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The Downtown Desperadoes
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A mysterious phone call seems like just a prank…until Ricky realizes it was Brother Phillip’s...
Clear and Present Danger (1994)
7.6
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Agent Jack Ryan (Harrison Ford) becomes acting deputy director of the CIA when Admiral Greer (James...
Mark @ Carstairs Considers (2232 KP) rated The Downtown Desperadoes in Books
Jan 19, 2020
Returning to NYC to Help a Friend
It all starts with a phone call. Ricky Kidd is confused by the strange message, and he is certain it is a prank, expect for the fact that the voice sounds familiar. It’s a couple of hours later when he recognizes it as Brother Phillip, the man who had helped him track down his younger brother when Joel was kidnapped during the class trip to New York City back in the spring. When his father tries to find out what is happening with Brother Phillip, he discovers the mission the man run has burned down, and the police believe that Brother Phillip died in the fire. The only problem is, the fire took place before the phone call. Ricky is able to convince his family and friends, Ralphy and Mike, to change their Thanksgiving plans and go to the city, but when they arrive, things only get weirder. Did they really know Brother Phillip? Is he in danger? Or is he a criminal?
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Veronica Pena (690 KP) rated Rope (1948) in Movies
Mar 12, 2020
did i speak too soon?
Contains spoilers, click to show
If you've read my other reviews, you know that I'm currently in a Hitchcock film class. I've been dreading watching his films because of the ones I've seen, with the exception of Psycho, have been the same story told in different ways. I was equally as dreadful when it came to watching this film. However, I was pleasantly surprised.
In Psycho, while we saw a serial killer, it was almost as if Norman had no choice because he'd been overtaken, so to speak, by Norma Bates. Norman knew what had been done, what his mother had done, and he cleaned up after her, defended her, took care of her. In Shadow of a Doubt, while Uncle Charlie was also a killer, Hitchcock played with the likable villain scenario that we talked about last week. He was this dapper, well-liked, well-respected man that seemed like he could never be capable of the things he was accused. And even when he did die, only little Charly and the detective really knew the truth of who Uncle Charlie was. In Sabotage, we saw murder but it wasn't purposeful. The bomb that was meant to explode, wasn't meant to explode where it did - on a public bus, killing not only the nephew but several strangers and a puppy.
Rope is glaringly different in comparison. We see Brandon who is ecstatic, almost euphoric about what he and Phillip had done. He almost gets off on the idea that they just killed a man, a friend of theirs, and invited that man's family, friends, and fiance over for a party while that man's dead body lying there, unbeknownst to the guests. Brandon was excited by that. In contrast, Phillip is paranoid, drinking rapidly and in excess trying to calm himself down, but really only making himself more suspicious. The nuance and the contrast of Brandon and Phillip's characters are different than anything we've seen from Hitchcock thus far, but even further than that, we see Rupert come in and kind of save the day. He puts the pieces together, observant of both Brandon and Phillip's awkwardness and behavior throughout the party, then noticing the hat and the rope, he comes back and realizes what they have done. Instead of taking vengeance into his own hands, something that we saw in Sabotage, he fires 3 shots out of the window, causing passersby and neighbors to call the police. Rupert than sits next to the chest that holds David's body, almost protecting him, while he waits for the authorities to arrive for Brandon and Phillip.
This film, more than any other one besides Psycho, has been my favorite to watch and the one that kept me drawn in. This film does not fit the original narrative I've held. It's in a completely different game entirely.
In Psycho, while we saw a serial killer, it was almost as if Norman had no choice because he'd been overtaken, so to speak, by Norma Bates. Norman knew what had been done, what his mother had done, and he cleaned up after her, defended her, took care of her. In Shadow of a Doubt, while Uncle Charlie was also a killer, Hitchcock played with the likable villain scenario that we talked about last week. He was this dapper, well-liked, well-respected man that seemed like he could never be capable of the things he was accused. And even when he did die, only little Charly and the detective really knew the truth of who Uncle Charlie was. In Sabotage, we saw murder but it wasn't purposeful. The bomb that was meant to explode, wasn't meant to explode where it did - on a public bus, killing not only the nephew but several strangers and a puppy.
Rope is glaringly different in comparison. We see Brandon who is ecstatic, almost euphoric about what he and Phillip had done. He almost gets off on the idea that they just killed a man, a friend of theirs, and invited that man's family, friends, and fiance over for a party while that man's dead body lying there, unbeknownst to the guests. Brandon was excited by that. In contrast, Phillip is paranoid, drinking rapidly and in excess trying to calm himself down, but really only making himself more suspicious. The nuance and the contrast of Brandon and Phillip's characters are different than anything we've seen from Hitchcock thus far, but even further than that, we see Rupert come in and kind of save the day. He puts the pieces together, observant of both Brandon and Phillip's awkwardness and behavior throughout the party, then noticing the hat and the rope, he comes back and realizes what they have done. Instead of taking vengeance into his own hands, something that we saw in Sabotage, he fires 3 shots out of the window, causing passersby and neighbors to call the police. Rupert than sits next to the chest that holds David's body, almost protecting him, while he waits for the authorities to arrive for Brandon and Phillip.
