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Kim Pook (101 KP) rated To All the Boys: Always and Forever, Lara Jean (2021) in Movies
Oct 29, 2022
Contains spoilers, click to show
Lara Jean is back again for the final installment. Lara Jean is writing a letter to Peter whilst on holiday in Korea, and they speak on the phone. They both still have plans to go to Stanford together, problem is, Peter got in and Lara Jean is still waiting to find out. she eventually finds out that she didn't get in and feels like her life is falling apart, but it gets worse when she sends Peter a text meant for her sister, meaning he is led to believe she got in to Stanford. She does, however, get into a different college which is just over an hour away, but after a school trip to new york she starts to reconsider her options.
Just like the other movies in the franchise, I enjoyed the movie, probably more so than the second one. It wasn't hugely predicatable but I did feel Peter came across as a little selfish in this movie, but he did redeem himself eventually. There were a few scenes which I thought were pointless, such as Peter and his dad, even if this scene was ommitted it wouldn't have affected the movie at all. if you enjoyed the previous movies, you will definitely enjoy this one.
Just like the other movies in the franchise, I enjoyed the movie, probably more so than the second one. It wasn't hugely predicatable but I did feel Peter came across as a little selfish in this movie, but he did redeem himself eventually. There were a few scenes which I thought were pointless, such as Peter and his dad, even if this scene was ommitted it wouldn't have affected the movie at all. if you enjoyed the previous movies, you will definitely enjoy this one.
David McK (3361 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 21, 2019 (Updated Dec 19, 2021)
The first film to be set after the events of "Avengers: Endgame", I'm honestly not sure why this is considered the last in Marvel's 'Phase 3' slate, and not the first of their 'Phase 4'.
Anyway, this film takes Peter Parker - and his class-mates - out of New York and on a trip around Europe, with Peter missing his old mentor Tony Stark and just wanting to take some time for himself to recover.
Of course, things don't go to plan, with the appearance of both Mysterio and mysterious elementals causing havoc around Europe, leading Parker to having to - reluctantly - put on his suit once again.
(oh, and stay for both the mid and end-credit scenes)
Anyway, this film takes Peter Parker - and his class-mates - out of New York and on a trip around Europe, with Peter missing his old mentor Tony Stark and just wanting to take some time for himself to recover.
Of course, things don't go to plan, with the appearance of both Mysterio and mysterious elementals causing havoc around Europe, leading Parker to having to - reluctantly - put on his suit once again.
(oh, and stay for both the mid and end-credit scenes)
Rob Zombie recommended Taxi Driver (1976) in Movies (curated)
Corey Richard Bennett (10 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 18, 2019 (Updated Jul 18, 2019)
Great follow-up to Avengers Endgame (2 more)
Extremely relatable teen angst and romance
Accurate potrayal of the Spider Man character
Contains spoilers, click to show
The last film in the 4th phase of Marvel's Cinematic Universe is a fitting bookend for the Universe so far, and where the Cinematic Universe is heading. After losing his mentor, Tony Stark, Spider-Man Peter Parker tries to resume a life of normality. With high hopes of romance with classmate MJ abroad in Europe, Peter is drawn into a ploy that is ultimately being triggered by fake interloper Mysterio AKA Quentin Beck. With use of virtual reality tech, and military grade drones, Beck tricks Nick Fury, and Peter into thinking beings known as Elementals are attacking Earth. Seemingly with all other Avengers busy or not home, Fury calls upon Tony Stark's chosen successor to help Mysterio in slaying the new beasts.
This is peak portrayal of the web-slinger as Tom Holland makes you really feel for his teenage character who is balancing a life of normality and a life with huge responsibility. Peter constantly thinks of his friends well-being and hiding his secret identity throughout Europe. Then there is the aspect of Peter's budding romance for MJ, played beautifully by Zendaya. This incarnation of MJ is quirky and awkward, which is not like any other portrayals I have seen before, but it matches with Holland's Parker, as he too is awkward as most teenagers trying to find themselves in life.
