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Sarah (7798 KP) rated Anna and the Apocalypse (2018) in Movies
Nov 2, 2019
Too many genres!
I’m a massive fan of zombie films, musicals and Christmas films, but I’m really not too sure what to make of them all thrown into one film. I feel like they’ve just picked a handful of popular genres of films that people love and decided to mash them all together. And not very successfully either.
This film isn’t bad. The songs are quite good, they just seem ridiculously out of place in a zombie film and there are some dodgy vocals at times. A Christmas zombie film is a pretty decent idea though, especially as there’s nothing more anti-festive than a load of flesh eating zombies. It has a decent cast, with Mark Benton and Paul Kaye the old hands in a younger cast. However i think Paul Kaye may have taken overacting a little too far in this. He’s beyond fun and hammy and just sheer ridiculous. It’s a shame as he’s a great actor but it feels like he’s hamming it up in a kids pantomime. In fact, a lot of the humour in this seems to be made for kids or very young teenagers. Which is strange seen as it has a 15 rating! I just found it all a little bit juvenile, which is a shame as I had little expectations about this film.
It’s not bad, but it’s not great either. Watchable, and only memorable because of how truly bizarre it is!
This film isn’t bad. The songs are quite good, they just seem ridiculously out of place in a zombie film and there are some dodgy vocals at times. A Christmas zombie film is a pretty decent idea though, especially as there’s nothing more anti-festive than a load of flesh eating zombies. It has a decent cast, with Mark Benton and Paul Kaye the old hands in a younger cast. However i think Paul Kaye may have taken overacting a little too far in this. He’s beyond fun and hammy and just sheer ridiculous. It’s a shame as he’s a great actor but it feels like he’s hamming it up in a kids pantomime. In fact, a lot of the humour in this seems to be made for kids or very young teenagers. Which is strange seen as it has a 15 rating! I just found it all a little bit juvenile, which is a shame as I had little expectations about this film.
It’s not bad, but it’s not great either. Watchable, and only memorable because of how truly bizarre it is!
Emma @ The Movies (1786 KP) rated Anna and the Apocalypse (2018) in Movies
Dec 8, 2019
There's genuine festive joy in here, yes it's a little blood-stained, but still... festive joy. There are Christmas trees, an innuendo-filled song and Santa, it's probably more on the non-Christmas side of festive watchlists but I'm here for it anyway.
The songs are fantastic, they're fun and catchy with some great dance montages. It really does peak on the musical side of things. My only quibble would be Paul Kaye's song "Nothing's Gonna Stop Me Now", it's a little cheesy and doesn't feel quite like the tone of the rest of the film. On repeated viewings though it does grow on you, but not quite enough to jump off the bottom spot.
You do need that comedy villain to hate though and in that respect Paul Kaye certainly does really well. In fact the whole cast were great, and there isn't even a caveat. "They were great... considering it's a monster movie." Every performance fit with their character and they managed to make an apocalyptic film feel really upbeat. Everyone had the right amount of pizzazz in them to make this zombimas spectacular come to life.
Being focused on such a small group and area meant that it was really easy to engage with what was going on. It's filmed really nicely as well with your classic background zombie action for comedy effect. All in all this is an enjoyable (sort of) Christmas film and has something for everyone in the family.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/anna-and-apocalypse-movie-review.html
The songs are fantastic, they're fun and catchy with some great dance montages. It really does peak on the musical side of things. My only quibble would be Paul Kaye's song "Nothing's Gonna Stop Me Now", it's a little cheesy and doesn't feel quite like the tone of the rest of the film. On repeated viewings though it does grow on you, but not quite enough to jump off the bottom spot.
You do need that comedy villain to hate though and in that respect Paul Kaye certainly does really well. In fact the whole cast were great, and there isn't even a caveat. "They were great... considering it's a monster movie." Every performance fit with their character and they managed to make an apocalyptic film feel really upbeat. Everyone had the right amount of pizzazz in them to make this zombimas spectacular come to life.
