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Rodney Barnes (472 KP) rated Wonder Woman 1984 (2020) in Movies
Jan 18, 2021
Not a Good Follow Up
Contains spoilers, click to show
Wonder Woman 84....wow. This was not a very good follow up to the first Wonder Woman movie. For me, there just was not enough Wonder Woman and the story was slow moving. Even the evolution of Cheetah, of which she was never referred to as that, was slow too. The way that Steve Trevor returned was odd to me and kind of silly. Pedro Pascal is a great actor but the villain he played seemed to be too much of the stereotypical old mustache twirling, monologing type of villain. He was not very compelling to me. Kristen Wiig did an excellent job at her character but I did not like the Cheetah angle. This movie under achieved royally in my opinion. At this point I don't know what is going in the DC movie verse but this movie is not a good part of it. I really like Patty Jenkins. I hope the next movie will overshadow this one.
David McK (3191 KP) rated The Last of us in TV
Mar 14, 2023
Stellar adaptation of a very good game
Some adaptations stick too closely to their source material for their own good.
Some are barely recognisable.
This is neither. Based in the video game of the same name by Naughty Dog (as an aside, I actually always preferred their Uncharted games over TLOU), this sticks incredibly closely to the source game, although there are some noticeable differences (particularly in the third episode, which Joel and Elly are barely in).
For this unfamiliar with the game, it is set in the USA after an apocalyptic event that sees those bit turn into zombie-like creatures (note: they're not technically zombies), with Joel (here, played by The Mandalorian's Pedro Pascal) hired to accompany Elly on a dangerous cross-country trek, as she is immune to the disease.
Initially distant, along the way he grows closer and closer to Elly, leading to a finale where you're not sure he has done the right thing or not ..
Superbly cast and directed, this is definitely one of the better adaptations I have ever seen. Of course, it helps that the original is also held up as one of the best narrative games ever created ...
Some are barely recognisable.
This is neither. Based in the video game of the same name by Naughty Dog (as an aside, I actually always preferred their Uncharted games over TLOU), this sticks incredibly closely to the source game, although there are some noticeable differences (particularly in the third episode, which Joel and Elly are barely in).
For this unfamiliar with the game, it is set in the USA after an apocalyptic event that sees those bit turn into zombie-like creatures (note: they're not technically zombies), with Joel (here, played by The Mandalorian's Pedro Pascal) hired to accompany Elly on a dangerous cross-country trek, as she is immune to the disease.
Initially distant, along the way he grows closer and closer to Elly, leading to a finale where you're not sure he has done the right thing or not ..
Superbly cast and directed, this is definitely one of the better adaptations I have ever seen. Of course, it helps that the original is also held up as one of the best narrative games ever created ...
LeftSideCut (3778 KP) rated The Unbearable Weight of Massive Talent (2022) in Movies
Apr 27, 2022
Nic Cage movies have become their own weird genre at this point, and The Unbearable Weight of Massive Talent is designed to be a sort of pay off to his wonderfully erratic portfolio.
Cage himself is an intoxicating lead as per usual, with his performance here landing on the quirkier side of things (as opposed to the seriousness of last years Pig for example). He's an actor who has embraced his place in the minds of the public, and isn't afraid to poke fun at himself. Pedro Pascal has fast become another actor that I always enjoy watching and here is no different. The chemistry between the two of them is wonderful, and the character moments they share are frequently wholesome and equally hilarious. The humour on display is a nice mix of subtle weirdness, and all out silliness. Multiple moments had the showing I was in cracking the fuck up, especially one that revolves around Paddington 2.
My only real criticism is that it doesn't go far enough. It's relatively grounded for a film that is all about Nic Cage being Nic Cage, and it could have gone further in its absurdity, even if I did ultimately enjoy the direction it went in.
Massive Talent is a blast that even the most stone hearted moviegoers out there will surely enjoy, especially any Nic Cage fans. An unencumbered good time.
