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Awix (3310 KP) rated Captain Kronos - Vampire Hunter (1974) in Movies
Feb 14, 2018 (Updated Feb 14, 2018)
Somewhat atypical late-period Hammer horror; feels a bit like a pilot for a TV show but is none the worse for that. Dope-smoking, katana-swinging action man Kronos does battle with a vampire that feeds off youth itself.
Works hard to avoid the usual clichés, with some great moments of black comedy along the way. References to other Hammer films from around the same time will please the faithful. Action choreography by doyen of swordmasters William Hobbs means that the fight sequences (especially the climactic duel) are considerably better than you'd expect from such a low-budget movie. Should have been the start of a series, but Hammer had run out of money.
Works hard to avoid the usual clichés, with some great moments of black comedy along the way. References to other Hammer films from around the same time will please the faithful. Action choreography by doyen of swordmasters William Hobbs means that the fight sequences (especially the climactic duel) are considerably better than you'd expect from such a low-budget movie. Should have been the start of a series, but Hammer had run out of money.
Awix (3310 KP) rated Suburbicon (2017) in Movies
Feb 12, 2018
Period-set black comedy-thriller with Matt Damon as a pillar of the titular planned community, struggling to recover from the death of his wife in a burglary-gone-wrong. (Or is he...?) Actually based on a script set aside by the Coen brothers decades ago; it's tempting but fruitless to speculate as to how much of their work remains.
Quite well directed by Clooney, and the plotting is very smart, but a subplot about toxic racism feels intrusive and disconnected from the rest of the film - as a result what could have been a clever and understated film just feels like it's indulging in clumsy virtue-signalling. Would have been much better without the preachiness.
Quite well directed by Clooney, and the plotting is very smart, but a subplot about toxic racism feels intrusive and disconnected from the rest of the film - as a result what could have been a clever and understated film just feels like it's indulging in clumsy virtue-signalling. Would have been much better without the preachiness.
Dana (24 KP) rated Inferno (The Divine Comedy, #1) in Books
Mar 23, 2018
I have been wanting to read the Divine Comedy for a while now, especially since it is constantly referenced in other works. I thought it was cool how Dante brought in so many well-known political, religious, and just generally famous people then showed them all suffering in Hell. Yes, there was a lot of humor strewn throughout this epic poem, but there were obviously a lot of serious moments that made you have to think. Even if you are not religious, this is a very interesting thing to pick up because of its historical connections as well as being an insight into the minds of some more religious figureheads during this time period. Overall, this was a pretty cool read and I am excited to read the other two.
Awix (3310 KP) rated Legend (2015) in Movies
Jun 12, 2018 (Updated Jul 12, 2019)
Krays-y
Yet another movie glamourising the vicious real-life gangster siblings, with the principal gimmick of Tom Hardy playing both Krays through the wonders of something-or-other. Hardy is excellent as Reggie, the merely-psychotic brains of the outfit, but way over the top as Ronnie, who is portrayed as a slightly thick criminal maniac, and arguably played for laughs too. A friend of mine came out thinking this was intended to be a black comedy; she may not have been wrong.
There's a good supporting cast and it's quite well made, but the film seems much too keen to cut the Krays some slack, presenting them as roguish anti-heroes rather than the brutal thugs they actually were. The 1990 Peter Medak telling of the Krays' story was arguably more balanced - this is an uneasy combination of a 'those quaint old Brits' period drama and a modishly violent modern gangster film.
There's a good supporting cast and it's quite well made, but the film seems much too keen to cut the Krays some slack, presenting them as roguish anti-heroes rather than the brutal thugs they actually were. The 1990 Peter Medak telling of the Krays' story was arguably more balanced - this is an uneasy combination of a 'those quaint old Brits' period drama and a modishly violent modern gangster film.
Skwchance (13 KP) rated The Afterlife of Walter Augustus in Books
Nov 12, 2019
Theory of afterlife (4 more)
Comedy
Love
Uplifting
Supernatural
Ghosts, love and cake
Walter is stick in limbo in the interim, a period of afterlife where you remain until everyone who knew him dies. All his loved ones have moved to yhe final stage of afterlife and he wants to go with them but a book of poems he wrote has been found by a stranger. Now she knows his name he is stuck for longer.
The story follows him and the women who found the book, Letty. She is a sad character who you want things to turn out good for.
The theory of the afterlife is fabulous and made me question whether I would want to stay there forever and be remembered or if I would want to risk moving into the final afterlife.
The characters made me want to shake them into being braver at times but are endearing. The plot is a bit crazy but there are lots of laughs and it is very creative.
The story follows him and the women who found the book, Letty. She is a sad character who you want things to turn out good for.
The theory of the afterlife is fabulous and made me question whether I would want to stay there forever and be remembered or if I would want to risk moving into the final afterlife.
The characters made me want to shake them into being braver at times but are endearing. The plot is a bit crazy but there are lots of laughs and it is very creative.
