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Three O'Clock High (1987)
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When Jerry gets challenged to a fight after school by a bully, he spends the entire day doing...
Well, that was … different.
By now, we're all used to witnessing the current Superhero phenomenon - Spiderman, The Fantastic Four, The X-Men, etc - from the point of view of those characters, drawn (predominantly) as larger-than-life.
This eschews all that, focusing instead on the point of view of a bystander on the street (photo journalist Phil Sheldon), with the characters drawn in an almost photo-realistic manner. As such, this deals more with how the public (would) view those characters and the massive property damage than inevitably follows one of their battles, picking and reinterpreting various scenes - Captain America at war, Mister Fantastic and Sue Storms marriage, The X-Men and the Sentinels, Spiderman and the death of Gwen Stacey, etc - from the decades of comics now available.
By now, we're all used to witnessing the current Superhero phenomenon - Spiderman, The Fantastic Four, The X-Men, etc - from the point of view of those characters, drawn (predominantly) as larger-than-life.
This eschews all that, focusing instead on the point of view of a bystander on the street (photo journalist Phil Sheldon), with the characters drawn in an almost photo-realistic manner. As such, this deals more with how the public (would) view those characters and the massive property damage than inevitably follows one of their battles, picking and reinterpreting various scenes - Captain America at war, Mister Fantastic and Sue Storms marriage, The X-Men and the Sentinels, Spiderman and the death of Gwen Stacey, etc - from the decades of comics now available.