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Hazel (1853 KP) rated It's About Love in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.
Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.
Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.
Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.
Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.
Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.
Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.
Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.
Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.
Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.
Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
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ClareR (6106 KP) rated The Dictator’s Wife in Books
Mar 8, 2022
The Dictator’s Wife drew me in from the first page. I was utterly gripped by this claustrophobic-feeling story about the wife of a deposed (and dead) dictator.
Laura Lāzārescu’s parents had escaped Yanussia and its oppressive regime when she was a small child. Yanussian wasn’t spoken in the house, Yanussia wasn’t spoken about at all. So when Laura is asked to go to Yanussia with her law firm to represent Marija Popa, the wife of the country’s former dictator, her parents aren’t at all happy.
Marija is firm in her innocence. But is she really innocent? She’s accused of money laundering and human rights abuses, but she repeatedly paints a picture of herself as that of the nations mother. This is a woman with charisma, and you know when she has entered a room. She uses her femininity like a weapon - people do what she want them to with little effort on her part (or so it appears).
And Laura is affected by her. What makes it more interesting, is that Marija knows Laura’s mother - something that Laura has no knowledge of.
There’s a feeling of dread running throughout this book: Laura and her colleagues can’t leave the grounds without an escort, the building itself has secrets, and it’s as though those secrets are oozing from the walls. It feels like Laura is being constantly watched.
Everyone in this novel has secrets: Laura’s parents, her colleagues, the Yanussian lawyer, Marija’s sister, and most importantly, Marija herself. Family is an important theme: Marija is adopted, but even her adopted sister is clearly covering up for her. Laura’s family has pretty much destroyed itself as her parents keep their secrets from her.
Other themes are secrets, gender roles, stereotypes within those roles and the role of the media and social media in particular. Social media is a big driver behind the attitudes of the people towards Marija, and the media itself fuels this.
Laura just wants to find out the secrets that her parents won’t tell her, but will she be able to before she has to leave?
I’d most certainly recommend this book, and I’m really looking forward to reading more from Freya Berry in the future. Many thanks to Hayley @Shelflyfe and @Headline books for my prize-winning copy.
Laura Lāzārescu’s parents had escaped Yanussia and its oppressive regime when she was a small child. Yanussian wasn’t spoken in the house, Yanussia wasn’t spoken about at all. So when Laura is asked to go to Yanussia with her law firm to represent Marija Popa, the wife of the country’s former dictator, her parents aren’t at all happy.
Marija is firm in her innocence. But is she really innocent? She’s accused of money laundering and human rights abuses, but she repeatedly paints a picture of herself as that of the nations mother. This is a woman with charisma, and you know when she has entered a room. She uses her femininity like a weapon - people do what she want them to with little effort on her part (or so it appears).
And Laura is affected by her. What makes it more interesting, is that Marija knows Laura’s mother - something that Laura has no knowledge of.
There’s a feeling of dread running throughout this book: Laura and her colleagues can’t leave the grounds without an escort, the building itself has secrets, and it’s as though those secrets are oozing from the walls. It feels like Laura is being constantly watched.
Everyone in this novel has secrets: Laura’s parents, her colleagues, the Yanussian lawyer, Marija’s sister, and most importantly, Marija herself. Family is an important theme: Marija is adopted, but even her adopted sister is clearly covering up for her. Laura’s family has pretty much destroyed itself as her parents keep their secrets from her.
Other themes are secrets, gender roles, stereotypes within those roles and the role of the media and social media in particular. Social media is a big driver behind the attitudes of the people towards Marija, and the media itself fuels this.
Laura just wants to find out the secrets that her parents won’t tell her, but will she be able to before she has to leave?
I’d most certainly recommend this book, and I’m really looking forward to reading more from Freya Berry in the future. Many thanks to Hayley @Shelflyfe and @Headline books for my prize-winning copy.
Gareth von Kallenbach (980 KP) rated The Heat (2013) in Movies
Aug 7, 2019
In a fun twist to the traditional buddy-cop movie theme, this time we have a pair of ladies bringing The Heat to the streets of Boston for a laugh-out-loud good time.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
Sandra Bullock and Melissa McCarthy bring action and some very sharp tongues to the big screen.
The story starts out by painting a picture of the two in their separate worlds. Special Agent Ashburn (Bullock) is very prim, proper, and by-the-book. She dresses for success, knows it all, and doesn’t let so much as an S-bomb pass her lips. As she solves a case (proving herself a know-it-all in front of coworkers), a bleak picture comes into focus that this very uptight FBI agent is just the beginning.
By contrast (and fitting the expected formula), Detective Mullins (McCarthy) uses a down-and-dirty, physical, and foul-mouthed method for cleaning up the streets of Boston. Her neighborhood is definitely her home, and it needs protecting. Mullins’ slovenly lifestyle is the complete polar opposite of Ashburn, as one might expect. This conflict is the driving force behind a typical buddy cop movie. The only difference is that it’s two women instead of the usual ingredients.
Ashburn is given an assignment in Boston. The assignment will be a key, deciding factor in her next promotion, so all she wants is a simple case to solve and close. Naturally, once Mullins and Ashburn meet, sparks fly and hilarity ensues.
I went into this with low expectations, but also a deep loathing for Sandra Bullock as an actress — every role she’s ever played has been essentially the same. I expected the same in The Heat. In an oh-so-surprising twist of fate, she ended up playing the sober, strait-laced character! Despite my lack of appreciation for her acting skills, I must say she did well; her comedic timing was spot-on, and it meshed well with McCarthy’s usual brand of comedy: vociferous and physical, bordering on slapstick. I did note during the film that Bullock is definitely starting to show her age; this is not a knock on her beauty, but more an admission that I am starting to feel old!
Mullins also plays the same character in every movie role she takes, so this character was no stretch for her at all. It seems she is just there to memorize lines and provide her unabashed, high-energy quips. That said, I have to give her mad props for comedic timing and delivery. She is a one-trick-pony, but that one trick is a damn good one.
All in all, this is a great film for laughs. I laughed out loud through much of it, which was a surprise. As with all comedies, I don’t recommend spending your hard-earned cash on these top-dollar theater tickets. Wait for the small screen, but definitely see it for a good, healthy chuckle.
Draw Along with Stella and Sam
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(Description en français plus bas.) Draw along with Stella and Sam in this fun new art app. Pick a...