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Andy K (10821 KP) rated Heaven's Gate (1980) in Movies
Sep 1, 2018
Masterpiece or disaster? I think a little of both.
The controversy around the production, editing, release and financial and critical disaster around Heaven's Gate is long over now. The destruction of director Michael Cimino's career and the almost bankruptcy of United Artists over this film are several of the endless stories you can read about surrounding this western epic, but now it is 38 years later. How does the film stand up?
I'd say pretty darn well.
The essential story is a semi love triangle between a rich sheriff, a lawless brute and a prostitute/madam set against the American west in 1880s Wyoming. The story involves the decision by the government to kill anyone stealing cattle for their own purposes even if it is only to feed their starving family. (Kind of hard to explain). The main characters have to decide which side they are on for the slowly building eventual bloodbath standoff climax.
I had always heard about the film and it's extremes, including its length of almost 4 hours, but had not seen until today.
The movie does quite a bit right, but the shining star is the sprawling vistas depicting the American west including Wyoming, Idaho and Montana. Cimino filmed extensively during the "magic hour" meaning he could only film for a few minutes per day during that few minute period between sunset and night.
The film does go on a bit long, but the payoff is worth the wait and I would still highly recommend any film fan give it a try. You will not be disappointed.
I'd say pretty darn well.
The essential story is a semi love triangle between a rich sheriff, a lawless brute and a prostitute/madam set against the American west in 1880s Wyoming. The story involves the decision by the government to kill anyone stealing cattle for their own purposes even if it is only to feed their starving family. (Kind of hard to explain). The main characters have to decide which side they are on for the slowly building eventual bloodbath standoff climax.
I had always heard about the film and it's extremes, including its length of almost 4 hours, but had not seen until today.
The movie does quite a bit right, but the shining star is the sprawling vistas depicting the American west including Wyoming, Idaho and Montana. Cimino filmed extensively during the "magic hour" meaning he could only film for a few minutes per day during that few minute period between sunset and night.
The film does go on a bit long, but the payoff is worth the wait and I would still highly recommend any film fan give it a try. You will not be disappointed.
Jesters_folly (230 KP) rated Mr Harrigan's Phone (2022) in Movies
Oct 10, 2022
Contains spoilers, click to show
Mr Harringan's phone is a film based on a short story by Stephen King. Like a lot of Kings work the film is a slow burn but one without much of a pay off.
Mr Harringan's phone follows Craig, a young boy who is hired by the reclusive Mr Harringan. After working for him for a few years Mr Harringan dies. During his period of grief Craig phones Mr Harringan's old phone and tells him about the problems he is having with a bully, the bully dies soon after and Craig is sure the dead Mr Harringan has something to do with it.
Mr Harringan's phone has the potential to be a great ghost film but it doesn't manage to pull it off. The first 40 to 50 minutes of the film builds up the relationship between Craig and Mr Harringan leaving around an hour for the spooky stuff. However there is little actual horror, there are only 2 deaths due to the ghost and you don't see either of them. The film give what could be natural reasons for the deaths and tries to focuse on the effect they have on Craig as he thinks that he caused them but even this seems lacking.
The film feels like it's trying to be a 'classic' set in the modern day, like a Charles Dickens novel set in the naughties and it does pull this off but still seems to be lacking something.
If you are looking for something like the ring then this probably isn't for you but if you want a slow burn in the gothic/Dickens vain then it may be worth a watch.
Mr Harringan's phone follows Craig, a young boy who is hired by the reclusive Mr Harringan. After working for him for a few years Mr Harringan dies. During his period of grief Craig phones Mr Harringan's old phone and tells him about the problems he is having with a bully, the bully dies soon after and Craig is sure the dead Mr Harringan has something to do with it.
Mr Harringan's phone has the potential to be a great ghost film but it doesn't manage to pull it off. The first 40 to 50 minutes of the film builds up the relationship between Craig and Mr Harringan leaving around an hour for the spooky stuff. However there is little actual horror, there are only 2 deaths due to the ghost and you don't see either of them. The film give what could be natural reasons for the deaths and tries to focuse on the effect they have on Craig as he thinks that he caused them but even this seems lacking.
The film feels like it's trying to be a 'classic' set in the modern day, like a Charles Dickens novel set in the naughties and it does pull this off but still seems to be lacking something.
If you are looking for something like the ring then this probably isn't for you but if you want a slow burn in the gothic/Dickens vain then it may be worth a watch.
