, you think, 'Yes, Hulk! Smash!' But then Thanos decides to turn it around, causing Hulk to be so afraid of Thanos throughout the entire film that he won't let Bruce turn into him. This is because Hulk knows Thanos can beat him, possibly even kill him. When I was sitting in the cinema, watching Scarlet Witch see Thanos for the first time at the end of the film and seeing her genuine terror just at the sight of him (though she could probably sense his powers with her magic) it got me thinking of what I would do in their situation. And I know humanity would have no chance against him, even without the infinity stones, and that he would just destroy us. Anyway, on a happier note, I was thrilled to see Scarlet Witch and Vision together when they were in Scotland. But then Marvel had to go and crush our hearts by having Thanos kill Vision. What really broke my heart was how Vision told Scarlet Witch, 'I love you,' just before he died and then Scarlet Witch's face when she turned into dust or sand or whatever the hell that was. It looked like she was almost relieved to become nothing after Vision's death (I'm probably just reading into that). What also nearly killed me was Rocket's reaction to Groot turning into dust/sand; and the scene on Titan when Spiderman turns into dust/sand. Anyway, this Marvel film beats all others out of the park with the more intense fight choreography, the terrifying villains, and the superheroes banding together and joining forces to beat a common enemy. I'm excited to see a certain new superhero join the team (Captain Marvel) and am counting down the days till May 2019 so I can see the conclusion to Infinity War!
CoPilot Middle East / GCC - Offline GPS Navigation
Navigation and Travel
App
Built for you, the driver. CoPilot is always ready to guide you with clear directions, reliable...
Phillip McSween (751 KP) rated Christopher Robin (2018) in Movies
Apr 1, 2019
Endearing and Pleasant
Never was a big “Winnie the Pooh” guy growing up, but I was always familiar with the characters. Christopher Robin made me fall in love with these characters all the same. Now an adult, Christopher returns to the Hundred Acre Woods to reunite with old friends he left behind.
Acting: 10
Jim Cummings is stellar as both Pooh and Tigger. Although I don’t have a huge point of reference, I can say that it felt like he poured his heart into these characters, making them extremely lovable. His tone and inflection just have a way of making me smile. I also loved Brad Garrett voicing Eeyore. That choice is almost a given as his voice is perfect, but I loved how he took the role and made it his own. Amazing job by the cast all around.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Reminiscent of what they did with the Snuggle bear, the characters are not quite animated, but an odd form of CGI. They don’t feel like fake creatures, rather they are a uniquely pleasant creation. Seeing them interact with Christopher Robin and the settings around them was a treat. I loved the way the Hundred Acre Woods are captured and the well-crafted closeups of the characters that evoke emotion. Especially powerful was the montage of Christopher Robin growing into a man at the beginning of the movie. It shows you just how far removed he is from his childhood.
Conflict: 7
Genre: 9
I appreciate it when a kids film can take their material and use it to appeal to adults. Christopher Robin straddles the line between adults and children extremely well and makes it an enjoyable experience for all. I smiled. I laughed. And maybe, just maybe, I got a little teary.
Memorability: 9
The movie hits you with a strong message about the necessity of growing up and the importance of holding on to yourself as you age. Watching it inspired me to remember how it felt to be fancy free without a care in the world and how good that felt. The movie does a great job of sprinkling the message in with the fun of the story.
One of my favorite scenes in the movie is when Pooh and Christopher reunite for the first time. They are sitting on park benches facing away from each other. It’s an endearing moment that helps to get the adventure rolling.
Pace: 10
Plot: 10
Resolution: 10
If this ending doesn’t move you, you are not human. Kidding, but it’s the perfect sappy ending for a sappy movie. The kind of ending that makes you want to start the movie over from the beginning and watch it all over again.
Overall: 94
First Po, then Paddington, now Pooh. I don’t know what it is about these bears that put a smile on my face, but whatever it is, it works! Christopher Robin was definitely one of my favorite movies of 2018.
Acting: 10
Jim Cummings is stellar as both Pooh and Tigger. Although I don’t have a huge point of reference, I can say that it felt like he poured his heart into these characters, making them extremely lovable. His tone and inflection just have a way of making me smile. I also loved Brad Garrett voicing Eeyore. That choice is almost a given as his voice is perfect, but I loved how he took the role and made it his own. Amazing job by the cast all around.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Reminiscent of what they did with the Snuggle bear, the characters are not quite animated, but an odd form of CGI. They don’t feel like fake creatures, rather they are a uniquely pleasant creation. Seeing them interact with Christopher Robin and the settings around them was a treat. I loved the way the Hundred Acre Woods are captured and the well-crafted closeups of the characters that evoke emotion. Especially powerful was the montage of Christopher Robin growing into a man at the beginning of the movie. It shows you just how far removed he is from his childhood.