Cage himself is an intoxicating lead as per usual, with his performance here landing on the quirkier side of things (as opposed to the seriousness of last years Pig for example). He's an actor who has embraced his place in the minds of the public, and isn't afraid to poke fun at himself. Pedro Pascal has fast become another actor that I always enjoy watching and here is no different. The chemistry between the two of them is wonderful, and the character moments they share are frequently wholesome and equally hilarious. The humour on display is a nice mix of subtle weirdness, and all out silliness. Multiple moments had the showing I was in cracking the fuck up, especially one that revolves around Paddington 2.
My only real criticism is that it doesn't go far enough. It's relatively grounded for a film that is all about Nic Cage being Nic Cage, and it could have gone further in its absurdity, even if I did ultimately enjoy the direction it went in.
Massive Talent is a blast that even the most stone hearted moviegoers out there will surely enjoy, especially any Nic Cage fans. An unencumbered good time.
JT (287 KP) rated Triple Frontier (2019) in Movies
Mar 10, 2020
Triple Frontier is the latest straight-to-Netflix blockbuster that manages to hit the right notes at the right times. More often than not Netflix originals aren’t anything to get excited about, although occasionally there is a diamond in the rough.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Erika (17788 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 29, 2020 (Updated Dec 29, 2020)
I was lucky enough to see this in theaters with my 'rents. I do not agree with Warner Bros decision to release same day on HBO Max, so I initially wasn't going to see it, but my dad bought the tickets.
The story itself isn't bad, but it is wayyyyy too long. I have an issue with how long the first section of the film was, taking place on Themiscyra. It didn't really add to the story, other than showing the gold armor that's worn later. I think it was just an excuse to have Robin Wright and crew in the film.
Kristen Wiig, of course, as horrible as every. Normally, I avoid everything with her like the plague, she's not funny, nor is she a good actress. She was highly annoying, and the CGI at the end was SO BAD. There is absolutely NO EXCUSE for bad CGI for these delayed films, they had an extra six months to make sure it looked good.
I loved that Chris Pine returned in WW84, I'm always up for some Chris Pine in movies. I did find Diana's unwillingness to give him up initially a little off for the character. It just wasn't Wonder Woman, and coming from a woman writer, it was weak.
The climatic speech was not the strongest, not unlike the climatic speech in the first film (Seriously, the improper grammar during the climactic speech in WW haunts me). It was just kind of lame.
Now, good ol' Pedro Pascal, I liked his character overall. I wish they'd have shown more of the little snippets of his history prior to the climax, i.e. being made fun of due to being Hispanic, changing his name to something anglo. That was the only point in the film where I actually felt something.
I did like it in general, and I would watch it again. It just wasn't as strong as I wanted.
The story itself isn't bad, but it is wayyyyy too long. I have an issue with how long the first section of the film was, taking place on Themiscyra. It didn't really add to the story, other than showing the gold armor that's worn later. I think it was just an excuse to have Robin Wright and crew in the film.
Kristen Wiig, of course, as horrible as every. Normally, I avoid everything with her like the plague, she's not funny, nor is she a good actress. She was highly annoying, and the CGI at the end was SO BAD. There is absolutely NO EXCUSE for bad CGI for these delayed films, they had an extra six months to make sure it looked good.
I loved that Chris Pine returned in WW84, I'm always up for some Chris Pine in movies. I did find Diana's unwillingness to give him up initially a little off for the character. It just wasn't Wonder Woman, and coming from a woman writer, it was weak.
The climatic speech was not the strongest, not unlike the climatic speech in the first film (Seriously, the improper grammar during the climactic speech in WW haunts me). It was just kind of lame.
Now, good ol' Pedro Pascal, I liked his character overall. I wish they'd have shown more of the little snippets of his history prior to the climax, i.e. being made fun of due to being Hispanic, changing his name to something anglo. That was the only point in the film where I actually felt something.
I did like it in general, and I would watch it again. It just wasn't as strong as I wanted.
