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Modernity Britain: 1957-1962
Book
David Kynaston's history of post-war Britain has so far taken us from the radically reforming Labour...
The Selected Poetry of Pier Paolo Pasolini: A Bilingual Edition
Book
Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary...
Last Exit to Brooklyn
Book
Few novels have caused as much debate as Hubert Selby Jr.'s notorious masterpiece, Last Exit to...
Charlie Cobra Reviews (1840 KP) rated Fighting with My Family (2019) in Movies
Jul 4, 2020
The Weight of Dreams And Expectations - 8/10
Fighting With My Family is a 2019 biographical sports comedy/drama based on a documentary, The Wrestlers: Fighting With My Family. The documentary was directed by Max Fisher and is about WWE wrestler Paige's career. Written and directed by Stephen Merchant, including executive producer Dwayne Johnson, the film also stars Florence Pugh, Nick Frost, Lena Heady and Vince Vaughn.
In 2000 Norwich, England inseparable siblings Zak (Jack Lowden) and Saraya Knight (Florence Pugh) are encouraged by their parents, Rick (Nick Frost) and Julia (Lena Heady) to wrestle in their family run wrestling promotion. Nervous about her first match, they change the opponent to her brother and the experience she has winning, cements her love of wrestling. Years later, their parents continue to manage and run the family wrestling promotion with both siblings helping to wrestle and train prospective wrestlers. Struggling financially their last hope rides on both children getting signed when they are invited to a WWE tryout. The outcome is bittersweet however when only Saraya is chosen. She is now given a "Once In A Lifetime" opportunity but must leave everyone she knows behind as she goes on this journey alone.
This movie was fantastic! Not just a great wrestling movie but a great movie, period. An emotional roller coaster. The cast was awesome and their camaraderie and chemistry really showed on screen. The writers did a great job keeping dialogue realistic and a plot like life; with its ups and downs. I really didn't think this movie would be that emotional, but it touches on so many themes. It's really a movie for everyone not just wrestling fans. It makes you really feel for the characters and has a way of pulling on your heartstrings in a way few movies do. I almost scored it a point higher but I give this movie an 8/10.
In 2000 Norwich, England inseparable siblings Zak (Jack Lowden) and Saraya Knight (Florence Pugh) are encouraged by their parents, Rick (Nick Frost) and Julia (Lena Heady) to wrestle in their family run wrestling promotion. Nervous about her first match, they change the opponent to her brother and the experience she has winning, cements her love of wrestling. Years later, their parents continue to manage and run the family wrestling promotion with both siblings helping to wrestle and train prospective wrestlers. Struggling financially their last hope rides on both children getting signed when they are invited to a WWE tryout. The outcome is bittersweet however when only Saraya is chosen. She is now given a "Once In A Lifetime" opportunity but must leave everyone she knows behind as she goes on this journey alone.
This movie was fantastic! Not just a great wrestling movie but a great movie, period. An emotional roller coaster. The cast was awesome and their camaraderie and chemistry really showed on screen. The writers did a great job keeping dialogue realistic and a plot like life; with its ups and downs. I really didn't think this movie would be that emotional, but it touches on so many themes. It's really a movie for everyone not just wrestling fans. It makes you really feel for the characters and has a way of pulling on your heartstrings in a way few movies do. I almost scored it a point higher but I give this movie an 8/10.
KyleQ (267 KP) rated Halloween II (2009) in Movies
Jul 20, 2020
Honestly, I thought this was best entry in the series since Carpenter's Original.
Halloween II opens up with a hospital sequence referencing the original Halloween II, and honestly, this hospital scene was not only the most intense and frightening sequence from a Halloween movie, but it was also one of the most frightening and intense sequences I've seen period.
After that Halloween II delves into wholly original territory.
Scout Taylor Compton's Laurie Strode is suffering from PTSD, she lives with her bestie Annie Brackett (Danielle Harris) and Annie's dad, Lee Brackett (Brad Douriff). The sight of Annie causes Laurie to remember that which pains her, straining their relationship. Laurie feels like she is losing her sanity, she's even dreamt of her mother (Sheri Moon Zombie) with a white horse, calling for her.
