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Matthew Krueger (10051 KP) rated Frankenweenie (2012) in Movies
Oct 31, 2020
Black & White (3 more)
Dark
Tim Burton
Stop Motion
A Boys Best Friend
Frankenweenie- is a halloween classic. Ive wanted to watch this film for couple of years now and it was not disappointed.
The plot: Young Victor Frankenstein (Charlie Tahan) is a science nerd and outsider at school, but he does have one good friend: his dog, Sparky. But then, tragedy strikes, and Sparky shuffles off this mortal coil. Victor is heartbroken, but his science teacher (Martin Landau) gives him an idea of how to jolt old Sparky back to life. The experiment is successful, and all goes well, until Victor's fellow students steal his secret and use it to resurrect other dead animals -- with monstrous consequences.
It is a feature-length remake of Burton's 1984 short film of the same name and is also both a parody of and homage to the 1931 film Frankenstein, based on Mary Shelley's book of the same name.
This is the final horror film released under the Disney banner until Ready Or Not on August 21, 2019 from Fox Searchlight Pictures, which was bought by Disney in 2019.
The voice cast includes four actors who worked with Burton on previous films: Winona Ryder (Beetlejuice and Edward Scissorhands); Martin Short (Mars Attacks!); Catherine O'Hara (Beetlejuice and The Nightmare Before Christmas); and Martin Landau (Ed Wood and Sleepy Hollow), along with some new voice actors, such as Charlie Tahan and Atticus Shaffer.
Its a dark humor twisted film.
The plot: Young Victor Frankenstein (Charlie Tahan) is a science nerd and outsider at school, but he does have one good friend: his dog, Sparky. But then, tragedy strikes, and Sparky shuffles off this mortal coil. Victor is heartbroken, but his science teacher (Martin Landau) gives him an idea of how to jolt old Sparky back to life. The experiment is successful, and all goes well, until Victor's fellow students steal his secret and use it to resurrect other dead animals -- with monstrous consequences.
It is a feature-length remake of Burton's 1984 short film of the same name and is also both a parody of and homage to the 1931 film Frankenstein, based on Mary Shelley's book of the same name.
This is the final horror film released under the Disney banner until Ready Or Not on August 21, 2019 from Fox Searchlight Pictures, which was bought by Disney in 2019.
The voice cast includes four actors who worked with Burton on previous films: Winona Ryder (Beetlejuice and Edward Scissorhands); Martin Short (Mars Attacks!); Catherine O'Hara (Beetlejuice and The Nightmare Before Christmas); and Martin Landau (Ed Wood and Sleepy Hollow), along with some new voice actors, such as Charlie Tahan and Atticus Shaffer.
Its a dark humor twisted film.
Suswatibasu (1703 KP) rated The Only Story in Books
Jan 10, 2018
Slightly irritating protagonist, but good story
This unusual romance is definitely not in the same ballpark as the likes of The Notebook and other such love stories - instead it begins as a pseudo-parody of the younger man-older woman genre - ending in a tragically realistic fashion.
Following the story of protagonist Paul, a 19-year-old man-child, attempts to find his feet in the world by defying social conventions. Enter Susan, a married woman with two grown children even older than Paul. Beginning innocently after joining a tennis club, Paul seems to grow increasingly attracted to the almost middle-aged woman, but is clearly ambiguous about his motives for pursuing her. Is it out of sheer rebellion against his traditional upbringing or just another yarn to tell his university friends? What does become increasingly apparent is that it is not just a summer affair, as things start to unravel over time. The question posed by the book at the end is: "Would you rather love the more, and suffer the more; or love the less, and suffer the less?"
As per usual, Julian Barnes is a unique storyteller, able to adapt his writing every single time. It is vastly different from some of his other works such as The Noise of Time, which is written almost like a Russian classic. This, on the other hand, is written in an honest first-person narrative, sounding genuinely like a happy-go-lucky teenager. While it is not a perfect story, especially as the chronology feels inconsistent, it is an easy read.
Following the story of protagonist Paul, a 19-year-old man-child, attempts to find his feet in the world by defying social conventions. Enter Susan, a married woman with two grown children even older than Paul. Beginning innocently after joining a tennis club, Paul seems to grow increasingly attracted to the almost middle-aged woman, but is clearly ambiguous about his motives for pursuing her. Is it out of sheer rebellion against his traditional upbringing or just another yarn to tell his university friends? What does become increasingly apparent is that it is not just a summer affair, as things start to unravel over time. The question posed by the book at the end is: "Would you rather love the more, and suffer the more; or love the less, and suffer the less?"
