Search
Search results
Radio y Podcast iVoox
News and Music
3.0
Rate It
App
With iVoox you can listen, share and download podcasts, radio shows and much more for free, whenever...
Tap & Track -Calorie Counter (Diets & Exercises)
Health & Fitness and Lifestyle
App
Contains the largest OFFLINE food database of any iPhone calorie counter (over 500,000 foods)....
Aikido Master Class
Sports and Health & Fitness
App
Aikido Master Class is the ultimate Aikido app as it has 424 Tutorial lessons from beginners to...
Bob Mann (459 KP) rated Captain Fantastic (2016) in Movies
Sep 29, 2021
Dysfunctionally functional.
The second of my catch-up films for next Sunday’s Oscars, this time featuring Viggo Mortensen who is up for a Best Actor Oscar.
“Captain Fantastic” starts with a dramatic hunting expedition introducing us to the unusual Cash family. Dad Ben (Viggo Mortensen) is bringing up his six kids – Bodevan, Kielyr, Vespyr, Rellian, Zaja and Nai – in the wilds of Washington state. Ben takes home-schooling to a completely new level, with intense study and examinations in quantum physics, philosophy and politics matched with a militaristic approach to weapons-training and physical fitness. Ben also teaches extreme self-sufficiency, most evident during a dramatic rock-climbing sequence.
Where is their mum in all of this? That would be a spoiler (so don’t watch the trailer either) but is central to the plot as the family board their old camper van – “Steve” – on a road trip back to the ‘real world’ and the children’s grandparents – the crusty and assertive Jack (a marvellous Frank Langella) and Abigail (Ann Dowd). What follows is filled with black humour, tragedy, not just one but two amazing funeral services and one of the most extraordinarily black and comic laying-to-rests ever seen on the big screen.
Viggo Mortensen is… well… fantastic in his portrayal, getting to run the full gamut of joy, grief, self-doubt, guilt and despair during the movie’s run-time. He’s clearly not going to win the Oscar on Sunday – surely Casey Affleck must be a slam-dunk for that – but this is a well-judged nomination by the Academy.
While the focus is on Mortensen, this shouldn’t overshadow the performances of some of the rest of the young cast, and I would specifically call out those of George MacKay and young Shree Crooks as the youngest of the kids. MacKay has been building up an impressive run of UK-based films with “Sunshine on Leith” and “Pride” but with this (and his key role in the recent TV mini-series “11.22.63”) he should see a break-through to more mainstream feature roles. In “Captain Fantastic” his socially-inept proposal to the delectable Claire (Erin Moriaty) is one of the high-points of the film. He is a name to watch, for sure.
And young Ms Crooks should be given a special honorary Oscar for the ability to learn such dense portions of script and deliver them so faultlessly!
The whole cast in fact was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture – one of my favourite award categories, but beaten by “Hidden Figures”. And it is that sort of film: a really great ensemble effort.
The film is written and directed by Matt Ross, only his second feature since 2012’s “28 Hotel Rooms” (which I was not aware of, but would now like to seek out). I thought it was terrific; deeply comedic; riveting from beginning to end; a roller-coaster of emotion and ultimately a feelgood classic on the value of family that I will remember fondly for a long time. Once again, the second film this week, that would have made me reconsider my “top films of 2016” list. I strongly recommend that you seek this out on download or DVD and give it a try.
“Captain Fantastic” starts with a dramatic hunting expedition introducing us to the unusual Cash family. Dad Ben (Viggo Mortensen) is bringing up his six kids – Bodevan, Kielyr, Vespyr, Rellian, Zaja and Nai – in the wilds of Washington state. Ben takes home-schooling to a completely new level, with intense study and examinations in quantum physics, philosophy and politics matched with a militaristic approach to weapons-training and physical fitness. Ben also teaches extreme self-sufficiency, most evident during a dramatic rock-climbing sequence.
Where is their mum in all of this? That would be a spoiler (so don’t watch the trailer either) but is central to the plot as the family board their old camper van – “Steve” – on a road trip back to the ‘real world’ and the children’s grandparents – the crusty and assertive Jack (a marvellous Frank Langella) and Abigail (Ann Dowd). What follows is filled with black humour, tragedy, not just one but two amazing funeral services and one of the most extraordinarily black and comic laying-to-rests ever seen on the big screen.