Meanwhile, Dr. Sam Loomis (Malcolm Mcdowell), truly believing Michael (Tyler Mane) to be dead, is getting rich off of his book which tells the story of the first film. Loomis is now wholly enveloped with this world.
But Michael is returning to Haddonfield once more.
I can see why longtime fans would have trouble getting into this. Michael's look has been changed for the first time, in parts he doesn't wear his mask, he dresses like a hobo, he has long hair and a great big bushy beard.
The movie also obviously takes characters into strange and different directions than previous installments.
But I don't think that's reason enough to hate it and bash it.
Halloween II is one the most brutal, intense, and disturbing horror movies I've seen in a while, and frankly, that's what I want in a horror movie. Horror should try to frighten and disturb its viewers.
It's a very original entry, but well worth it if you have an open mind.
I minus one star because I don't understand the white horse, it feels pointless, otherwise, I thought it was great!
After that Halloween II delves into wholly original territory.
Scout Taylor Compton's Laurie Strode is suffering from PTSD, she lives with her bestie Annie Brackett (Danielle Harris) and Annie's dad, Lee Brackett (Brad Douriff). The sight of Annie causes Laurie to remember that which pains her, straining their relationship. Laurie feels like she is losing her sanity, she's even dreamt of her mother (Sheri Moon Zombie) with a white horse, calling for her.
Meanwhile, Dr. Sam Loomis (Malcolm Mcdowell), truly believing Michael (Tyler Mane) to be dead, is getting rich off of his book which tells the story of the first film. Loomis is now wholly enveloped with this world.
But Michael is returning to Haddonfield once more.
I can see why longtime fans would have trouble getting into this. Michael's look has been changed for the first time, in parts he doesn't wear his mask, he dresses like a hobo, he has long hair and a great big bushy beard.
The movie also obviously takes characters into strange and different directions than previous installments.
But I don't think that's reason enough to hate it and bash it.
Halloween II is one the most brutal, intense, and disturbing horror movies I've seen in a while, and frankly, that's what I want in a horror movie. Horror should try to frighten and disturb its viewers.
It's a very original entry, but well worth it if you have an open mind.
I minus one star because I don't understand the white horse, it feels pointless, otherwise, I thought it was great!
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Troy Aker (6 KP) rated Super 8 (2011) in Movies
Dec 13, 2017
Much fun from JJ Abrams
With Super 8, JJ Abrams did something I feel is rare in cinema. It was a monster movie in which you actually care about the people involved. Way too often in movies it becomes easy to cheer on the monster because the people involved just aren't likable, or that not enough time is spent on them to create a connection with the characters. A character driven monster-disaster movie is rare. This movie is the anti-Michael Bay movie. Which is part of the reason why I love it so much.
Another reason I enjoy it so much is because of the period of the film. It is a very believable 1979, and though the kids in the movie are a little bit older than me, I still felt a connection to them and what they did in their lives. I remember working on various projects with friends as kids, when we would do everything we could to make our silly and fun little projects seem more adult. There is a certain rush to compete, when hormones start kicking in, with older and more mature kids, but still wanting to hold on to the fun things that makes the group enjoyable. This was all conveyed very well during the movie, and it helps create a connection with the characters.
The movie brings to mine some absolutely wonderful movies about groups of friends that go through a life-changing journey together, like E.T., The Goonies, and Stand By Me.
This being said, I think that people that grew up in the late 70's and early to mid-80's will enjoy this movie for different reasons than somebody that grew up after that. There was a certain level of nostalgia that hooked me in this movie. Someone who can't necessarily relate to the characters that way can certainly relate to them as far as a group of friends having a shifting dynamic as the teen years come barreling down at you.
Then for the action fans, the movie has one of, if not the best, crash scene I have ever seen. The monster action through most of the movie is quick cuts, loud sounds and then you see the aftermath. As the movie progresses, you do start to see more and more of the monster, so be patient. It won't be hidden forever. Seeing a little town of 12,000 people turn into a war zone was crazy as the military gets progressively involved as well.
This movie was not perfect though. There were a couple jumps in logic I felt. The kind where you sit there and think, "No way that it would happen like that." And another where you wonder why certain things are happening and others there are not. Also, towards the end, there was a certain amount of sappiness. Maybe not uncalled for due to the extraordinary circumstances that this town was put through though. But all this is easy to move past because the movie it self is so enjoyable.
