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Easy Street (the Hard Way): A Memoir
Book
The engaging, passionate, always-honest, and often-hilarious memoir of actor Ron Perlman--his...
Falling Short: The Coming Retirement Crisis and What to Do About it
Charles D. Ellis, Alicia H. Munnell and Andrew D. Eschtruth
Book
The United States faces a serious retirement challenge. Many of today's workers will lack the...
Nuclear Reactions: An Introduction
Book
Nuclei and nuclear reactions offer a unique setting for investigating three (and in some cases even...
London Uncovered: Sixty Unusual Places to Explore
Book
London Uncovered opens the doors to sixty of the capital's most intriguing places, all visitable but...
Lottie disney bookworm (1056 KP) rated Six Tudor Queens: Katharine Parr, The Sixth Wife in Books
Mar 23, 2021
I have been reading Alison Weir books since I was a teenager so imagine how much I fangirled when I was given the opportunity to read an advanced copy of her final book in the Tudor Queens series!
To Netgalley and Headline, thank you, thank you, thank you!
It is my opinion that Katharine Parr is often the most overlooked of Henry VIII's wives: indeed most novels focus only on her life after becoming Queen. That is why this novel from Alison Weir was simply brilliant.
Weir introduces us to Katharine Parr as a girl, constantly surrounded by family and, after losing her father at a young age, being brought up by her uncle, aunt and her mother who was an attendant to Queen Katharine of Aragon.
The reader instantly falls in love with Katharine, an intelligent, caring child who is acutely aware of her eventual duty to her family but desperately wishes to remain in her carefree days with her siblings.
As we know, Tudor girls married young and Weir explores each of Katharine's four marriages in great detail: combining historical fact and storytelling in the way that only she can.
It struck me that, in three of Katharine's four marriages, she was used as a pawn, marrying for rank, power and connections as was the norm at the time.
However, in every one of these marriages Katharine was able to find love; even when marrying an old overweight Henry, already famous for disposing of numerous wives.
The writing during each of these marriages is rarely emotional: Katharine is a very rational and practical character, only showing real passion for religion. She is even super calm when she believes she is being investigated as a heretic!
It isn't until Katharine's fourth and final marriage that she marries for herself and for love. The passionate relationship between Katharine and Tom Seymour seeps into the writing at this point: introducing jealousy and anger where there has previously been merely a stoic resolve.
The fact that this novel spans the lifespan of Henry's marriages is fitting and really allows Weir to paint a picture of Tudor society throughout the religious reforms and upheavals associated with its monarch.
No one who has read Alison Weir's books before will be surprised that this is yet another success. Together with Philippa Gregory, Weir is a Queen of historical fiction and this novel is only the latest jewel in her crown.
To Netgalley and Headline, thank you, thank you, thank you!
It is my opinion that Katharine Parr is often the most overlooked of Henry VIII's wives: indeed most novels focus only on her life after becoming Queen. That is why this novel from Alison Weir was simply brilliant.
Weir introduces us to Katharine Parr as a girl, constantly surrounded by family and, after losing her father at a young age, being brought up by her uncle, aunt and her mother who was an attendant to Queen Katharine of Aragon.
The reader instantly falls in love with Katharine, an intelligent, caring child who is acutely aware of her eventual duty to her family but desperately wishes to remain in her carefree days with her siblings.
As we know, Tudor girls married young and Weir explores each of Katharine's four marriages in great detail: combining historical fact and storytelling in the way that only she can.
It struck me that, in three of Katharine's four marriages, she was used as a pawn, marrying for rank, power and connections as was the norm at the time.
However, in every one of these marriages Katharine was able to find love; even when marrying an old overweight Henry, already famous for disposing of numerous wives.
The writing during each of these marriages is rarely emotional: Katharine is a very rational and practical character, only showing real passion for religion. She is even super calm when she believes she is being investigated as a heretic!
It isn't until Katharine's fourth and final marriage that she marries for herself and for love. The passionate relationship between Katharine and Tom Seymour seeps into the writing at this point: introducing jealousy and anger where there has previously been merely a stoic resolve.
The fact that this novel spans the lifespan of Henry's marriages is fitting and really allows Weir to paint a picture of Tudor society throughout the religious reforms and upheavals associated with its monarch.
No one who has read Alison Weir's books before will be surprised that this is yet another success. Together with Philippa Gregory, Weir is a Queen of historical fiction and this novel is only the latest jewel in her crown.
Magic Eye Color-Face Makeup Plus&Red Eyes Remover
Beauty, Entertainment and Photo & Video
App
∆Over 7,000,000 downloads!∆ Featured on the iTunes Home Page in "New and Noteworthy" , "What's...
Docr - PDF Doc Scanner
Business and Education
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Scan all your documents with iPhone / iPad, and dewarp curled book surface to produce sharp images...
FDR
Book
One of today's premier biographers has written a modern, comprehensive, indeed ultimate book on the...
Preschool All In One Basic Skills Space Learning Adventure A to Z by Abby Monkey® Kids Clubhouse Games
Education and Games
App
50% OFF SALE - LAUNCH DISCOUNT TODAY: February 5-10, 2017 ***** Developed by an award-winning...
Emma @ The Movies (1786 KP) rated Wolfwalkers (2020) in Movies
Oct 11, 2020
Coming into this I wasn't sure what to expect, an animated Apple TV film... hmm.
Robyn comes to Ireland with her father, e's been given the job of ridding the area of a pack of wolves that are venturing closer and closer to the town. Keen to hunt just like her father, Robyn sneaks out of the safety of their walled town and into the forest after him. Once there she comes face to face with a wolf, but the encounter isn't what she expected. When she eventually meets Mebh, a wild spirit who lives out in the woods, she discovers what the legend of the wolkwalkers truly means and must find a way to save the pack, and her new friend, from the wrath of the Lord Protector and her father.