Viggo Mortensen is… well… fantastic in his portrayal, getting to run the full gamut of joy, grief, self-doubt, guilt and despair during the movie’s run-time. He’s clearly not going to win the Oscar on Sunday – surely Casey Affleck must be a slam-dunk for that – but this is a well-judged nomination by the Academy.
While the focus is on Mortensen, this shouldn’t overshadow the performances of some of the rest of the young cast, and I would specifically call out those of George MacKay and young Shree Crooks as the youngest of the kids. MacKay has been building up an impressive run of UK-based films with “Sunshine on Leith” and “Pride” but with this (and his key role in the recent TV mini-series “11.22.63”) he should see a break-through to more mainstream feature roles. In “Captain Fantastic” his socially-inept proposal to the delectable Claire (Erin Moriaty) is one of the high-points of the film. He is a name to watch, for sure.
And young Ms Crooks should be given a special honorary Oscar for the ability to learn such dense portions of script and deliver them so faultlessly!
The whole cast in fact was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture – one of my favourite award categories, but beaten by “Hidden Figures”. And it is that sort of film: a really great ensemble effort.
The film is written and directed by Matt Ross, only his second feature since 2012’s “28 Hotel Rooms” (which I was not aware of, but would now like to seek out). I thought it was terrific; deeply comedic; riveting from beginning to end; a roller-coaster of emotion and ultimately a feelgood classic on the value of family that I will remember fondly for a long time. Once again, the second film this week, that would have made me reconsider my “top films of 2016” list. I strongly recommend that you seek this out on download or DVD and give it a try.
RəX Regent (349 KP) rated Downfall (Der Untergang) (2004) in Movies
Feb 19, 2019
The true story of the last days of NAZI Germany, focusing on Hitler and his cohorts as they sought refuge on his Berlin Bunker and is chronicled here with such honesty.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
Told in a straight forward manner, we are given a portrait of not only Adolf Hitler himself, played perfectly by Bruno Ganz, who manages to humanize him without ever apologising for his heinous acts, but also those close to him. Shown through the young eyes of his final secretary, Traudl Junge (Alexandra Maria Lara), we are given a picture of what The Third Reich was to those who believed in it as well as what it had become for those who would suffer at it bloody hands.
Directed by Hirschbiegel to put us, the audience in the anterooms with these monsters, we are placed into a complex environment, edgy, atmospheric and most of all, real, as we witness noble acts of patriotism, conscience and pure, despicable horror, none less so that Magda Geobells, with the full consent of her husband, Joseph, first drugging, then murdering their six children as they slept, rather than “let them live in a world without national socialism.”
The only redeeming factors were their eventual suicides and in terms of the film, their first rate performances throughout this harrowing scene. Corinna Harfouch, who portrays Magda manages to portray this evil woman yet convey the emotion which was subdued deep beneath the surface. No small feat to allow such a fleeting glimpse of humanity during such and inhuman act.
But the same must be said Bruno Ganz, who manages to portray Hitler with such humanity; whilst showing us the true nature of his monstrosities, highlighting that the REAL monsters live among us and can seduce us at any time, any where, especially when we are vulnerable.
During one of the film’s early scenes, Hitler and Albert Speer (Heino Ferch), his Armaments Minister, discussing his vision for The Third Reich as he looks over a model of the new Germany which would be built after he won the war, a Germany without department stores, instead focusing on art, literature and culture.
Surely a noble goal, but as we all know, this cultural hub would have been built at an unacceptable cost, mainly with the blood of those who Hitler and his cohorts deemed to be inferior.
This is one of many clever methods used to convey a fair portrait of Hitler and The Third Reich. To demonstrate how bad they were, you first have to show impartiality, pointing out the good in what they do, play devil’s advocate as it were. Because whether we like it or not, evil motives are often built upon decent goals.
But as this film demonstrates, as Hitler shows his destine for anyone, even his own people, who will not give their lives for HIS vision of Germany, his Third Reich was being eaten away by a cancer of his own making, a Germany rotting from the very top.