Another reason I enjoy it so much is because of the period of the film. It is a very believable 1979, and though the kids in the movie are a little bit older than me, I still felt a connection to them and what they did in their lives. I remember working on various projects with friends as kids, when we would do everything we could to make our silly and fun little projects seem more adult. There is a certain rush to compete, when hormones start kicking in, with older and more mature kids, but still wanting to hold on to the fun things that makes the group enjoyable. This was all conveyed very well during the movie, and it helps create a connection with the characters.
The movie brings to mine some absolutely wonderful movies about groups of friends that go through a life-changing journey together, like E.T., The Goonies, and Stand By Me.
This being said, I think that people that grew up in the late 70's and early to mid-80's will enjoy this movie for different reasons than somebody that grew up after that. There was a certain level of nostalgia that hooked me in this movie. Someone who can't necessarily relate to the characters that way can certainly relate to them as far as a group of friends having a shifting dynamic as the teen years come barreling down at you.
Then for the action fans, the movie has one of, if not the best, crash scene I have ever seen. The monster action through most of the movie is quick cuts, loud sounds and then you see the aftermath. As the movie progresses, you do start to see more and more of the monster, so be patient. It won't be hidden forever. Seeing a little town of 12,000 people turn into a war zone was crazy as the military gets progressively involved as well.
This movie was not perfect though. There were a couple jumps in logic I felt. The kind where you sit there and think, "No way that it would happen like that." And another where you wonder why certain things are happening and others there are not. Also, towards the end, there was a certain amount of sappiness. Maybe not uncalled for due to the extraordinary circumstances that this town was put through though. But all this is easy to move past because the movie it self is so enjoyable.
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Emma @ The Movies (1786 KP) rated Enola Holmes (2020) in Movies
Oct 3, 2020
There were several things that didn't make me leap at this one, but I was excited to have a "new release" to watch so...
The Holmes family name is a recognisable one, Sherlock and Mycroft are taking London by storm... but did you know about their younger sister, Enola? Raised by her mother, an eccentric and strong woman with a very alternative view on education, Enola is a strong will young woman in her image. When her mother goes missing Enola sets off to find her against the wishes of her brothers, taking herself to London and crossing paths with friends and foes along the way.
When I was looking for something between Sherlock Holmes and Nancy Drew I was hoping they'd throw the stone a little further. In my notes I scribbled that there are plenty of books about teen detectives that would have adapted well... and then I discovered that this was a book, and a series no less. I understand that the association with Sherlock Holmes is a strong one to market, but I feel like we're a little Sherlocked out these days. I miss vaguely original content... sorry, that sounds bitchier than it was meant to be.
Millie Bobby Brown did a good job of bringing Enola to life, there's a strong precocious nature to the role and she adapted to every twist convincingly. At times I noticed the odd slip that felt a little pantomime-y but by the time I'd pursed my lips and frowned it had already passed.
The Holmes brothers, brought to us by Henry Cavill and Sam Claflin, where to start... Claflin as Mycroft did a pretty good job, possibly too good, every time he was on screen I wanted him to leave. However, am I the only one that thought that these actors should have been playing each other's roles? As much as I love Cavill, he is not Sherlock. Sherlock is not suave and naturally charming, and he's certainly not built like a Chippendale, well, maybe a bit of furniture. It felt like a very unnatural fit, but I could just about visualise it with the roles reversed.
Supporting actors were great, I particularly enjoyed Susan Wokoma's, Edith. But, I was pleasantly surprised to see Fiona Shaw pop up in what appeared to be a reprisal of her role from Three Men and a Little Lady, but I digress.
To a layman like myself the period setting looked amazing and I thought the costumes were excellent. In fact, everything about the film looked stunning, but here is where I part with compliments.
Enola Holmes clocks in at just over the 2 hour mark, 2 hours and 3 minutes if we're being precise. If you say "family film" I think 1 hour 30, 45 maybe, if you say "thriller" I think 2 hours+... I know there are no hard and fast rules about it, but here's the thing, there wasn't enough content to fill that time. Yes, they managed to fill the runtime, but so much of it was unnecessary. Her mother's storyline seemed entirely there to get her to London, which could easily have been done in several ways, there's one scene in particular that seemed to go nowhere. I hate to say it, but Fiona Shaw and her finishing school were completely surplus to requirements too, nothing happened there that was very relevant at all. Some of the additions to what is quite a simple story made it a little complicated, though complicated isn't quite the right word because everything was easy to grasp (when it was relevant), perhaps "fussy" would be a better choice.
