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The Amazing Spider-Man: Volume 3: The Ultimate Newspaper Comics Collection (1981-1982)
Stan Lee, Fred Kida and Larry Lieber
Book
New artists offer a new look, but the wall-crawling adventure is as exciting as ever! Doctor Octopus...
David McK (3425 KP) rated Spider-Man: No Way Home (2021) in Movies
Jan 3, 2022 (Updated Dec 24, 2023)
There's a famous (and controversial) Marvel comic run called 'One Last Day', where - following his self-unmasking during the previous 'Civil War' run - Peter Parker ends up making a deal with Mephisto (Marvel's version of the devil) that everybody would forget his true identity, following Aunt May being shot by an assassin.
Sound at all familiar?
Yes, it's used as the building blocks for this movie, where Peter's identity ahs been revealed to the world by Mysterio during the end-credits of the previous movie ('Far from Home'), with a knock-on effect on friends and family.
Instead of Mephisto, however, Peter seeks help from Doctor Strange, who agrees (for reasons) to cast a spell in order that everyone would forget who Peter was - a spell that goes awry, and that leads to characters from the previous non-MCU iterations of the Spider-Man films finally joining the MCU. Some of those characters are more effectively scary here than they were previously ...
This is maybe a little bit slow getting started, with plenty of nods and Easter Eggs throughout (including FEAST, where Aunt May works) to both the comics, games, and previous Spider-Man movies, and ends with, effectively, the character of Spider-Man being reset: no longer part of The Avengers; no longer with MJ, Aunt May, Ned or even 'Happy' Hogan knowing his identity, back to being your 'friendly neighbourhood Spider-Man'.
Sound at all familiar?
Yes, it's used as the building blocks for this movie, where Peter's identity ahs been revealed to the world by Mysterio during the end-credits of the previous movie ('Far from Home'), with a knock-on effect on friends and family.
Instead of Mephisto, however, Peter seeks help from Doctor Strange, who agrees (for reasons) to cast a spell in order that everyone would forget who Peter was - a spell that goes awry, and that leads to characters from the previous non-MCU iterations of the Spider-Man films finally joining the MCU. Some of those characters are more effectively scary here than they were previously ...
This is maybe a little bit slow getting started, with plenty of nods and Easter Eggs throughout (including FEAST, where Aunt May works) to both the comics, games, and previous Spider-Man movies, and ends with, effectively, the character of Spider-Man being reset: no longer part of The Avengers; no longer with MJ, Aunt May, Ned or even 'Happy' Hogan knowing his identity, back to being your 'friendly neighbourhood Spider-Man'.
GP
Geek Parenting: What Joffrey, Jor-El, Malificent, and the Mcflys Teach Us About Raising a Family
Stephen H. Segal and Dudycz Valya
Book
From Batman to Charlie Bucket, from Meg Murry to the Venture Brothers, every hero of science...
Erika Kehlet (21 KP) rated Murder Your Darlings (Algonquin Round Table #1) in Books
Feb 21, 2018
When the members of the Algonquin Round Table gathered for lunch, the last thing they expected to find was the dead body of a theater critic under their table. From Round Table, to speakeasy, and all over the city of New York, Dorothy Parker has to chase down a murderer before the police try to pin the crime on her or one of her gang. She has plenty of help from her friends Peter Benchley and a visiting Billy Faulkner.
The mystery was good, and the characters were larger than life, but there were so many characters that it did get a little confusing at first. Once I figured out who everyone was though, I really enjoyed it. I loved the banter between Dorothy and Peter they reminded me a bit of Cary Grant and Katherine Hepburn in Bringing Up Baby. I highly recommend this one if you enjoy a little humor with your mystery.
Several members of the historical Algonquin Round Table are featured or make at least a brief appearance in this story. To read more about them, visit the <a href="http://www.algonquinhotel.com/story/round-table/">Algonquin Hotel's Website.</a>
The mystery was good, and the characters were larger than life, but there were so many characters that it did get a little confusing at first. Once I figured out who everyone was though, I really enjoyed it. I loved the banter between Dorothy and Peter they reminded me a bit of Cary Grant and Katherine Hepburn in Bringing Up Baby. I highly recommend this one if you enjoy a little humor with your mystery.
