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Tracee Ellis Ross recommended Sabrina (1954) in Movies (curated)
Earth (Tsuchi) (1939)
Movie
The setting is that of a farming family in Ibaraki from where also the originating writers hailed....
Ugetsu (1953)
Movie
In sixteenth century Japan, a peasant potter named Genjurō leaves his wife and young son to sell...
Ugetsu Monogatari Tales of Ugetsu Ueda Akinari Jidaigeki Period drama Ghosts
Gareth von Kallenbach (980 KP) rated American Made (2017) in Movies
Jul 11, 2019
Biopics can be problematic in their attempt to retell history or use individual perspectives to inform their audience about events that many may already be familiar with. In American Made, Tom Cruise plays Barry Seal, a TWA pilot who is recruited by the CIA to fly reconnaissance missions in Central America. He soon finds himself at the center of drug trafficking, gun trafficking, and as a pawn of several different entities seeking to use his skills and expertise for their own purposes.
The film is ambitious in trying to tell serious historic events as a campy adventure in which Barry is care free despite the consequences of his actions. Nothing about the film seems right. It unfortunately, can make an audience feel uneasy cheering on a drug smuggler who is making inordinate amounts of money for some of the most dangerous individuals on the face of the earth.
A positive effect of the film is that it demonstrates to audiences the complexities of American Foreign policy, drug policy, and corruption that existed in the 1980s and that it shouldn’t be viewed with rose colored glasses. If anything, it may offer another perspective about the period that not too many people may be familiar with and create a desire in them to research more about the period and events.
American Made offers audiences a funny, introspective, personal account of one man’s experience working for the government and drug cartels that allows for a break from some of the more serious and dark portrayals that have typically been featured. Audiences will enjoy reminiscing about the 80s and think back to how complicated the period actually was.
The film is ambitious in trying to tell serious historic events as a campy adventure in which Barry is care free despite the consequences of his actions. Nothing about the film seems right. It unfortunately, can make an audience feel uneasy cheering on a drug smuggler who is making inordinate amounts of money for some of the most dangerous individuals on the face of the earth.
A positive effect of the film is that it demonstrates to audiences the complexities of American Foreign policy, drug policy, and corruption that existed in the 1980s and that it shouldn’t be viewed with rose colored glasses. If anything, it may offer another perspective about the period that not too many people may be familiar with and create a desire in them to research more about the period and events.
American Made offers audiences a funny, introspective, personal account of one man’s experience working for the government and drug cartels that allows for a break from some of the more serious and dark portrayals that have typically been featured. Audiences will enjoy reminiscing about the 80s and think back to how complicated the period actually was.
Lucy Buglass (45 KP) rated Mary Queen of Scots (2018) in Movies
Jun 20, 2019
A tale of two queens
I’ve never really considered myself a massive fan of period dramas, so I tend to approach them with more caution than I would a different genre. After being pleasantly surprised by Yorgos Lanthimos’ The Favourite, I suddenly became more excited about Mary Queen of Scots. Whilst I believe the former is a much stronger film, I still had a good time with this one.
The performances given by both Saoirse Ronan and Margot Robbie are just stunning. Between them, they carry the entire film and transport you to another time and place. They’re captivating and powerful, particularly Ronan as Mary. I loved her character and felt invested in her. Despite knowing how it was all going to end I still rooted for her throughout, and wanted her to succeed. Her character is driven, passionate and tenacious, traits that Ronan truly brings to life on screen.
Aesthetically, Mary Queen of Scots is a wonderful film that is picturesque even during the darker scenes. Both leading ladies pull off the roles and the costumes effortlessly. I’ve never been so impressed by hairstyling in particular, so I would love this film to win the Academy Award for Best Makeup and Hairstyling this year. The styles were so intricate and beautiful, bringing out the personalities of those who wore them.
It is also refreshing to know the film was directed by a woman, considering the narrative focuses on two of history’s most powerful and intriguing queens. This was actually Josie Rourke’s directorial debut, and what a fantastic one it was. I loved the way she portrayed all the ugliness of life in this era, just as much as the regalness. There is one scene where Mary is shown on her period, and this really struck me. I liked how it was normalised, no one made a big deal out of it, it was just a part of her life like every other woman. I’m glad Rourke chose to include this.
As many people have pointed out, this film is certainly not historically accurate so if you’re the kind of person who needs that you’d leave feeling disappointed. For me, I saw it as an interesting case study of both women that’s a work of fiction. That’s alright in my books and I don’t have a problem with artistic licence. It was an entertaining period piece that was beautiful to look at. Sometimes that’s enough. Nobody was trying to suggest this was a documentary, it’s a film.
Overall Mary Queen of Scots is entertaining and very well acted, but the narrative does feel a little too slow and drawn out in places. It’s definitely not the strongest period piece I’ve seen, but that doesn’t necessarily make it a bad film. It is worth seeing on the big screen due to the beautiful Scottish scenery and the intense conflict between Protestant and Catholic. It’s bold, dramatic and worth losing yourself in, even if you’d only do it once.
https://lucygoestohollywood.com/2019/01/23/a-tale-of-two-queens-my-review-of-mary-queen-of-scots/
The performances given by both Saoirse Ronan and Margot Robbie are just stunning. Between them, they carry the entire film and transport you to another time and place. They’re captivating and powerful, particularly Ronan as Mary. I loved her character and felt invested in her. Despite knowing how it was all going to end I still rooted for her throughout, and wanted her to succeed. Her character is driven, passionate and tenacious, traits that Ronan truly brings to life on screen.
