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Kevin Phillipson (9906 KP) rated Robocop 2 (1990) in Movies
Jul 11, 2018
Kevin Phillipson (9906 KP) rated Robocop (1987) in Movies
Jul 11, 2018
Dean (6921 KP) rated Dexter - Season 5 in TV
Dec 6, 2020
Great cast (1 more)
Well written
Brilliant
Possibly the best series yet. Despite the shocking ending of the last series I did wonder if this series might dip a bit below the others. I need not have worried. It carries on much the same with another gripping story and with others close to realising the truth about Dexter. With 2 great guest stars, Peter Weller the original Robocop and Julia Stiles who is great. Again another gripping finale after more close scrapes.
Kevin Phillipson (9906 KP) rated Leviathan (1989) in Movies
Jan 21, 2021
Peter Weller (1 more)
Amanda pays
Just watched on YouTube havent seen this since vhs back in the day basically it's a cross between alien and the thing set underwater which is similar to a another movie which came out the same year but this film is slightly better than deep star six the creature effects are the best part of the movie even if it looks out of date and coulda been cgied if the movie was made today overall not bad movie
Blazing Minds (89 KP) rated RoboCop (2014) in Movies
Nov 2, 2021 (Updated Nov 3, 2021)
The 80s were a great time for movies and in particular a very violent and at some times black humoured movie from director Paul Verhoeven, yes folks, I'm talking about the original RoboCop.
It's the film that a lot of us still love today, with its story of a good cop (Peter Weller) who is murdered by criminals, in possibly one of the most gruesome cop killings in a movie in the 80s, who is then pieced back together as an unstoppable crime-fighting cyborg, who is tormented by the memory of his death and in turn goes out for revenge.
It's the film that a lot of us still love today, with its story of a good cop (Peter Weller) who is murdered by criminals, in possibly one of the most gruesome cop killings in a movie in the 80s, who is then pieced back together as an unstoppable crime-fighting cyborg, who is tormented by the memory of his death and in turn goes out for revenge.
Matthew Krueger (10051 KP) rated Naked Lunch (1991) in Movies
Sep 17, 2020
Cockroach Typewriter
Naked Lunch- is a cronenberg film, it has all of his signautre tropies- horror, sci-fi, insane, crazy, psychological, suspense and drama. This one has to be one of the crazies films he has ever done. Its really insane.
The Plot: Blank-faced bug killer Bill Lee (Peter Weller) and his dead-eyed wife, Joan (Judy Davis), like to get high on Bill's pest poisons while lounging with Beat poet pals. After meeting the devilish Dr. Benway (Roy Scheider), Bill gets a drug made from a centipede. Upon indulging, he accidentally kills Joan, takes orders from his typewriter-turned-cockroach, ends up in a constantly mutating Mediterranean city and learns that his hip friends have published his work -- which he doesn't remember writing.
Naked Lunch has since become a cult film, acclaimed for its surrealistic visual and thematic elements.
Its a crazy movie. A must see film.
The Plot: Blank-faced bug killer Bill Lee (Peter Weller) and his dead-eyed wife, Joan (Judy Davis), like to get high on Bill's pest poisons while lounging with Beat poet pals. After meeting the devilish Dr. Benway (Roy Scheider), Bill gets a drug made from a centipede. Upon indulging, he accidentally kills Joan, takes orders from his typewriter-turned-cockroach, ends up in a constantly mutating Mediterranean city and learns that his hip friends have published his work -- which he doesn't remember writing.
Naked Lunch has since become a cult film, acclaimed for its surrealistic visual and thematic elements.
Its a crazy movie. A must see film.
David Zellner recommended Robocop (1987) in Movies (curated)
Andy K (10821 KP) rated Naked Lunch (1991) in Movies
Sep 28, 2019
Exterminate all rational thought.
The closing line from Roger Ebert's TV review of Naked Lunch was "I love what he did, but I hate it!"
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
Director David Cronenberg has always been known as someone who pushes the envelope of film storytelling to its limit. This is not more on display in maybe any of his films more than it is in Naked Lunch.
In 1952 New York, pest exterminator Bill Lee has an problem in his life. His wife, Joan, has begun using and is now addicted to his "bug powder" he uses in his job. She shoots it into her veins for her narcotics addiction. She is so full of the intoxicant she can even breath on cockroaches to kill them . Bill is arrested for his involvement and begins to trip himself.
