Search

Kristy H (1252 KP) rated The Girl Who Stayed in Books
Feb 13, 2018
Zoe returns to her hometown of Sullivan's Island with one goal in mind: repair her childhood home and sell it, so she never has to come back. Her parents are dead, her brother doesn't want it, and her little sister, Hannah, disappeared from the Island when Hannah was eight and Zoe was ten. At the time, Hannah's friend, Gabi, insinuated that Zoe was responsible for Hannah's disappearance and while she knows it isn't true, Zoe has always felt confused and remorseful about her behavior during the time period when Hannah vanished. Even worse, she grew up under the doubt of her parents, especially her angry father, who seemed to believe Gabi, and with whom Zoe had a rough and rocky relationship as she aged.
This was an interesting book and I confess it had the misfortune of being read during a crazy time for me of illness and work: not its fault. Zoe is a tough character to crack at first, but she's also a victim of abuse, and her slowness to reveal herself--in the book and to others--makes sense. Crosby does a good job of displaying (versus telling) how Zoe's relationship with her parents has formed her into the adult she is today. What I enjoyed is that Zoe is a complicated individual with many layers. I've read too many books lately where a character had a bad childhood or suffered some form of abuse and that seems to be a reason to make them have only one character trait, which they must act upon, with no sign of reason. Zoe is nuanced, even if she takes some time to warm up to.
There are several scenes in the book that are nearly heartbreaking as you read. For instance, when Zoe finds a projector and a bunch of film belonging to her grandfather and manages to splice together enough film to capture a few moments of her late sister as a kid. As she describes the moment, it's powerful, and you can completely picture it. In another scene, she reminisces about how her mother "helped" her fix up Zoe's bathing suit before a first date--an event that ended poorly. This moment is not only formed so clearly, but says so much about how Zoe continued to relate to her Mom. It's very well-done.
The book spends most of its time focusing on Zoe's late second coming of age story (at nearly 40), with a few characters from Sullivan's Island thrown in, but there is a subplot to Hannah's disappearance that picks up pace near the end. The very end of the story felt a little rushed (though exciting). I'm still a bit torn about the actual ending--it sort of pissed me off--but I understand Crosby's choices.
In writing this review, I'd probably push my rating up to a 3.75 stars. It's a different book, and I enjoyed Zoe. I almost wish I could encounter her again.
I received an ARC of this book from Edelweiss - thank you! It is available for publication on 4/19/16. You can find a review this novel and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>.
This was an interesting book and I confess it had the misfortune of being read during a crazy time for me of illness and work: not its fault. Zoe is a tough character to crack at first, but she's also a victim of abuse, and her slowness to reveal herself--in the book and to others--makes sense. Crosby does a good job of displaying (versus telling) how Zoe's relationship with her parents has formed her into the adult she is today. What I enjoyed is that Zoe is a complicated individual with many layers. I've read too many books lately where a character had a bad childhood or suffered some form of abuse and that seems to be a reason to make them have only one character trait, which they must act upon, with no sign of reason. Zoe is nuanced, even if she takes some time to warm up to.
There are several scenes in the book that are nearly heartbreaking as you read. For instance, when Zoe finds a projector and a bunch of film belonging to her grandfather and manages to splice together enough film to capture a few moments of her late sister as a kid. As she describes the moment, it's powerful, and you can completely picture it. In another scene, she reminisces about how her mother "helped" her fix up Zoe's bathing suit before a first date--an event that ended poorly. This moment is not only formed so clearly, but says so much about how Zoe continued to relate to her Mom. It's very well-done.
The book spends most of its time focusing on Zoe's late second coming of age story (at nearly 40), with a few characters from Sullivan's Island thrown in, but there is a subplot to Hannah's disappearance that picks up pace near the end. The very end of the story felt a little rushed (though exciting). I'm still a bit torn about the actual ending--it sort of pissed me off--but I understand Crosby's choices.
In writing this review, I'd probably push my rating up to a 3.75 stars. It's a different book, and I enjoyed Zoe. I almost wish I could encounter her again.
