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JT (287 KP) rated Takers (2010) in Movies
Mar 10, 2020
The bank heist, it’s been done to death in Hollywood over the years but it still seems to be a film favourite. You’d be hard pressed to find a really bad one out there and most of the ones that I have seen have been exceptional films.
Of course they all follow a very similar pattern. Group steals money, plan one last job which will inevitable go wrong where someone will get double crossed and not everyone walks off into the sunset with the money.Its a no brainer really and only an idiot could really mess up that style of plot.
Takers is no different from any other before it, the cast here seem to be a bit mismatched in places. There are real life rappers Chris Brown and T.I. aka Clifford Joseph Harris Jr., eye candy favourites Matt Dillon and Paul Walker with Brit Idris Elba making it the most unconventional mix of cops and robbers ever.
The film’s highlights are the well choreographed set pieces including a decent hotel gun fight, a hiest that goes wrong leading to more gun play, and an impressive chase through the city. Even the opening does well to set the story and character back grounds.
Where the film let’s itself down, through no fault of its own, is the way in which we are always one step ahead of the plot. This is just down to all the hiest films we have seen before and we’re pretty much going to make our own assumptions as to what is going to happen and who is going to get away with what at the climax.
There are a couple of wasted back stories which do little to the film such as Matt Dillon’s corrupt partner or Idris Elba’s crackhead sister. Zoe Saldana is a virtual unknown in this and pops up from time to time doing nothing but enlighten the screen with her clear beauty.
It’s never going to compete against the big boys such as Heat, Point Break or The Town, but it does well enough to hold the attention for 90 minutes or so.
Of course they all follow a very similar pattern. Group steals money, plan one last job which will inevitable go wrong where someone will get double crossed and not everyone walks off into the sunset with the money.Its a no brainer really and only an idiot could really mess up that style of plot.
Takers is no different from any other before it, the cast here seem to be a bit mismatched in places. There are real life rappers Chris Brown and T.I. aka Clifford Joseph Harris Jr., eye candy favourites Matt Dillon and Paul Walker with Brit Idris Elba making it the most unconventional mix of cops and robbers ever.
The film’s highlights are the well choreographed set pieces including a decent hotel gun fight, a hiest that goes wrong leading to more gun play, and an impressive chase through the city. Even the opening does well to set the story and character back grounds.
Where the film let’s itself down, through no fault of its own, is the way in which we are always one step ahead of the plot. This is just down to all the hiest films we have seen before and we’re pretty much going to make our own assumptions as to what is going to happen and who is going to get away with what at the climax.
There are a couple of wasted back stories which do little to the film such as Matt Dillon’s corrupt partner or Idris Elba’s crackhead sister. Zoe Saldana is a virtual unknown in this and pops up from time to time doing nothing but enlighten the screen with her clear beauty.
It’s never going to compete against the big boys such as Heat, Point Break or The Town, but it does well enough to hold the attention for 90 minutes or so.
Movie Metropolis (309 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 11, 2019
A film that never needed to exist
Marc Webb’s first attempt at being behind the lens of a Marvel film was 2012’s The Amazing Spider-Man. Just five years after Sam Raimi concluded his trilogy with Tobey Maguire in the tight fitting suit, Andrew Garfield donned the iconic costume in a film that was good if a little unnecessary. Here, Webb returns just two years later with The Amazing Spider-Man 2, but can it prove its worth?
Thankfully yes. Amazing Spider-Man 2 is not only the best Spider-Man film to date, but one of Marvel’s greatest offerings despite some flaws in its production.
Andrew Garfield and Emma Stone return as Peter Parker and Gwen Stacey respectively as they battle a whole host of new foes in a movie that is loud, frequently violent and massively long.
Peter is still trying to piece together the fate of his parents as Aunt May, played excellently by Sally Field, continues to keep the truth from him. However, there’s no time for anguish as the villains come thick-and-fast.
Jamie Foxx, Paul Giamatti and a superb Dane DeHaan are all present to give Spider-Man, and his alter ego, a good kicking. A brilliantly unrestrained Foxx plays Max Dillon who inexplicably becomes one of the title characters best on-screen foes, Electro.
Much of the criticism of Raimi’s 2007 blockbuster Spider-Man 3 was given to the inclusion of too many plots, sub-plots and villains. Therefore many fans and critics thought the case would be similar here, especially considering Electro, Green Goblin and Rhino were all billed to appear.
The-Amazing-Spider-Man-2-New-Poster-spider-man-35222096-1024-1421
Mercifully, Webb restrains himself and leaves much of the film’s running time to Electro while Rhino (Giamatti) and Green Goblin (DeHaan) are merely given glorified cameos; setting the characters up for a larger part in the inevitable Amazing Spider-Man 3 and 4.