Several members of the historical Algonquin Round Table are featured or make at least a brief appearance in this story. To read more about them, visit the <a href="http://www.algonquinhotel.com/story/round-table/">Algonquin Hotel's Website.</a>
Lee KM Pallatina (951 KP) rated Spider-Man: Far From Home (2019) in Movies
Aug 8, 2019
Spiderman 2.........the 3rd one. (Or is it the 4th, there was 2 tv movies?)
Spiderman 2 sees tobey Maguire return as the best Spiderman to date and...........oh wait.......
Spiderman far from home sees tom holland return as ultimate Spiderman for ps2....no wait....tom holland returns as peter parker aka Spiderman who once again does a great job at avoiding nick fury and his feelings, but squeezes into a new array of suits, while trying to enjoy a school trip and mourn the loss of his tech savvy father figure Tony Stark.
While trying to balance the life of a hero and the life of a teen life every hero (lol) the arrival of a mysterious new "hero" dubbed mysterio by parkers class mates, things are quite what they seem and as the lives of everyone of his classmates come under threat, it's upto spidey to uncover the truth and figure out how to use his peter tingle haha.
A great movie that does the Endgame aftermath some justice.
Fantastic SFX, great story formed, great easter eggs and references.
Spiderman far from home sees tom holland return as ultimate Spiderman for ps2....no wait....tom holland returns as peter parker aka Spiderman who once again does a great job at avoiding nick fury and his feelings, but squeezes into a new array of suits, while trying to enjoy a school trip and mourn the loss of his tech savvy father figure Tony Stark.
While trying to balance the life of a hero and the life of a teen life every hero (lol) the arrival of a mysterious new "hero" dubbed mysterio by parkers class mates, things are quite what they seem and as the lives of everyone of his classmates come under threat, it's upto spidey to uncover the truth and figure out how to use his peter tingle haha.
A great movie that does the Endgame aftermath some justice.
Fantastic SFX, great story formed, great easter eggs and references.
Chris Sawin (602 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 18, 2021
Willem Dafoe (2 more)
The on-screen bickering between characters.
The Doc Ock, Doctor Strange, and villainous team-up action sequences.
The humor doesn't always land. (2 more)
Peter's idiotic logic.
Lizard is supremely underutilized.
Riding the Nostalgia Train
Spider-Man: No Way Home picks up immediately after the events of Spider-Man: Far From Home. Quentin Beck (Jake Gyllenhaal) has revealed to the world that Peter Parker (Tom Holland) is Spider-Man. The world is torn in thinking that Peter is either still a hero or behind the drone attacks on London like Beck stated before his death.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
JT (287 KP) rated Spider-Man: Far From Home (2019) in Movies
Mar 10, 2020
With the news that Disney and Sony will no longer co-produce Spider-Man films, it seems apt that the teen web-slinger headed off on a European vacation to get away from it all. A chance to chill out and take in the sights after the traumatic events of Avengers: Endgame.
For Peter Parker (Tom Holland), coming to terms with the loss of his mentor Tony Stark has been an emotional rollercoaster. Add to that the pressure for him to carry the mantle of Iron Man would be too much for any teenager to bear, let alone a quietly spoken superhero. But back in the halls of high-school with his best friend Ned (Jacob Batalon) and eyes still firmly fixed on MJ (Zendaya), Peter feels that life might be calming down – even deciding to leave his iconic suit behind, much to the dismay of his Aunt (Marisa Tomei).
When Nick Fury (Samuel L. Jackson) finally gets through after being ghosted a number of times on the phone, he informs Peter that a new force called the ‘Elementals’ has been leaving a trail of destruction across the world. As luck would have it a new superhero called Mysterio has arrived at just the right time to save the day, albeit it conveniently.
The action is loud, explosive and very impressive giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations.
Peter comes face to face with Quentin Beck (Jake Gyllenhaal) aka Mysterio. In Beck, Parker has found someone who sympathises with his problems and straight away sees him as a knee jerk replacement to Stark. Confiding in Beck, as well as handing him a pair of billionaire-dollar high-tech sunglasses which, has the ability to connect to various satellites and weapons, Peter is able to shift responsibility and concentrate on being just your regular love-struck teen.