Charlie Cobra Reviews (1840 KP) rated Triple Frontier (2019) in Movies
Jul 5, 2020
Choices and Consequences - 7/10
Triple Frontier is a 2019 action/thriller movie directed by J.C. Chandor. The screenplay was written by J.C. Chandor and Mark Boal with story also by Mark Boal. Starring Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund, and Pedro Pascal.
In Columbia fighting drug crime, Santiago "Pope" Garcia (Oscar Isaac), has been working for 3 years. Finally the moment he's been waiting for occurs, when his informant, a woman named Yovanna (Adria Arjona), offers the location of a big time drug lord in exchange for smuggling her brother and her out of the country. She also tells him that the drug lord Lorea keeps all his money with him in his safe house in the jungle. Pope recruits his friends, a group of ex Army Special Forces, for a mission to take out Lorea and seize the money for themselves. But when things go wrong it's one unexpected turn of events after the other, with things spiralling out of control. In an epic battle for survival they are pushed to their breaking point, putting their morals, skills, and loyalties to the test.
This movie was good. Wasn't quite what I expected. As good as it was, I feel like it was missing something. It was a little slow in the beginning, after the first action sequence, and pacing was a bit off. Definitely as advertised in being an action/thriller. If you like action scenes where they shoot-'em-up, this definitely has plenty. I just felt with the pacing that they were far and in between. The acting was very good, the only thing I would say is that the characters didn't have much to keep you connected to them and really care about what happens to them in the long run. It felt like they weren't fully fleshed out and they could have done more to do that better. One thing it did do very well was how it showed the motivations of some of the characters and what led them to the decisions they made. I give this movie a 7/10.
In Columbia fighting drug crime, Santiago "Pope" Garcia (Oscar Isaac), has been working for 3 years. Finally the moment he's been waiting for occurs, when his informant, a woman named Yovanna (Adria Arjona), offers the location of a big time drug lord in exchange for smuggling her brother and her out of the country. She also tells him that the drug lord Lorea keeps all his money with him in his safe house in the jungle. Pope recruits his friends, a group of ex Army Special Forces, for a mission to take out Lorea and seize the money for themselves. But when things go wrong it's one unexpected turn of events after the other, with things spiralling out of control. In an epic battle for survival they are pushed to their breaking point, putting their morals, skills, and loyalties to the test.
This movie was good. Wasn't quite what I expected. As good as it was, I feel like it was missing something. It was a little slow in the beginning, after the first action sequence, and pacing was a bit off. Definitely as advertised in being an action/thriller. If you like action scenes where they shoot-'em-up, this definitely has plenty. I just felt with the pacing that they were far and in between. The acting was very good, the only thing I would say is that the characters didn't have much to keep you connected to them and really care about what happens to them in the long run. It felt like they weren't fully fleshed out and they could have done more to do that better. One thing it did do very well was how it showed the motivations of some of the characters and what led them to the decisions they made. I give this movie a 7/10.
Darren (1599 KP) rated Prospect (2018) in Movies
Jul 22, 2019
Verdict: Slow Paced
Story: Prospect starts when a father Damon (Duplass) and his daughter Cee (Thatcher) are travelling through space, looking to make a big discovery, thrown off path they land on an alien moon, setting out to explore the area.
When the pair run into Ezra (Pascal) another prospector on the moon, things turn to deals with the tension amped up to see who will leave the moon with the treasure on the moon, or whether leaving is a better option and soon they will learn of the other dangers on the moon.
Thoughts on Prospect
Characters – Cee is the teenager girl that has been travelling through space with her father, she does want to make a place her home, always wondering if she can get home, she must work with her father and a stranger to survive her time on this latest moon, proving she is ready to step up to do the more difficult tasks in life. Damon is Cee’s father, he has been searching space for valuable treasures so he can get out of this desperate lifestyle, his greed is his biggest weakness. Ezra is a stranger that the two run into, he is after the same thing and must earn their trust to survive and trust them to get survive the threats the moon has to offer.
Performances – Sophie Thatcher as the teenager does everything she can in her role, she doesn’t get to shine on the levels she could, but this falls back into the writing, Jay Duplass really doesn’t get the time to make an impact in this film, while Pedro Pascal is the highlight of the acting, because he must carry large parts of the dialogue in the film.