Conflict: 7
Genre: 9
I appreciate it when a kids film can take their material and use it to appeal to adults. Christopher Robin straddles the line between adults and children extremely well and makes it an enjoyable experience for all. I smiled. I laughed. And maybe, just maybe, I got a little teary.
Memorability: 9
The movie hits you with a strong message about the necessity of growing up and the importance of holding on to yourself as you age. Watching it inspired me to remember how it felt to be fancy free without a care in the world and how good that felt. The movie does a great job of sprinkling the message in with the fun of the story.
One of my favorite scenes in the movie is when Pooh and Christopher reunite for the first time. They are sitting on park benches facing away from each other. It’s an endearing moment that helps to get the adventure rolling.
Pace: 10
Plot: 10
Resolution: 10
If this ending doesn’t move you, you are not human. Kidding, but it’s the perfect sappy ending for a sappy movie. The kind of ending that makes you want to start the movie over from the beginning and watch it all over again.
Overall: 94
First Po, then Paddington, now Pooh. I don’t know what it is about these bears that put a smile on my face, but whatever it is, it works! Christopher Robin was definitely one of my favorite movies of 2018.
Kristy H (1252 KP) rated She Lies in Wait (DCI Jonah Sheens, #1) in Books
Apr 8, 2019
Interesting mystery, with a detailed plot and characters
Aurora Jackson disappeared thirty years ago at age fourteen. She went camping with her sister, Topaz, and five of Topaz's friends. Topaz reluctantly let her kid sister tag along. No one ever saw Aurora again. Thirty years later, a body is found. DCI Jonah Sheens and DC Hanson are called to the scene, but Jonah already knows that it's Aurora. He's been waiting for this discovery for years. During the original investigation, all six friends maintained their stories and their innocence. But now Jonah is determined to find out what really happened to Aurora.
"It was where seven kids had bedded down thirty years ago, but only six of them had got up in the morning."
This was one of the ARCs that I requested simply because the story sounded interesting, and it really was. I couldn't shake the feeling while I was reading that the storyline felt somewhat familiar, but that didn't detract from what was a pretty strong police procedural, especially for an author debut. The book is fairly long--there is a lot of buildup to our ending--but I thought it was all well-done. Jonah is an intriguing character; it's made known early on that he had a small role in the first investigation when Aurora disappeared, and he clearly is hiding something, which isn't revealed for quite some time. But he's a good investigator, too, and it was sort of fun wondering if you could fully trust him (with Hanson, the newbie, as his foil).
"He found it impossible not to remember this place as it had been back then. The car park had all been bark and mud, but it had been just as overrun by police. The haircuts different; the faces somehow the same."
The way the story is told--snippets of the past (including from her point of view), plus Jonah and Hanson investigating in the present--is interesting and moves the story along. It certainly keeps you wondering as things unravel. While the limited number of characters (especially at the camp ground thirty years ago) lowers our amount of suspects, it's easy to speculate about each one.
Plus, all the characters in this one are detailed. I found it a little complicated to keep track of everyone at first--especially all the boys at the campground--but they were strong characters and knowing so much about them made figuring out who killed Aurora all the more compelling. Aurora herself is a lovely character, and I felt for her. When our suspect was revealed, it all ended a little crazily yet easily, but this was still a good read for me.
Overall, this was an interesting mystery, with a detailed plot and characters. I look forward to Lodge's next book.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review (thank you!).
"It was where seven kids had bedded down thirty years ago, but only six of them had got up in the morning."
This was one of the ARCs that I requested simply because the story sounded interesting, and it really was. I couldn't shake the feeling while I was reading that the storyline felt somewhat familiar, but that didn't detract from what was a pretty strong police procedural, especially for an author debut. The book is fairly long--there is a lot of buildup to our ending--but I thought it was all well-done. Jonah is an intriguing character; it's made known early on that he had a small role in the first investigation when Aurora disappeared, and he clearly is hiding something, which isn't revealed for quite some time. But he's a good investigator, too, and it was sort of fun wondering if you could fully trust him (with Hanson, the newbie, as his foil).
"He found it impossible not to remember this place as it had been back then. The car park had all been bark and mud, but it had been just as overrun by police. The haircuts different; the faces somehow the same."
The way the story is told--snippets of the past (including from her point of view), plus Jonah and Hanson investigating in the present--is interesting and moves the story along. It certainly keeps you wondering as things unravel. While the limited number of characters (especially at the camp ground thirty years ago) lowers our amount of suspects, it's easy to speculate about each one.
