Search
What Fresh Lunacy is This?: The Authorized Biography of Oliver Reed
Book
Oliver Reed may not have been Britain's biggest film star - for a period in the early 70s he came...
The World's 100 Weirdest Museums: From the Moist Towelette Museum in Michigan to the Museum of Broken Relationships in Zagreb
Book
When we think of the world's great museums, we tend to think of the Louvre, the Guggenheim or the...
Around 1945: Literature, Citizenship, Rights
Book
Near the end of the Second World War, new ideas about citizenship, national identity, belonging, and...
Doctor Who - The Novel Adaptations: Original Sin
Ken Bentley, Andy Lane, John Dorney and Tom Newsom
Book
On 30th Century Earth, the Doctor and Bernice Summerfield encounter the Adjudicator Roz Forrester...
The Living Years
Book
"Now Michael, you're the son of a naval officer, you must behave like a naval officer at all...
A Bazaar Life: The Autobiography of David Alliance
David Alliance and Ivan Fallon
Book
At the age of thirteen, David Alliance was taken out of school by his father and apprenticed into...
The Jungle Book (Illustrated with Interactive Elements): (Illustrated with Interactive Elements)
Rudyard Kipling and Minalima Ltd.
Book
For fans of all ages, legendary British writer Rudyard Kipling's complete collection of enchanting...
Hazel (2934 KP) rated Shadow Sands (Kate Marshall #2) in Books
Oct 24, 2020
I stupidly thought that you wouldn't be able to better or even come close to be as good as the first in this series "Nine Elms", which was one of my all time top reads, but I was so wrong ... Mr Bryndza has written another doozy of a book that I absolutely gobbled up. You don't have to have read the first story as this works as a stand alone BUT you really should!
Once again, I was totally engrossed from the first to the last word and became totally invested in the strong characters and their stories. The pace felt spot on for me and the tension, particularly when the story is being told from the victim's side, was spine-tinglingly good. Similarly, when the story is told from the killer's point of view, there were times when I got shivers up my neck he was so cold and matter-of-fact about the terror he was inflicting on a fellow human being - it was perfect.
As I've said, the characters are strong. The relationship between Kate and Tristan feels natural and genuine and I really feel for them as they go through their own struggles as if they were real people such is the strength of how they have been developed by the author. I thought it was genius to have Peter Conway (from Nine Elms) make an appearance and I hope we get to "see" more of him in subsequent books.
Mr Bryndza says "there are lots more books to come, and I hope you stay with me for the ride!" ... well, I certainly will and can't wait for the next instalment.
Highly recommended for readers who love dark, exciting, suspense-filled stories that despite making you feel ill at ease at times, you read on into the night.
I am so grateful to Little, Brown Book Group and NetGalley for providing my advance copy in return for an honest and unbiased review.
Once again, I was totally engrossed from the first to the last word and became totally invested in the strong characters and their stories. The pace felt spot on for me and the tension, particularly when the story is being told from the victim's side, was spine-tinglingly good. Similarly, when the story is told from the killer's point of view, there were times when I got shivers up my neck he was so cold and matter-of-fact about the terror he was inflicting on a fellow human being - it was perfect.
As I've said, the characters are strong. The relationship between Kate and Tristan feels natural and genuine and I really feel for them as they go through their own struggles as if they were real people such is the strength of how they have been developed by the author. I thought it was genius to have Peter Conway (from Nine Elms) make an appearance and I hope we get to "see" more of him in subsequent books.
Mr Bryndza says "there are lots more books to come, and I hope you stay with me for the ride!" ... well, I certainly will and can't wait for the next instalment.
Highly recommended for readers who love dark, exciting, suspense-filled stories that despite making you feel ill at ease at times, you read on into the night.
I am so grateful to Little, Brown Book Group and NetGalley for providing my advance copy in return for an honest and unbiased review.
Anthropocene by Peter Oren
Album Watch
Indiana-born, everywhere-based singer-songwriter Peter Oren possesses a remarkable singing voice,...
folk rock
Bob Mann (459 KP) rated The Guernsey Literary and Potato Peel Pie Society (2018) in Movies
Sep 29, 2021
“Contented with little, wishing for more”.