Now the bad guy. Mysterio is a long well known enemy in the Spider-Man lore, so the twist that he is Master of Illusion should not be a shock, but the trailers did a good job painting the possibility that we were seeing a new incarnation of the dome-headed man of mystery. The trailers also got fans excited, with the possibility of a multiverse being created by the snap of Thanos, now referred to as the Blip by the people of Earth. The multiverse could have been the way to shoe-horn the X-Men into the MCU, but alas it was all a ploy to get the ever powerful Stark Tech glasses (known as EDITH Even Dead I'm The Hero) away from Peter, as Tony had left them to him in his will. Tricking everyone including usually tactful Nick Fury, Mysterio gains Peter's trust, and then his glasses, as Peter thinks Beck is a more fitting replacement to Iron-Man than Peter himself, who wants to live a normal life for the time being. Mysterio almost gets away with his plan, but with one simple slip-up Peter realizes his gaff and pursues Beck to Berlin, which brings me to the best scene (In my humble Opinion).
Knowing Peter is on his way, Beck springs his own web of illusions around Peter which tricks Peter immensely, and dazzles the fan. Tricking Peter to the point that he learns who knows of his plan, dispatches Peter via a train, which Peter barely survives. Beck moves his plans to London where he tries to enact his greatest illusion but a rejuvenated Peter (with help from Happy Hogan) thwarts Beck's plan which ultimately leads to Beck's untimely demise. But with his plan burning around him, he uses his last minutes to frame Peter in his death, and reveal his identity to the world.
In the course of the movie, Peter and MJ finally reveal their feelings for one another, and become a couple before landing back in the USA, but with Peter's secret to the world (which MJ had figured out a while back) their relationship and Peter's safety hangs in the balance. Now the only question alot of people like myself are left wondering, what's next? What's next for the MCU? and Whats next for Spider-Man? Well for the MCU, Black-Widow's solo movie seems to be next in line with Guardians 3 in the Horizon. As for Spider-Man, Marvel and Sony's deal has one more movie left, so hopefully they make a longer agreement, as Tom Holland should being playing this role for a long time. The next film should be a fantastic spot to bring in Kraven the Hunter into the MCU, as Peter Parker is now enemy number 1 in New York and Kraven would be the best villian to set loose to hunt for Peter. Using MJ as bait or even Ned, the story rights itself, even possibly using the comic book story which Kraven buries Spider-Man. But I guess we need a few more years to find out what will happen to Peter, but this film is a great one in a line of great MCU entries.
P.S. Yeah that end-credit scene. Yup, we are getting Secret Wars storyline as the next big Avengers event.
This is peak portrayal of the web-slinger as Tom Holland makes you really feel for his teenage character who is balancing a life of normality and a life with huge responsibility. Peter constantly thinks of his friends well-being and hiding his secret identity throughout Europe. Then there is the aspect of Peter's budding romance for MJ, played beautifully by Zendaya. This incarnation of MJ is quirky and awkward, which is not like any other portrayals I have seen before, but it matches with Holland's Parker, as he too is awkward as most teenagers trying to find themselves in life.
Now the bad guy. Mysterio is a long well known enemy in the Spider-Man lore, so the twist that he is Master of Illusion should not be a shock, but the trailers did a good job painting the possibility that we were seeing a new incarnation of the dome-headed man of mystery. The trailers also got fans excited, with the possibility of a multiverse being created by the snap of Thanos, now referred to as the Blip by the people of Earth. The multiverse could have been the way to shoe-horn the X-Men into the MCU, but alas it was all a ploy to get the ever powerful Stark Tech glasses (known as EDITH Even Dead I'm The Hero) away from Peter, as Tony had left them to him in his will. Tricking everyone including usually tactful Nick Fury, Mysterio gains Peter's trust, and then his glasses, as Peter thinks Beck is a more fitting replacement to Iron-Man than Peter himself, who wants to live a normal life for the time being. Mysterio almost gets away with his plan, but with one simple slip-up Peter realizes his gaff and pursues Beck to Berlin, which brings me to the best scene (In my humble Opinion).