The special effects are on a whole new level to what we have seen previously. Apart from a few lapses towards the climatic finale, where things can begin to look like a video game, the film looks absolutely fantastic. The soaring shots of Spider-Man swinging his way across New York landmarks are exceptional and Webb’s use of slow-motion frames bring home the spider like senses Parker has been gifted with.
Acting performances are also sublime. Parker is a much better Spider-Man than Maguire was in the previous films. His geeky, timid persona is brilliantly juxtaposed with the superhero’s more arrogant attitude. Yet he never becomes irritating, a la Spider-Man 3. Emma Stone’s portrayal of love interest Gwen Stacey is wonderful and she does a cracking job of making the pair have real chemistry despite how difficult it is for this to create – though it must always help when you are partnered in real life.
The real joy here though is Dane DeHaan as Harry Osborn/Green Goblin. His performance is the complete opposite of James Franco’s take, he makes Harry a more vulnerable young man, clearly damaged by previous events in his life, as well as the ones which will no doubt occur in the future.
Unfortunately, the film’s running time is a real headache. At 142 minutes, you begin to check your watch as there are numerous points where you believe it could end – though it never does. Thankfully, this is a minor issue in a film which rarely lets up in its riveting pace.
Overall, The Amazing Spider-Man 2 is a film which never really needed to exist, certainly not for another ten years or so. It is clear in some respects that its production has been rushed to capitalise on the ever-popular Marvel series, but in others it makes perfect sense to release it when the story is still fresh in people’s minds.
Despite some clunky special effects in the finale and its gargantuan length, Amazing Spider-Man 2 boasts excellent performances and a humorous and exciting story, and as such is one of Marvel’s best offerings to date, only beaten by Avengers Assemble. The only question is, was it all necessary?
https://moviemetropolis.net/2014/04/19/the-amazing-spider-man-2-review/
Thankfully yes. Amazing Spider-Man 2 is not only the best Spider-Man film to date, but one of Marvel’s greatest offerings despite some flaws in its production.
Andrew Garfield and Emma Stone return as Peter Parker and Gwen Stacey respectively as they battle a whole host of new foes in a movie that is loud, frequently violent and massively long.
Peter is still trying to piece together the fate of his parents as Aunt May, played excellently by Sally Field, continues to keep the truth from him. However, there’s no time for anguish as the villains come thick-and-fast.
Jamie Foxx, Paul Giamatti and a superb Dane DeHaan are all present to give Spider-Man, and his alter ego, a good kicking. A brilliantly unrestrained Foxx plays Max Dillon who inexplicably becomes one of the title characters best on-screen foes, Electro.
Much of the criticism of Raimi’s 2007 blockbuster Spider-Man 3 was given to the inclusion of too many plots, sub-plots and villains. Therefore many fans and critics thought the case would be similar here, especially considering Electro, Green Goblin and Rhino were all billed to appear.
The-Amazing-Spider-Man-2-New-Poster-spider-man-35222096-1024-1421
Mercifully, Webb restrains himself and leaves much of the film’s running time to Electro while Rhino (Giamatti) and Green Goblin (DeHaan) are merely given glorified cameos; setting the characters up for a larger part in the inevitable Amazing Spider-Man 3 and 4.
The special effects are on a whole new level to what we have seen previously. Apart from a few lapses towards the climatic finale, where things can begin to look like a video game, the film looks absolutely fantastic. The soaring shots of Spider-Man swinging his way across New York landmarks are exceptional and Webb’s use of slow-motion frames bring home the spider like senses Parker has been gifted with.
Acting performances are also sublime. Parker is a much better Spider-Man than Maguire was in the previous films. His geeky, timid persona is brilliantly juxtaposed with the superhero’s more arrogant attitude. Yet he never becomes irritating, a la Spider-Man 3. Emma Stone’s portrayal of love interest Gwen Stacey is wonderful and she does a cracking job of making the pair have real chemistry despite how difficult it is for this to create – though it must always help when you are partnered in real life.
The real joy here though is Dane DeHaan as Harry Osborn/Green Goblin. His performance is the complete opposite of James Franco’s take, he makes Harry a more vulnerable young man, clearly damaged by previous events in his life, as well as the ones which will no doubt occur in the future.
Unfortunately, the film’s running time is a real headache. At 142 minutes, you begin to check your watch as there are numerous points where you believe it could end – though it never does. Thankfully, this is a minor issue in a film which rarely lets up in its riveting pace.
Overall, The Amazing Spider-Man 2 is a film which never really needed to exist, certainly not for another ten years or so. It is clear in some respects that its production has been rushed to capitalise on the ever-popular Marvel series, but in others it makes perfect sense to release it when the story is still fresh in people’s minds.
Despite some clunky special effects in the finale and its gargantuan length, Amazing Spider-Man 2 boasts excellent performances and a humorous and exciting story, and as such is one of Marvel’s best offerings to date, only beaten by Avengers Assemble. The only question is, was it all necessary?
https://moviemetropolis.net/2014/04/19/the-amazing-spider-man-2-review/