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Marcel Dzama recommended M (Movie) (1931) in Movies (curated)
Gary Giddins recommended M (Movie) (1931) in Movies (curated)
Gene Simmons recommended M (Movie) (1931) in Movies (curated)
David Hudson recommended M (Movie) (1931) in Movies (curated)
Awix (3310 KP) rated The Raven (1963) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
Vincent Price Broods Over His Dead Wife's Portrait (Yet Again)
Roger Corman's cycle of Poe-inspired movies goes into full-on comedy mode with this tale of squabbling magicians (played by Vincent Price, Peter Lorre and Boris Karloff). It is, obviously, only very loosely inspired by Poe's poem, but then you can only stretch 108 lines of verse so far.
The fun is in the performances, with the veteran cast members competing to ham it up more extravagantly. Also knocking about the lower reaches of the cast list is Jack Nicholson, really showing not much sign of the talent that would earn him so many Oscar nominations in later years.
Knockabout stuff, but well played and often very funny. Not actually much of a horror movie, though, certainly by modern standards.
The fun is in the performances, with the veteran cast members competing to ham it up more extravagantly. Also knocking about the lower reaches of the cast list is Jack Nicholson, really showing not much sign of the talent that would earn him so many Oscar nominations in later years.
Knockabout stuff, but well played and often very funny. Not actually much of a horror movie, though, certainly by modern standards.
Matthew Krueger (10051 KP) rated The Comedy of Terrors (1964) in Movies
Mar 30, 2020 (Updated Mar 30, 2020)
Vincent Price (1 more)
Boris Karloff
Price and Karloff
The Comedy of Terrors- It is a blend of comedy and horror which features several cast members from Tales of Terror, made by AIP the year before. Its funny, hilarious, laugh of loud, terrorfying and scary. Plus you have both Vincent Price and Boris Karloff which is a hugh plus in my books. Two iconic legend horror actors.
The plot: Waldo Trumbull (Vincent Price) is an amoral undertaker in 19th-century New England who takes to murdering people to have enough cash to support his drinking habit. Desperate for money after a widow stiffs him for a burial, Trumbull and his assistant, Gillie (Peter Lorre), decide to kill the wealthy Mr. Black (Basil Rathbone), their landlord, to whom they're indebted. But murdering Black proves to be quite a challenge, as he seems to keep recovering from death every time they do him in.
Its a classic movie, with two horror icons and mixs horror with comedy.
The plot: Waldo Trumbull (Vincent Price) is an amoral undertaker in 19th-century New England who takes to murdering people to have enough cash to support his drinking habit. Desperate for money after a widow stiffs him for a burial, Trumbull and his assistant, Gillie (Peter Lorre), decide to kill the wealthy Mr. Black (Basil Rathbone), their landlord, to whom they're indebted. But murdering Black proves to be quite a challenge, as he seems to keep recovering from death every time they do him in.
Its a classic movie, with two horror icons and mixs horror with comedy.
Andy K (10821 KP) rated 20,000 Leagues Under the Sea (1954) in Movies
Apr 29, 2019
One of the first Disney films to be shot in Cinema Scope
I swear Kirk Douglas has the best chin in film I have ever seen.
Another Disney classic I am ashamed I had not seen until today. What a grand epic undersea adventure! Kirk Douglas, Peter Lorre and James Mason as Captain Nemo (my dog really liked the seal, Esmeralda as well).
After some mysterious encounters at sea results in several vessels going down, some survivors of one of the blasts find their way aboard the Nautilus and meet the nefarious captain. After discovering the captain's mission our heroes try and escape and end up sort of joining the crew to bide their time until another opportunity arises.
What about the giant squid?
For the time period, this film looked amazing and the art direction and special effects both won Academy Awards for that year. The design of the Nautilus was also very interesting and it photographed well underwater.
I thoroughly enjoyed embarking on this aquatic journey and had to hold my breath until it was over!
Another Disney classic I am ashamed I had not seen until today. What a grand epic undersea adventure! Kirk Douglas, Peter Lorre and James Mason as Captain Nemo (my dog really liked the seal, Esmeralda as well).
After some mysterious encounters at sea results in several vessels going down, some survivors of one of the blasts find their way aboard the Nautilus and meet the nefarious captain. After discovering the captain's mission our heroes try and escape and end up sort of joining the crew to bide their time until another opportunity arises.