Knowing Peter is on his way, Beck springs his own web of illusions around Peter which tricks Peter immensely, and dazzles the fan. Tricking Peter to the point that he learns who knows of his plan, dispatches Peter via a train, which Peter barely survives. Beck moves his plans to London where he tries to enact his greatest illusion but a rejuvenated Peter (with help from Happy Hogan) thwarts Beck's plan which ultimately leads to Beck's untimely demise. But with his plan burning around him, he uses his last minutes to frame Peter in his death, and reveal his identity to the world.
In the course of the movie, Peter and MJ finally reveal their feelings for one another, and become a couple before landing back in the USA, but with Peter's secret to the world (which MJ had figured out a while back) their relationship and Peter's safety hangs in the balance. Now the only question alot of people like myself are left wondering, what's next? What's next for the MCU? and Whats next for Spider-Man? Well for the MCU, Black-Widow's solo movie seems to be next in line with Guardians 3 in the Horizon. As for Spider-Man, Marvel and Sony's deal has one more movie left, so hopefully they make a longer agreement, as Tom Holland should being playing this role for a long time. The next film should be a fantastic spot to bring in Kraven the Hunter into the MCU, as Peter Parker is now enemy number 1 in New York and Kraven would be the best villian to set loose to hunt for Peter. Using MJ as bait or even Ned, the story rights itself, even possibly using the comic book story which Kraven buries Spider-Man. But I guess we need a few more years to find out what will happen to Peter, but this film is a great one in a line of great MCU entries.
P.S. Yeah that end-credit scene. Yup, we are getting Secret Wars storyline as the next big Avengers event.
Erik Stolhanske recommended Husbands (1970) in Movies (curated)
Hazel (1853 KP) rated Tonight the Streets Are Ours in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
From Leila Sales, the author of <i>This Song Will Save Your Life</i>, comes a new contemporary young adult novel about love and friendship. Seventeen-year-old Arden, a recklessly loyal girl, discovers a blog, <i>Tonight The Streets Are Ours</i>, and becomes obsessed with the writer’s life. Peter has had experiences that Arden has also had; such as a relative leaving and loving people a lot more than they love you.
Arden’s loyalty to her friend Lindsey has occasionally ended up with Arden taking on the punishments she does not deserve. Arden believes she is doing this out of love but is beginning to question why no one else does those types of things for her. After being let down by her boyfriend, Arden and Lindsey go on a road trip to New York in search of this admirable Peter. However, this trip ends up with Arden and Lindsey falling out, and Peter not quite being who the Internet made him out to be.
To begin with, <i>Tonight The Streets Are Ours</i>, felt very sketchy. The writing style and themes did not match up. Whereas the characters were teenagers and dealing with age appropriate issues, the actual writing felt as though it was targeted at a much younger audience. The characters were not particularly likable, including Arden who at times appeared to be representing perfection in terms of her personality. It is not until much later in the novel that the pace picks up and the story becomes more exciting. Once Arden meets Peter and begins to realize that reality conflicts with the online Peter, the true message of the book begins to come across.
It is difficult to rate this book. Whilst the ending was good, the beginning dragged so much that I almost gave up on reading it. If I felt that way then chances are other readers may do too – readers that may not actually persevere. For this reason, <i>Tonight The Streets Are Ours</i> is not a book I would easily recommend.
From Leila Sales, the author of <i>This Song Will Save Your Life</i>, comes a new contemporary young adult novel about love and friendship. Seventeen-year-old Arden, a recklessly loyal girl, discovers a blog, <i>Tonight The Streets Are Ours</i>, and becomes obsessed with the writer’s life. Peter has had experiences that Arden has also had; such as a relative leaving and loving people a lot more than they love you.
Arden’s loyalty to her friend Lindsey has occasionally ended up with Arden taking on the punishments she does not deserve. Arden believes she is doing this out of love but is beginning to question why no one else does those types of things for her. After being let down by her boyfriend, Arden and Lindsey go on a road trip to New York in search of this admirable Peter. However, this trip ends up with Arden and Lindsey falling out, and Peter not quite being who the Internet made him out to be.