As per usual, Julian Barnes is a unique storyteller, able to adapt his writing every single time. It is vastly different from some of his other works such as The Noise of Time, which is written almost like a Russian classic. This, on the other hand, is written in an honest first-person narrative, sounding genuinely like a happy-go-lucky teenager. While it is not a perfect story, especially as the chronology feels inconsistent, it is an easy read.
Lou Grande (148 KP) rated Her Body and Other Parties: Stories in Books
Jul 17, 2018
Short fiction is hit or miss for me. I think it's actually a harder genre to write than long, sprawling novels. You have to be concise and hard-hitting, and Machado certainly achieves that in her collection here. Her stories are lush with description, beautifully vague and precise at the same time. These stories hit me on a visceral level. And they really span run the gamut: from a retelling of an urban legend ("The Husband Stitch," which plays off of the story about the little girl with a green ribbon around her neck--you know the one), to the centerpiece of the collection, an offbeat, surreal "parody" of Law & Order: SVU entitled "Especially Heinous: 272 Views of Law & Order: SVU"). Each one had me stopping after I finished, rereading certain passages, and pouring over the text again. I never do that! I'm a speed reader! But these stories demand that you take your time.
At its heart, Her Body and Other Parties is about women--especially queer women. Machado brings something of herself into each of these stories, or so she has said. The storytellers are often unreliable, but never in a degrading or dismissive way. We see stories overlapped with stories, creating intricate layers of narrative. This is not a book for a casual experience. It demands your attention, and it's good enough to deserve it. A masterful blending of prose, horror, comedy, and magic realism, Her Body and Other Parties will be read in universities for years to come. Mark my words!
At its heart, Her Body and Other Parties is about women--especially queer women. Machado brings something of herself into each of these stories, or so she has said. The storytellers are often unreliable, but never in a degrading or dismissive way. We see stories overlapped with stories, creating intricate layers of narrative. This is not a book for a casual experience. It demands your attention, and it's good enough to deserve it. A masterful blending of prose, horror, comedy, and magic realism, Her Body and Other Parties will be read in universities for years to come. Mark my words!
Awix (3310 KP) rated Peterloo (2018) in Movies
Nov 9, 2018 (Updated Nov 9, 2018)
Inescapably worthy costume drama sheds some light on a half-forgotten landmark in British political history, but in the process kind of comes across as Barry Lyndon as written by Jeremy Corbyn. Decent, heroic, possibly slightly naive reformers campaign to reform society; greedy and self-serving politicians, magistrates and businessmen unite to stop them; in the end the troops are sent in.
Not quite as punishingly didactic as it sounds, but this may not have been intentional: what may also have been an accident is how close the film frequently comes to being actually quite funny. There are some spectacular wigs and hats, startling accents, and very broad performances from most of the cast - it almost feels like a parody of a bad costume drama in places. There's a scene where a family of semi-literate mill-workers pause to discuss the economic effects of the Corn Laws in some detail, mostly for the audience's benefit, while another scene arguably recycles a Monty Python gag. Casting someone from Blackadder as the Prince Regent was probably a misstep, too.
Still, it all reeks with conviction and moral outrage, and in the end the Peterloo massacre itself is staged quite well - though I still think it could have been handled slightly more cinematically. This is the movie equivalent of someone who hands out the Socialist Worker in the street: the intentions are so laudable that you kind of feel obliged to indulge the earnest lack of self-awareness. Looks quite good too.
Not quite as punishingly didactic as it sounds, but this may not have been intentional: what may also have been an accident is how close the film frequently comes to being actually quite funny. There are some spectacular wigs and hats, startling accents, and very broad performances from most of the cast - it almost feels like a parody of a bad costume drama in places. There's a scene where a family of semi-literate mill-workers pause to discuss the economic effects of the Corn Laws in some detail, mostly for the audience's benefit, while another scene arguably recycles a Monty Python gag. Casting someone from Blackadder as the Prince Regent was probably a misstep, too.
Still, it all reeks with conviction and moral outrage, and in the end the Peterloo massacre itself is staged quite well - though I still think it could have been handled slightly more cinematically. This is the movie equivalent of someone who hands out the Socialist Worker in the street: the intentions are so laudable that you kind of feel obliged to indulge the earnest lack of self-awareness. Looks quite good too.
The Canterville Ghost (Oscar Wilde) Immersive Book
Book, Education and Stickers
App
Reader, in your eager and clasping hands, you hold one of Oscar Wilde's most cherished works: The...