His high continues as he now believes he is a secret agent who has been told he must murder his wife. He returns home and actually accidentally does so in a case of ironic accomplishment.
His trip takes him to North Africa where he meets a slew of bizarre and unsavory characters in his attempt to complete his ongoing "mission". He writes a series of articles using a typewriter which continually morphs into a giant cockroach. He finds another man who lets him borrow his typewriter in which his living typewriter is maimed and killed by Bill's device. Another man Bill meets may actually be a giant killer centipede in disguise!
If this doesn't make a lot of sense, I don't think it is really supposed to. Cronenberg's film, according to the writer/director himself, is an amalgam of not only the source material novel by William S. Burroughs, but also other works by the author and even some aspects of Burroughs' own life including the wife shooting incident.
Pretty much right from the start you know you are in for something very unusual when Lee starts having a conversation with his bug typewriter 15 minutes into the film. Then add another conversation with a giant "mugwump" sitting at a bar, a bug that bizarrely speaks in a voice from his bulbous anus and the fore mentioned giant centipede, you have a film in which you never are fully aware of what is real or what has become a drug-filled fantasy.
Cronenberg's fascination with the "body horror" style of film goes way back to some of his earlier films including The Brood and Scanners as well as They Fly remake. All his skill at creating one of a kind images are on full display here and you can't take your eyes off the screen as a result.
The entire cast really inhabit their roles including Peter Weller (who turned down Robocop 3 for this role) as Lee. His monotone, stoic delivery and minimalist physicality is perfect for this role. Throw in supporting performances by Ian Holm, Judy Davis and even Roy Scheider and you have found a perfect ensemble for this strange acid trip of a film.
The jazz soundtrack is also legendary including saxophone maestro Ornette Coleman off a score from Howard Shore. The improvisation and inconsistent melodies are a partnership with the unusual story taking place and form a symbiosis with the film.
You definitely leave the film wondering what you have just watched; however, sometimes that s a good thing. The director makes you think about what you have watched and decide for yourself the important elements what what is actually true.
I wish more films were like this!
Gareth von Kallenbach (962 KP) rated Star Trek Into Darkness (2013) in Movies
Aug 7, 2019
The best movie of the summer has arrived, and it’s Star Trek Into Darkness!
There are so many cool things about J.J. Abrams second adventure in the beloved universe created all those years ago by Gene Roddenberry. But the best way to experience this movie is cold, devoid of any internet spoilers, if such a thing is possible in this day and age. That being said, here’s what I got for you.
The movie begins with Captain James Tiberius Kirk (Chris Pine) getting in to trouble with Starfleet for violating the Prime Directive. The Prime Directive is the United Federation of Plants number one rule against alerting primitive cultures to things that they are not nearly ready to grasp (i.e. space travel). But Kirk manages to avoid his punishment because Starfleet has a bigger problem on its hands: a rogue agent, named John Harrison (Benedict Cumberbatch) is attacking Federation facilities on Earth.
Admiral Markus (Peter Weller) gives Jim Kirk orders to kill Harrison, who has managed to escape Earth and hide on Kronos, the Klingon homeworld. So Kirk, along with his trusty crew including the ever-logical Mr. Spock (Zachary Quinto), James “Bones” McCoy (Karl Urban) and Uhura (Zoe Saldana), warp to the Neutral Zone that separates Federation space from the Klingon Empire. Only they discover that this mission – including the identity of the fugitive Harrison – is not what it seems.
That’s all I am giving you for plot details. Go see the movie!
And when you do, watch for the cleverness of the screenwriters. There are many classic Trek littered throughout the film including characters, place names and alien species that a Trekkie, excuse me… Trekker, will be hooting and hollering at. But this movie isn’t solely for the die hard Trekkers. There is enough action and excitement to keep even the most hard to please moviegoer entertained.
Abrams got a lot of flack for his 2009 reboot of the franchise, and most likely he will get it again for this film. But this time around, Abrams does stay closer to the virtues of the original universe including the bond of the Enterprise crew and the close friendships among Kirk, Spock and Bones. Abrams manages to draw nice moments of tension and comedy alike from the entire crew.