To begin with, <i>Tonight The Streets Are Ours</i>, felt very sketchy. The writing style and themes did not match up. Whereas the characters were teenagers and dealing with age appropriate issues, the actual writing felt as though it was targeted at a much younger audience. The characters were not particularly likable, including Arden who at times appeared to be representing perfection in terms of her personality. It is not until much later in the novel that the pace picks up and the story becomes more exciting. Once Arden meets Peter and begins to realize that reality conflicts with the online Peter, the true message of the book begins to come across.
It is difficult to rate this book. Whilst the ending was good, the beginning dragged so much that I almost gave up on reading it. If I felt that way then chances are other readers may do too – readers that may not actually persevere. For this reason, <i>Tonight The Streets Are Ours</i> is not a book I would easily recommend.
Erika Kehlet (21 KP) rated Murder Your Darlings (Algonquin Round Table #1) in Books
Feb 21, 2018
When the members of the Algonquin Round Table gathered for lunch, the last thing they expected to find was the dead body of a theater critic under their table. From Round Table, to speakeasy, and all over the city of New York, Dorothy Parker has to chase down a murderer before the police try to pin the crime on her or one of her gang. She has plenty of help from her friends Peter Benchley and a visiting Billy Faulkner.
The mystery was good, and the characters were larger than life, but there were so many characters that it did get a little confusing at first. Once I figured out who everyone was though, I really enjoyed it. I loved the banter between Dorothy and Peter they reminded me a bit of Cary Grant and Katherine Hepburn in Bringing Up Baby. I highly recommend this one if you enjoy a little humor with your mystery.
Several members of the historical Algonquin Round Table are featured or make at least a brief appearance in this story. To read more about them, visit the <a href="http://www.algonquinhotel.com/story/round-table/">Algonquin Hotel's Website.</a>
The mystery was good, and the characters were larger than life, but there were so many characters that it did get a little confusing at first. Once I figured out who everyone was though, I really enjoyed it. I loved the banter between Dorothy and Peter they reminded me a bit of Cary Grant and Katherine Hepburn in Bringing Up Baby. I highly recommend this one if you enjoy a little humor with your mystery.
Several members of the historical Algonquin Round Table are featured or make at least a brief appearance in this story. To read more about them, visit the <a href="http://www.algonquinhotel.com/story/round-table/">Algonquin Hotel's Website.</a>
Gareth von Kallenbach (974 KP) rated Winter's Tale (2014) in Movies
Aug 6, 2019
“Winter’s Tale”, starring Colin Farrell (Peter Lake), Jessica Brown Findlay (Beverly Penn), Russell Crowe (Pearly Soames), William Hurt (Isaac Penn), Jennifer Connelly (Virginia Gamely) and Will Smith (The Judge) is a fantastic love story, although the beginning was a little slow. It did help define the three different timelines involved in the plot
After a brief scene set in 1895, where we see a set of parents put their baby in a model ship, lower him down into the Hudson River and set him afloat, the timeline jumps to 1916. In this timeline we meet Peter Lake and Pearly Soames for the first time, and are drawn into their story of good versus evil. As Pearly hunts for Peter, in order to destroy him, Peter is assisted by a beautiful white horse named Athansor. The horse is absolutely stunning and along with the incredible use of light throughout the movie, it is possibly one of the most memorable things about the film. The stallion is the guardian angel of the adult Peter – and he flies! The CGI was seamless and beautiful.
As Peter tries again and again to escape Pearly, he ends up meeting Beverly who is ill with consumption. Of course, it’s a love story and they fall in love. Farrell and Penn’s portrayal of their characters’ romance was so poignant, you will need to have tissues on hand. Throughout the movie a voiceover says “inside each of us is a miracle, a miracle intended for one person alone.” The plot twists connected to that statement were just enough to keep me guessing – often incorrectly.
It was a total and complete shock to see Will Smith play an antagonist so well. Russell Crowe was great as Pearly, very believable as a demon obsessed with getting his way and wreaking vengeance on someone who he saw as having “done him wrong.”
