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CKD (37 KP) rated Kiss Carlo in Books

Dec 7, 2018  
KC
Kiss Carlo
10
10.0 (1 Ratings)
Book Rating
South Philly, 1949. Main character is Nicky Castone, who is orphaned and lives with aunt (Jo), uncle (Dom) and cousins. He drives Cab No. 4 for the Palazzini Cab Company (owned by his uncle Dom). Dom is in a feud with his brother, Mike. Nicky is engaged to Peachy but he is missing something so at the age of 30, he decides to follow his dream of acting and gets a job at Borelli's Theater. Within the cab company is a Western Union telegraph office where Hortense Mooney works. Nicky and Hortense find themselves impersonating a Italian officer and an attache to Eleanor Roosevelt.

As is typical of any Adriana Trigiani book, the characters are richly developed and you feel like you know them. I highly recommend this, and all of her books.
  
Yesterday's Over (Philly Heat Series, #3)
Yesterday's Over (Philly Heat Series, #3)
Becky Flade | 2022 | Romance, Thriller
6
6.0 (1 Ratings)
Book Rating
i like the twist the bones in the rubble took.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.


This is book 3 in the Philly Heat series, but it's not necessary to have read the other books first. I have read book 2, Fall To Pieces. I really enjoyed that book.


This one? Not so much. It was still a good read, but just didn't push my buttons very much!


I liked that was the romance in these books takes a back seat. The steam levels are fairly low. There is love and passion, but the smexy times are very much faded to black.


I liked the twist the bodies in the rubble took, but I would have liked a little more closure on those. We get full closure for only one, and the rest are in the wind. You get enough to put together what happened to them and who did it, but not who they are. But Ben summed it up, I think. They may never find out who they are, and they have to let it go. I'm just greedy!


It was a good read, just not one that really worked for me.


3 good solid stars.


*same worded review will appear elsewhere
  
SH
Second House from the Corner
6
6.0 (1 Ratings)
Book Rating
Felicia Lyons seems to have it all - three healthy children, a loving husband, and a busy life juggling the occasional acting gig and stay-at-home motherhood. She's come a long way since a troubled childhood in Philly. Still, Felicia can't help but dreaming of getting away from it all sometimes. Then, suddenly, a blast from her past appears, threatening to upend the life Felicia has so carefully created for herself. Will Felicia be able to save her family and marriage?

This was an interesting and well-written book. Honestly, it was almost too stressful for me to read, which reduced its enjoyment level for me at times. However, it certainly doesn't diminish the writing or the quality of the book - if anything, it was so well-constructed that it made me tense! Felicia is an excellent portrayal of a stressed mother. So often, it seems like books actually gloss over the difficulty of juggling motherhood and life. It will hit home with many parents.

For me, this book rests on some crazy premises - if Felicia and her husband had just *talked* in the beginning, we wouldn't have gone on this whole journey. Still, Johnson does a good job of explaining her Felicia's background, giving us insight into why she's become the person she is today. She's a well-developed and real character, albeit slightly frustrating at times! The ancillary characters are fun and real, especially her grandmother.

Overall, a good read, though just 3/3.5 stars for me personally, because it stressed me out!

(Note: I received an ARC from Netgalley in return for an unbiased review.)
  
Beautiful Dangerous (Philly Heat Series, #4)
Beautiful Dangerous (Philly Heat Series, #4)
Becky Flade | 2023 | Contemporary, Romance
6
8.0 (2 Ratings)
Book Rating
I liked this, just didn't love it.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

The book title shows as book 3 in the Philly Heat series, but some sites has this at book 4, but it doesn't matter where it sits, it can be read as a stand alone within the series. Alex (Fall To Pieces) and Trudy (Yesterday's Over) do appear here, but you don't need their stories to follow this one. I've read both those books, and much preferred Fall To Pieces then Yesterday's Over and indeed, this one.

I liked this book, I just didn't love it.

I liked (if that's the right word!) the increasing issue with the stalker. That they were ALREADY scaring Hannah before she met with Doyle. And said stalker gets mighty angry about Doyle, let me tell ya!

I liked that I didn't see who was doing the stalking, at all! That one threw me off a bit, cos it was not who I thought. I liked the twist that took, too, heading back a year ago to her brother's murder.

I felt the romance came out of nowhere. there seemed to be little build up to that. I liked that it is, again, a backdrop to the major crime going on, rather than front and centre. I think I might have enjoyed this one if there had been NO romance on page, to be honest.

It's well written, from both Doyle and Hannah's point of view. I saw no spelling or editing errors to spoil my reading.

I just think that maybe this author isn't really for ME. I stress the ME point! I really did enjoy Fall To Pieces, but the other books have been a bit behind that one.