The phrase "don't judge a book by its cover" hasn't felt quite so accurate as it does now. When the film starts it has the delicacy of an illustrated picture book (with a hint of Gravity Falls), the colour palette is muted and the strokes look haphazard while being in exactly the right place... and I haven't liked this style of illustration... ever... in the 19 years I was in the book industry. It feels old fashioned (yes, I know that fits with its story) and I immediately felt myself grumble at the fact I was about to sit through a whole film of it.
Wolfwalkers' story is a nice mix of folk story and themes of family and friendship. We follow Robyn as she tries desperately to break free of societies rules and those of her overprotective father, and the overall effect is a surprisingly motivational film about protecting people and doing the right thing.
The only names I recognised off the cast list were Sean Bean and Simon McBurney, and both had the right tone for this film... though Bean ever so slightly like he wasn't always acting to the best of his abilities... but that's not really noticeable when you get swept up in everything.
Our two young ladies in the cast, Honor Kneafsey as Robyn and Eva Whittaker as Mebh, were a delightful match, and when the pair were together on screen they have an amazing chemistry together.
But I want to talk about my favourite thing, and that is very specifically, Mebh. Casting, animation, script, she gets the best of everything that was thrown at this film. Her style is so amazingly accurate for the tale and her story and you can see it in every scene. Her wild characteristics, her playful nature, had all been carefully added to every moment we see her. Whittaker's enthusiastic and emotional vocals bring it all to life in such a wonderful way. Mebh is a delightful creation and full of comedic moments that really made me smile... and that hair... brilliant.
Wolfwalkers' animation (by Cartoon Saloon) might not have been to my taste in the beginning but, with the story and the amazing characters, I soon started to forget about my initial peeves. The design of everything really helps to explain the surroundings, the light and dark of the forest when we first encounter it and then evolves as we progress. The visuals when the townies start encroaching are sad but have a stunning reality to them and in the run-up to the end of the film the way they portray those events is a massive change to the style and makes for a harrowing watch. They've also come up with an ingenious way of showing the wolves and the magic that they're regarded within the story, it's an impressive visual.
All of these wonderful things were topped off with a beautiful soundtrack. Everything fits perfectly, particularly the song "Running With The Wolves" by Aurora, which gave me chills to hear.
Starting this film with such a negative feeling I really didn't think I'd be able to turn it around, but as I watched on and got pulled deeper into the tale and the characters, well, you can tell by my rating that my mind was quickly changed. Wolfwalkers was a beautiful and emotional ride that I would not hesitate to recommend to anyone.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/wolfwalkers-movie-review.html
Robyn comes to Ireland with her father, e's been given the job of ridding the area of a pack of wolves that are venturing closer and closer to the town. Keen to hunt just like her father, Robyn sneaks out of the safety of their walled town and into the forest after him. Once there she comes face to face with a wolf, but the encounter isn't what she expected. When she eventually meets Mebh, a wild spirit who lives out in the woods, she discovers what the legend of the wolkwalkers truly means and must find a way to save the pack, and her new friend, from the wrath of the Lord Protector and her father.
The phrase "don't judge a book by its cover" hasn't felt quite so accurate as it does now. When the film starts it has the delicacy of an illustrated picture book (with a hint of Gravity Falls), the colour palette is muted and the strokes look haphazard while being in exactly the right place... and I haven't liked this style of illustration... ever... in the 19 years I was in the book industry. It feels old fashioned (yes, I know that fits with its story) and I immediately felt myself grumble at the fact I was about to sit through a whole film of it.
Wolfwalkers' story is a nice mix of folk story and themes of family and friendship. We follow Robyn as she tries desperately to break free of societies rules and those of her overprotective father, and the overall effect is a surprisingly motivational film about protecting people and doing the right thing.
The only names I recognised off the cast list were Sean Bean and Simon McBurney, and both had the right tone for this film... though Bean ever so slightly like he wasn't always acting to the best of his abilities... but that's not really noticeable when you get swept up in everything.
Our two young ladies in the cast, Honor Kneafsey as Robyn and Eva Whittaker as Mebh, were a delightful match, and when the pair were together on screen they have an amazing chemistry together.
But I want to talk about my favourite thing, and that is very specifically, Mebh. Casting, animation, script, she gets the best of everything that was thrown at this film. Her style is so amazingly accurate for the tale and her story and you can see it in every scene. Her wild characteristics, her playful nature, had all been carefully added to every moment we see her. Whittaker's enthusiastic and emotional vocals bring it all to life in such a wonderful way. Mebh is a delightful creation and full of comedic moments that really made me smile... and that hair... brilliant.
Wolfwalkers' animation (by Cartoon Saloon) might not have been to my taste in the beginning but, with the story and the amazing characters, I soon started to forget about my initial peeves. The design of everything really helps to explain the surroundings, the light and dark of the forest when we first encounter it and then evolves as we progress. The visuals when the townies start encroaching are sad but have a stunning reality to them and in the run-up to the end of the film the way they portray those events is a massive change to the style and makes for a harrowing watch. They've also come up with an ingenious way of showing the wolves and the magic that they're regarded within the story, it's an impressive visual.
All of these wonderful things were topped off with a beautiful soundtrack. Everything fits perfectly, particularly the song "Running With The Wolves" by Aurora, which gave me chills to hear.
Starting this film with such a negative feeling I really didn't think I'd be able to turn it around, but as I watched on and got pulled deeper into the tale and the characters, well, you can tell by my rating that my mind was quickly changed. Wolfwalkers was a beautiful and emotional ride that I would not hesitate to recommend to anyone.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/wolfwalkers-movie-review.html