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Ryan Hill (152 KP) rated The Amazing Spider-Man (2012) in Movies
Jul 20, 2019
"You know in the future if you're gonna steal cars, don't dress like a car thief man"
So Sony had two choices, either sell the Spider-Man rights back to Marvel or press the reboot button on the Spider-Man franchise, so we got this and I see a lot of mixed opinions about this film, some love it, some don't, I think it's a good film but it's not as good as Sam Raimi's 2002 classic Spider-Man.
After Peter Parker (Andrew Garfield) is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
The action scenes in this film are enjoyable, especially the High School fight scene between Spidey and the Lizard and make for an enjoyable film, Andrew Garfield and Emma Stone have better chemistry than Tobey Maguire and Kirsten Dunst did, seeing as Garfield and Stone where dating at the time which made for a better on screen relationship between the two.
I do like Gwen Stacy more than Mary Jane thanks to Emma Stone seeing as Gwen is useful in this film and doesn't always need rescuing, also I like how they gave Spidey some quips to dish out in the film but it was only done for one scene.
There are a lot of problems with this film, I personally don't like the photographic style of the film, it's too dark and grainy for a Spider-Man film and I prefer the style Raimi used, speaking of Raimi, the director Marc Webb repeated a lot of stuff Raimi did in the first film, I'd much rather he had added something new to the blend.
I didn't really like Garfield as Peter Parker, he was just bland and I couldn't care for him due to bad writing, he is alright as Spidey but he's not the best, Rhys Ifans does a decent job as Dr. Curt Connors / The Lizard but he is just a forgettable villain, you can see the writing isn't up too scratch along with the story, the story isn't that good sadly and because most of the scenes where rushed characters suffer as a result along with the emotional and powerful scenes.
I can see why people might prefer this to the Raimi trilogy because of it's darker approach to Spider-Man but I prefer the light hearted approach Raimi took, overall I did like The Amazing Spider-Man, it's a good film but it was done so much better by Sam Raimi 17 years ago.
After Peter Parker (Andrew Garfield) is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
The action scenes in this film are enjoyable, especially the High School fight scene between Spidey and the Lizard and make for an enjoyable film, Andrew Garfield and Emma Stone have better chemistry than Tobey Maguire and Kirsten Dunst did, seeing as Garfield and Stone where dating at the time which made for a better on screen relationship between the two.
I do like Gwen Stacy more than Mary Jane thanks to Emma Stone seeing as Gwen is useful in this film and doesn't always need rescuing, also I like how they gave Spidey some quips to dish out in the film but it was only done for one scene.
There are a lot of problems with this film, I personally don't like the photographic style of the film, it's too dark and grainy for a Spider-Man film and I prefer the style Raimi used, speaking of Raimi, the director Marc Webb repeated a lot of stuff Raimi did in the first film, I'd much rather he had added something new to the blend.
I didn't really like Garfield as Peter Parker, he was just bland and I couldn't care for him due to bad writing, he is alright as Spidey but he's not the best, Rhys Ifans does a decent job as Dr. Curt Connors / The Lizard but he is just a forgettable villain, you can see the writing isn't up too scratch along with the story, the story isn't that good sadly and because most of the scenes where rushed characters suffer as a result along with the emotional and powerful scenes.
I can see why people might prefer this to the Raimi trilogy because of it's darker approach to Spider-Man but I prefer the light hearted approach Raimi took, overall I did like The Amazing Spider-Man, it's a good film but it was done so much better by Sam Raimi 17 years ago.
Movie Metropolis (309 KP) rated Christopher Robin (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A Future Classic
The characters of Pooh, Eeyore, Piglet and Tigger are synonymous with the childhood of millions of adults across the globe. A.A. Milne’s classic creatures are etched into the memories of many, passed down through generations with tatty old story books and stuffed animals.