Story – The story follows a father and daughter prospector pairing that land on a new moon in search for their own richest only to find themselves in a battle to survive against rivals and the moon itself. This story is easily borrowing the idea of the early days of prospectors around the world, people that travelled great distances in hope of becoming rich, we get to see what is more important, riches or family, all in a position which has threats around every corner. The weakness of this story comes from the idea that moon is dangerous, though we only get environmental issues, with all the other problems being human, it would also have been nice to understand just how big the travelling is in this universe, we just casually follow on ship, is this one of the absolute poorest, is Earth uninhabitable now, there are so many questions about the universe we are entering that feel unanswered.
Sci-Fi – The sci-fi side of the film does just seem to be the characters wearing helmets, we barely get anything that makes this as ambitious as it could be.
Settings – The settings are beautiful though, the opening spaces, the closed woodland, yes it could easily be anywhere on Earth, but the visuals make this look like an alien moon in every shot.
Special Effects – The effects are used to add environment to the mon, but outside of this for a space based movie, we get very little to work with.
Scene of the Movie – First exploring of the moon.
That Moment That Annoyed Me – It is very slow.
Final Thoughts – This is one of the films that could have been a lot more interesting that we get, the pacing of the film does hold everything up and the fact we don’t learn more about the universe doesn’t help us understand just what is going on.
Overall: Keep searching for the treasure.
Rating
Story: Prospect starts when a father Damon (Duplass) and his daughter Cee (Thatcher) are travelling through space, looking to make a big discovery, thrown off path they land on an alien moon, setting out to explore the area.
When the pair run into Ezra (Pascal) another prospector on the moon, things turn to deals with the tension amped up to see who will leave the moon with the treasure on the moon, or whether leaving is a better option and soon they will learn of the other dangers on the moon.
Thoughts on Prospect
Characters – Cee is the teenager girl that has been travelling through space with her father, she does want to make a place her home, always wondering if she can get home, she must work with her father and a stranger to survive her time on this latest moon, proving she is ready to step up to do the more difficult tasks in life. Damon is Cee’s father, he has been searching space for valuable treasures so he can get out of this desperate lifestyle, his greed is his biggest weakness. Ezra is a stranger that the two run into, he is after the same thing and must earn their trust to survive and trust them to get survive the threats the moon has to offer.
Performances – Sophie Thatcher as the teenager does everything she can in her role, she doesn’t get to shine on the levels she could, but this falls back into the writing, Jay Duplass really doesn’t get the time to make an impact in this film, while Pedro Pascal is the highlight of the acting, because he must carry large parts of the dialogue in the film.
Story – The story follows a father and daughter prospector pairing that land on a new moon in search for their own richest only to find themselves in a battle to survive against rivals and the moon itself. This story is easily borrowing the idea of the early days of prospectors around the world, people that travelled great distances in hope of becoming rich, we get to see what is more important, riches or family, all in a position which has threats around every corner. The weakness of this story comes from the idea that moon is dangerous, though we only get environmental issues, with all the other problems being human, it would also have been nice to understand just how big the travelling is in this universe, we just casually follow on ship, is this one of the absolute poorest, is Earth uninhabitable now, there are so many questions about the universe we are entering that feel unanswered.
Sci-Fi – The sci-fi side of the film does just seem to be the characters wearing helmets, we barely get anything that makes this as ambitious as it could be.
Settings – The settings are beautiful though, the opening spaces, the closed woodland, yes it could easily be anywhere on Earth, but the visuals make this look like an alien moon in every shot.
Special Effects – The effects are used to add environment to the mon, but outside of this for a space based movie, we get very little to work with.
Scene of the Movie – First exploring of the moon.
That Moment That Annoyed Me – It is very slow.
Final Thoughts – This is one of the films that could have been a lot more interesting that we get, the pacing of the film does hold everything up and the fact we don’t learn more about the universe doesn’t help us understand just what is going on.
Overall: Keep searching for the treasure.