Here’s a curious little British film that has some merit, both as an entertainment vehicle and as a history lesson.
Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.
Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.
Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?
(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:
the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.
The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.
In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.
Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)
I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!
So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…
Set in a split-timeline between 1941 and 1946, the film tells the story of Juliet Ashton (Lily James, “Darkest Hour“, “Baby Driver“), a young British writer who seems all at sea emotion-wise following the war. She is struggling to fit in with her high-society London life, and can’t seem to put her heart into either her publishing commitments, much to the frustration of her publisher Sidney (Matthew Goode, “The Imitation Game“, “Stoker“), or her boyfriend Mark (Glen Powell, “Hidden Figures“), the dashing and well-off American army officer.
Into this mix drops a letter out of the blue from Guernsey from a pig-farmer called Dawsey Adams (Michiel Huisman, “The Age of Adeline“, “Game of Thrones”), which leads her on a trail of discovery into the mysterious back-story of the strangely named book club. The secrets of the tightly-knit St Peter Port community, and what really happened during the Nazi occupation, come progressively to light as Juliet digs deeper.
Much as “Their Finest” shone a light on the rather invisible war efforts of the British propaganda film industry, so here we get an interesting and (I believe) relatively untapped view of the historical background of the German occupation of the Channel Islands. How many viewers I wonder, especially those outside of the UK, knew that the Nazis occupied “British” territory* during the war?
(* Well, strictly speaking, the Channel Islands are a “crown dependency” rather than being part of the UK per se).
Story-wise the screenplay splits the drama between:
the love triangle (which I almost took to be a love square at the start of the film… and to be honest I’m still not 100% sure!) between the main protagonists and;
the mystery surrounding Guernsey’s Elizabeth McKenna (Jessica Brown Findlay, “The Riot Club”, Lady Sybil from Downton Abbey).
In the first instance, you would need to be pretty dim I think, particularly if you’ve seen the trailer already, not to work out where the story is going to head! (Although, to be fair, I thought that about “Their Finest” and was woefully wrong!). I found this all rather paint-by-numbers stuff, but livened up immensely by a scene between James and Powell and a bottle of champagne which is wonderfully and refreshingly pulled off.
The second strand of the story is slightly more intriguing and provides the opportunity to see the wonderful Jessica Brown Findlay in action: it is just disappointing that she actually features so little in the film, and also disappointing that, at a crucial dramatic moment, the action moves “off-stage”. I wanted to see more of that story.
In terms of casting, Susie Figgis must have had a TERRIBLE job in casting Juliet: “Gemma Arterton not available…. hmmm… who else would fit…. think… think… think… think dammit….! Ah, yes!!” Lily James might be in danger of becoming typecast as a 40’s-style love interest. But she just fits the bill in terms of looks and mannerisms SO perfectly.
Elsewhere in the cast, Penelope Wilton (“The Second Best Exotic Marigold Hotel“, “The BFG“) is superb as the deeply damaged Amelia; Tom Courtenay is 300% better than in his last movie outing as the cranky old postmaster; and TV’s Katherine Parkinson impresses greatly as the kooky gin-swilling Isola Pribby. All in all this is a fine ensemble cast. (With James, Goode, Wilton and Brown Findlay there, it must have also felt like a “Downton Abbey” reunion party!)
I’d also like to say that the Guernsey scenery was gloriously filmed, but as this article suggests, most of it was actually filmed in glorious Devon instead! Given the Guernsey Tourist Board have been going overboard (at least in the Southampton area) on film tie-in advertising, this feels rather like false representation! But I’m sure its equally lovely!
So in summary, it’s a thoughtful period piece, with some great acting performances and well-directed by Mike Newell (still most famous for “Four Weddings and a Funeral”). I enjoyed it but I felt it moved at a GLACIAL pace, taking over two hours to unfold, and I thought a few editing nips and tucks on the long lingering looks and leisurely strolls could have given it most impetus. But to be fair, my wife and cinema buddy for this film thought it was PERFECTLY paced, giving the story the space it needed for the drama and Juliet’s state of mind to unfold. In fact she gave it “5 Mads” as her rating… top marks! For me though a very creditable…