The action is loud, explosive and very impressive, giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations in spectacular fashion. As Spider-Man and Mysterio combine forces to defeat the extraterrestrial Elementals there is something more disturbing about the goldfish-bowl wearing crime fighter.
Spider-Man: Far From Home keeps the humour trickling along and a number of romantic narratives spin-off from the main story. There is the awkward love interest between Happy Hogan (Jon Favreau) and Aunt May, with the former looking to fill the void left by his long-time companion, while Ned is also struck by cupid’s arrow. However, it is Peter and MJ’s on-screen romance that shines through, giving fans what they have wanted since Homecoming.
As to where this leaves the franchise given the recent split by the studios is anyone’s guess. Spider-Man is firmly entrenched in the Marvel Universe and any crossovers with other Marvel characters would probably not be allowed. Could this leave a tantalizing match-up between Spidey and Tom Hardy’s Venom, which despite some harsh criticism was a box office success?
For Peter Parker (Tom Holland), coming to terms with the loss of his mentor Tony Stark has been an emotional rollercoaster. Add to that the pressure for him to carry the mantle of Iron Man would be too much for any teenager to bear, let alone a quietly spoken superhero. But back in the halls of high-school with his best friend Ned (Jacob Batalon) and eyes still firmly fixed on MJ (Zendaya), Peter feels that life might be calming down – even deciding to leave his iconic suit behind, much to the dismay of his Aunt (Marisa Tomei).
When Nick Fury (Samuel L. Jackson) finally gets through after being ghosted a number of times on the phone, he informs Peter that a new force called the ‘Elementals’ has been leaving a trail of destruction across the world. As luck would have it a new superhero called Mysterio has arrived at just the right time to save the day, albeit it conveniently.
The action is loud, explosive and very impressive giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations.
Peter comes face to face with Quentin Beck (Jake Gyllenhaal) aka Mysterio. In Beck, Parker has found someone who sympathises with his problems and straight away sees him as a knee jerk replacement to Stark. Confiding in Beck, as well as handing him a pair of billionaire-dollar high-tech sunglasses which, has the ability to connect to various satellites and weapons, Peter is able to shift responsibility and concentrate on being just your regular love-struck teen.
The action is loud, explosive and very impressive, giving our friendly neighbourhood ‘on tour’ Spider-Man the chance to flip and twist his way through a number of European locations in spectacular fashion. As Spider-Man and Mysterio combine forces to defeat the extraterrestrial Elementals there is something more disturbing about the goldfish-bowl wearing crime fighter.
Spider-Man: Far From Home keeps the humour trickling along and a number of romantic narratives spin-off from the main story. There is the awkward love interest between Happy Hogan (Jon Favreau) and Aunt May, with the former looking to fill the void left by his long-time companion, while Ned is also struck by cupid’s arrow. However, it is Peter and MJ’s on-screen romance that shines through, giving fans what they have wanted since Homecoming.
As to where this leaves the franchise given the recent split by the studios is anyone’s guess. Spider-Man is firmly entrenched in the Marvel Universe and any crossovers with other Marvel characters would probably not be allowed. Could this leave a tantalizing match-up between Spidey and Tom Hardy’s Venom, which despite some harsh criticism was a box office success?
LeftSideCut (3778 KP) rated Spider-Man 3 (2007) in Movies
Sep 24, 2020 (Updated Sep 24, 2020)
The third and final entry in the Sam Raimi trilogy of Spider-Man films is arguably the most well known, unfortunately for all the wrong reasons, and it's a real shame as there are flashes of greatness, but the finished product is a hot mess.
One of the main issues is of course the three big villains all battling for screentime. Sandman (Thomas Haden Church) is a great villain to add to the series, but his story is executed poorly, and includes a dumb retcon in a half arsed attempt to link him to the original film. It's just unnecessary and soils something that could have been good. And then there's Venom - A huge fan favourite villain who Sam Raimi apparently doesn't like, and it's evident. Eddie Brock (Topher Grace) is rushed into the narrative, and his reasons for hating Peter Parker feel forced as a result. Venoms inclusion feels a bit tacked on, and unfortunately reaks of studio meddling.