Awix (3310 KP) rated Tell It to the Bees (2019) in Movies
Jul 24, 2019 (Updated Jul 25, 2019)
Well-staged hats-and-ciggies period drama struggles to find anything new to say, or indeed to surprise or engage in any way. Much-put-upon single mum (Grainger) meets newly-arrived town doctor (Paquin) in a laborious cute-meet; what follows you can probably write for yourself, with the exception of a really weird climax involving bees (the bees are a sort of motif throughout, but it's still weird).
Reasonably good acting, although Paquin's attempt at a Scottish accent is not particularly easy on the ear. The problem is that the film is deeply predictable and not especially subtle (the girl-on-girl stuff is classily handled, though). I found it quite heavy going; the bit with the magic bees is a genuine 'You WHAT?' moment bafflingly at odds with the dour realism of much of the rest of the film.
Reasonably good acting, although Paquin's attempt at a Scottish accent is not particularly easy on the ear. The problem is that the film is deeply predictable and not especially subtle (the girl-on-girl stuff is classily handled, though). I found it quite heavy going; the bit with the magic bees is a genuine 'You WHAT?' moment bafflingly at odds with the dour realism of much of the rest of the film.
Movie Metropolis (309 KP) rated Gods and Monsters (1998) in Movies
Jun 10, 2019
McKellen teamed up with director Bill Condon in 1998 for Gods & Monsters. This period drama recounts the partly fictionalised last days of the life of film director James Whale, whose experience of war in the First World War is a central theme.
Although criticised for being overly-simplistic, McKellen’s performance received rave reviews, and he was nominated for his first Academy Award in the Best Actor category. Unfortunately, he didn’t go on to win this time around, but it remained a highlight in a career filled with fabulous work.
https://moviemetropolis.net/2019/05/25/top-5-ian-mckellen-performances/
Although criticised for being overly-simplistic, McKellen’s performance received rave reviews, and he was nominated for his first Academy Award in the Best Actor category. Unfortunately, he didn’t go on to win this time around, but it remained a highlight in a career filled with fabulous work.
https://moviemetropolis.net/2019/05/25/top-5-ian-mckellen-performances/
Baz Luhrmann recommended Medium Cool (1969) in Movies (curated)
David McK (3248 KP) rated Real Steel (2011) in Movies
Dec 6, 2020
Rock em Sock em Robots?
Feel good family film that plays like a version of Rocky, in a future (of 2020!) where robot boxing has replaced the real thing, with Hugh Jackman portraying a down on his luck boxer who reconnects with his estranged 11 year old son over a summer period, following the demise of his ex.
All the main beats from Rocky are here: the rags to riches story, the romance/love story bit, the final boxing match against an opponent named after a Greek God...
(NB that's not to say this isn't enjoyable: it is!)
All the main beats from Rocky are here: the rags to riches story, the romance/love story bit, the final boxing match against an opponent named after a Greek God...
(NB that's not to say this isn't enjoyable: it is!)
Connor Sheffield (293 KP) rated An American Werewolf in London (1981) in Movies
Jun 4, 2017
Steps away from most of the stereotypes (2 more)
Comedic Horror
Great practical effects for the time, even better than some modern day films
One of the classic Werewolf Films that any horror fan should watch
An American Werewolf in London should always be apart of any Werewolf film or horror film Fan's collection. It's comedic, yes, but it's still a great horror as well especially for it's time.
The cast isn't full of big Hollywood names, but that's what makes this film so good. You don't expect anything from the cast so the film shows you something like you've never seen. Though there are a few cast members that have big names such as Rik Mayall (R.I.P), but he isn't a main cast member, and serves only as a background character in a pub.
The story of two Americans, on a tour of England, with some comedic humour towards the atmosphere of England as we begin the film in the countryside. David's friend complains about the weather, whilst David himself is enjoying his time being out in the open.
The films practical effects are incredible, from the large wolf itself to the actual transformation, which sees limbs being extended into unnatural form, and David's mouth extending into a about, using only practical effects and no CGI. This is what makes this film so damn good!
The soundtrack is one of the cheeriest IV heard for a horror film as it contains multiple versions of the classic song Blue Moon, as well as Creedance Clearwater Revival's classic song Bad Moon Rising. Which eases some of the horror but not by much.