This film, more than any other one besides Psycho, has been my favorite to watch and the one that kept me drawn in. This film does not fit the original narrative I've held. It's in a completely different game entirely.
ClareR (5733 KP) rated The Rose Code in Books
Jun 26, 2022
The Rose Code is an exciting historical mystery with a definite ‘thriller’ edge to it. It’s set in Bletchley Park - which is precisely what drew me to it. I’ve been there with some friends, and discovered that one of their grandmothers had actually worked there during the war.
I actually listened to this on an audiobook, and although there were one or two pronunciation issues, I thought the narrator Saskia Maarleveld did a really good job. She added extra character to the three main women in the story - all friends, but all so different from one another: the debutante with fluent German; the practical East Londoner who wants to escape poverty; the local village girl who, it turns out, is a genius cryptographer.
I really enjoyed the way that these characters were developed, and how their unlikely friendship grew. The secondary characters were also all interesting and well-developed, and all came together at the climactic end. I was gripped throughout, listening at every opportunity. And the ending really was a breathless race to the finish.
Oh, and there’s a rather large part given to Prince Phillip as well. There is a foot placed in fact, but I’m not really sure just how much. Oslo Kendall did exist, and was Prince Phillips girlfriend (or friend, at the very least) before he married Queen (then Princess) Elizabeth. I liked the “is it true or not” element.
If you like war time fiction, and have an interest in Bletchley Park - or want to find out more - you might just enjoy this as much as I did.
I actually listened to this on an audiobook, and although there were one or two pronunciation issues, I thought the narrator Saskia Maarleveld did a really good job. She added extra character to the three main women in the story - all friends, but all so different from one another: the debutante with fluent German; the practical East Londoner who wants to escape poverty; the local village girl who, it turns out, is a genius cryptographer.
I really enjoyed the way that these characters were developed, and how their unlikely friendship grew. The secondary characters were also all interesting and well-developed, and all came together at the climactic end. I was gripped throughout, listening at every opportunity. And the ending really was a breathless race to the finish.
Oh, and there’s a rather large part given to Prince Phillip as well. There is a foot placed in fact, but I’m not really sure just how much. Oslo Kendall did exist, and was Prince Phillips girlfriend (or friend, at the very least) before he married Queen (then Princess) Elizabeth. I liked the “is it true or not” element.
If you like war time fiction, and have an interest in Bletchley Park - or want to find out more - you might just enjoy this as much as I did.
I love a good twist on a classic fairy story. This fairy story was Sleeping Beauty. But what if the true love’s kiss that woke her wasn’t her’s?
In this story a vein Prince is in need of a Princess to marry to rule his kingdom. He hears of the sleeping princess and her beauty, and so decides that she shall be the one he marries. Of course there has to be some source of evil and in this case it’s the royal family’s advisor and holy man – his character remind me a little of Disney’s Jafar (not a bad thing I might add). And so because of the magic and this evil sorcerer’s desire to have the kingdom to himself, our Prince gets into a bit
of bother. He meets a orphan girl and her friend along the way and they set off on the Prince’s quest fighting all evils along the way. I love her character, a “I don’t need a man” heroine. Someone a bit rough around the edges Someone who is quite vocal about his vein and unrealistic views. No need to say their personalities clash a bit. But they teach each other a lot along the way. Their relationship is written well, if you’ve read enough and seen enough love stories you can see where
this relationship will end up.
When Aurora awakes, I must admit I find her character tedious and shallow. I found her quite unrealistic and unbelievable. Prince Phillip was an interesting character to read; honest, sly and manipulative – but not in any malicious way. I actually really enjoyed his character. He I found was written far better than Aurora, and therefore I thought that their characters wouldn’t blend that well. But this story isn’t really about them, is it?
In this story a vein Prince is in need of a Princess to marry to rule his kingdom. He hears of the sleeping princess and her beauty, and so decides that she shall be the one he marries. Of course there has to be some source of evil and in this case it’s the royal family’s advisor and holy man – his character remind me a little of Disney’s Jafar (not a bad thing I might add). And so because of the magic and this evil sorcerer’s desire to have the kingdom to himself, our Prince gets into a bit
of bother. He meets a orphan girl and her friend along the way and they set off on the Prince’s quest fighting all evils along the way. I love her character, a “I don’t need a man” heroine. Someone a bit rough around the edges Someone who is quite vocal about his vein and unrealistic views. No need to say their personalities clash a bit. But they teach each other a lot along the way. Their relationship is written well, if you’ve read enough and seen enough love stories you can see where
this relationship will end up.
When Aurora awakes, I must admit I find her character tedious and shallow. I found her quite unrealistic and unbelievable. Prince Phillip was an interesting character to read; honest, sly and manipulative – but not in any malicious way. I actually really enjoyed his character. He I found was written far better than Aurora, and therefore I thought that their characters wouldn’t blend that well. But this story isn’t really about them, is it?