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Screening Neoliberalism: Transforming Mexican Cinema, 1988-2012
Book
Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience...
Kate Mara recommended Lady Jane (1986) in Movies (curated)
KerrChung (46 KP) rated Fido (2007) in Movies
Jun 14, 2018
Acting (2 more)
Casting
Story
A boy and hit Zombie
Contains spoilers, click to show
In full on 1950s fashion but with an end of the world flare this 2007 film will steal your heart. The misogyny portayed is typical of the time period, but i found myself cheering Carrie Ann Moss on as she decided to stand up for herself. And young Timmy when he gets in trouble Fido either saves the day, or when it was too hard for him he runs home to get mom. And just like in Lassie there is the whole "What is it boy? Is Timmy in trouble?" Dialogue throughout contains a treasure trove of quotable lines.
James Koppert (2698 KP) rated This Is England (2007) in Movies
Dec 3, 2019 (Updated Dec 3, 2019)
British classic
Unless it's a comedy, British films often don't get the recognition they deserve. This did. Friends in the State's were messeging me saying they have seen it.
The unscripted acting was warm when it needed to be and tense when it needed to be. It shine a light on Thatcher's Britain, divided and angry, a but like today. It's not always easy to watch but at the same time there is recognition of anyone who lived through this period.
So good it spawned a TV series, This Is England is one of Britain's best.
The unscripted acting was warm when it needed to be and tense when it needed to be. It shine a light on Thatcher's Britain, divided and angry, a but like today. It's not always easy to watch but at the same time there is recognition of anyone who lived through this period.
So good it spawned a TV series, This Is England is one of Britain's best.
Kasi Lemmons recommended All About Eve (1950) in Movies (curated)
Awix (3310 KP) rated The Trollenberg Terror (1958) in Movies
Jun 22, 2019 (Updated Jun 22, 2019)
Independent sci-fi movie has the inevitable hokeyness of films of its period but shows flashes of intelligence, until the climax at least. Vaguely Lovecraftian alien creatures take up residence atop a Swiss mountain, rip the heads off passing mountaineers, turn other people into zombies to eliminate nosey psychics, and so on. Fearing the world supply of cuckoo clocks, cheese with holes in it, and multi-purpose knives may be in peril, a group of assorted boffins attempt to sort things out.
Well, at least it's original, if not always in the best of ways. Things proceed in a relatively effective way until the aliens decide to come down the mountain and attack in person, at which point they are revealed to be tentacled monocular blobs entirely beyond the budget of the film to convincingly realise. The same could be said of many alien invasion and monster movies of the 50s and 60s and this is neither the best nor the worst example of the genre from that period.
Well, at least it's original, if not always in the best of ways. Things proceed in a relatively effective way until the aliens decide to come down the mountain and attack in person, at which point they are revealed to be tentacled monocular blobs entirely beyond the budget of the film to convincingly realise. The same could be said of many alien invasion and monster movies of the 50s and 60s and this is neither the best nor the worst example of the genre from that period.
David McK (3547 KP) rated Shadow of the Sith in Books
Apr 22, 2023
Disney-era Star Wars extended universe novel, set in the period between the end of 'Return of the Jedi' and the start of 'The Force Awakens'.
So same period as covered in TVs 'The Mandalorian', of which this makes no mention.
The novel also double-downs on the big (and not-at-all-well-received due to some extreme clunkiness) twist introduced in 'The Rise of Skywalker', with Luke Skywalker - here, before his hermit days - and Lando Calrissian both being drawn into the protection of a family (who they never meet in person) that is being hunted by the Sith: a family that includes a very young Rey.
I actually found this to be not that bad a read that at least attempted to fix some of the problems in The Rise of Skywalker, although I do have to say that it started from an almost impossible position and chose probably one of the least-liked aspects of that film (and character from the sequel trilogy) to concentrate on/be built around!
So same period as covered in TVs 'The Mandalorian', of which this makes no mention.
The novel also double-downs on the big (and not-at-all-well-received due to some extreme clunkiness) twist introduced in 'The Rise of Skywalker', with Luke Skywalker - here, before his hermit days - and Lando Calrissian both being drawn into the protection of a family (who they never meet in person) that is being hunted by the Sith: a family that includes a very young Rey.
I actually found this to be not that bad a read that at least attempted to fix some of the problems in The Rise of Skywalker, although I do have to say that it started from an almost impossible position and chose probably one of the least-liked aspects of that film (and character from the sequel trilogy) to concentrate on/be built around!
Chris Sawin (602 KP) rated All the Boys Love Mandy Lane (2006) in Movies
Jun 18, 2019
Mandy Lane (Amber Heard) becomes the most desirable girl in high school over one fateful summer; she's definitely not like the other girls her age though. While most guys want to do everything imaginable to her, she's turned them all down. The only guy she really gives the time of day is her best friend, Emmet (Michael Welch). That is until a certain incident at a pool party comes between them. Now nine months later, Mandy has distanced herself from Emmet and has a group of new friends. These friends have decided to invite Mandy to a ranch out in the middle of nowhere for a few days and the guys who tag along hope to accomplish what, up to this point, has been impossible. But when people begin to turn up missing, they soon realize that they're not alone and someone is taking their obsession with Mandy Lane a little too far.
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
Awix (3310 KP) rated Legend (2015) in Movies
Jun 12, 2018 (Updated Jul 12, 2019)
Krays-y
Yet another movie glamourising the vicious real-life gangster siblings, with the principal gimmick of Tom Hardy playing both Krays through the wonders of something-or-other. Hardy is excellent as Reggie, the merely-psychotic brains of the outfit, but way over the top as Ronnie, who is portrayed as a slightly thick criminal maniac, and arguably played for laughs too. A friend of mine came out thinking this was intended to be a black comedy; she may not have been wrong.
There's a good supporting cast and it's quite well made, but the film seems much too keen to cut the Krays some slack, presenting them as roguish anti-heroes rather than the brutal thugs they actually were. The 1990 Peter Medak telling of the Krays' story was arguably more balanced - this is an uneasy combination of a 'those quaint old Brits' period drama and a modishly violent modern gangster film.
There's a good supporting cast and it's quite well made, but the film seems much too keen to cut the Krays some slack, presenting them as roguish anti-heroes rather than the brutal thugs they actually were. The 1990 Peter Medak telling of the Krays' story was arguably more balanced - this is an uneasy combination of a 'those quaint old Brits' period drama and a modishly violent modern gangster film.
Awix (3310 KP) rated Mary Queen of Scots (2018) in Movies
Jan 23, 2019 (Updated Jan 23, 2019)
There's Something About Mary
Yet another crack at the famous life-story of Mary Stuart. It's all a bit complicated and has to do with religious conflict and dynastic succession; if I understood it better I could probably get higher scores on Crusader Kings 2. This is a period of history that everyone sort-of knows a bit about without really understanding the details, and it would have been great if the film had really got to the heart of the politics and personalities involved, but instead the director seems more interested in giving the story more of a modern resonance than it really requires.
Still, good frocks, and many incidental pleasures to be found, especially amongst the supporting performances. Saoirse Ronan doesn't quite dominate the film as you might imagine; Margot Robbie is at least as impressive in a rather smaller part. In the end it's kind of okay if you just like costume dramas, but it doesn't really bring the story to life.
Still, good frocks, and many incidental pleasures to be found, especially amongst the supporting performances. Saoirse Ronan doesn't quite dominate the film as you might imagine; Margot Robbie is at least as impressive in a rather smaller part. In the end it's kind of okay if you just like costume dramas, but it doesn't really bring the story to life.