"There’s so many Beatles songs that I could have chosen, my entire list could have been made from them and they’ve all meant quite a lot to me. I picked “In My Life” because everyone relates to that one in a way, everyone has experienced that feeling of when they go back to their hometown and the little odd things that spark off a memory. “I think it was John who wrote this one and he was quite young when he wrote it. I grew up in a place called Menlove Gardens and he grew up on Menlove Avenue, so I felt the connection. I was born in Penny Lane in 1958, so it was the ‘60s when I was growing up and a lot of the landmarks were the same. I remember reading a magazine that had a page of the original lyrics, and it was talking about getting the 72 bus at Penny Lane into town. I recognised all of the roads and it was very close to home for me. Even if I hadn’t recognised all of that though, I still think that this song has the power to do that. “It does bring me back, to places that I’ll remember all my life. I go back to Liverpool now and a lot of places have changed. The town is great and always very vibrant, but there’s a park called Calderstones Park and it’s very beautiful and very green and places like Princes Avenue and Menlove, they’re all full of trees and very green and quite lovely really, which people often don’t associate with Liverpool. My memories are mixed with these beautiful parks, greenery and trees, but at the same time the city centre was quite stark, but very vibrant in the ‘60s, it was a bustling city. “I think if you live on planet earth then The Beatles are an influence, even if you don’t know it. Even if you’re Jay Z, The Beatles are an influence. The Beatles, Bob Dylan and a couple of other people changed music into an art form, rather than a commodity. At a certain point in the ‘60s, all of a sudden you had people making artistically fantastic records, breaking the boundaries technologically and emotionally. It turned into something else and although it feels like it’s turning back into what it was right now, I feel like The Beatles and Bob Dylan were responsible for that change"

"I lived a stone's throw from Penny Lane, and my sister had Beatles wallpaper, my brother had a plastic Beatles wig and Beatles cap, and they were older than me, and my auntie Kathleen - who was a bit of a ... swinging sixties... a Liver bird, put it that way - came to live with us and she brought with her Sgt. Pepper's. She would go and see concerts like Gene Pitney at the Liverpool Empire and things like that. She was quite an interesting woman - to me anyway - and was great fun. I had one of those portable record players like you did in the 1960s, and I would play this over and over again while staring at the Peter Blake/Jann Howarth record sleeve, which made a 3D collage, and asking people ""who's this?"" and ""who is this?"". I've said it before, it was a bit like Dorothy opening the door of the house once it's arrived in Munchkinland, and everything goes technicolour from the black and white-ness of 1960s Liverpool. It was like a portal into things like the Hollywood musicals that I'd been seeing on the Saturday morning at the pictures. My auntie Kath would say, ""Ooh I saw The Beatles in the Liverpool passport office getting a passport while I was getting mine"" and my mum would go, ""I knew Julia when she used to look like Lucille Ball and she used to strut down the street"", and so it was Beatles saturation, living in that particular part of town. 'She's Leaving Home' on that album was the first song that made me cry, which I think is quite an important moment in your life, when a piece of music makes you cry. It was just the sadness of the story of a girl leaving home. Then of course there was 'Lucy In The Sky With Diamonds', 'A Day In The Life' and all those odd string arrangements. There was also the Magical Mystery Tour double EP in gatefold technicolour glory and things like that. It was like an entry into a world that was distant yet very close as well. It made me want to learn the lyrics to sing along and I guess it was just very important to me in my journey of music appreciation. And if you had the measles or chicken pox, you were quarantined to my sister's bedroom, and it was like a TARDIS of 'John Paul George Ringo' and it would drive you absolutely insane, as it was all you could read: 'John Paul George Ringo John Paul George Ringo John Paul George Ringo' and their smiling happy faces. It was kind of great and yet torturous at the same time. Pop torture."