Being focused on such a small group and area meant that it was really easy to engage with what was going on. It's filmed really nicely as well with your classic background zombie action for comedy effect. All in all this is an enjoyable (sort of) Christmas film and has something for everyone in the family.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/anna-and-apocalypse-movie-review.html
Emma @ The Movies (1786 KP) rated Tomorrow (2019) in Movies
Nov 7, 2019
The film had me at "brief strong sex" on the title card.
Tesla, a war veteran, struggles day to day being in the real world again. His loses weigh heavily on him and he hits rock bottom. A chance encounter with the over-friendly Sky leads him to new friends and new opportunities. Will he be able to see past his inner demons long enough to make a go of everything?
Firstly, someone at BBFC is leading a very sheltered life... moving on.
I had concerns going into this, Tomorrow was written by Stuart Brennan and Sebastian Street, if you're wondering why one of those sounds familiar it's because Stuart Brennan wrote Wolf (and directed, and produced and starred), I gave that 1.5 stars and I was one of the more generous viewers. You'll also spot the name Sebastian Street as he's playing the lead role of Tesla to Brennan's Sky.
I actually thought that Brennan did a great job as Sky. His storyline progressed at a much tougher rate than any of the other characters and his handling of it was surprisingly good.
Sebastian Street was in no way convincing. Tesla had an important point to make about disability and veterans but it felt more like he was acting in a bad soap opera than a film.
Unfortunately the downsides don't stop there, neither Stephanie Leonidas nor Sophie Kennedy Clark gave convincing portrayals, though I'm inclined to think that is more to do with the script. Tesla's love interest Katie, played by Leonidas, was a particularly hateful woman at times. I'm sure they were attempting to bring her on a learning curve about Tesla and his PTSD but there are moments that are entirely unbelievable. No one would be as oblivious as she was and I was genuinely annoyed by the fact he didn't tell her to take a hike then and there.
You'll also see on the cast list we have Stephen Fry, James Cosmo and Paul Kaye... I know! Cosmo gives a good performance but both Fry as Chris and Kaye as Milo felt like a let down. Neither character was well written and the tone really didn't fit the scenarios they were in. I have no idea why they went for the parts, I'm assuming bills.
While I felt there were a lot of issues with the film, many more than I listed, I was able to identify with part of the film and actually felt like they treated the subject with more respect than everything else was afforded. Because of that fact I'm giving Tomorrow a 2 star score, it deserves more than Wolf but I couldn't in good conscience recommend it to anyone. It's currently sitting at a 7 on IMDb which seems rather suspicious to me, the 29% on RT seems like a more accurate rating for this film.
What you should do
While I found something in this to latch onto there's not a lot to gain from seeing this.
Movie thing you wish you could take home
I've always wanted my own restaurant, so I'd have to go with that or Sky's adorable dog.
Tesla, a war veteran, struggles day to day being in the real world again. His loses weigh heavily on him and he hits rock bottom. A chance encounter with the over-friendly Sky leads him to new friends and new opportunities. Will he be able to see past his inner demons long enough to make a go of everything?
Firstly, someone at BBFC is leading a very sheltered life... moving on.
I had concerns going into this, Tomorrow was written by Stuart Brennan and Sebastian Street, if you're wondering why one of those sounds familiar it's because Stuart Brennan wrote Wolf (and directed, and produced and starred), I gave that 1.5 stars and I was one of the more generous viewers. You'll also spot the name Sebastian Street as he's playing the lead role of Tesla to Brennan's Sky.
I actually thought that Brennan did a great job as Sky. His storyline progressed at a much tougher rate than any of the other characters and his handling of it was surprisingly good.
Sebastian Street was in no way convincing. Tesla had an important point to make about disability and veterans but it felt more like he was acting in a bad soap opera than a film.
Unfortunately the downsides don't stop there, neither Stephanie Leonidas nor Sophie Kennedy Clark gave convincing portrayals, though I'm inclined to think that is more to do with the script. Tesla's love interest Katie, played by Leonidas, was a particularly hateful woman at times. I'm sure they were attempting to bring her on a learning curve about Tesla and his PTSD but there are moments that are entirely unbelievable. No one would be as oblivious as she was and I was genuinely annoyed by the fact he didn't tell her to take a hike then and there.