What about the giant squid?
For the time period, this film looked amazing and the art direction and special effects both won Academy Awards for that year. The design of the Nautilus was also very interesting and it photographed well underwater.
I thoroughly enjoyed embarking on this aquatic journey and had to hold my breath until it was over!
Matthew Krueger (10051 KP) rated The Raven (1963) in Movies
Aug 21, 2020
Vincent Price (2 more)
Boris Karloff
Jack Nicholson
Campy and Chessy
The Raven- is a excellent slapstick comic-horror film that is based off of Edgar Allen-Poe's Poem. The effects are cheesy meaning bad but those were effects back in the 60's. Now we have CGI. So looking back those were the effects that their had. And it got better overtime. I just love the campest of this film. Its horror but slapstick horror with cheesy effects.
The Plot: Magician Erasmus Craven (Vincent Price) is still deeply depressed two years after the death of his beloved wife, Lenore (Hazel Court). One day, he's visited by Adolphus Bedlo (Peter Lorre), who has been transformed into a raven after losing a duel to Dr. Scarabus (Boris Karloff), an evil wizard. After Craven transforms Bedlo back into a human, Bedlo claims to have seen Lenore's ghost at Scarabus' castle, prompting the two to head to Scarabus' castle to seek Craven's lost love.
I love the performaces by Vincent Price, Boris Karloff and Jack Nicholson. Three generations of actors right their. Plus Roger Corman directed it.
Its a cheesy campy film but got to love it cause of the slapstick.
The Plot: Magician Erasmus Craven (Vincent Price) is still deeply depressed two years after the death of his beloved wife, Lenore (Hazel Court). One day, he's visited by Adolphus Bedlo (Peter Lorre), who has been transformed into a raven after losing a duel to Dr. Scarabus (Boris Karloff), an evil wizard. After Craven transforms Bedlo back into a human, Bedlo claims to have seen Lenore's ghost at Scarabus' castle, prompting the two to head to Scarabus' castle to seek Craven's lost love.
I love the performaces by Vincent Price, Boris Karloff and Jack Nicholson. Three generations of actors right their. Plus Roger Corman directed it.
Its a cheesy campy film but got to love it cause of the slapstick.
Matthew Krueger (10051 KP) rated Son of Frankenstein (1939) in Movies
Oct 9, 2020
Boris Karloff (3 more)
Bela Lugosi
Basil Rathbone
Lionel Atwill
The Monster's Alive Once More
Son of Frankenstein- is a great continuation of the frankenstein franchise. Boris Karloff os back as the monster but this would be the last time he would play the monster in the universal monster universe. Its sad cause when you think of frankenstein, you think of Boris.
The plot: Baron Wolf von Frankenstein (Basil Rathbone) is determined to prove the legitimacy of his father's scientific work, thus rescuing the family name from disgrace. With the help of Ygor (Bela Lugosi), a grave robber, Wolf successfully reanimates the monster (Boris Karloff) his father originally brought back from the dead. But when several villagers are killed mysteriously, Wolf must find the culprit in order to vindicate his creation, or face the possibility that he may be responsible.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
After the ousting of the Laemmles from Universal and the British embargo on American horror films in 1936, Karloff and Lugosi found themselves in a career slump. For two years, horror films were out of favor at Universal Studios. On April 5, 1938, a nearly bankrupt theater in Los Angeles staged a desperate stunt by showing Frankenstein, Dracula and King Kong as a triple feature. The impressive box office results led to similarly successful revivals nationwide. Universal soon decided to make a big-budget Frankenstein sequel.
Son of Frankenstein marks changes in the Monster's character from Bride of Frankenstein. The Monster is duller and no longer speaks, explained by being injured by a lightning strike. The monster also wore a giant fur vest, not seen in the first two Frankenstein films, perhaps to add color to his appearance when the film was planned to be shot in color. He is fond of Ygor and obeys his orders. The Monster shows humanity in three scenes: first when he is disturbed by his image in a mirror, especially when compared to the Baron. Next, when he discovers Ygor's body, letting out a powerful scream, and later when he contemplates killing Peter but changes his mind. While the first two films were clearly set in the 1900s, this film appears to take place in the 1930s, judging by the appearance of a modern automobile.