3 good, but not for me, stars

*same worded review will appear elsewhere
  
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Merissa (11797 KP) rated Strength Check (Dungeons and Dating #1) in Books

Sep 17, 2021 (Updated Jul 14, 2023)  
Strength Check (Dungeons and Dating #1)
Strength Check (Dungeons and Dating #1)
Katherine McIntyre | 2021 | Contemporary, LGBTQ+, Romance
8
8.8 (4 Ratings)
Book Rating
STRENGTH CHECK is the first book in the Dungeons and Dating series, and we start off with Roxie. She has just opened a board game café with her two best friends and has no room in her life for romance. Her self-esteem has been severely battered and she has hidden herself from the world. Melody (Mel) has moved to San Francisco from Philly and rents out a room in Roxie's home. Both of them feel attraction but, due to baggage, neither makes a move.

Miscommunication is a theme where romance is concerned. After all, if everyone just said what they thought, there wouldn't be any books! BUT there seemed to be just a tad too much here for me. I really wanted to slap both Roxie and Mel upside the head. I was cheering when they finally got together!

Found families is a wonderful theme for me. I adore it, and this was no exception. Roxie's found family are divine and I really can't wait for future stories so I can get to meet each of them in closer detail.

This is a slow-burn, steamy romance with fun, frolics, and family. It is also sad in places, leaving me wanting their book now. Sorry, not saying who as I don't want to spoil it.

First in a series and absolutely recommended by me. Just be prepared to be frustrated at the two of them! 😉

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Sep 17, 2021
  
Dollhouse (Dark Carousel #1)
Dollhouse (Dark Carousel #1)
Anya Allyn | 2017 | Horror, Paranormal, Young Adult (YA)
I had been in a book funk for awhile, so when someone recommended Dollhouse by Anya Allyn, I thought I'd give it a try. It seemed right up my alley, and luckily, I wasn't disappointed!

I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.

The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.

I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.

Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.

Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
  
TG
The Good Neighbor
6
6.0 (3 Ratings)
Book Rating
Recently divorced, Izzy finds herself right back where she started -- literally, she's living in the house she grew up in (her parents have moved on to retirement), struggling to take care of her young son Noah, and dealing with the fact that her ex, Bruce, is dating again. A school counselor by day, Izzy finds solace in blogging about her woes and dating life online at night. But when she starts writing about an imaginary boyfriend, "Mac," to make herself feel better about Bruce's new girlfriend, things go south quickly, especially when Izzy's blog takes off after her friend hires her to write for her up and coming "Philly Over 40" site. The only person Izzy can confide in is her next door neighbor, Mrs. Feldman, but her sweet 80-something neighbor may have a few secrets of her own.

I must confess, I almost gave up on this book in the beginning. It just seemed to start slowly for me. There is a lot of hand wringing from Izzy about her life and her blog. Eventually things take off and the plot gets more exciting. My biggest issue is that, in many ways, Izzy's fabrication of "Mac" doesn't really seem to be the huge deal that she makes it out to be. Sure, she shouldn't be lying to everyone, but really, her lie is going to supposedly bring down her friends' business, destroy all her friendships, and ruin Izzy's life? It is just a blog after all. Some of that just seems to be a stretch. Compare to the heartwarming and heartbreaking storyline with Mrs. Feldman -- it truly can't compare.

However, because I'm a total sucker, I kept imagining this movie as a romantic comedy or sitcom. I was sort of tense reading this novel, because you knew eventually the lie would be revealed, everything would get crazy, and all would be for naught... but you hoped like any "good" romantic comedy or sitcom, it would still tie up pretty neatly with a bow at the end, right? (And I won't lie, I sort of like that sometimes. There's enough uncertainty in real life.)

(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)
  
Skye Falling
Skye Falling
Mia McKenzie | 2021 | Fiction & Poetry, LGBTQ+
9
9.0 (1 Ratings)
Book Rating
Unique look at the complexities of family and race
Skye travels for a living--nearly a nomad at forty--touching down in her hometown of Philadelphia only occasionally and staying at her friend's bed and breakfast. It's on one of those visits home that a twelve-year-old girl approaches Skye and tells her that she's her "egg." Years ago, Skye donated eggs to a friend for money, and now Vicky is here as a result. Skye soon realizes that Vicky's aunt Faye is the woman she tried to pick up in a record store the other day. And, she's starting to come to the understanding that being responsible, even tangentially, for another human means she might have to finally grow up herself.