You'll also see on the cast list we have Stephen Fry, James Cosmo and Paul Kaye... I know! Cosmo gives a good performance but both Fry as Chris and Kaye as Milo felt like a let down. Neither character was well written and the tone really didn't fit the scenarios they were in. I have no idea why they went for the parts, I'm assuming bills.
While I felt there were a lot of issues with the film, many more than I listed, I was able to identify with part of the film and actually felt like they treated the subject with more respect than everything else was afforded. Because of that fact I'm giving Tomorrow a 2 star score, it deserves more than Wolf but I couldn't in good conscience recommend it to anyone. It's currently sitting at a 7 on IMDb which seems rather suspicious to me, the 29% on RT seems like a more accurate rating for this film.
What you should do
While I found something in this to latch onto there's not a lot to gain from seeing this.
Movie thing you wish you could take home
I've always wanted my own restaurant, so I'd have to go with that or Sky's adorable dog.
Gareth von Kallenbach (962 KP) rated Ratchet & Clank (2016) in Movies
Jun 19, 2019
Based on the popular video game series for the Playstation systems, “Ratchet and Clank” has arrived looking to take the duo’s success to the big screen in a new animated adventure. The film follows the diabolical Chairman Drek (Paul Giamatti), who has a nefarious scheme that leaves planets destroyed in his wake. The government decides to hire an additional Ranger for protection which leads lowly mechanic Ratchet (James Arnold Taylor), to see his chance for greatness. Sadly the head of the Rangers; an ego-maniac named Captain Qwark (Jim Ward), dismisses the physically unimpressive Ratchet and thus crushes his dreams.
Fate steps in when a defective robot named Clank (David Kaye) arrives with news that will shake the very fabric of the galaxy. Ratchet and Clank team up to help the Rangers and must overcome all obstacles on all sides to save the day. The animation of the film is solid and it was a bit of a surprise that the film was not presented to us in 3D which has become the norm for animated film. The solid voice cast does a good job and there are more than a few nice celebrity voices along the way. The biggest issue I had with the film was that it was a bit dull and dragged in places. Our screener was loaded with children and families and I saw some leave the cinema during the film and did not return.
The movies takes a while to get going and there are more than a few nods to the game and other Playstation characters along the way. The biggest issue is that it seems as if the film is dedicated to hardcore fans of the series. I have played the last three games in the series and I found myself lost at times as it was clear that this was for those who have been there from the start. This is not to say that new fans will not be gained by the film, but one has to wonder how many children who are not familiar with the characters will have the patience to wait for things to get rolling in the film.
As it stands the film is a good first effort but may or may not be enough to successfully launch a long term franchise.
http://sknr.net/2016/04/28/ratchet-and-clank/
Fate steps in when a defective robot named Clank (David Kaye) arrives with news that will shake the very fabric of the galaxy. Ratchet and Clank team up to help the Rangers and must overcome all obstacles on all sides to save the day. The animation of the film is solid and it was a bit of a surprise that the film was not presented to us in 3D which has become the norm for animated film. The solid voice cast does a good job and there are more than a few nice celebrity voices along the way. The biggest issue I had with the film was that it was a bit dull and dragged in places. Our screener was loaded with children and families and I saw some leave the cinema during the film and did not return.
The movies takes a while to get going and there are more than a few nods to the game and other Playstation characters along the way. The biggest issue is that it seems as if the film is dedicated to hardcore fans of the series. I have played the last three games in the series and I found myself lost at times as it was clear that this was for those who have been there from the start. This is not to say that new fans will not be gained by the film, but one has to wonder how many children who are not familiar with the characters will have the patience to wait for things to get rolling in the film.
As it stands the film is a good first effort but may or may not be enough to successfully launch a long term franchise.
http://sknr.net/2016/04/28/ratchet-and-clank/
BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
May 6, 2019
A Classic in Every Sense of the Word
"Of all the gin joints, in all the towns, in all the world, she walks into mine."
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)