Plus, all the characters in this one are detailed. I found it a little complicated to keep track of everyone at first--especially all the boys at the campground--but they were strong characters and knowing so much about them made figuring out who killed Aurora all the more compelling. Aurora herself is a lovely character, and I felt for her. When our suspect was revealed, it all ended a little crazily yet easily, but this was still a good read for me.
Overall, this was an interesting mystery, with a detailed plot and characters. I look forward to Lodge's next book.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review (thank you!).
My rating: 3.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Erin Eveland is known for her short horror stories but she has moved onto writing novels with <i>Darkness</i> being her first of a series. It was not scary in the way that horror books are generally perceived to be but it did contain a good deal of paranormal ideas.
It begins when the main character, Catherine, is six years old and living with her grandmother. She is constantly haunted by an unseen presence, a nameless terror, which worries her grandmother immensely. Very suddenly, Catherine’s grandmother suffers a fatal heart attack and Catherine ends up being removed from her well looked after home to a dirty trailer park to live with her alcoholic mother. The novel then fast-forwards ten years to a time when Catherine is mostly fending for herself and her mother never goes a day sober. The terrors of her childhood have all but been forgotten but Catherine is beginning to remember and have similar experiences all over again. These incidents increase with the mysterious appearance of a man named Jorgen who insists he wants to protect Catherine. Meanwhile, Nathan, a friend of Catherine, comes into contact with an intriguing man in black who begins to teach him about colours and Darkness – something which could have done with a little more detail. Unbeknownst to Nathan, his dealings with this man may result in harming Catherine, especially as the two friends begin to see odd moving shapes – shadow creatures.
For a while there appeared to be a very thin line between heroes and villains as it took some time to work out the intentions of Jorgen and Artros (the man in black). The novel would have benefitted with more description about these characters: who they are or more importantly, what they are, as well as the significance of the shadow creatures.
Although it was good to be introduced to the paranormal aspects right at the start, this resulted in lessening the amount of foreboding and dread throughout the main bulk of the novel. Even though <i>Darkness</i> is the first in a series, it did not feel that it was properly starting until nearer the end. On finishing, the reader still does not know much about the shadow creatures or what the Darkness is. Presumably the sequel will be more enlightening.
<i>Darkness</i> is sub-titled “An Interactive Novel” and includes Quick Response codes at the beginning of each chapter to heighten the reading experience with the interactive addition of art and music. Of course to benefit from this a smart phone is required (I do not have one therefore cannot comment further on this feature).
Overall, <i>Darkness</i> is a well-written book full of originality that has the potential to become an exciting young adult series.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Erin Eveland is known for her short horror stories but she has moved onto writing novels with <i>Darkness</i> being her first of a series. It was not scary in the way that horror books are generally perceived to be but it did contain a good deal of paranormal ideas.
It begins when the main character, Catherine, is six years old and living with her grandmother. She is constantly haunted by an unseen presence, a nameless terror, which worries her grandmother immensely. Very suddenly, Catherine’s grandmother suffers a fatal heart attack and Catherine ends up being removed from her well looked after home to a dirty trailer park to live with her alcoholic mother. The novel then fast-forwards ten years to a time when Catherine is mostly fending for herself and her mother never goes a day sober. The terrors of her childhood have all but been forgotten but Catherine is beginning to remember and have similar experiences all over again. These incidents increase with the mysterious appearance of a man named Jorgen who insists he wants to protect Catherine. Meanwhile, Nathan, a friend of Catherine, comes into contact with an intriguing man in black who begins to teach him about colours and Darkness – something which could have done with a little more detail. Unbeknownst to Nathan, his dealings with this man may result in harming Catherine, especially as the two friends begin to see odd moving shapes – shadow creatures.
For a while there appeared to be a very thin line between heroes and villains as it took some time to work out the intentions of Jorgen and Artros (the man in black). The novel would have benefitted with more description about these characters: who they are or more importantly, what they are, as well as the significance of the shadow creatures.
Although it was good to be introduced to the paranormal aspects right at the start, this resulted in lessening the amount of foreboding and dread throughout the main bulk of the novel. Even though <i>Darkness</i> is the first in a series, it did not feel that it was properly starting until nearer the end. On finishing, the reader still does not know much about the shadow creatures or what the Darkness is. Presumably the sequel will be more enlightening.
<i>Darkness</i> is sub-titled “An Interactive Novel” and includes Quick Response codes at the beginning of each chapter to heighten the reading experience with the interactive addition of art and music. Of course to benefit from this a smart phone is required (I do not have one therefore cannot comment further on this feature).
