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James Koppert (2698 KP) rated Wakenhyrst in Books
Jul 17, 2020
Edwardian Gothic Horror
Michelle Paver has this exceptional ability to create a location that always becomes the lead character of her stories. Here it is The Fen and the Manor House within it. You can smell the pond weed, hear the birds and visualise the location immaculately. This incredible writer also always manages to create suggestions and hints of horror without ever over stating it. Its a beautiful subtlety which makes it even more haunting. This book also highlights strong feminist values simply by portraying female strength she ridicules the notion of patriarchy.
As you know I don't like to give away the story, wanting you to discover the pages yourself. Wakenhyrst is set in the early 1900s and is a dark githic thriller about past deeds haunting the now, and like her other books it's spectacular.
As you know I don't like to give away the story, wanting you to discover the pages yourself. Wakenhyrst is set in the early 1900s and is a dark githic thriller about past deeds haunting the now, and like her other books it's spectacular.
Gareth von Kallenbach (968 KP) rated Mary Queen of Scots (2018) in Movies
Jul 2, 2019
Mary Queen of Scots” tells the story of two women fighting to rise above the status quo and take the power that they were genetically entitled to. Yet, their paths are forsaken by the omnipresent patriarchy, despite their high status and crowns.
The film is a display of the hard hands of men attempting to crush the ambitions of women. The manipulative and aggressive power of the patriarchy is a theme sown throughout the story.
This tale is filled with twists and turns, betrayal, romance, gore, and heartache. It is a portrayal of a timeless theme.
The audience will be placed in another world of the distant past where life was poor, brutish, nasty, and short, as Leviathan would have put it.
Margot Robbie as Queen Elizabeth I, embodies a woman absorbed by the challenge of maintaining her crown. She forfeits her femininity to become a masculine ruler out of necessity and the impact upon her is great in sacrifice.
On the other hand, her cousin, Mary Queen of Scots, played by Saoirse Ronan, is an ambitious leader with hopes to bring peace between two kingdoms at all costs.
Ronan delivers an elegant and passionate performance as Mary, a headstrong and fearless lady of power with rosy cheeks and eyes full of brightness. She believes in love and she believes in truth, but she also believes in war. The audience will experience where her values and virtue lead her.
If escape from the mundane modern world is what the movie goer desires, this will be the perfect film. It is a balance of everything and a reflection of life itself in all its most ugly and beautiful moments.
Director Josie Rourke has delivered a riveting historical drama onto the big screen.
The film has an ethereal and realistic way of reviving this piece of our past. But heed my warning, it will not be for the faint of heart.
The film is a display of the hard hands of men attempting to crush the ambitions of women. The manipulative and aggressive power of the patriarchy is a theme sown throughout the story.
This tale is filled with twists and turns, betrayal, romance, gore, and heartache. It is a portrayal of a timeless theme.
The audience will be placed in another world of the distant past where life was poor, brutish, nasty, and short, as Leviathan would have put it.
Margot Robbie as Queen Elizabeth I, embodies a woman absorbed by the challenge of maintaining her crown. She forfeits her femininity to become a masculine ruler out of necessity and the impact upon her is great in sacrifice.
On the other hand, her cousin, Mary Queen of Scots, played by Saoirse Ronan, is an ambitious leader with hopes to bring peace between two kingdoms at all costs.
Ronan delivers an elegant and passionate performance as Mary, a headstrong and fearless lady of power with rosy cheeks and eyes full of brightness. She believes in love and she believes in truth, but she also believes in war. The audience will experience where her values and virtue lead her.
If escape from the mundane modern world is what the movie goer desires, this will be the perfect film. It is a balance of everything and a reflection of life itself in all its most ugly and beautiful moments.
Director Josie Rourke has delivered a riveting historical drama onto the big screen.
The film has an ethereal and realistic way of reviving this piece of our past. But heed my warning, it will not be for the faint of heart.
Awix (3310 KP) rated On the Basis of Sex (2018) in Movies
Mar 1, 2019
Legal bio-pic has a title that makes it sound like a recipe for a failed marriage; unfortunately it's not as interesting as that. Felicity Jones plays a young Ruth Bader Ginsberg, battling the patriarchy first at Harvard and then in the courts, aided by her husband Marty (it's Armie Hammer time!).
Well-mounted and with some decent performances, and there are some startling revelations (sex discrimination was not considered unconstitutional in the US until fairly recently), but the actual story of the main case covered by the film is not that gripping (a lot of discussion of legal procedure and tax law), and the earnestness of the film also threatens to make it a bit indigestible: of course RBG is an important figure fighting for a good cause, but that doesn't mean any film about her has to feel like The Lives of the Saints. The documentary about Ginsberg is also flawed, but more peppy than this.
