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The Boy Who Harnessed the Wind
William Kamkwamba and Bryan Mealer
Book
When William Kamkwamba was just 14 years old his parents told him that he must leave school and come...
Lower Normandy
Book
The sixth in the popular French Impressions series, taking the form of a personal travel narrative...
Good Me, Bad Me
8.0
Rate It
Book
ONE OF THE MOST EXTRAORDINARY, CONTROVERSIAL AND EXPLOSIVE DEBUTS OF 2017, Good Me Bad Me is for...
Boating Suite: Complete Boating Log Book
Sports and Productivity
App
* * * * * * * * * * * * * * * * * * * * * * Do you like Boating Suite? If so, please take a minute...
The Very Hungry Caterpillar– First Words
Games and Education
App
The Very Hungry Caterpillar™ & Friends First Words is an adorable preschool learning app for...
ClareR (5991 KP) rated The Dictator’s Wife in Books
Mar 8, 2022
The Dictator’s Wife drew me in from the first page. I was utterly gripped by this claustrophobic-feeling story about the wife of a deposed (and dead) dictator.
Laura Lāzārescu’s parents had escaped Yanussia and its oppressive regime when she was a small child. Yanussian wasn’t spoken in the house, Yanussia wasn’t spoken about at all. So when Laura is asked to go to Yanussia with her law firm to represent Marija Popa, the wife of the country’s former dictator, her parents aren’t at all happy.
Marija is firm in her innocence. But is she really innocent? She’s accused of money laundering and human rights abuses, but she repeatedly paints a picture of herself as that of the nations mother. This is a woman with charisma, and you know when she has entered a room. She uses her femininity like a weapon - people do what she want them to with little effort on her part (or so it appears).
And Laura is affected by her. What makes it more interesting, is that Marija knows Laura’s mother - something that Laura has no knowledge of.
There’s a feeling of dread running throughout this book: Laura and her colleagues can’t leave the grounds without an escort, the building itself has secrets, and it’s as though those secrets are oozing from the walls. It feels like Laura is being constantly watched.
Everyone in this novel has secrets: Laura’s parents, her colleagues, the Yanussian lawyer, Marija’s sister, and most importantly, Marija herself. Family is an important theme: Marija is adopted, but even her adopted sister is clearly covering up for her. Laura’s family has pretty much destroyed itself as her parents keep their secrets from her.
Other themes are secrets, gender roles, stereotypes within those roles and the role of the media and social media in particular. Social media is a big driver behind the attitudes of the people towards Marija, and the media itself fuels this.
Laura just wants to find out the secrets that her parents won’t tell her, but will she be able to before she has to leave?
I’d most certainly recommend this book, and I’m really looking forward to reading more from Freya Berry in the future. Many thanks to Hayley @Shelflyfe and @Headline books for my prize-winning copy.
Laura Lāzārescu’s parents had escaped Yanussia and its oppressive regime when she was a small child. Yanussian wasn’t spoken in the house, Yanussia wasn’t spoken about at all. So when Laura is asked to go to Yanussia with her law firm to represent Marija Popa, the wife of the country’s former dictator, her parents aren’t at all happy.
Marija is firm in her innocence. But is she really innocent? She’s accused of money laundering and human rights abuses, but she repeatedly paints a picture of herself as that of the nations mother. This is a woman with charisma, and you know when she has entered a room. She uses her femininity like a weapon - people do what she want them to with little effort on her part (or so it appears).
And Laura is affected by her. What makes it more interesting, is that Marija knows Laura’s mother - something that Laura has no knowledge of.
There’s a feeling of dread running throughout this book: Laura and her colleagues can’t leave the grounds without an escort, the building itself has secrets, and it’s as though those secrets are oozing from the walls. It feels like Laura is being constantly watched.
Everyone in this novel has secrets: Laura’s parents, her colleagues, the Yanussian lawyer, Marija’s sister, and most importantly, Marija herself. Family is an important theme: Marija is adopted, but even her adopted sister is clearly covering up for her. Laura’s family has pretty much destroyed itself as her parents keep their secrets from her.
Other themes are secrets, gender roles, stereotypes within those roles and the role of the media and social media in particular. Social media is a big driver behind the attitudes of the people towards Marija, and the media itself fuels this.
Laura just wants to find out the secrets that her parents won’t tell her, but will she be able to before she has to leave?