Downfall is without a doubt one of the best World War 2 films which I have ever seen, delivering a compelling and immersive look behind the scenes of one of the most important defeats in modern history.
But being British and having to follow this with subtitles, which was great as watching this in its native German only adds to the experience, it can be a bit difficult to keep up with every plot machination, as we spend two and half hours reading about troop deployments, tactics and the philosophy of the Third Reich as we are presented with such atmospheric work, but if you can keep up with but the text and visuals, this is one hell of an education for those who do not know and an immersive masterpiece for those who follow WW2 history.
Gareth von Kallenbach (980 KP) rated Slender: The Arrival in Video Games
Jul 4, 2019
An Awful Experience All Around
A brief history for those who are not aware (courtesy of Wikipedia):
“The Slender Man (also known as Slenderman) is a fictional supernatural character that originated as a creepypasta internet meme… Stories of Slender Man commonly feature him stalking, abducting or traumatizing people, particularly children. The Slender Man is no confined to a single narrative, but appears in many works of fiction, typically composed online.”
Slender: The Arrival (which we’ll just refer to as The Arrival moving forward) is the official video game adaptation of Slender Man. Blue Isle studios developed the game to bring us improved visuals, great replay value, and a brand new storyline. These should combine into survival horror at its best. But sadly, it does not. The Arrival encourages exploration and the philosophy of scaring the living daylights out of you. It just doesn’t. Now, truth be told this genre is not typically my bread and butter, but I came into this game with hopeful expectations, but soon found myself wanting more than the game could offer.
First, you are thrown into the game without any instruction or opening. Just head down the road, though. It seems easy enough. I did appreciate the way they worked credits into this opening sequence though, as you are shown the developers and the team that worked on the game. Once you get through this, you come upon a house where you will explore the rooms to find notes scattered throughout the house giving you more information on your back story. Sparing spoilers, essentially the story revolves around a shared trauma from your youth. Once you leave the house, you press on, turning on some generators along your path.
You’ll come across the second house after crossing a river, where I encountered some of the strangeness I assume is part of the experience. Glitching visuals, weird creatures that seemed to disappear when you shine your flashlight upon them, that sort of thing. It could have been a bug, or bugs, but doing a little digging online it seems I was not the only one to experience the same. There wasn’t really any action to be had. A little disheartening.
There’s not much challenge with The Arrival. You will, at some point, encounter the Slender Man in the game. I went straight toward him, and nothing really happened. Unfortunately, it’s a bad byproduct of these games. If it doesn’t scare you, even in the slightest, you’re just left with a stagnant experience while you are running from point to point to read lore.
It took me nearly 2 hours to finish the game, though I suspect those without toddler twins may get through it a bit faster. Suffice it to say, I wish I had those 2 hours back. I never really felt the tension that would cause fear or even nervousness. The shaky cam visual of the game certainly didn’t help. Essentially, you are playing through the eyes of the camera you are holding, complete with “recording” indicator and battery level (you can turn this off). As you walk the camera bobs back and forth a little bit, and as you run it does so a little faster. I understand what they were trying to accomplish here, but it was executed so poorly. I found myself constantly trying to correct this with the joycon thinking it was simply drift. It was super distracting.
Slender: The Arrival failed to give a complete game worthy of the price tag, even at its current price tag of $9.99 on the eShop. That’s not to say you won’t enjoy it, especially if you scare VERY easily or are just a fan of the Slender Man himself. It’s just that combine a wonky control system, very little instruction, and no real tension building moments, and you have a dud of game in my book.
1 out of 5
http://sknr.net/2019/06/28/slender-the-arrival-for-nintendo-switch/
“The Slender Man (also known as Slenderman) is a fictional supernatural character that originated as a creepypasta internet meme… Stories of Slender Man commonly feature him stalking, abducting or traumatizing people, particularly children. The Slender Man is no confined to a single narrative, but appears in many works of fiction, typically composed online.”
Slender: The Arrival (which we’ll just refer to as The Arrival moving forward) is the official video game adaptation of Slender Man. Blue Isle studios developed the game to bring us improved visuals, great replay value, and a brand new storyline. These should combine into survival horror at its best. But sadly, it does not. The Arrival encourages exploration and the philosophy of scaring the living daylights out of you. It just doesn’t. Now, truth be told this genre is not typically my bread and butter, but I came into this game with hopeful expectations, but soon found myself wanting more than the game could offer.