This book was lovely and took me by surprise: in all the good ways. I loved Skye--her anti-social ways, her awkwardness, and her cynicism. She's a true mess, with a mom and dad who left her hurting and afraid to love or trust--but McKenzie captures Skye's voice so perfectly that it's hard to resist her. This is an honest and emotional book, written in a way of addressing the reader directly. It's different at times and might take some getting used to, but I loved the whole thing.

The story here is so interesting and might sound off-putting: Vicky discovers Faye, who donated her eggs years ago to Vicky's mom. Skye has a crush on Vicky's aunt. In the background, Skye is floundering--she's a great businesswoman but she has a terrible relationship with her brother and her mother, who is ill. She also has tumultuous and dramatic friendships.

The city of Philly is a character in itself here too--it stands vibrant and buoyant in McKenzie's hands, as she pens an ode to the city and its black community. There are excellent and timely discussions of race, including a strong side plot featuring Vicky and Faye's neighbor. But best of all is the existence of Skye, Faye, and Vicky themselves--strong black women finding their way in the world. They completely grow on you as you read this outstanding book.

Overall, this is an excellent read. It's funny, heartfelt, and completely engaging. This authentic cast of characters will steal your heart.

I received a copy of this book from Netgalley and Random House Publishing Group in return for an unbiased review. 4.5 stars.
  
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Kurt Vile recommended Tusk by The Dead C in Music (curated)

 
Tusk by The Dead C
Tusk by The Dead C
(0 Ratings)
Album Favorite

"I guess there is singing on it, but it's still instrumental music that opens your brain. It starts out almost sounding like weird pots and pans that I guess, my theory is, they're speeding up and slowing down their four-track so it's like [makes hissing, distorted sound]. So it does that for probably ten minutes, you're just sitting there, it's like psychedelic meditation, like you could tone it out. It's definitely analogue, it's probably four-track because, all of a sudden, out of nowhere, you feel something lift up, like it un-pause and start to record again and it's just like [makes skronky sound] and there's this weird guitar shit. But then they just have a good thing with mood where it just takes you on this weird textural journey and then somewhere along the way, it gets really heavy and the drummer starts in, and you don't know what he's saying, so it may as well be instrumental. The first Dead C record I ever got was Trapdoor Fucking Exit, which is an amazing title and an amazing album cover. That came out on Siltbreeze, which is a Philly label, so that's close to home. My buddy Richie, who I worked at this brewery with, he turned me on to that kind of thing and he made rethink how the... he basically hit me on to how my path in music should be, which would be: some people can jump up to a decent-sized label, but other people have to do it themselves, much like The Dead C, where you just start small and make it your own artform and then eventually, bigger labels aren't going to be able to ignore you because you're doing it yourself anyway. They can decide, if they like you, you're going to be doing it anyway. So I got that Tusk record pretty early, but I remember listening to it on the airplane in-between touring/recording for this new album and it's just another that just opens your brain and opens your mind. They're just as passionate, or they come off that way, about their music, except they're from Bumblefuck, New Zealand, but they put out tons of records, so it might as well be jazz - they're definitely influenced by that sort of thing. I have no doubt in my mind - but of course I could be wrong - that they're influenced by those psychedelic jazz records."

Source
  
Shazam! (2019)
Shazam! (2019)
2019 | Action, Sci-Fi
Zoltar Rides Again!
All work and no play makes Bob the Movie Man a dull reviewer. Due to work commitments, this is the first film I’ve been able to see at the cinema for over a month. There’s a whole slew of films I wanted to see that have already come and gone. Big sigh. So I might be about the last of the crowd to review this, but I’m glad I caught it before it shuffled off its silver screen coil.

Every review I’ve seen of this starts off with the hackneyed comment that “At last, DC have produced a fun film” – so I won’t (even though it’s true!).

The Plot
“Shazam!” harks back, strongly, to the vehicle that helped launch Tom Hanks‘ illustrious career – Penny Marshall’s “Big” from 1988. In that film the young teen Josh (David Moscow) visits a deserted fairground where “Zoltar” mystically (and without explanation) morphs Josh into his adult self (Hanks). Much fun is had with Hanks showing his best friend Billy the joys (and sometimes otherwise) of booze, girls and other adult pastimes. In similar vein, in “Shazam!” we see the parent-less Billy Batson (Asher Angel) hijacked on a Philadelphia subway train and transformed into a DC superhero as a last-gasp effort of the ancient-wizard (Djimon Hounsou) to find someone ‘good’ to pass his magic onto. “Grab onto my staff with both hands” (Ugh) and say my name – “Juman….”…. no, sorry, wrong film…. “Shazam!”. And as in “Big”, Billy has to explore his new superhero powers with the only person vaguely close to him; his new foster-brother Freddie (Jack Dylan Grazer from “It”).