I’d most certainly recommend this book, and I’m really looking forward to reading more from Freya Berry in the future. Many thanks to Hayley @Shelflyfe and @Headline books for my prize-winning copy.
Gareth von Kallenbach (980 KP) rated The Heat (2013) in Movies
Aug 7, 2019
In a fun twist to the traditional buddy-cop movie theme, this time we have a pair of ladies bringing The Heat to the streets of Boston for a laugh-out-loud good time.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
Draw Along with Stella and Sam
Education and Games
App
(Description en français plus bas.) Draw along with Stella and Sam in this fun new art app. Pick a...
Sensitivemuse (246 KP) rated Only Mr Darcy Will Do in Books
Dec 6, 2017
Great retelling, despite the shortfalls
I’m such a sucker for these kinds of books featuring Pride and Prejudice. There are so many different types of retellings and most of them are good. This one has its moments and it was enjoyable to read.
So in this twist, our beloved Mr Bennet dies prematurely and Elizabeth becomes a governess. This was rather interesting, and it does suit Elizabeth rather well - although back then in the day it’s a drop in the society ladder and everyone she knows makes sure she knows it.
So she meets Rosalyn which I thought at first, was an ideal friend for our dear Lizzie. She’s a bit vapid and valley girl type of character. Especially when Mr Darcy is around (can’t blame her, we all love Mr Darcy) but it’s almost to the point where she’s annoying about it. It’s not until the latter half of the novel where Rosalyn does a complete 360 and she becomes a pretty awful person (including her mother).
The plot in this one tries to stay within the main one we’re all familiar with it just diverts the path a bit and comes back to full circle. Which is nice as it tries to stay true to the original story at the same time you just get a different “what if” scenario to enjoy reading. I’d have to say I enjoy reading Hamilton (another cousin of Darcy’s) playing along with Elizabeth. It was playful banter and he sounded like the type of rogue we all love to read and fall for (albeit, foolishly). It was a bit hard to get into at first but it’s worth going through to the end as once Rosalyn does her 360 turn, everything becomes much more interesting.
The only thing I did not enjoy reading is towards the end Darcy does something completely out of character and it just did not sit well with me. He’s not the type to be outspoken even when it comes to be madly in love. Don’t make him something he’s not. It nearly ruined the entire book as it was doing so well staying close to the true nature of the characters only to have him do something he wouldn’t EVER do (nor can you picture him doing so).
Also, the ending just dragged too much for me. We get it. We all know what’s going to happen. We all know what did happen. There’s no need for extra fodder in the last few chapters of the book. It could have just ended with the proposal or wedding and done. Perhaps the last few chapters could have been made into an entirely new idea for another book to be made. It was just so unnecessary.
Overall, it was a good read for those that love Pride and Prejudice “what if” scenarios and fans. I enjoyed it despite those changes in characters that nearly caused me to grind my teeth and yelling out certain expletives.
So in this twist, our beloved Mr Bennet dies prematurely and Elizabeth becomes a governess. This was rather interesting, and it does suit Elizabeth rather well - although back then in the day it’s a drop in the society ladder and everyone she knows makes sure she knows it.
So she meets Rosalyn which I thought at first, was an ideal friend for our dear Lizzie. She’s a bit vapid and valley girl type of character. Especially when Mr Darcy is around (can’t blame her, we all love Mr Darcy) but it’s almost to the point where she’s annoying about it. It’s not until the latter half of the novel where Rosalyn does a complete 360 and she becomes a pretty awful person (including her mother).
The plot in this one tries to stay within the main one we’re all familiar with it just diverts the path a bit and comes back to full circle. Which is nice as it tries to stay true to the original story at the same time you just get a different “what if” scenario to enjoy reading. I’d have to say I enjoy reading Hamilton (another cousin of Darcy’s) playing along with Elizabeth. It was playful banter and he sounded like the type of rogue we all love to read and fall for (albeit, foolishly). It was a bit hard to get into at first but it’s worth going through to the end as once Rosalyn does her 360 turn, everything becomes much more interesting.
The only thing I did not enjoy reading is towards the end Darcy does something completely out of character and it just did not sit well with me. He’s not the type to be outspoken even when it comes to be madly in love. Don’t make him something he’s not. It nearly ruined the entire book as it was doing so well staying close to the true nature of the characters only to have him do something he wouldn’t EVER do (nor can you picture him doing so).