First, you are thrown into the game without any instruction or opening. Just head down the road, though. It seems easy enough. I did appreciate the way they worked credits into this opening sequence though, as you are shown the developers and the team that worked on the game. Once you get through this, you come upon a house where you will explore the rooms to find notes scattered throughout the house giving you more information on your back story. Sparing spoilers, essentially the story revolves around a shared trauma from your youth. Once you leave the house, you press on, turning on some generators along your path.
You’ll come across the second house after crossing a river, where I encountered some of the strangeness I assume is part of the experience. Glitching visuals, weird creatures that seemed to disappear when you shine your flashlight upon them, that sort of thing. It could have been a bug, or bugs, but doing a little digging online it seems I was not the only one to experience the same. There wasn’t really any action to be had. A little disheartening.
There’s not much challenge with The Arrival. You will, at some point, encounter the Slender Man in the game. I went straight toward him, and nothing really happened. Unfortunately, it’s a bad byproduct of these games. If it doesn’t scare you, even in the slightest, you’re just left with a stagnant experience while you are running from point to point to read lore.
It took me nearly 2 hours to finish the game, though I suspect those without toddler twins may get through it a bit faster. Suffice it to say, I wish I had those 2 hours back. I never really felt the tension that would cause fear or even nervousness. The shaky cam visual of the game certainly didn’t help. Essentially, you are playing through the eyes of the camera you are holding, complete with “recording” indicator and battery level (you can turn this off). As you walk the camera bobs back and forth a little bit, and as you run it does so a little faster. I understand what they were trying to accomplish here, but it was executed so poorly. I found myself constantly trying to correct this with the joycon thinking it was simply drift. It was super distracting.
Slender: The Arrival failed to give a complete game worthy of the price tag, even at its current price tag of $9.99 on the eShop. That’s not to say you won’t enjoy it, especially if you scare VERY easily or are just a fan of the Slender Man himself. It’s just that combine a wonky control system, very little instruction, and no real tension building moments, and you have a dud of game in my book.
1 out of 5
http://sknr.net/2019/06/28/slender-the-arrival-for-nintendo-switch/
Speak Like a CEO (McGraw Hill)
Business and Education
App
Secrets for better communication in any business environment. This free sample contains the first...
Mothergamer (1546 KP) rated Birth of the Dragon (2016) in Movies
Apr 3, 2019
At first I was curious about the movie that was meant to be about Bruce Lee titled Birth of the Dragon. I love Bruce Lee. I grew up watching his movies, I watched episodes of The Green Hornet, and I voraciously read everything I could about him. One of my titos (that's Tagalog for uncle) told me about how he met Bruce Lee before and how kind he was. I am Filipino and white so I grew up with both these cultures and I'm grateful for it. My family has all kinds of people from all over and all walks of life and I love them dearly. When I would visit my Filipino family I loved that we would often gather round together on the couch with popcorn and snacks and watch Bruce Lee movies. This was special and it's one of my favorite memories from my childhood. I would watch Kung Fu Saturday when I was a kid and I would be excited when they would feature a Bruce Lee movie. My grandparents weren't really into it, but they would watch with me and my brother Rob sometimes.
I will always love Bruce Lee and his movies. He was an incredible person and so talented. Watching his movies was a huge part of my childhood and when I see that there's a Bruce Lee movie on, I always watch it.
I didn't know anything about Birth of the Dragon. There was a trailer that looked interesting. Then I kept hearing negative things about the film such as it's racist towards Asians and they made Bruce Lee the secondary character yet claimed it was a biopic about him. Then I read this: http://www.asamnews.com/2016/09/29/birth-of-the-dragon-biopic-enrages-bruce-lee-fans-buries-asians-in-favor-of-a-white-guy/
Birth of the Dragon is disappointing to me for this. It IS insulting to Asians and if we're really being brutally honest, it IS insulting not only to Bruce Lee, but to his family and friends who loved him. I don't understand making the white guy the main character when this was shopped as a Bruce Lee biopic. On top of this, it seems they made Bruce Lee appear to be this very one sided character who was just arrogant and stupid and it's simply not true. While Lee himself owned up to being foolish when he was younger, he was never stupid. Bruce Lee thought about each and every thing he did and in his movies there was always a political theme and the ideas expressed were intricate and well thought out. They provoked ideas and discussions as well as entertained. Read any of his books on martial arts and you see a deep philosophy and calm practicality to his teachings that show someone who was an incredibly thoughtful person.