Matthew Krueger (10051 KP) rated Lethal Weapon 4 (1998) in Movies
Jul 15, 2020
End On A High Note
Lethal Weapon 4- is a great, fantasic and good send off for these charcters. Over the period of time you really got to invest/know the charcters, care about them, laugh with them, get really annoyed with them (cough) Joe Pesci and Chris Rock. The action, comedy, suspense, thrills and the chemistry were always good in this franchise. I will miss this franchise.
The plot: Detective Riggs (Mel Gibson) tries to settle down with his pregnant girlfriend, Lorna (Rene Russo), while his partner, Murtaugh (Danny Glover), comes to grips with the marriage of his pregnant daughter, Rianne (Traci Wolfe), to fellow cop Butters (Chris Rock). But they find themselves and their families targeted by Chinese mobsters, led by Wah Sing Ku (Jet Li). Riggs, Murtaugh, Butters and private eye Getz (Joe Pesci) decide to go on the offensive before the gangsters get to their loved ones.
Like i said before its a beautiful send off for this franchise.
The plot: Detective Riggs (Mel Gibson) tries to settle down with his pregnant girlfriend, Lorna (Rene Russo), while his partner, Murtaugh (Danny Glover), comes to grips with the marriage of his pregnant daughter, Rianne (Traci Wolfe), to fellow cop Butters (Chris Rock). But they find themselves and their families targeted by Chinese mobsters, led by Wah Sing Ku (Jet Li). Riggs, Murtaugh, Butters and private eye Getz (Joe Pesci) decide to go on the offensive before the gangsters get to their loved ones.
Like i said before its a beautiful send off for this franchise.
Chris Parnell recommended This Is Spinal Tap (1984) in Movies (curated)
Awix (3310 KP) rated Men O'War (1929) in Movies
Feb 21, 2019
Early L&H sound film finds Stan and Ollie not quite yet in their imperial phase of effortless brilliance, but looking good. They play sailors on shore leave doing what sailors on shore leave do (i.e., attempting to pick up girls). There's a misunderstanding about clothing; Stan and Ollie have to buy a round of drinks despite not having enough money; they cause an impressive pile-up on a boating lake.
You can tell that the formula's not quite there yet, for there is much less emphasis on gleeful property damage and Ollie ending up the victim of Stan's various mishaps than you tend to find in their later films. Instead, there's more reliance on verbal comedy and elements of farce - the first part of the film revolves around a (for 1929) slightly saucy gag about a woman losing her underwear. Suffers a bit from the technical limitations of the period (the lengthy boat sequence at the end is filmed entirely in long shot) but still an ambitious and very funny film.
You can tell that the formula's not quite there yet, for there is much less emphasis on gleeful property damage and Ollie ending up the victim of Stan's various mishaps than you tend to find in their later films. Instead, there's more reliance on verbal comedy and elements of farce - the first part of the film revolves around a (for 1929) slightly saucy gag about a woman losing her underwear. Suffers a bit from the technical limitations of the period (the lengthy boat sequence at the end is filmed entirely in long shot) but still an ambitious and very funny film.
Awix (3310 KP) rated Biggles (1986) in Movies
Mar 28, 2018 (Updated Mar 28, 2018)
Biggles Cocks It Up
Startlingly incompetent big-screen version of the classic boy's-adventure hero. New York yuppie discovers he is 'time twin' of First World War fighter ace, is plucked back through time to help him destroy a German secret weapon. Don't worry, it doesn't make any more sense in the actual movie.
Potentially charming adventure movie is utterly torpedoed by fatal uncertainty of tone; what started off as a 'straight' period movie is reduced to gibberish by the addition of witless time-travel plotline, which drags crass 80s 'comedy' bits in with it. The fact it largely seems to be the work of people who've never actually seen a film before, let alone worked on one, is the just the coup de grace. Even Peter Cushing's usual near-supernatural ability to lift a dubious script mostly fails him; no wonder this was his final (non-CGI) big-screen appearance. Soundtrack contains Queen bassist John Deacon's only recordings away from the band; this is almost certainly not a good enough reason to watch the damn thing.
Potentially charming adventure movie is utterly torpedoed by fatal uncertainty of tone; what started off as a 'straight' period movie is reduced to gibberish by the addition of witless time-travel plotline, which drags crass 80s 'comedy' bits in with it. The fact it largely seems to be the work of people who've never actually seen a film before, let alone worked on one, is the just the coup de grace. Even Peter Cushing's usual near-supernatural ability to lift a dubious script mostly fails him; no wonder this was his final (non-CGI) big-screen appearance. Soundtrack contains Queen bassist John Deacon's only recordings away from the band; this is almost certainly not a good enough reason to watch the damn thing.
Awix (3310 KP) rated On Chesil Beach (2018) in Movies
Jun 1, 2018
Bleak British Repressed Sexuality a Go Go!
Handsomely mounted BBC film starts off looking like many another period-set literary adaptation, then turns into something rather different. Newlyweds Edward and Florence are on the brink of their wedding night; both are nervous, and struggling with the expectations society and their upbringing has placed upon them. (The fact that society hasn't bothered to educate them in the slightest about what can, or should, go on in the bedroom really doesn't help on this voyage into, or possibly out of, virgin territory.) Not all goes to plan; a small but genuine tragedy unfolds.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.
Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.