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Joe Goodhart (27 KP) rated Supergirl (2016-) Vol. 1: The Killers of Krypton in Books
Nov 30, 2020
This was a solid book, really made me care about Supergirl as a character, something I have not felt since Peter David was writing it! Marc Andreyko has a genuine caring for the character, as she is written strongly, without pandering to the fanboys out there. And while I know Kara is not a real person, under Andreyko's hand, she felt very real!
The story follows up on the tail end of MAN OF STEEL (which, as I said in my review, exceeded my low expectations, helping to have faith anew in Brian Michael Bendis). She says goodbye to her cousin, Kal-El, as she heads to space to follow the trail of Rogol Zaar, and to determine if he was not lying when he claimed to have destroyed Krypton. Best of all, she won't be alone: Krypto will be along for the journey! And what a journey it is!
Some questions are answered, but new ones are generated, as a conspiracy within the Guardians of Oa! There's a lot more to it than just that, but I like my reviews, like my initial readings, to be Spoiler-Free! You'll have to read it for yourself, and I am certain that, like myself, you will not be disappointed!
And speaking of "not being disappointed", let me talk a bit about the equally enjoyable art. The majority of this volume was drawn by Kevin Maguire (who I adored here, as much as his work in the 80s on JUSTICE LEAGUE INTERNATIONAL), but he was also support the likes of Emanuela Lupacchino, Evan "Doc" Shaner, Lan, Medina and a bit of Karl Kesel, too! All involved were totally on their game, turning in art that remained consistent with Maguire's style, so as not to derail the story. Everyone deserves a big, hearty round of applause!
However, there was one thing in it that caused me to give it four Stars, not five. And, that, unfortunately, would be Dan Jurgens' Christmas-themed story. While the message was truly heartfelt and appreciated, the actual dialogue, as well as the story itself, was just not as good as I recall Jurgens being. And that's a damned shame, because some of my best Superman memories involve his stories from the 90s! Ah, memories!
And, that my friends, is a wrap! I hope you will check this one out, as it is the probably one of the best Supergirl stories in far too long! I truly hope DC treats Marc Andreyko right, because he is all aces!
The story follows up on the tail end of MAN OF STEEL (which, as I said in my review, exceeded my low expectations, helping to have faith anew in Brian Michael Bendis). She says goodbye to her cousin, Kal-El, as she heads to space to follow the trail of Rogol Zaar, and to determine if he was not lying when he claimed to have destroyed Krypton. Best of all, she won't be alone: Krypto will be along for the journey! And what a journey it is!
Some questions are answered, but new ones are generated, as a conspiracy within the Guardians of Oa! There's a lot more to it than just that, but I like my reviews, like my initial readings, to be Spoiler-Free! You'll have to read it for yourself, and I am certain that, like myself, you will not be disappointed!
And speaking of "not being disappointed", let me talk a bit about the equally enjoyable art. The majority of this volume was drawn by Kevin Maguire (who I adored here, as much as his work in the 80s on JUSTICE LEAGUE INTERNATIONAL), but he was also support the likes of Emanuela Lupacchino, Evan "Doc" Shaner, Lan, Medina and a bit of Karl Kesel, too! All involved were totally on their game, turning in art that remained consistent with Maguire's style, so as not to derail the story. Everyone deserves a big, hearty round of applause!
However, there was one thing in it that caused me to give it four Stars, not five. And, that, unfortunately, would be Dan Jurgens' Christmas-themed story. While the message was truly heartfelt and appreciated, the actual dialogue, as well as the story itself, was just not as good as I recall Jurgens being. And that's a damned shame, because some of my best Superman memories involve his stories from the 90s! Ah, memories!
And, that my friends, is a wrap! I hope you will check this one out, as it is the probably one of the best Supergirl stories in far too long! I truly hope DC treats Marc Andreyko right, because he is all aces!
Masters of Horror: A Horror Anthology
9.0
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Masters of Horror A selection of some of the finest horror writers of today were invited by Matt...
Gareth von Kallenbach (971 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 19, 2019
Life for Peter Parker, (Andrew Garfield), has become interesting to say the least. He is juggling the delicate and complex balance of being Spider-man as well as a high school senior and boyfriend to Gwen Stacy (Emma Stone).