When the storyline jumped to present day New York, 2014, the imagery of the lights and stars helped with the transition but the magic of the film seemed to disappear afterwards. While the last third of the movie was not hard to follow, it was still a bit hard to understand its point right away. I definitely felt like the movie lost some momentum after the jump to present day. In the end, it just felt like there was something missing – possibly left in the editing room. Maybe we’ll find it on the DVD extras.
I would give this movie 3.5 out of 5 stars.
After a brief scene set in 1895, where we see a set of parents put their baby in a model ship, lower him down into the Hudson River and set him afloat, the timeline jumps to 1916. In this timeline we meet Peter Lake and Pearly Soames for the first time, and are drawn into their story of good versus evil. As Pearly hunts for Peter, in order to destroy him, Peter is assisted by a beautiful white horse named Athansor. The horse is absolutely stunning and along with the incredible use of light throughout the movie, it is possibly one of the most memorable things about the film. The stallion is the guardian angel of the adult Peter – and he flies! The CGI was seamless and beautiful.
As Peter tries again and again to escape Pearly, he ends up meeting Beverly who is ill with consumption. Of course, it’s a love story and they fall in love. Farrell and Penn’s portrayal of their characters’ romance was so poignant, you will need to have tissues on hand. Throughout the movie a voiceover says “inside each of us is a miracle, a miracle intended for one person alone.” The plot twists connected to that statement were just enough to keep me guessing – often incorrectly.
It was a total and complete shock to see Will Smith play an antagonist so well. Russell Crowe was great as Pearly, very believable as a demon obsessed with getting his way and wreaking vengeance on someone who he saw as having “done him wrong.”
When the storyline jumped to present day New York, 2014, the imagery of the lights and stars helped with the transition but the magic of the film seemed to disappear afterwards. While the last third of the movie was not hard to follow, it was still a bit hard to understand its point right away. I definitely felt like the movie lost some momentum after the jump to present day. In the end, it just felt like there was something missing – possibly left in the editing room. Maybe we’ll find it on the DVD extras.
I would give this movie 3.5 out of 5 stars.
Gareth von Kallenbach (974 KP) rated Spider-Man 3 (2007) in Movies
Aug 14, 2019
The most anticipated film of the summer, Spider-Man 3 has arrived to the delight of moviegoers the world over. It has been roughly a little more than a year since Spider-Man (Tobey Maguire), defeated Dr. Octopus and saved the city from certain doom.
During this time, Spider-man has become New York City’s celebrated hero, and his day to day alter ego, Peter Parker, delights in his fame, while dating the love of his life, Mary Jane Watson (Kirsten Dunst).
As the film opens, Peter has decided to ask Mary Jane to be his wife, and plans to surprise her with a ring during dinner at a fancy restaurant. Mary Jane is starring in a Broadway play, and despite harsh reviews, she is living her dream and madly in love with Peter.
Things take an unexpected twist for Peter when he is attacked one night by his best friend Harry (James Franco), who blames him for the death of his father at the conclusion of the first film. Enhanced by his father’s Goblin serum, Harry is a deadly adversary for Peter who is able to fend off the attack eventually, and put into motion a series of events that will forever change his life.
When a career criminal named Flint Marko (Thomas Hayden Church), is accidentally caught in an experiment while fleeing the authorities, he becomes a living mass of sand, which enables him to start a string of robberies as “The Sandman”, and provides Spider-man with his most unusual opponent yet.
As if this was not enough, Peter must contend with a new hotshot photographer named Eddie Brock (Topher Grace), who is after a staff position at the Daily Bugle. The fact that Peter has more seniority at the paper is of little interest to Eddie, and he will stop at nothing to get the better of Peter.
At this point one would think that Peter has more than enough on his plate, but fate is about to drop an unexpected player into his life, a space based symbiote that bonds
with Peter’s costume and creates a dark black look for Spider-Man as well as an increase in his powers.
Peter becomes obsessed with his new powers, and there is a dramatic change in his persona, which does not sit well with Mary Jane. When new information is given to Peter about the death of his Uncle Ben, Peter is more than willing to use his new found abilities to exact the revenge that he craves.