Ari Aster recommended Songs From The Second Floor (2000) in Movies (curated)
Awix (3310 KP) rated Fast & Furious 9 (2021) in Movies
Jul 9, 2021 (Updated Jul 9, 2021)
'We'll be fine as long as we obey the laws of physics,' says Chris Bridges' character at one point in F&F 9. Well, obviously they should all end up dead, then; but perhaps this is an example of a knowing self-awareness which doesn't quite sit well in this most earnest of empty-headed popcorn movie franchises.
Anyway: Dom and Letty are raising their child off the grid in some rustic idyll or other, when their friends appear asking for help with a problem; not having seen Avengers: Endgame and how things turned out for all involved on that occasion, they agree to pitch in for another exercise in hunt-the-coupons plotting, with overblown stunt sequences linked by a (at this point) mind-bogglingly byzantine backstory.
The sizeable gap left by Dwayne Johnson is filled by cameos and return appearances by virtually everyone who's ever appeared in an F&F ensemble (no idea what young Eastwood did to get left out); virtually everyone comes back, even a couple of the dead ones. Of course, this just makes the film's gymnastics in dealing with the absence of Paul Walker all the more obvious (and a bit uncomfortable by this point).
Decent stunts and action, but all a bit slick and ridiculous even by F&F standards, and showing real signs of sliding into lazy self-parody; this series was effortlessly breezy entertainment for a long time, but it's definitely starting to look like it's running out of steam.
Anyway: Dom and Letty are raising their child off the grid in some rustic idyll or other, when their friends appear asking for help with a problem; not having seen Avengers: Endgame and how things turned out for all involved on that occasion, they agree to pitch in for another exercise in hunt-the-coupons plotting, with overblown stunt sequences linked by a (at this point) mind-bogglingly byzantine backstory.
The sizeable gap left by Dwayne Johnson is filled by cameos and return appearances by virtually everyone who's ever appeared in an F&F ensemble (no idea what young Eastwood did to get left out); virtually everyone comes back, even a couple of the dead ones. Of course, this just makes the film's gymnastics in dealing with the absence of Paul Walker all the more obvious (and a bit uncomfortable by this point).
Decent stunts and action, but all a bit slick and ridiculous even by F&F standards, and showing real signs of sliding into lazy self-parody; this series was effortlessly breezy entertainment for a long time, but it's definitely starting to look like it's running out of steam.
LoganCrews (2861 KP) rated Super Size Me 2: Holy Chicken (2017) in Movies
Sep 20, 2020
Absolutely hysterical, through sheer commitment and idiosyncrasy achieves the once impossible task of turning 𝘍𝘰𝘰𝘥, 𝘐𝘯𝘤. into a comedy. I do have a few gripes, one of which being that - since this is objectively more 'professionally-made' than most of his other works, it sort of lacks some of that personal quality which made a lot of Spurlock's docs so distinctive. But overall that's such a minor quibble because this is still just as eccentric. Also gets a bit deceptive towards the end, though even then the base claims it sets out to make are still objectively correct so not a huge issue. Certainly not the first film to tackle this subject and won't be the last either, but it's definitely the most enjoyable - still ripe with enlightening information (if not nearly as much as the first) and insane charisma. I find it endlessly intriguing to see Spurlock create this morbid pitch-black comedy/doc hybrid that acts as this absurd birthing video showing him help raise the monster (faux-healthy fast food hysteria) that he helped create. Also the parody restaurant he makes at the end is hilarious. For anyone else I'd say this "imagine (company)... but honest!" filmmaking is an easy target that sort of has no meaning anymore but naturally Morgan delivers the goods with his ever-watchable personality and trademark filmmaking so here it seems admittedly different. Really good. Better than Where in the 𝘞𝘰𝘳𝘭𝘥 𝘪𝘴 𝘖𝘴𝘢𝘮𝘢 𝘉𝘪𝘯 𝘓𝘢𝘥𝘦𝘯? and 𝘔𝘢𝘯𝘴𝘰𝘮𝘦, not as good as 𝘛𝘩𝘦 𝘎𝘳𝘦𝘢𝘵𝘦𝘴𝘵 𝘔𝘰𝘷𝘪𝘦 𝘌𝘷𝘦𝘳 𝘚𝘰𝘭𝘥 or the original 𝘚𝘶𝘱𝘦𝘳 𝘚𝘪𝘻𝘦 𝘔𝘦.
Tómas Jónsson, Bestseller
Lytton Smith and Guðbergur Bergsson
Book
“Guðbergur Bergsson achieved success with his novel Tómas Jónsson, Bestseller, which shocked...
Fiction humour
Dakota and the American Dream
7.0
Rate It
Book
When ten-year-old Dakota becomes bored sitting next to his mother on a park bench, he drifts off and...