His enthusiasm for his wall crawling alter ego is evident from the start as he still is as fast with a quip as he is with his webs and fists when taking down the bad guys of New York.
A chance encounter with an ultra nerdy yet brilliant Oscorp employee named Max (Jaime Foxx), puts a series of events into motion that will put the city and Spider-man on a collision with a severe danger.
When a freak accident transforms Max into a being capable of becoming and discharging pure electricity, the passive aggressive Max has an outlet for his pent up anger and hero worship and sets to make all those who ignored him pay.
At the same time, internal politics have left Oscorp in the hands of young Harry who learns he has limited time to solidify his position and legacy.
All of this would be enough for anyone to deal with but Peter is conflicted by his love for Gwen and his promise to her late father to stay away from her for her own safety.
Peter also has to content with his Aunt May (Sally Field) and unlocking the mystery of his parents who left him with his Aunt and Uncle years earlier never to return.
If this sounds a bit heady for a comic book based movie then you will not be surprised with the first ¾ of the film. It does contain some great 3D moments of Spider-man slinging his way around the city and some good moments of action but mostly the audience gets character introductions and plot expositions.
When it does get to the action, it does so in a very sleek and stylish way but one that is so obviously CGI created that it plays more like a video game.
For me the liberties taking with the characters and the history of the series were a bit much at first as what they came up with for Electro is not even close to the way he is portrayed in the comics.
Thankfully the final act of the film delivers and sets up future films in grand style even though the trailers tease content that is barely in the film and would have made for a great addition to the film.
Garfield and Stone have great chemistry with one another, and Foxx does his best despite in my opinion being very miscast for the role.
Director Marc Webb is clearly a fan of the source material and I am eager to see what he comes up with for future installments.
As it stands, “The Amazing Spider-man 2”, is an enjoyable summer film but not as good as the film that preceded it and could have been so much more.
http://sknr.net/2014/05/02/amazing-spider-man-2/
His enthusiasm for his wall crawling alter ego is evident from the start as he still is as fast with a quip as he is with his webs and fists when taking down the bad guys of New York.
A chance encounter with an ultra nerdy yet brilliant Oscorp employee named Max (Jaime Foxx), puts a series of events into motion that will put the city and Spider-man on a collision with a severe danger.
When a freak accident transforms Max into a being capable of becoming and discharging pure electricity, the passive aggressive Max has an outlet for his pent up anger and hero worship and sets to make all those who ignored him pay.
At the same time, internal politics have left Oscorp in the hands of young Harry who learns he has limited time to solidify his position and legacy.
All of this would be enough for anyone to deal with but Peter is conflicted by his love for Gwen and his promise to her late father to stay away from her for her own safety.
Peter also has to content with his Aunt May (Sally Field) and unlocking the mystery of his parents who left him with his Aunt and Uncle years earlier never to return.
If this sounds a bit heady for a comic book based movie then you will not be surprised with the first ¾ of the film. It does contain some great 3D moments of Spider-man slinging his way around the city and some good moments of action but mostly the audience gets character introductions and plot expositions.
When it does get to the action, it does so in a very sleek and stylish way but one that is so obviously CGI created that it plays more like a video game.
For me the liberties taking with the characters and the history of the series were a bit much at first as what they came up with for Electro is not even close to the way he is portrayed in the comics.
Thankfully the final act of the film delivers and sets up future films in grand style even though the trailers tease content that is barely in the film and would have made for a great addition to the film.
Garfield and Stone have great chemistry with one another, and Foxx does his best despite in my opinion being very miscast for the role.
Director Marc Webb is clearly a fan of the source material and I am eager to see what he comes up with for future installments.
As it stands, “The Amazing Spider-man 2”, is an enjoyable summer film but not as good as the film that preceded it and could have been so much more.
http://sknr.net/2014/05/02/amazing-spider-man-2/
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Lonely Planet: The world's leading travel guide publisher Lonely Planet Great Britain is your...