Peter also has another area of interest as Gwen Stacy (Bryce Dallas Howard), the daughter of the local Chief of Police has caught his eye, much to the chagrin of both Mary Jane and Gwen’s current boyfriend Eddie Brock.
This tangled web of characters soon forces Peter to take stock of his life and the choices he makes, in order to determine what truly matters to him, the love and respect of his friends, or giving into his darker side and pursing power and unending praise and adulation.
The film starts out well, and the early conflict between Peter and Harry is a brilliantly staged spectacle of sight, sound, and motion. There are also some great moments between the lead characters and Church, Howard and Grace do well with their characters, yet something about Spider-Man 3 did not click for me the way the previous two films in the series have.
Having the luxury of time from the press screener to the opening, I was able to look back at the film the past week and a half to try to determine what did not work for me, and I kept coming back to the same conclusions.
First, the film wants very much to be much darker and edgier than the other films, yet just when you think you are going to see Peter fully cross the line, the film pulls back into campy mode, and we are given scenes of Peter hamming it up as a ladies’ man, and I kid you not, doing an impromptu dance number.
While this works for comedic effect, I am supposed to believe that the darker side of Peter’s soul is being exposed, and I had a hard time thinking that his inner demons include “Saturday Night Fever” style strut down the sidewalk, and a floor show.
The second thing that bothered me was the villains, as aside from Harry as the New Goblin, both the Sandman and Venom were sadly lacking. Neither The Sandman nor Venom had over the top plots to rule the world, kill or enslave the masses, or endanger huge parts of the city as was the case with the original Green Goblin and Dr Octopus.
Rather we have one who is content to steal to fund a noble cause, and wishes only to complete this cause and have Spider-Man out of his way. The second simply wants revenge for being slighted, and does not elude the menace nor danger that the character warrants.
effects wise the film is solid and there are some great moments in the film, but to many times I thought I had seen the same sand effects years early in the “Mummy” series which lead to many cases of “been there, seen that” for me. With a budget that many claim to be the most expensive film ever made when based on current dollar values, I had expected more from the film, especially given the talented and dynamic cast, and the ample backing of the studio.
Director and series Guru Sam Raimi seems to be coasting here as one has to wonder if he used up many of his great ideas in the last two films, and was trying so hard not to repeat himself, that he lost that magic spark that made the last two films such classics.
As it stands, “Spider-Man 3” is a good film, but you can’t help but feel it could have been a better one.
During this time, Spider-man has become New York City’s celebrated hero, and his day to day alter ego, Peter Parker, delights in his fame, while dating the love of his life, Mary Jane Watson (Kirsten Dunst).
As the film opens, Peter has decided to ask Mary Jane to be his wife, and plans to surprise her with a ring during dinner at a fancy restaurant. Mary Jane is starring in a Broadway play, and despite harsh reviews, she is living her dream and madly in love with Peter.
Things take an unexpected twist for Peter when he is attacked one night by his best friend Harry (James Franco), who blames him for the death of his father at the conclusion of the first film. Enhanced by his father’s Goblin serum, Harry is a deadly adversary for Peter who is able to fend off the attack eventually, and put into motion a series of events that will forever change his life.
When a career criminal named Flint Marko (Thomas Hayden Church), is accidentally caught in an experiment while fleeing the authorities, he becomes a living mass of sand, which enables him to start a string of robberies as “The Sandman”, and provides Spider-man with his most unusual opponent yet.
As if this was not enough, Peter must contend with a new hotshot photographer named Eddie Brock (Topher Grace), who is after a staff position at the Daily Bugle. The fact that Peter has more seniority at the paper is of little interest to Eddie, and he will stop at nothing to get the better of Peter.
At this point one would think that Peter has more than enough on his plate, but fate is about to drop an unexpected player into his life, a space based symbiote that bonds
with Peter’s costume and creates a dark black look for Spider-Man as well as an increase in his powers.
Peter becomes obsessed with his new powers, and there is a dramatic change in his persona, which does not sit well with Mary Jane. When new information is given to Peter about the death of his Uncle Ben, Peter is more than willing to use his new found abilities to exact the revenge that he craves.