Our main characters do shine through though. Pine brings just the right amount of swagger to Kirk, Quinto gives both the humor and emotional intensity within Spock’s struggle to balance logic and emotion. But both of these actors have to work overtime to even be on the same level as Cumberbatch, who brings muscle and old-school, butt kicking style to the villain’s role.
The other thing that I really enjoyed, again without giving too much of the plot away, is the films willingness to acknowledge that we have strayed from the original story of Kirk and crew, and how the plot can draw on that to help strengthen the story. Once you see it, you will know what I am talking about.
I saw the movie in 3D, though I am of the impression that 3D is getting a little overrated these days. I am just not blown out of the water by the 3D effects that we are seeing in movies. The one thing that I was truly grateful for is that they didn’t throw it in your face, too much. There were moments where they had things fly at you, but for the most part it wasn’t the emphasis which allowed it to play out nicely.
What are you doing still reading? Get out there and see this movie. If you don’t, you will be sorry you hadn’t as everyone and their mom will be talking about this movie come Monday. I, myself, will be seeing it for a second time this Friday hoping to spot things I missed this first time around. The movie made people laugh, cry, and hang on to the edge of your seat. As a Star Wars fan, I loved this movie. And really can’t wait to see what Abrams does with the next installment (as well as Episode 7).
There are so many cool things about J.J. Abrams second adventure in the beloved universe created all those years ago by Gene Roddenberry. But the best way to experience this movie is cold, devoid of any internet spoilers, if such a thing is possible in this day and age. That being said, here’s what I got for you.
The movie begins with Captain James Tiberius Kirk (Chris Pine) getting in to trouble with Starfleet for violating the Prime Directive. The Prime Directive is the United Federation of Plants number one rule against alerting primitive cultures to things that they are not nearly ready to grasp (i.e. space travel). But Kirk manages to avoid his punishment because Starfleet has a bigger problem on its hands: a rogue agent, named John Harrison (Benedict Cumberbatch) is attacking Federation facilities on Earth.
Admiral Markus (Peter Weller) gives Jim Kirk orders to kill Harrison, who has managed to escape Earth and hide on Kronos, the Klingon homeworld. So Kirk, along with his trusty crew including the ever-logical Mr. Spock (Zachary Quinto), James “Bones” McCoy (Karl Urban) and Uhura (Zoe Saldana), warp to the Neutral Zone that separates Federation space from the Klingon Empire. Only they discover that this mission – including the identity of the fugitive Harrison – is not what it seems.
That’s all I am giving you for plot details. Go see the movie!
And when you do, watch for the cleverness of the screenwriters. There are many classic Trek littered throughout the film including characters, place names and alien species that a Trekkie, excuse me… Trekker, will be hooting and hollering at. But this movie isn’t solely for the die hard Trekkers. There is enough action and excitement to keep even the most hard to please moviegoer entertained.
Abrams got a lot of flack for his 2009 reboot of the franchise, and most likely he will get it again for this film. But this time around, Abrams does stay closer to the virtues of the original universe including the bond of the Enterprise crew and the close friendships among Kirk, Spock and Bones. Abrams manages to draw nice moments of tension and comedy alike from the entire crew.
Our main characters do shine through though. Pine brings just the right amount of swagger to Kirk, Quinto gives both the humor and emotional intensity within Spock’s struggle to balance logic and emotion. But both of these actors have to work overtime to even be on the same level as Cumberbatch, who brings muscle and old-school, butt kicking style to the villain’s role.
The other thing that I really enjoyed, again without giving too much of the plot away, is the films willingness to acknowledge that we have strayed from the original story of Kirk and crew, and how the plot can draw on that to help strengthen the story. Once you see it, you will know what I am talking about.
I saw the movie in 3D, though I am of the impression that 3D is getting a little overrated these days. I am just not blown out of the water by the 3D effects that we are seeing in movies. The one thing that I was truly grateful for is that they didn’t throw it in your face, too much. There were moments where they had things fly at you, but for the most part it wasn’t the emphasis which allowed it to play out nicely.
What are you doing still reading? Get out there and see this movie. If you don’t, you will be sorry you hadn’t as everyone and their mom will be talking about this movie come Monday. I, myself, will be seeing it for a second time this Friday hoping to spot things I missed this first time around. The movie made people laugh, cry, and hang on to the edge of your seat. As a Star Wars fan, I loved this movie. And really can’t wait to see what Abrams does with the next installment (as well as Episode 7).