"This wild ride was released in 1959. John Cage reads 90 one-minute texts, while David Tudor creates inventive cacophony in another room, out of hearing; so that any relation between voice and accompaniment is purely accidental, as Cage says in the liner notes, "to suggest that all things – stories, incidental sounds from the environment, and by extension, beings – are related, and that this complexity is more evident when it is not oversimplified by an idea of relationship in one person's mind." Cage's preoccupations include music, mushrooms, and Merce Cunningham; personal anecdotes, Zen proverbs and monk jokes, and lots of modernist name dropping. Tudor's palette includes prepared piano, springs, radios, and existing music, notably Cage's 1958 Fontana Mix. Cage complains that at his readings inevitably "someone comes up afterwards and insists that the continuity was a planned one, in spite of the ideas that are expressed regarding purposelessness, emptiness, chaos, etc." Planned, schmanned! "

"Not lovely at all is the music of the Edwardses, who are always at least slightly off. Cynics say the pair are really actual jazz superstars Jo Stafford and Paul Weston, but I choose to believe there is really a woman who was born to sing 'You're Blasé; as if she were hanging upside down and swinging back and forth like a drunken pendulum, and a man who plays the piano as though he were also juggling. Hailing from Trenton, NJ, the couple tripped onto the world stage in 1957 – twelve years before the Shaggs – and off again in 1982 after five albums and five singles, some of which are pretty hard to find, so the two volumes of Greatest Hits are a good start. (Misleadingly, the Complete Original Albums compilation contains only the first two albums.) Now that I have publicly come out as a fan, I guess I have to buy all the albums. Excuse me for a moment. Okay, I'm back. "