Other than that, there's also the issue of over confidence - the assumption that an audience wants to watch an edgy version of Tobey Maguire's Peter Parker swanning and dancing down a street is bold to say the least - I could even forgive the infamous scene if it wasn't immediately followed up with a second dance number in a jazz bar. I get that it's designed to portray the symbiote suits hold over Peter and his deteriorating character attributes, buts it's a massive shitty swing and a miss (much like the whole movie in general) that makes me want to scream.
It's not all bad though. All of the cast, new and familiar, are good. I think Bryce Dallas Howard is a great Gwen Stacy. It has some decent set pieces as well - the scene where Sandman is discovering his new powers is brilliant, as is the fight between him and black suit Spider-Man in the underground. I also quite enjoy the final showdown when we (finally) get to see Venom properly.
It's not enough though, and Spider-Man 3 ultimately is a flawed if ambitious comic book sequel.
One of the main issues is of course the three big villains all battling for screentime. Sandman (Thomas Haden Church) is a great villain to add to the series, but his story is executed poorly, and includes a dumb retcon in a half arsed attempt to link him to the original film. It's just unnecessary and soils something that could have been good. And then there's Venom - A huge fan favourite villain who Sam Raimi apparently doesn't like, and it's evident. Eddie Brock (Topher Grace) is rushed into the narrative, and his reasons for hating Peter Parker feel forced as a result. Venoms inclusion feels a bit tacked on, and unfortunately reaks of studio meddling.
Other than that, there's also the issue of over confidence - the assumption that an audience wants to watch an edgy version of Tobey Maguire's Peter Parker swanning and dancing down a street is bold to say the least - I could even forgive the infamous scene if it wasn't immediately followed up with a second dance number in a jazz bar. I get that it's designed to portray the symbiote suits hold over Peter and his deteriorating character attributes, buts it's a massive shitty swing and a miss (much like the whole movie in general) that makes me want to scream.
It's not all bad though. All of the cast, new and familiar, are good. I think Bryce Dallas Howard is a great Gwen Stacy. It has some decent set pieces as well - the scene where Sandman is discovering his new powers is brilliant, as is the fight between him and black suit Spider-Man in the underground. I also quite enjoy the final showdown when we (finally) get to see Venom properly.
It's not enough though, and Spider-Man 3 ultimately is a flawed if ambitious comic book sequel.
David McK (3425 KP) rated Spider-Man: Hostile Takeover in Books
Jul 21, 2019
Mention the words Spider-man, and I'm sure the first thing most people think of is the Marvel comics.
Maybe closely followed by the 70s TV series or 90s cartoon, and the more recent big-screen outings.
What I'm pretty sure is not commonly thought of, however, is a Spider-Man prose novel, which is exactly what this is, alongside being a prequel tie-in to the really-rather-enjoyable 2018 PS4 game.
That game - and, by extension - this novel, sees Peter Parker roughly already 7 or 8 years into his career as Spider-man, with the novel serving to set up the entry levels into the game in which (no spoilers) Spider-Man takes on Wilson Fisk aka The Kingpin of Crime, and showing how he got to have his contact in the police force Yuri Wattanabe (sp?)
Maybe closely followed by the 70s TV series or 90s cartoon, and the more recent big-screen outings.
What I'm pretty sure is not commonly thought of, however, is a Spider-Man prose novel, which is exactly what this is, alongside being a prequel tie-in to the really-rather-enjoyable 2018 PS4 game.
That game - and, by extension - this novel, sees Peter Parker roughly already 7 or 8 years into his career as Spider-man, with the novel serving to set up the entry levels into the game in which (no spoilers) Spider-Man takes on Wilson Fisk aka The Kingpin of Crime, and showing how he got to have his contact in the police force Yuri Wattanabe (sp?)
The World According to Spider-Man
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It's not easy being a Super Hero when you've got a steady job to hold down and girlfriend problems...