Peter also has another area of interest as Gwen Stacy (Bryce Dallas Howard), the daughter of the local Chief of Police has caught his eye, much to the chagrin of both Mary Jane and Gwen’s current boyfriend Eddie Brock.
This tangled web of characters soon forces Peter to take stock of his life and the choices he makes, in order to determine what truly matters to him, the love and respect of his friends, or giving into his darker side and pursing power and unending praise and adulation.
The film starts out well, and the early conflict between Peter and Harry is a brilliantly staged spectacle of sight, sound, and motion. There are also some great moments between the lead characters and Church, Howard and Grace do well with their characters, yet something about Spider-Man 3 did not click for me the way the previous two films in the series have.
Having the luxury of time from the press screener to the opening, I was able to look back at the film the past week and a half to try to determine what did not work for me, and I kept coming back to the same conclusions.
First, the film wants very much to be much darker and edgier than the other films, yet just when you think you are going to see Peter fully cross the line, the film pulls back into campy mode, and we are given scenes of Peter hamming it up as a ladies’ man, and I kid you not, doing an impromptu dance number.
While this works for comedic effect, I am supposed to believe that the darker side of Peter’s soul is being exposed, and I had a hard time thinking that his inner demons include “Saturday Night Fever” style strut down the sidewalk, and a floor show.
The second thing that bothered me was the villains, as aside from Harry as the New Goblin, both the Sandman and Venom were sadly lacking. Neither The Sandman nor Venom had over the top plots to rule the world, kill or enslave the masses, or endanger huge parts of the city as was the case with the original Green Goblin and Dr Octopus.
Rather we have one who is content to steal to fund a noble cause, and wishes only to complete this cause and have Spider-Man out of his way. The second simply wants revenge for being slighted, and does not elude the menace nor danger that the character warrants.
effects wise the film is solid and there are some great moments in the film, but to many times I thought I had seen the same sand effects years early in the “Mummy” series which lead to many cases of “been there, seen that” for me. With a budget that many claim to be the most expensive film ever made when based on current dollar values, I had expected more from the film, especially given the talented and dynamic cast, and the ample backing of the studio.
Director and series Guru Sam Raimi seems to be coasting here as one has to wonder if he used up many of his great ideas in the last two films, and was trying so hard not to repeat himself, that he lost that magic spark that made the last two films such classics.
As it stands, “Spider-Man 3” is a good film, but you can’t help but feel it could have been a better one.
David McK (3361 KP) rated Marvel's Spider-Man in Video Games
Aug 26, 2019
Well, that was thoroughly enjoyable.
Seemingly taking it's cue - especially in combat - from Rocksteady's Arkham series of Batman games, this tells a completely new, completely stand-alone story, with a Peter Parker who has been Spider-Man, now, for 8 years and so is free of any restrictions placed upon it by tying it to a particular movie or graphic novel.
While it can get a bit repetitive in places, the central mechanic of web-swinging around a populated New York - one that even has a scale able The Avengers Tower in it (question: what will happen now that the Sony/Marvel deal has broken down?) - is great fun, while the story and plot itself is actually pretty good. Yes, anyone with even a passing knowledge of the Spider-Man lore may see where parts of it are going, but the fun (in this case) is in the journey, not the destination ...
Looking forward to the inevitable sequel.
Seemingly taking it's cue - especially in combat - from Rocksteady's Arkham series of Batman games, this tells a completely new, completely stand-alone story, with a Peter Parker who has been Spider-Man, now, for 8 years and so is free of any restrictions placed upon it by tying it to a particular movie or graphic novel.
While it can get a bit repetitive in places, the central mechanic of web-swinging around a populated New York - one that even has a scale able The Avengers Tower in it (question: what will happen now that the Sony/Marvel deal has broken down?) - is great fun, while the story and plot itself is actually pretty good. Yes, anyone with even a passing knowledge of the Spider-Man lore may see where parts of it are going, but the fun (in this case) is in the journey, not the destination ...
Looking forward to the inevitable sequel.