Aesthetically, Mary Queen of Scots is a wonderful film that is picturesque even during the darker scenes. Both leading ladies pull off the roles and the costumes effortlessly. I’ve never been so impressed by hairstyling in particular, so I would love this film to win the Academy Award for Best Makeup and Hairstyling this year. The styles were so intricate and beautiful, bringing out the personalities of those who wore them.
It is also refreshing to know the film was directed by a woman, considering the narrative focuses on two of history’s most powerful and intriguing queens. This was actually Josie Rourke’s directorial debut, and what a fantastic one it was. I loved the way she portrayed all the ugliness of life in this era, just as much as the regalness. There is one scene where Mary is shown on her period, and this really struck me. I liked how it was normalised, no one made a big deal out of it, it was just a part of her life like every other woman. I’m glad Rourke chose to include this.
As many people have pointed out, this film is certainly not historically accurate so if you’re the kind of person who needs that you’d leave feeling disappointed. For me, I saw it as an interesting case study of both women that’s a work of fiction. That’s alright in my books and I don’t have a problem with artistic licence. It was an entertaining period piece that was beautiful to look at. Sometimes that’s enough. Nobody was trying to suggest this was a documentary, it’s a film.
Overall Mary Queen of Scots is entertaining and very well acted, but the narrative does feel a little too slow and drawn out in places. It’s definitely not the strongest period piece I’ve seen, but that doesn’t necessarily make it a bad film. It is worth seeing on the big screen due to the beautiful Scottish scenery and the intense conflict between Protestant and Catholic. It’s bold, dramatic and worth losing yourself in, even if you’d only do it once.
https://lucygoestohollywood.com/2019/01/23/a-tale-of-two-queens-my-review-of-mary-queen-of-scots/
Steve Fearon (84 KP) rated Thir13en Ghosts (2001) in Movies
Sep 5, 2018
The ghosts aren't the only thing that we can see through...
Contains spoilers, click to show
As part of a 'rewatching films from the 90's and 2000's' theme that me and the missus are going through at the moment, we came to a film i remembered fairly fondly, the remake of Thirteen Ghosts!
Unlike a lot of films from this period, this wasn't as terrible to rewatch as some, though it still reeks of some of the tropes of that period, including the casting of Shannon Elizabeth, the evil uncle and the corporate Lawyer baddie as well as the kids that can't help but run towards trouble at every opportunity.
Lets be honest, this film isn't really a scary one, it has some nice creepy elements, but it is largely a safe horror entry for people that shy away from the more intense/gory side of the genre.
Matthew Lillard chews all the scenery he can, and is largely very entertaining as a psychic with powers that they touch on without really explaining, but thats ok, its not the sort of film where it matters all that much.
Better than some, worse than others, this is a film for a rainy sunday evening, where it doesn't matter too much if you talk over the miles and miles of exposition, and where you can happily pull apart the plot holes and confusing character motives to your hearts content.
Unlike a lot of films from this period, this wasn't as terrible to rewatch as some, though it still reeks of some of the tropes of that period, including the casting of Shannon Elizabeth, the evil uncle and the corporate Lawyer baddie as well as the kids that can't help but run towards trouble at every opportunity.
Lets be honest, this film isn't really a scary one, it has some nice creepy elements, but it is largely a safe horror entry for people that shy away from the more intense/gory side of the genre.
Matthew Lillard chews all the scenery he can, and is largely very entertaining as a psychic with powers that they touch on without really explaining, but thats ok, its not the sort of film where it matters all that much.
Better than some, worse than others, this is a film for a rainy sunday evening, where it doesn't matter too much if you talk over the miles and miles of exposition, and where you can happily pull apart the plot holes and confusing character motives to your hearts content.
David (771 KP) rated Ready Player One in Books
Apr 8, 2018
Fantastic, the concept is awesome and in my opinion a snapshot of how the world could be on it's current path. Unfortunately I am not a videogame nerd, some of the references were lost on me but 80s film and TV, I loved the connection to the culture of the time period. Since Back to the future I have been a fan of the Delorean car and was excited it was bought back in this story. The book was a thrill, geek ride from start to finish. My only regret is that I didn't discover it when in was first published in 2011.
Now I have read it I can't wait to see the film, player one is well and truly ready!
Now I have read it I can't wait to see the film, player one is well and truly ready!
Dean (6927 KP) rated The Bank Job (2008) in Movies
Apr 12, 2018
Cracking Thriller
A very good heist/crime thriller with a very good cast of mainly British actors on show. A role that seems to fit Jason Statham like a glove, playing a cockney East London gangster. He has the chance to pull one last big Bank Job but that is where all his troubles begin. This is a very good entertaining film, that is slick, stylish and a tad raunchy too. It stays very truthful to the 70's period in all manner of ways, which is good to see. This isn't just a good heist film though as the story involves all sorts of double crosses, making it a very good crime thriller to. Make sure you see it.
SA
Space and Subjectivity in Contemporary Brazilian Cinema
Antonio Marcio Da Silva and Mariana A. C. Cunha
Book
This collection explores the emergence of new spatialities and subjectivities in Brazilian films...