Also, the ending just dragged too much for me. We get it. We all know what’s going to happen. We all know what did happen. There’s no need for extra fodder in the last few chapters of the book. It could have just ended with the proposal or wedding and done. Perhaps the last few chapters could have been made into an entirely new idea for another book to be made. It was just so unnecessary.
Overall, it was a good read for those that love Pride and Prejudice “what if” scenarios and fans. I enjoyed it despite those changes in characters that nearly caused me to grind my teeth and yelling out certain expletives.
Kristy H (1252 KP) rated The Silent Patient in Books
Sep 2, 2019
Alicia Berenson is a well-known painter married to a famous photographer, Gabriel. They have a picture-perfect life, so-to-speak. But all that changes when Gabriel returns home from work one evening and Alicia shoots him five times. Then she goes silent, refusing to speak. Her silence makes her case even more famous, causing intense public speculation. Her paintings become coveted objects. Alicia, meanwhile, is sent to the Grove, a secluded psychiatric forensic unit, for treatment. There, Theo Faber, a psychotherapist, gains a job primarily just to work with Alicia, determined to be the one to help her speak again. But he becomes consumed with her case--something that may put his own health and safety into jeopardy.
This is a book that I read solely based on the recommendations of Goodreads and #bookstagram friends. It was quite hyped, and sometimes I shy away from all the hype, ha. I really did enjoy it, though I probably always feel a little let down by the crazily hyped books. It's just my nature. That being said, I do think this is a really good read and extremely captivating.
It's incredibly bizarre and puzzling--told via excerpts from Alicia's journal (pre-murder) and then Theo's viewpoints. We are left to wonder if, indeed, Alicia is truly crazy. The fact that she shot her husband, Gabriel, isn't really up for debate. But why? What led this talented artist to kill, and so violently? Reading her journal, we ponder, is she mentally ill? Is what she's telling us even really happening? Some of the narratives may or may not contradict each other, and the result is a fast-paced, twisty tale that keeps you guessing the entire time. I was sucked into both Alicia and Theo's minds. One of the best things about this book is that you may not always like Theo or Alicia, but you'll want to know about them. You'll find yourself completely engaged in their story--a sign of a good read, if you ask me.
"There's so much pain everywhere, and we just close our eyes to it. The truth is we're all scared. We're terrified of each other. I'm terrified of myself--and of my mother in me. Is her madness in my blood? Is it?"
I stayed up late to finish this one, as I absolutely had to know what happened. There are several twists and turns, and, as I mentioned, it keeps you guessing. The perspective in this book is unique, and I really welcomed how different it felt. It's a consuming, shocking read that basically absorbs you and as different parts of the story are revealed, it grows more and more intense.
Overall, this is a really excellent psychological thriller. It's nearly impossible to put down. It is different, with damaged characters that will draw you in from the start. 4+ stars!
This is a book that I read solely based on the recommendations of Goodreads and #bookstagram friends. It was quite hyped, and sometimes I shy away from all the hype, ha. I really did enjoy it, though I probably always feel a little let down by the crazily hyped books. It's just my nature. That being said, I do think this is a really good read and extremely captivating.
It's incredibly bizarre and puzzling--told via excerpts from Alicia's journal (pre-murder) and then Theo's viewpoints. We are left to wonder if, indeed, Alicia is truly crazy. The fact that she shot her husband, Gabriel, isn't really up for debate. But why? What led this talented artist to kill, and so violently? Reading her journal, we ponder, is she mentally ill? Is what she's telling us even really happening? Some of the narratives may or may not contradict each other, and the result is a fast-paced, twisty tale that keeps you guessing the entire time. I was sucked into both Alicia and Theo's minds. One of the best things about this book is that you may not always like Theo or Alicia, but you'll want to know about them. You'll find yourself completely engaged in their story--a sign of a good read, if you ask me.
"There's so much pain everywhere, and we just close our eyes to it. The truth is we're all scared. We're terrified of each other. I'm terrified of myself--and of my mother in me. Is her madness in my blood? Is it?"
I stayed up late to finish this one, as I absolutely had to know what happened. There are several twists and turns, and, as I mentioned, it keeps you guessing. The perspective in this book is unique, and I really welcomed how different it felt. It's a consuming, shocking read that basically absorbs you and as different parts of the story are revealed, it grows more and more intense.
Overall, this is a really excellent psychological thriller. It's nearly impossible to put down. It is different, with damaged characters that will draw you in from the start. 4+ stars!