Well-mounted and with some decent performances, and there are some startling revelations (sex discrimination was not considered unconstitutional in the US until fairly recently), but the actual story of the main case covered by the film is not that gripping (a lot of discussion of legal procedure and tax law), and the earnestness of the film also threatens to make it a bit indigestible: of course RBG is an important figure fighting for a good cause, but that doesn't mean any film about her has to feel like The Lives of the Saints. The documentary about Ginsberg is also flawed, but more peppy than this.
Awix (3310 KP) rated Enola Holmes (2020) in Movies
Sep 24, 2020
Lavish slab of Holmesian schlock, which managed to get Netflix sued by the Conan Doyle estate on the grounds that it depicts Sherlock Holmes having emotions: frankly, this is the least of the film's divergences from the canon. The great detective's slightly manic younger sister is home-schooled by her mother, and then goes off to London when said matriarch vanishes on her sixteenth birthday.
Doesn't really bear much resemblance to the original canon, nor to the realities of Victorian London or much else, really: there isn't a great deal of detecting going on, but there is a lot of earnest messaging about finding your own path and giving the patriarchy a good kicking. Has clearly had some money spent on it; Brown has a certain presence and Cavill, while arguably miscast, is less problematic than you might expect. For a film which appears to be aimed at a fairly young audience there are some moments of surprisingly nasty violence, but on the whole it's fairly inoffensive. I imagine members of the target audience will probably enjoy it a lot more than me; I think I'll be sticking with Young Sherlock Holmes when I'm in the mood for this sort of thing.
Doesn't really bear much resemblance to the original canon, nor to the realities of Victorian London or much else, really: there isn't a great deal of detecting going on, but there is a lot of earnest messaging about finding your own path and giving the patriarchy a good kicking. Has clearly had some money spent on it; Brown has a certain presence and Cavill, while arguably miscast, is less problematic than you might expect. For a film which appears to be aimed at a fairly young audience there are some moments of surprisingly nasty violence, but on the whole it's fairly inoffensive. I imagine members of the target audience will probably enjoy it a lot more than me; I think I'll be sticking with Young Sherlock Holmes when I'm in the mood for this sort of thing.
Hannah (27 KP) rated Sapiens: A Brief History of Humankind in Books
Jun 6, 2017
Succinct and simple telling of human history (1 more)
Motivating
Interesting and stimulating account of human history
This book is absolutely a must-read for anyone interested in the history of humankind, the development of societies, language, money and patriarchy, and what the future might hold for humankind.
This book is a simple retelling of what we currently know about the history of humankind. It follows a path from our common ancestor with apes through the stages of revolution to our modern era. It takes a deeper look at the Argicultural and Cognitive Revolutions, and at the progressions of human society over thousands of years, including the development of writing, money and laws.
The author challenges many of the beliefs and myths we hold in our age, asking us to question why things are as they are. Why has society typically been patriarchal throughout our long history? Why, with a closer look at the structure of other species' societies, do we not live in a matriarchal society? He raises many questions that I never previously realised or thought about, and really has the capability of changing the way you look st society and how it developed.
This is a fascinating, well-written work sure to keep you hooked for the entirety of the book. I can't recommend this book enough to anyone with a curious or enquiring mind.
This book is a simple retelling of what we currently know about the history of humankind. It follows a path from our common ancestor with apes through the stages of revolution to our modern era. It takes a deeper look at the Argicultural and Cognitive Revolutions, and at the progressions of human society over thousands of years, including the development of writing, money and laws.
The author challenges many of the beliefs and myths we hold in our age, asking us to question why things are as they are. Why has society typically been patriarchal throughout our long history? Why, with a closer look at the structure of other species' societies, do we not live in a matriarchal society? He raises many questions that I never previously realised or thought about, and really has the capability of changing the way you look st society and how it developed.
This is a fascinating, well-written work sure to keep you hooked for the entirety of the book. I can't recommend this book enough to anyone with a curious or enquiring mind.
Heather Cranmer (2721 KP) created a post
Sep 11, 2022
ClareR (5577 KP) rated The Shadow of Perseus in Books
Mar 10, 2023
Have I said lately how much I’m enjoying these retellings of Greek myths? Keep ‘em coming, I say!
And here’s another take on the story of Perseus, except this has more of a historical fiction slant to it. There’s no magic, no snakey hair, no sea monster come to take it’s sacrifice. Instead there is a story packed full of adventure with women who try to make the best of their lives in a world where the patriarchy always comes out on top.
Much like the Perseus in Natalie Haynes’ Stone Blind, Perseus in The Shadow is very unlikeable. He’s immature, sulky, and believes the world - and his grandfather - owes him something. His ability to spin his own heroic deeds (are they heroic?!)makes fools of all the men, I felt. The women aren’t fooled though, and as in the original, Medusa pays the ultimate price.
