"Jean-Pierre Melville is once more a director from whom one could pick any film for this kind (cruelly controlled by the Criterion criminals) of list. With this double bill there comes a chance to study twice the work of two great actors, Lino Ventura and Paul Meurisse."

"Jean-Pierre Melville is once more a director from whom one could pick any film for this kind (cruelly controlled by the Criterion criminals) of list. With this double bill there comes a chance to study twice the work of two great actors, Lino Ventura and Paul Meurisse."

"An old French film with Simone Signoret, and I think Paul Meurisse is in it. It’s the film that terrified me as child, with this very simple scene where she pulls a curtain back in an upstairs window, and he’s watching from the yard. That was actually probably the first horror film I ever saw. It was a very scary. I was a small child. I just remember the simplicity of that moment when she pulled that curtain back. So there’s that, and they did the remake with Sharon Stone that was not very successful and wasn’t very well made."

"Ranks with the best of Hitchcock, who wanted to make it but Clouzot beat him to the rights. It was made in the same year as Night and Fog and The Night of the Hunter, 1955—what a year, what a decade for world cinema. The penultimate scene had the same effect on me as Psycho. Though it no longer holds surprises for me, I watch it for its mastery of suspense and the performances of Paul Meurisse, Simone Signoret, and
 Véra Clouzot. But I confess that the nine-minute scene without words where 
Véra hears noises from her bedroom, goes down the hall to check them out, and is literally scared to death still nails me. You can bet I thought 
about how it was shot and paced when I sent Ellen Burstyn up to that attic in The Exorcist. No nudity, no sexuality, no violence, just pure, slow-building suspense that escalates to terror. The original novel was written by Pierre Boileau and Thomas Narcejac, who also wrote Vertigo."