I received an ARC of this book from Edelweiss - thank you! It is available for publication on 4/19/16. You can find a review this novel and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>.

Hazel (1853 KP) rated Glass Sword in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.

Natalia (73 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Dec 19, 2018
Character Development (5 more)
Story
Art Direction
Soundtrack + Effects
Comedy, Action and Emotions
True to the Source
I've just recently come home from the cinema, and I can gladly say this was an amazing film. I may be looking at it through rose-coloured glasses, with how excited I was when we got the first trailer, but I can say with all sincerity that this film made me laugh, cry and blew away my expectations.
The film crosses over some iconic and some more obscure Spider-Man universes and manages to do it in a unique and palatable way. Each iteration of Spider-Man has a specific animation/art style, along with a specific soundtrack and extremely talented voice actors (or at least actors whose voices were made for the role: this meaning John Mulaney). Seeing all of this creative work come together in one film truly is an experience that I don't want people to miss out on.
A key part I really want to go into more is the use of colour and focus. It visuals of the film are vivid and attune to the tone of what scene is playing out. You can see how saturation and the palettes themselves are used the highlight characters or actions and are especially useful with emotional scenes. These emotions though are presented more with the composition which is consistently used to call back previous scenes in a subtle way that I absolutely adore.
The characters are very much real, most specifically in Miles and his family relationships. We see a real family dynamic that works - if I could point out a scene from a few trailers as an example, when Miles' father takes him to school and asks for him to say 'I love you' back really shows this realistic family that you could picture actually existing in the real world. The lack of a really existing romantic subplot is also something I love - the focus is on coming to terms with the fact that Miles isn't alone, that no one is. Without this romance, the film is just as good as any other, possibly even better with the fact that our potential romantic interest actually doesn't turn out to be.
The next thing that is certainly huge for any die-hard Marvel fans is the fact that it's very much true to the comic books. In the way its told, the way it's presented, and the actual story, the characters are all recognizable both by appearance and by their personalities/behaviours.
The only negative I can find for the film isn't even part of the film itself: Though the cinema gave warning for epilepsy, the film itself does not. While I'm sure theatres are required to give warning, it may be a good idea to give an on-screen warning, especially when the opening logo itself could easily trigger epilepsy.
Overall, I wish I could go back and watch it over and over, so I think most people will enjoy this film, no matter what their knowledge of the MCU is. An engaging story told in a creative way and with an incredibly hilarious after credits scene - worth a watch from everyone.
The film crosses over some iconic and some more obscure Spider-Man universes and manages to do it in a unique and palatable way. Each iteration of Spider-Man has a specific animation/art style, along with a specific soundtrack and extremely talented voice actors (or at least actors whose voices were made for the role: this meaning John Mulaney). Seeing all of this creative work come together in one film truly is an experience that I don't want people to miss out on.
A key part I really want to go into more is the use of colour and focus. It visuals of the film are vivid and attune to the tone of what scene is playing out. You can see how saturation and the palettes themselves are used the highlight characters or actions and are especially useful with emotional scenes. These emotions though are presented more with the composition which is consistently used to call back previous scenes in a subtle way that I absolutely adore.
The characters are very much real, most specifically in Miles and his family relationships. We see a real family dynamic that works - if I could point out a scene from a few trailers as an example, when Miles' father takes him to school and asks for him to say 'I love you' back really shows this realistic family that you could picture actually existing in the real world. The lack of a really existing romantic subplot is also something I love - the focus is on coming to terms with the fact that Miles isn't alone, that no one is. Without this romance, the film is just as good as any other, possibly even better with the fact that our potential romantic interest actually doesn't turn out to be.
The next thing that is certainly huge for any die-hard Marvel fans is the fact that it's very much true to the comic books. In the way its told, the way it's presented, and the actual story, the characters are all recognizable both by appearance and by their personalities/behaviours.