Overall, <i>Darkness</i> is a well-written book full of originality that has the potential to become an exciting young adult series.
Emma @ The Movies (1786 KP) rated Richard Jewell (2019) in Movies
Mar 2, 2020
Richard longs to work in law enforcement, but his eagerness to make the best impression doesn't endear him to his employers or the people he's bound to protect.
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
Phillip McSween (751 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Mar 5, 2020
Start-to-Finish Entertainment!
Princess Snow White finds herself on the run from her evil stepmother the Queen when the Queen finds out that Snow White is the prettiest girl in the land. First released in 1937, I’ve gotta say this movie still holds up today! Snow holds it down as the first Disney princess to grace the big screen.
Acting: 10
Beginning: 10
There’s some serious conflict going down in the castle and we come to learn that within the first ten minutes. The Queen is a real threat and we immediately come to worry about innocent Snow White who just wants to sing and be merry all day. I was immediately whisked away to this other place and time and I was excited for the journey.
Characters: 10
Still some of the best characters in film history. Having seven dwarfs with different personalities was genius! Sleepy was my dude! And there’s just something about Snow that really captivates me. She has a pure soul that inspires everyone around her, even the animals.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 9
Between the dwarfs, the fun musical numbers, and that cackling Queen, Snow White and the Seven Dwarfs kept me entertained from start to finish. Disney is a victim of its own success, however, as there are other animated movies I felt entertained me a wee bit more. That being said, this is a movie that could still capture and hold a kid’s attention today.
Memorability: 8
Pace: 10
Gets off to a pretty quick start and holds your attention from there. Even the songs aren’t wasted as they segment into the next important plot piece. The movie is a perfect example of rising conflict, then bringing the audience down for just long enough before hitting them again.
Plot: 8
My gripe with the movie’s plot is pretty small, but just enough to annoy me. I felt like the Queen went through A LOT of trouble just to turn into that witch only to give Snow an apple. At that point, if you want to kill her so bad, just make it happen right then! Classic case of a movie overthinking things and trying to be creative for the sake of being creative. Again, it’s small but too noticeable not to bring up.
Resolution: 10
Overall: 93
It always impresses me when classic films hold up today. I can imagine some of the older crowd might be offended by that just as if I might be offended if some young punk in 2035 is watching Jurassic Park and says, “Wow, this film is still solid to this day!” I get it, but I can’t help but admire a movie that is (as of this writing) eighty-three years old! Bananas. Disney came out of the gates swinging and hasn’t looked back since.
Acting: 10
Beginning: 10
There’s some serious conflict going down in the castle and we come to learn that within the first ten minutes. The Queen is a real threat and we immediately come to worry about innocent Snow White who just wants to sing and be merry all day. I was immediately whisked away to this other place and time and I was excited for the journey.
Characters: 10
Still some of the best characters in film history. Having seven dwarfs with different personalities was genius! Sleepy was my dude! And there’s just something about Snow that really captivates me. She has a pure soul that inspires everyone around her, even the animals.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 9
Between the dwarfs, the fun musical numbers, and that cackling Queen, Snow White and the Seven Dwarfs kept me entertained from start to finish. Disney is a victim of its own success, however, as there are other animated movies I felt entertained me a wee bit more. That being said, this is a movie that could still capture and hold a kid’s attention today.
Memorability: 8
Pace: 10
Gets off to a pretty quick start and holds your attention from there. Even the songs aren’t wasted as they segment into the next important plot piece. The movie is a perfect example of rising conflict, then bringing the audience down for just long enough before hitting them again.
Plot: 8
My gripe with the movie’s plot is pretty small, but just enough to annoy me. I felt like the Queen went through A LOT of trouble just to turn into that witch only to give Snow an apple. At that point, if you want to kill her so bad, just make it happen right then! Classic case of a movie overthinking things and trying to be creative for the sake of being creative. Again, it’s small but too noticeable not to bring up.
Resolution: 10
Overall: 93
It always impresses me when classic films hold up today. I can imagine some of the older crowd might be offended by that just as if I might be offended if some young punk in 2035 is watching Jurassic Park and says, “Wow, this film is still solid to this day!” I get it, but I can’t help but admire a movie that is (as of this writing) eighty-three years old! Bananas. Disney came out of the gates swinging and hasn’t looked back since.
Runtastic Pull-Ups PRO Trainer
Health & Fitness
App
When life gets complicated - pull yourself up to the challenge! Pull-ups are the best exercise for a...
CoPilot HD Europe
Navigation and Travel
App
30% Off | Summer Sale | Limited Time Only Built for you, the driver. CoPilot is always ready to...