Peter Lorre was originally cast as Baron Wolf von Frankenstein, but he had to leave the production when he became ill. Replacing Lorre was Basil Rathbone, who had scored a major triumph as Sir Guy of Gisbourne in The Adventures of Robin Hood, released the previous year.
According to the documentary Universal Horror (1998), the film was intended to be shot in color and some Technicolor test footage was filmed, but for artistic or budgetary reasons the plan was abandoned. No color test footage is known to survive, but a clip from a Kodachrome color home movie filmed at the studio and showing Boris Karloff in the green monster makeup, clowning around with makeup artist Jack Pierce, is included in the same documentary.
Its a excellent universal monster film.
The plot: Baron Wolf von Frankenstein (Basil Rathbone) is determined to prove the legitimacy of his father's scientific work, thus rescuing the family name from disgrace. With the help of Ygor (Bela Lugosi), a grave robber, Wolf successfully reanimates the monster (Boris Karloff) his father originally brought back from the dead. But when several villagers are killed mysteriously, Wolf must find the culprit in order to vindicate his creation, or face the possibility that he may be responsible.
Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
After the ousting of the Laemmles from Universal and the British embargo on American horror films in 1936, Karloff and Lugosi found themselves in a career slump. For two years, horror films were out of favor at Universal Studios. On April 5, 1938, a nearly bankrupt theater in Los Angeles staged a desperate stunt by showing Frankenstein, Dracula and King Kong as a triple feature. The impressive box office results led to similarly successful revivals nationwide. Universal soon decided to make a big-budget Frankenstein sequel.
Son of Frankenstein marks changes in the Monster's character from Bride of Frankenstein. The Monster is duller and no longer speaks, explained by being injured by a lightning strike. The monster also wore a giant fur vest, not seen in the first two Frankenstein films, perhaps to add color to his appearance when the film was planned to be shot in color. He is fond of Ygor and obeys his orders. The Monster shows humanity in three scenes: first when he is disturbed by his image in a mirror, especially when compared to the Baron. Next, when he discovers Ygor's body, letting out a powerful scream, and later when he contemplates killing Peter but changes his mind. While the first two films were clearly set in the 1900s, this film appears to take place in the 1930s, judging by the appearance of a modern automobile.
Peter Lorre was originally cast as Baron Wolf von Frankenstein, but he had to leave the production when he became ill. Replacing Lorre was Basil Rathbone, who had scored a major triumph as Sir Guy of Gisbourne in The Adventures of Robin Hood, released the previous year.
According to the documentary Universal Horror (1998), the film was intended to be shot in color and some Technicolor test footage was filmed, but for artistic or budgetary reasons the plan was abandoned. No color test footage is known to survive, but a clip from a Kodachrome color home movie filmed at the studio and showing Boris Karloff in the green monster makeup, clowning around with makeup artist Jack Pierce, is included in the same documentary.
Its a excellent universal monster film.
Kirk Bage (1775 KP) rated M (Movie) (1931) in Movies
Jan 28, 2021
The maestro of dark shadows, Fritz Lang already had 14 feature films under his belt by 1931, including the much loved and much borrowed from Metropolis in 1927. It is said that he was such a slave driver with cast and crew alike that he had very few friends and was detested as a man. His work spoke for itself, however, and was always miles ahead of anything happening at the same time in Hollywood. Take the dark, sinister and serious M as an example. It tackles the subject of child abduction and murder, homelessness, crime in general and the punishment of a mob – subjects American cinema would never have touched in 1931, let alone done with such an exquisite non- melodramatic feel.
Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.
Peter Lorre as the killer compelled by his own weakness and madness gives an unfeasably nuanced performance for the era also. He is mesmerically creepy and unforgettable. Images and motifs (such as the whistle that indicates the murderer is lurking) abound, creating a landscape of pure mood and disease. As a morality tale it touches on issues of vigilantism and true justice that still has some relevance today. It also works as an entertaining thriller, and there wasn’t a minute I felt bored or distracted. The only jarring element are the scenes where Lang cuts the sound entirely to create tension and focus – they feel like technical mistakes, not deliberate choices. Otherwise, I could not have been more impressed and pleasantly surprised by this Euro classic for all time. If I were making a list of the best films ever made that disregarded the limitations of the age, then M would definitely make the cut.