The only negative I can find for the film isn't even part of the film itself: Though the cinema gave warning for epilepsy, the film itself does not. While I'm sure theatres are required to give warning, it may be a good idea to give an on-screen warning, especially when the opening logo itself could easily trigger epilepsy.
Overall, I wish I could go back and watch it over and over, so I think most people will enjoy this film, no matter what their knowledge of the MCU is. An engaging story told in a creative way and with an incredibly hilarious after credits scene - worth a watch from everyone.

EmersonRose (320 KP) rated In The Dark Corner I Stood Alone in Books
Nov 20, 2019
I stood alone in a dark corner. My imagination ran wild.”
In the Dark Corner, I stood Alone is a collection of short stories by author Petra Pavlikova, published on June 12th, 2018. These short stories pull together themes of women and fairytales. Telling stories about strong women in stressful situations, difficult because they are real, and how these women pull through, with a healthy dose of the fantastical. The collection itself is a short and easy read as the stories range in length from 5-20 pages each. I loved the beautiful imagery created in these stories as they each take you on fantastic journeys.
The characters in these stories are such strong and relatable women that I fell in love with each one as I read their story. From beginning to end this book captured this beautiful whimsey that kept me captivated in each story. As you read, each has a distinctive story to tell, but they are all in the same unique voice that has a charming but straightforward tone that captures the fairytale quality splendidly. I think that my favorite story may be The Smell of Sweet Lavender, as it tackles a heart-wrenching tale of trying to be true to yourself and the cost it sometimes has on those that you love most. But each was so unique that they held different messages and meanings to them, that I could see myself having a different favorite depending on what mood I was in at the time. This is definitely one of those books that I could see myself re-reading whenever I just wanted to curl up with a sweet set of stories that allow my imagination wander in the realm of fairies and distant kingdoms. The magic in them creates a tone but the themes within them last without extra flare, making them that much more poignant.
The other thing that makes this book really stand out is the remarkable work of the illustrator Anastasia Telegina. From the small flowers and bright colored pages to the exquisite images of the women in the book, the watercolor work is astounding and fits in perfectly with the wanderlust tone of the writing. Each time I saw that stories full image, I was blown away by the beauty and talent. They play with your imagination rather than entirely putting images in your head, keeping the fluidity of the imagination intact while still creating magnificent images. Creating perhaps what is more what a child might imagine from what is described that a realistic picture. This pair clearly makes an excellent team.
These are stories for almost any age in the themes it tackles and the beautiful way in which they are told. While some of the ideas may be intense for a younger audience, the way in which the stories are told make them accessible to any reader. They are important topics dealt with in a way that is natural and very real world, while held within a slightly more fantastical space. I very much enjoyed reading this book and would definitely recommend it. I will be keeping an eye out to read more from this author. Five Stars.
In the Dark Corner, I stood Alone is a collection of short stories by author Petra Pavlikova, published on June 12th, 2018. These short stories pull together themes of women and fairytales. Telling stories about strong women in stressful situations, difficult because they are real, and how these women pull through, with a healthy dose of the fantastical. The collection itself is a short and easy read as the stories range in length from 5-20 pages each. I loved the beautiful imagery created in these stories as they each take you on fantastic journeys.
The characters in these stories are such strong and relatable women that I fell in love with each one as I read their story. From beginning to end this book captured this beautiful whimsey that kept me captivated in each story. As you read, each has a distinctive story to tell, but they are all in the same unique voice that has a charming but straightforward tone that captures the fairytale quality splendidly. I think that my favorite story may be The Smell of Sweet Lavender, as it tackles a heart-wrenching tale of trying to be true to yourself and the cost it sometimes has on those that you love most. But each was so unique that they held different messages and meanings to them, that I could see myself having a different favorite depending on what mood I was in at the time. This is definitely one of those books that I could see myself re-reading whenever I just wanted to curl up with a sweet set of stories that allow my imagination wander in the realm of fairies and distant kingdoms. The magic in them creates a tone but the themes within them last without extra flare, making them that much more poignant.