When the film ended I knew we were being set up for round 2, though this one came with less of a sickening groan than Artemis Fowl's did. I don't know how the books run as a series so I'd be interested to see how they compare, but I'm not a fan of continued storyline and that will definitely be on the cards for a sequel.
While I'm fully aware I've just moaned about a lot of points, the film is definitely watchable, but for me it was too cluttered and drawn out to hold my attention. With some snipping here and there it could have been vastly improved.
(My god, I didn't even mention the 4th wall breaking or the very end... but I guess no one really wants a full essay on the subject.)
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/enola-holmes-movie-review.html
The Holmes family name is a recognisable one, Sherlock and Mycroft are taking London by storm... but did you know about their younger sister, Enola? Raised by her mother, an eccentric and strong woman with a very alternative view on education, Enola is a strong will young woman in her image. When her mother goes missing Enola sets off to find her against the wishes of her brothers, taking herself to London and crossing paths with friends and foes along the way.
When I was looking for something between Sherlock Holmes and Nancy Drew I was hoping they'd throw the stone a little further. In my notes I scribbled that there are plenty of books about teen detectives that would have adapted well... and then I discovered that this was a book, and a series no less. I understand that the association with Sherlock Holmes is a strong one to market, but I feel like we're a little Sherlocked out these days. I miss vaguely original content... sorry, that sounds bitchier than it was meant to be.
Millie Bobby Brown did a good job of bringing Enola to life, there's a strong precocious nature to the role and she adapted to every twist convincingly. At times I noticed the odd slip that felt a little pantomime-y but by the time I'd pursed my lips and frowned it had already passed.
The Holmes brothers, brought to us by Henry Cavill and Sam Claflin, where to start... Claflin as Mycroft did a pretty good job, possibly too good, every time he was on screen I wanted him to leave. However, am I the only one that thought that these actors should have been playing each other's roles? As much as I love Cavill, he is not Sherlock. Sherlock is not suave and naturally charming, and he's certainly not built like a Chippendale, well, maybe a bit of furniture. It felt like a very unnatural fit, but I could just about visualise it with the roles reversed.
Supporting actors were great, I particularly enjoyed Susan Wokoma's, Edith. But, I was pleasantly surprised to see Fiona Shaw pop up in what appeared to be a reprisal of her role from Three Men and a Little Lady, but I digress.
To a layman like myself the period setting looked amazing and I thought the costumes were excellent. In fact, everything about the film looked stunning, but here is where I part with compliments.
Enola Holmes clocks in at just over the 2 hour mark, 2 hours and 3 minutes if we're being precise. If you say "family film" I think 1 hour 30, 45 maybe, if you say "thriller" I think 2 hours+... I know there are no hard and fast rules about it, but here's the thing, there wasn't enough content to fill that time. Yes, they managed to fill the runtime, but so much of it was unnecessary. Her mother's storyline seemed entirely there to get her to London, which could easily have been done in several ways, there's one scene in particular that seemed to go nowhere. I hate to say it, but Fiona Shaw and her finishing school were completely surplus to requirements too, nothing happened there that was very relevant at all. Some of the additions to what is quite a simple story made it a little complicated, though complicated isn't quite the right word because everything was easy to grasp (when it was relevant), perhaps "fussy" would be a better choice.
When the film ended I knew we were being set up for round 2, though this one came with less of a sickening groan than Artemis Fowl's did. I don't know how the books run as a series so I'd be interested to see how they compare, but I'm not a fan of continued storyline and that will definitely be on the cards for a sequel.
While I'm fully aware I've just moaned about a lot of points, the film is definitely watchable, but for me it was too cluttered and drawn out to hold my attention. With some snipping here and there it could have been vastly improved.
(My god, I didn't even mention the 4th wall breaking or the very end... but I guess no one really wants a full essay on the subject.)
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/enola-holmes-movie-review.html