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Alternative Movie Posters II: More Film Art from the Underground
Book
This second volume of cinematic eye candy further documents the quickly burgeoning underground film...
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Across the Endless River
Book
From the acclaimed bestselling author of The Piano Shop on the Left Bank, a historical novel about...
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British Design from 1948: Innovation in the Modern Age
Christopher Breward and Ghislaine Wood
Book
'The first time that post-war design in Britain has been portrayed in such detail - a must for...
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Creativity in the British Television Comedy Industry
Brett Mills, Erica Horton and Sarah Ralph
Book
What is it like to make television comedy? How do writers get their ideas made, and how do...
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Ethics
Book
The boundary of a contemporary art object or project is no longer thought of solely in physical...
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The Call of the Holy: Heidegger - Chauvet - Benedict XVI
Book
This title provides an enquiry into the sacramental theology of Chauvet, Heidegger and Benedict XVI....
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The Gently Mad: Life, Business & Entrepreneurship without the BS
Podcast
If you're looking for that inspirational kick-in-the-pants to help take your life and career to the...
Philosophy, Technology, and the Environment
Book
Environmental philosophy and philosophy of technology have taken divergent paths despite their...
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Matthew Krueger (10051 KP) rated Black Christmas (1974) in Movies
Dec 11, 2019
Inspired by the urban legend "The babysitter and the man upstairs" and a series of murders that took place in the Westmount section of Montreal, Quebec, Moore wrote the screenplay under the title Stop Me.
The Plot: As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb's friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.
Margot Kidder remembered shooting the film as being "fun. I really bonded with Andrea Martin, filming in Toronto and Ontario. Olivia Hussey was a bit of an odd one. She was obsessed with the idea of falling in love with Paul McCartney through her psychic. We were a little hard on her for things like that.
Black Christmas eventually gained a cult following and is notable for being one of the earliest slasher films. It went on to inspire other slasher films, the biggest one of all being John Carpenter's Halloween (which was apparently inspired by Clark suggesting what a Black Christmas sequel would be like).
Black Christmas has been included multiple lists in various media outlets as one of the greatest horror films ever made. The film ranked No. 87 on Bravo's The 100 Scariest Movie Moments.
A overall classic slasher horror movie based around a hoilday.
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Phillip McSween (751 KP) rated The Breakfast Club (1985) in Movies
Mar 22, 2018
Acting: 10
Beginning: 7
The Breakfast Club gets off to a decent start as you're introduced to all the players, quickly getting a small taste of each of their personalities. Principal Vernon (Paul Gleason) gets off to a roaring start where you come to hate him fairly quickly. The first ten minutes was enough to make me want to learn more about each of these characters and what in the world landed them in detention in the first place.
Characters: 10
All six of the primary characters had a solid foundation with their own personal story that made them unique. It fleshes out the idea that you never know what people are going through no matter how great their life must seem. Andrew Clark (Emilio Estevez) was the star wrestler and one of the most popular kids at his school. On the surface, he seemed to have it all together but ultimately he was suppressed by the desire to make his father happy. The characters all had their own story that defined them.
I appreciate that each of the characters had their share of flaws as well. I found myself hating them and loving them at the same time, sometimes with only a few minutes in between. It's the mark of real, well-developed characters you can actually get behind.
Cinematography/Visuals: 7
Conflict: 10
Genre: 8
What are we calling this? Comedy? Drama? 80's film? While it certainly has its share of funny moments, I would consider it more of a drama. As dramas go, particularly 80's dramas, I think the film ranks right up there as a solid one that provides its share of conflict and depth.
Memorability: 9
Pace: 10
Plot: 9
Resolution: 5
Overall: 85
While The Breakfast Club hit me with the typical 80's vibe, it steps it up a notch by hitting you with serious issues to chew on. There are real moments here that leave an impact.