The Narrator on the audiobook, Olivia Darnley, does a really good job of bringing the characters to life. She evokes the bravery and determination of all three of the female characters: Danae, Medusa and Andromeda. They all for a time become mistresses of their own fate, and I loved them for that. But of course, Perseus puts an end to all of that for all three of them. All through his own selfishness.
I’m going to have to go and read Daughters of Sparta, aren’t I? Oh yes I am! If it’s as good as The Shadow of Perseus, it’ll be time well spent!
And here’s another take on the story of Perseus, except this has more of a historical fiction slant to it. There’s no magic, no snakey hair, no sea monster come to take it’s sacrifice. Instead there is a story packed full of adventure with women who try to make the best of their lives in a world where the patriarchy always comes out on top.
Much like the Perseus in Natalie Haynes’ Stone Blind, Perseus in The Shadow is very unlikeable. He’s immature, sulky, and believes the world - and his grandfather - owes him something. His ability to spin his own heroic deeds (are they heroic?!)makes fools of all the men, I felt. The women aren’t fooled though, and as in the original, Medusa pays the ultimate price.
The Narrator on the audiobook, Olivia Darnley, does a really good job of bringing the characters to life. She evokes the bravery and determination of all three of the female characters: Danae, Medusa and Andromeda. They all for a time become mistresses of their own fate, and I loved them for that. But of course, Perseus puts an end to all of that for all three of them. All through his own selfishness.
I’m going to have to go and read Daughters of Sparta, aren’t I? Oh yes I am! If it’s as good as The Shadow of Perseus, it’ll be time well spent!
Heather Cranmer (2721 KP) created a post
Sep 2, 2021
ClareR (5577 KP) rated Our Hideous Progeny in Books
Aug 15, 2023
Our Hideous Progeny by C E McGill picks up the history of the Frankenstein’s where Mary Shelleys novel left off, give or take a generation. Except Mary in this story doesn’t know anything about her Great Uncle Victor. She does know that he went missing in the Artic in mysterious circumstances, but it’s not until she finds some letters that she learns the extent of his work.
Mary is a keen scientist, helping her husband Henry in his geological work. Without wealth and connections though, there is little they can do to really make their names in the field. So when she discovers Victor’s papers, she and her husband decide that there is only one thing to do. So they take themselves off to Henry’s old family home in Scotland to try and create a monster of their own.
Henry is a bit of an idiot though, and has managed to make himself some enemies, and one such turns up on the doorstep demanding money. When they explain to him what they’re doing, he demands to take part - and then things start to go wrong.
I really liked the female characters in this: Mary, and Henry’s reclusive and sickly sister, Maisie. They are determined (even in Maisie’s illness she isn’t a walkover) and intelligent. It was quite frustrating to see Mary treated so badly, whilst at the same time the men relied on her to do a lot of the work. It is her moral compass that grounds the endeavour, but to be fair, they don’t seem to listen to her much (of course, they know better!).
There’s a real sense of time and place in this - from the attitudes of the men towards the women, to the attitudes of the upper classes towards the lower. Horse and carriages, steam trains and bathing houses all entrenched the novel firmly in the Victorian age.
This really is a phenomenal read, and I loved it. There’s nothing like a strong female character or two having a go at the patriarchy to make my day!!
Mary is a keen scientist, helping her husband Henry in his geological work. Without wealth and connections though, there is little they can do to really make their names in the field. So when she discovers Victor’s papers, she and her husband decide that there is only one thing to do. So they take themselves off to Henry’s old family home in Scotland to try and create a monster of their own.
Henry is a bit of an idiot though, and has managed to make himself some enemies, and one such turns up on the doorstep demanding money. When they explain to him what they’re doing, he demands to take part - and then things start to go wrong.
I really liked the female characters in this: Mary, and Henry’s reclusive and sickly sister, Maisie. They are determined (even in Maisie’s illness she isn’t a walkover) and intelligent. It was quite frustrating to see Mary treated so badly, whilst at the same time the men relied on her to do a lot of the work. It is her moral compass that grounds the endeavour, but to be fair, they don’t seem to listen to her much (of course, they know better!).
There’s a real sense of time and place in this - from the attitudes of the men towards the women, to the attitudes of the upper classes towards the lower. Horse and carriages, steam trains and bathing houses all entrenched the novel firmly in the Victorian age.
This really is a phenomenal read, and I loved it. There’s nothing like a strong female character or two having a go at the patriarchy to make my day!!
Lottie disney bookworm (1056 KP) rated The Once and Future Witches in Books
Sep 20, 2020
Thank you to Netgalley for luring me in with this recommendation and the gorgeous cover art. Thank you to Alix E Harrow for providing such an amazing story for this ARC review. All the opinions expressed below are my own.
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!