The film also differs from other werewolf films as it mocks the supernatural myth elements such as silver bullets, but includes some of the lesser known myths about the pre-transformation period such as the bizarre nightmares which often involve the cursed being to see themselves naked in a woods stalking and sometimes eating an animal raw, often deer or rabbit, and this film includes that as well as another very bizarre nightmare involving Nazi Demons.
The other great aspect to this film is the appearance of Dave's dead friend throughout the film, as we discover he is trapped in purgatory unable to pass on until the curse is lifted (a.k.a David needs to die). It's not the fact that Jack appears though that makes this element of the film incredible, it's the way he looks when he appears. Everytime Jack shows up, his body is more and more decayed and he becomes very zombiefied during our last encounter with him in the film, and the practical effects and makeup truly add to the grim reality of this aspect. The makeup was so grim in fact, that Griffin Dunne, who portrays Jack, wasn't overly pleased that this gruesome makeup would mean that his mother wouldn't be able to watch the film because it was that horrifying. There were even pieces of dangling rotten flesh, which was accidental but left in because it looked more realistic.
The film is funny, it's gripping and it's horrifying as we watch the beast stalk the people of London and then the next morning, we see a normal man and as we begin to watch him lose his mind, we sympathise for him.
Highly recommend this to any horror fan of you haven't seen it already, and if you haven't...why not? It's brilliantly written and brilliantly directed by the amazing John Landis.
The cast isn't full of big Hollywood names, but that's what makes this film so good. You don't expect anything from the cast so the film shows you something like you've never seen. Though there are a few cast members that have big names such as Rik Mayall (R.I.P), but he isn't a main cast member, and serves only as a background character in a pub.
The story of two Americans, on a tour of England, with some comedic humour towards the atmosphere of England as we begin the film in the countryside. David's friend complains about the weather, whilst David himself is enjoying his time being out in the open.
The films practical effects are incredible, from the large wolf itself to the actual transformation, which sees limbs being extended into unnatural form, and David's mouth extending into a about, using only practical effects and no CGI. This is what makes this film so damn good!
The soundtrack is one of the cheeriest IV heard for a horror film as it contains multiple versions of the classic song Blue Moon, as well as Creedance Clearwater Revival's classic song Bad Moon Rising. Which eases some of the horror but not by much.
The film also differs from other werewolf films as it mocks the supernatural myth elements such as silver bullets, but includes some of the lesser known myths about the pre-transformation period such as the bizarre nightmares which often involve the cursed being to see themselves naked in a woods stalking and sometimes eating an animal raw, often deer or rabbit, and this film includes that as well as another very bizarre nightmare involving Nazi Demons.
The other great aspect to this film is the appearance of Dave's dead friend throughout the film, as we discover he is trapped in purgatory unable to pass on until the curse is lifted (a.k.a David needs to die). It's not the fact that Jack appears though that makes this element of the film incredible, it's the way he looks when he appears. Everytime Jack shows up, his body is more and more decayed and he becomes very zombiefied during our last encounter with him in the film, and the practical effects and makeup truly add to the grim reality of this aspect. The makeup was so grim in fact, that Griffin Dunne, who portrays Jack, wasn't overly pleased that this gruesome makeup would mean that his mother wouldn't be able to watch the film because it was that horrifying. There were even pieces of dangling rotten flesh, which was accidental but left in because it looked more realistic.
The film is funny, it's gripping and it's horrifying as we watch the beast stalk the people of London and then the next morning, we see a normal man and as we begin to watch him lose his mind, we sympathise for him.
Highly recommend this to any horror fan of you haven't seen it already, and if you haven't...why not? It's brilliantly written and brilliantly directed by the amazing John Landis.
Danny Boyle recommended Eureka (1983) in Movies (curated)
Kirk Bage (1775 KP) rated The Vikings (1958) in Movies
Mar 3, 2020 (Updated Mar 5, 2020)
In a productive period seeing him make four or five films a year, Douglas returned to work for Richard Fleischer in his pursuit for the great epic that would finally win him the Oscar. The Vikings was a star-studded spectacle that despite some memorable scenes between himself and Tony Curtis, falls a little flat as a satisfying film in entirety. A box office hit, but a critical flop, it has to be counted as somewhat of a failure, except for the fact it is one of the better known moments in his career, thanks largely to the powerful visual of Douglas with a dead eye and scar; proving you merely point a camera at him and get magic. My favourite trivia around this film is that Douglas offered a prize for best beard on the first day of shooting, only to turn up himself entirely clean shaven.
