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Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance

Steve Giles, Karen Jurs-Munby and Jerome Carroll

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Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political...

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Four Horsemen of the Apocalypse: Theme (with John Williams / Itzhak Perlman, Itzhak Perlman, John Williams) by Itzhak Perlman / Pts / John Williams

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Black Orpheus: Manha De Carnaval (with Itzhak Perlman / John Williams, Itzhak Perlman, John Williams) by Itzhak Perlman / Pts / John Williams

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Perdition, piano duet (for the film Road to Perdition) - (with Tom Hanks/Paul Newman) (with Paul Newman, Tom Hanks) by Tom Newman

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Notre Pere, Op. 14: Notre Pere (with Trinity College Choir / Cambridge, Cambridge, Trinity College Choir) by Dawson / Durufle / Herford / Marlow / Wilkinson

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Das Paradies und die Peri (Paradise and the Peri), for soloists, chorus & orchestra, Op. 50: Part 1. No. 3. Der hehre Engel by Giulini / Schumann / Sinfonica Rai Di Roma

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Das Paradies und die Peri Paradise and the Peri, for soloists, chorus & orchestra, Op. 50: Part 1. No. 4. Wo find' ich sie? by Giulini / Schumann / Sinfonica Rai Di Roma

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Das Paradies und die Peri (Paradise and the Peri), for soloists, chorus & orchestra, Op. 50: Part 1. No. 5. So sann sie nach by Giulini / Schumann / Sinfonica Rai Di Roma

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Four Horsemen of the Apocalypse: Theme (with Itzhak Perlman / John Williams, Itzhak Perlman, John Williams) by Bosp / Yo-Yo Ma / Ozawa / Itzhak Perlman

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It Came Upon the Midnight Clear - (featuring Percy Faith & His Orchestra) (with Percy Faith & His Orchestra) by Johnny Mathis

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