Billy is not the first to have met the wizard – not by a long shot. There has been a long line of potential candidates examined and rejected on this road, one of which, back in 1974, was the unhappy youngster Thaddeus Sivana (Ethan Pugiotto, but now grown up as Mark Cross), who has a seething chip on his shoulder as big as the Liberty Bell. Gaining evil super-powers of his own, the race is on to see if Dr Sivana can track down the fledgling Billy before he can learn to master his superhero skills and so take him down.

Wizards with red capes?
With the loose exception of possibly Scarlet Witch, I don’t think it’s actually ever been explored before that “superheroes” are actually “magicians” with different coloured capes… it’s a novel take. Before the Marvel/DC wheels eventually come off – which before another twenty years are up they surely must? – will we see a “Harry Potter vs Superman” crossover? “YOUR MOTHER’S NAME WAS LILY AND MINE WAS MARTHA…. L AND M ARE NEXT TO EACH OTHER IN THE DICTIONARY!!!!” The mind boggles.

What does make “Shazam!” interesting is that the story is consciously set in a DC world where Superman, Batman, Wonder Woman, Aquaman and the rest all live and breathe. Freddie has a Bat-a-rang (“only a replica”) and a carefully shrink-wrapped squashed bullet that had impacted on Superman’s body. So when Billy – in superhero form – makes his appearances on the streets of Philly, this makes “Shazam” an “oh look, there’s another one” curiosity rather than an out-and-out marvel.


(Source: Warner Brothers). Lightning from the fingers! Proving very useful for Shazam’s own….
Much fun is obviously had with “Shazam” testing out his powers. Freddie’s Youtube videos gather thousands of hits baas Billy tries to fly; tries to burn; tries to use his “laser sight”; etc.

What works well.
It’s a fun flick that delivers the Marvel laughs of “Ragnarok” and “Ant Man” without ever really getting to the gravitas of either. The screenplay writer (Henry Gayden) is clearly a lover of cinema, as there are numerous references to other movies scattered throughout the film: the victory run of “Rocky” (obviously); the cracking windshield of “The Lost World”; the scary-gross-out body disintegrations of “Indiana Jones”; the portal entry doors of “Monsters, Inc”. Even making an appearance briefly, as a respectful nod presumably to the story’s plagiarism, is the toy-store floor piano of “Big”. There are probably a load of other movie Easter Eggs that I missed.

Playing Billy, the relatively unknown Zachary Levi also charms in a similarly goofball way as Hanks did all those years ago. (Actually, he’s more reminiscent of the wide-eyed delight of Brendan Fraser’s “George of the Jungle” rather than Hanks). In turns, his character is genuinely delighted then shocked at his successes and failures (“Leaping buildings with a single bound” – LOL!). Also holding up their own admirably are the young leads Asher Angel and Jack Dylan Grazer.

Mark Cross, although having flaunted with being the good guy in the “Kingsman” films, is now firmly back in baddie territory as the “supervillain”: and very good he is at it too; I thought he was the best thing in the whole film.

Finally, the movie’s got a satisfying story arc, with Billy undergoing an emotional journey that emphasises the importance of family. But it’s not done in a slushy manipulative way.

What works less well.
As many of you know, I have a few rules-of-thumb for movies, one of which is that a comedy had better by bloody good if it’s going to have a run-time of much more than 90 minutes. At 132 minutes, “Shazam!” overstayed its welcome for me by a good 20 or 30 minutes. Director David F. Sandberg could have made a much tighter and better film if he had wielded the editing knife a bit more freely. I typically enjoy getting backstory to characters, and in many ways this film delivers where many don’t. The pre-credit scenes with Thaddeus nicely paint the character for his (hideous) actions that follow. However, Billy is over-burdened with backstory, and it takes wayyyyyyy too long for the “Shazam!” to happen and the fun to begin. We also lapse into an overlong superhero finale. I didn’t actually see the twist in the plot coming, which was good, but once there then the denouement could and should have been much swifter.

The film also has its scary moments and deserves its 12A certificate. As a film rather painted as kid-friendly from the trailer and the poster, there is probably the potential to traumatise young children here, particularly in a terrifying scene in a board room (with a view). As well as the physical scares there is also a dark streak running under the story that reminded me of both the original “Jumanji” and “Ghostbusters”. Parents beware.

Monkeys?
Following on from the Marvel expectations, there are a couple of “monkeys” (see Glossary) in the title roll: one mid-titles, featuring Dr Sivana and implying an undoubted sequel, and one right at the end pointing fun at the otherwise ignored “Aquaman”.

Final thoughts.
It’s clearly been a long overdue hit for DC, and on the whole I enjoyed it. If the film had been a bit tighter, this would have had the potential to be a classic.