Rating
Fred (860 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 27, 2020
Not such a wonder
Contains spoilers, click to show
There are some good scenes in WW84. The beginning scene, followed by the mall scene, both great scenes. The highway scene, the invisible jet scene, very cool. But scenes don't make a movie. Well, they do, but you know what I mean. A few good scenes doesn't make a movie good. The movie is very slow, badly paced & the story, quite frankly, stinks.
Again, Wonder Woman is pitted against a villain that is boring. He is played very well by the Mandolorian, Pedro Pascal. But the character is weak. We also have Kristen Wiig as the Cheetah, I guess. She's just an 80s chick until the very end, when she is turned into a cheetah woman & we're "treated" to a CGI fight, that is so dark & so badly directed, you'll struggle to see anything going on or get a good look at Cheetah, except for the bad make-up job on Wiig's face. Speaking of Wiig, she's okay, but nothing special.
I know I'm in the minority, but I don't find Gal Gadot a very good Wonder Woman. She's pretty, she kicks ass, but her acting is not very good. The character is dull. And I find the way her accent is there one minute & gone the next annoying. I laughed out loud when she tells the guy at the end that she likes his Auschwitz (outfit). She's easily the weakest character in the film. And like the first movie, we're spending most of the time wanting to see Wonder Woman on screen instead of Diana.
Chris Pine is great, as always & the reverse "seeing new things" scenes as he's introduced to the 80s are as great as they were in the first movie when Diana is shown new things.
But the real problem of the film is the story. Wonder Woman saves the day by asking people to give up their wishes. Nice dream, but would never happen. We know the world is full of scumbags that would never give up power, or money or anything for anyone else. WW talks to us, the audience & makes a plea that would flop just as much as this film. Throw in the 2 & a half hour runtime, far too long and I found myself bored for most of it. Not every superhero movie has to be so long. And instead of spending time on character & story development, they wasted it on scenes that did nothing to advance the plot.
Oh, stay tuned for the mid-credit scene. It's okay & worth it.
Again, Wonder Woman is pitted against a villain that is boring. He is played very well by the Mandolorian, Pedro Pascal. But the character is weak. We also have Kristen Wiig as the Cheetah, I guess. She's just an 80s chick until the very end, when she is turned into a cheetah woman & we're "treated" to a CGI fight, that is so dark & so badly directed, you'll struggle to see anything going on or get a good look at Cheetah, except for the bad make-up job on Wiig's face. Speaking of Wiig, she's okay, but nothing special.
I know I'm in the minority, but I don't find Gal Gadot a very good Wonder Woman. She's pretty, she kicks ass, but her acting is not very good. The character is dull. And I find the way her accent is there one minute & gone the next annoying. I laughed out loud when she tells the guy at the end that she likes his Auschwitz (outfit). She's easily the weakest character in the film. And like the first movie, we're spending most of the time wanting to see Wonder Woman on screen instead of Diana.
Chris Pine is great, as always & the reverse "seeing new things" scenes as he's introduced to the 80s are as great as they were in the first movie when Diana is shown new things.
But the real problem of the film is the story. Wonder Woman saves the day by asking people to give up their wishes. Nice dream, but would never happen. We know the world is full of scumbags that would never give up power, or money or anything for anyone else. WW talks to us, the audience & makes a plea that would flop just as much as this film. Throw in the 2 & a half hour runtime, far too long and I found myself bored for most of it. Not every superhero movie has to be so long. And instead of spending time on character & story development, they wasted it on scenes that did nothing to advance the plot.
Oh, stay tuned for the mid-credit scene. It's okay & worth it.
LeftSideCut (3778 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 22, 2020 (Updated Jul 5, 2021)
In this sequel to the so far best film of the DCEU, Patty Jenkins dares to ask, what if Wishmaster was a family friendly superhero movie?
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
LeftSideCut (3778 KP) rated The Mandalorian - Season 1 in TV
May 5, 2020
A live action series set in the Star Wars universe has been a long time coming and thankfully, it hit almost all the right notes.
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!