The Filipino kid in me is extremely disappointed by this and a little angry too because Bruce Lee is one of my heroes and I'm disgusted by what appears to be blatantly anti-Asian propaganda in a film that was being sold as a biopic about him. This is irresponsible and Asian people have every right to be angry about this because once again Hollywood is shoving us into the background and telling us we're not as important because we're not white. I loved Bruce Lee because he was amazing and I loved that there was an Asian person who was the main character in his movies; someone like me and my brothers and my sister. That meant something to me and it still does. The people who made this movie should apologize for the horrible lie they told about this being a biopic about Bruce Lee and at least be honest about what it really is a film stating that white people are better than us. We'll never get that apology of course because these are the kinds of people who run Hollywood and have for years. I do know that I for one will not see this film and I will watch Bruce Lee's movies and celebrate the amazing person he was.
I will always love Bruce Lee and his movies. He was an incredible person and so talented. Watching his movies was a huge part of my childhood and when I see that there's a Bruce Lee movie on, I always watch it.
I didn't know anything about Birth of the Dragon. There was a trailer that looked interesting. Then I kept hearing negative things about the film such as it's racist towards Asians and they made Bruce Lee the secondary character yet claimed it was a biopic about him. Then I read this: http://www.asamnews.com/2016/09/29/birth-of-the-dragon-biopic-enrages-bruce-lee-fans-buries-asians-in-favor-of-a-white-guy/
Birth of the Dragon is disappointing to me for this. It IS insulting to Asians and if we're really being brutally honest, it IS insulting not only to Bruce Lee, but to his family and friends who loved him. I don't understand making the white guy the main character when this was shopped as a Bruce Lee biopic. On top of this, it seems they made Bruce Lee appear to be this very one sided character who was just arrogant and stupid and it's simply not true. While Lee himself owned up to being foolish when he was younger, he was never stupid. Bruce Lee thought about each and every thing he did and in his movies there was always a political theme and the ideas expressed were intricate and well thought out. They provoked ideas and discussions as well as entertained. Read any of his books on martial arts and you see a deep philosophy and calm practicality to his teachings that show someone who was an incredibly thoughtful person.
The Filipino kid in me is extremely disappointed by this and a little angry too because Bruce Lee is one of my heroes and I'm disgusted by what appears to be blatantly anti-Asian propaganda in a film that was being sold as a biopic about him. This is irresponsible and Asian people have every right to be angry about this because once again Hollywood is shoving us into the background and telling us we're not as important because we're not white. I loved Bruce Lee because he was amazing and I loved that there was an Asian person who was the main character in his movies; someone like me and my brothers and my sister. That meant something to me and it still does. The people who made this movie should apologize for the horrible lie they told about this being a biopic about Bruce Lee and at least be honest about what it really is a film stating that white people are better than us. We'll never get that apology of course because these are the kinds of people who run Hollywood and have for years. I do know that I for one will not see this film and I will watch Bruce Lee's movies and celebrate the amazing person he was.
Night Reader Reviews (683 KP) rated The Devil's Workshop in Books
Jan 10, 2020
Honest Review for Free Copy of Book
The Devil’s Workshop by Donnally Miller is one of the few books that I felt like I had to read twice, and did. Even after that I still feel like I am missing quite a bit of what this book has to offer. If there were ever a book that deserves to be torn apart (and I mean that in the best possible sense) and be studied in depth to have all the hidden meanings exposed this is it. However, I am not the one to do it.
Tom and Katie love each other to the point that when Tom leaves to work on a ship for a while, Katie gives him an extremely special engraved pocket watch to take with him. Little does Tom know, he helped bury the Son of Light shortly before leaving and this has thrown the world into chaos. Katie loses her job at the mansion where she lives and finds herself traveling with a dog and a lovesick man whom she has no affection for on a journey to find Tom. Meanwhile, Tom has lost Katie’s pocket watch, was thrown overboard, and is trying to make his way back to her. Thanks to Deirdre, The Queen of the Witches, the journey these two lovers are on is excruciatingly long and dangerous.
