Search
Search results
ClareR (6054 KP) rated The Searcher in Books
Nov 15, 2020
The Searcher is, much like the Wych Elm, a slow burner. This is always a positive where I’m concerned. It gave me the opportunity to look around the Irish village of Ardnekalty, get to know the inhabitants, what the countryside and the landscape looked like (beautiful, by the way)and above all, to build a full picture of Cal Hooper and Trey.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
Hazel (2934 KP) rated Out For Blood (DI Eve Hunter #2) in Books
Dec 13, 2020
After reading and enjoying the first in this series, Hold Your Tongue, I was looking forward to getting my teeth into this one and I wasn't disappointed. I will say that although you don't necessarily have to have read the first, I do think you will enjoy this second one more if you do.
This is a gritty police procedural set in Aberdeen, Scotland which delves into the seedy and repulsive world of human trafficking but what does the death of a privileged young man and the apparent suicide of a young woman have in common? On first impressions, absolutely nothing however, DI Hunter and her team set about investigating and what they find is worse than they expected.
Mainly written from Eve's perspective interspersed with other characters and those of an unknown young woman, this gave insight from all the important protagonists in this book and provided a well-rounded view of the situation from all angles. The characters are well developed and believable with the relationships between Eve and her wider team excellently portrayed.
The story is a difficult one to read in parts but, I felt, was dealt with respectfully but with no holds-barred which made it feel authentic making me feel both sad and angry in equal measure that these things are likely to be happening to someone right now! The pace is good, it does start off a little slow but increases as the story develops and this follows the pace of the investigation, again making it feel believable and, once again, the author manages to keep the identity of the killer well hidden which kept me guessing and second guessing throughout.
Overall, I have no hesitation in recommending this to others who enjoy a cleverly written and gripping police procedural and I look forward to reading the next instalment in what is a great series with DI Hunter fast becoming a favourite character of mine.
I was fortunate enough to have been invited to read an advance copy by Transworld Publishers, part of Penguin Random House UK, via NetGalley in return for an unbiased and unedited review and for which, I am thankful.
This is a gritty police procedural set in Aberdeen, Scotland which delves into the seedy and repulsive world of human trafficking but what does the death of a privileged young man and the apparent suicide of a young woman have in common? On first impressions, absolutely nothing however, DI Hunter and her team set about investigating and what they find is worse than they expected.
Mainly written from Eve's perspective interspersed with other characters and those of an unknown young woman, this gave insight from all the important protagonists in this book and provided a well-rounded view of the situation from all angles. The characters are well developed and believable with the relationships between Eve and her wider team excellently portrayed.
The story is a difficult one to read in parts but, I felt, was dealt with respectfully but with no holds-barred which made it feel authentic making me feel both sad and angry in equal measure that these things are likely to be happening to someone right now! The pace is good, it does start off a little slow but increases as the story develops and this follows the pace of the investigation, again making it feel believable and, once again, the author manages to keep the identity of the killer well hidden which kept me guessing and second guessing throughout.
Overall, I have no hesitation in recommending this to others who enjoy a cleverly written and gripping police procedural and I look forward to reading the next instalment in what is a great series with DI Hunter fast becoming a favourite character of mine.
I was fortunate enough to have been invited to read an advance copy by Transworld Publishers, part of Penguin Random House UK, via NetGalley in return for an unbiased and unedited review and for which, I am thankful.
The World is Flat: A Brief History of the Twenty-First Century
Book
The beginning of the twenty-first century will be remembered, Friedman argues, not for military...
The Heartbeat of Wounded Knee: Native America from 1890 to the Present
Book
An informed, moving and kaleidoscopic portrait... Treuer's powerful book suggests the need for...
Sin in the Second City: Madams, Ministers, Playboys, and the Battle for America's Soul
Book
Step into the perfumed parlors of the Everleigh Club, the most famous brothel in American...
American Rose: A Nation Laid Bare: The Life and Times of Gypsy Rose Lee
Book
With the critically acclaimed Sin in the Second City, bestselling author Karen Abbott “pioneered...
Cooked
Book
In Cooked, Michael Pollan explores the previously uncharted territory of his own kitchen. Here, he...
The Foreign Correspondent
Book
From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an...
The Buried: An Archaeology of the Egyptian Revolution
6.0
Rate It
Book
From the acclaimed author of River Town and Oracle Bones, an intimate excavation of life in one of...
ClareR (6054 KP) rated The Island of Missing Trees in Books
Sep 28, 2021
How come this is only the first book I’ve read by Elif Shafak?! This is a book full of heart, feeling and imagination - it’s just beautiful. The Island of Missing Trees has taught me far more about what happened in Cyprus and the war/ dispute between Cypriots and the Turkish invasion.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.