The Indians who live peacefully in the Forest have started to band together in preparation for driving “the white man” back into the sea where they came from. Slaves have also started rebelling all along the Coast and are being hunted by a military who wants them destroyed. Making things even worse Pirates are causing the roads to be unsafe for travelers and Tom finds himself mixed up with them. All the while Deirdre is playing her games with each of the separate groups. The only way to set everything right once more is to create a new Child of Light.
I enjoyed how all the characters seem to cross paths at one point or another in ways that are more natural than forced by the author. All the trials that Tom and Katie are willing to endure in an attempt to see each other again restore a person’s faith in humanity and love. At the same time, the book forces the reader to question just what is love and why will we go to the ends of the Earth for it. What I did not like was that there were a few different times where I would lose track of who was talking or what was going on. I am not sure if this was in any way due to how the book was written or because I was not devoting the amount of attention to the book as it deserves. Even so philosophical books are expected to confuse readers at times and force them to re-evaluate passages, so it in no way changes my opinion of this book.
I would only recommend this book to adult readers. While there is nothing inappropriate for readers in high school, the philosophy would probably be a bit much for them. The casual reader should also be prepared for a long and at times difficult read. Nonetheless, I rate this book to be a perfect 4 out of 4. People who do not realize what kind of book this is would probably put it down during the first few chapters and give it a low rating for being hard to read. Those that realize what they are reading will find that the seemingly random ramblings do make sense if you slow down. There is a wonderful plotline and a beautiful love story (thankfully not a mushy one) that takes place throughout the book if readers are willing to take their time and look.
https://www.facebook.com/nightreaderreviews
Tom and Katie love each other to the point that when Tom leaves to work on a ship for a while, Katie gives him an extremely special engraved pocket watch to take with him. Little does Tom know, he helped bury the Son of Light shortly before leaving and this has thrown the world into chaos. Katie loses her job at the mansion where she lives and finds herself traveling with a dog and a lovesick man whom she has no affection for on a journey to find Tom. Meanwhile, Tom has lost Katie’s pocket watch, was thrown overboard, and is trying to make his way back to her. Thanks to Deirdre, The Queen of the Witches, the journey these two lovers are on is excruciatingly long and dangerous.
The Indians who live peacefully in the Forest have started to band together in preparation for driving “the white man” back into the sea where they came from. Slaves have also started rebelling all along the Coast and are being hunted by a military who wants them destroyed. Making things even worse Pirates are causing the roads to be unsafe for travelers and Tom finds himself mixed up with them. All the while Deirdre is playing her games with each of the separate groups. The only way to set everything right once more is to create a new Child of Light.
I enjoyed how all the characters seem to cross paths at one point or another in ways that are more natural than forced by the author. All the trials that Tom and Katie are willing to endure in an attempt to see each other again restore a person’s faith in humanity and love. At the same time, the book forces the reader to question just what is love and why will we go to the ends of the Earth for it. What I did not like was that there were a few different times where I would lose track of who was talking or what was going on. I am not sure if this was in any way due to how the book was written or because I was not devoting the amount of attention to the book as it deserves. Even so philosophical books are expected to confuse readers at times and force them to re-evaluate passages, so it in no way changes my opinion of this book.
I would only recommend this book to adult readers. While there is nothing inappropriate for readers in high school, the philosophy would probably be a bit much for them. The casual reader should also be prepared for a long and at times difficult read. Nonetheless, I rate this book to be a perfect 4 out of 4. People who do not realize what kind of book this is would probably put it down during the first few chapters and give it a low rating for being hard to read. Those that realize what they are reading will find that the seemingly random ramblings do make sense if you slow down. There is a wonderful plotline and a beautiful love story (thankfully not a mushy one) that takes place throughout the book if readers are willing to take their time and look.
https://www.facebook.com/nightreaderreviews
Gay Chat & Dating - Partner
Dating and Social Networking
1.0
Rate It
App
Partner is a cool gay dating app for real communication only. Our superiority over other dating...