The other thing that makes this book really stand out is the remarkable work of the illustrator Anastasia Telegina. From the small flowers and bright colored pages to the exquisite images of the women in the book, the watercolor work is astounding and fits in perfectly with the wanderlust tone of the writing. Each time I saw that stories full image, I was blown away by the beauty and talent. They play with your imagination rather than entirely putting images in your head, keeping the fluidity of the imagination intact while still creating magnificent images. Creating perhaps what is more what a child might imagine from what is described that a realistic picture. This pair clearly makes an excellent team.
These are stories for almost any age in the themes it tackles and the beautiful way in which they are told. While some of the ideas may be intense for a younger audience, the way in which the stories are told make them accessible to any reader. They are important topics dealt with in a way that is natural and very real world, while held within a slightly more fantastical space. I very much enjoyed reading this book and would definitely recommend it. I will be keeping an eye out to read more from this author. Five Stars.

Aladdin and The Magic Lamp - Interactive Kids Book
Book and Education
App
>> Watch how a little lamp & it's genie can turn a tailor’s son into a real prince >> Educational...

Eleanor Luhar (47 KP) rated Eden Summer in Books
Jun 24, 2019
I keep falling behind on wiring my reviews, sorry! I really need to get back on track. I finished this on Tuesday I think? I really enjoyed it, although it isn't quite worthy of five stars.
I'm going to put in a trigger warning as there are mentions of substance abuse, physical abuse, death, adoption and suicide.
Jess's best friend has gone missing. Through interviews with the police and Jess's personal recollections, we begin to build up a picture of Eden's life before her disappearance. Her sister had recently been killed in a car accident, and her seemingly perfect relationship with Liam was more complicated than anyone realised. Bit by bit, Jess - and we - begin to piece things together and discover where Eden has gone.
The girls are only young - 15 I think? - and very much have the all-consuming passion that young teens feel. As in, every little issue feels huge, and things feel far more serious than they might to an older person. I remember feeling this way. I think it was portrayed so accurately, the way fighting with your best friend feels like the end of the world and a family argument overwhelms you with guilt. It was a bit annoying in some ways, though; no fault of the author, of course, I just get a bit annoyed at kids taking things too seriously. I look back at myself and think how stupid it was to get so caught up in such little issues. So the things that Jess gets so worked up over just seemed a bit trivial to me, like she was exaggerating too much. But as I said, this creates the teenage voice really well in my opinion.
The things that both these girls have gone through are massive, though - Jess was attacked and Eden's sister killed. That's pretty hard for a young girl to deal with, and these are not the problems I'm saying are trivial. These are hugely important and emotional issues and I think it's great to talk about. I love books with these real, albeit sad, events. I think it is so good to discuss all the feelings and situations that follow, and also emphasise how it is not the end of the world if something bad happens. life will continue. Eden says how she feels her sister's death becoming more distant, more bearable, and how she doesn't want that to happen. She feels guilty, as if she's forgetting her and moving on. This is so important. She also thinks about killing herself due to guilt - which I won't ruin too much - but then realises how she shouldn't take life for granted. Her sister would've given anything to be alive still, and she shouldn't be throwing that away.
It was a really good read and I found myself wondering what was going to be revealed next. It was wel written and perfectly captured the young voice of Jess. If I read this when I was younger, I think I would've adored it. I would've understood it and connected to Jess more than I did now I'm older. 4 stars, definitely worth a read.
I'm going to put in a trigger warning as there are mentions of substance abuse, physical abuse, death, adoption and suicide.
Jess's best friend has gone missing. Through interviews with the police and Jess's personal recollections, we begin to build up a picture of Eden's life before her disappearance. Her sister had recently been killed in a car accident, and her seemingly perfect relationship with Liam was more complicated than anyone realised. Bit by bit, Jess - and we - begin to piece things together and discover where Eden has gone.
The girls are only young - 15 I think? - and very much have the all-consuming passion that young teens feel. As in, every little issue feels huge, and things feel far more serious than they might to an older person. I remember feeling this way. I think it was portrayed so accurately, the way fighting with your best friend feels like the end of the world and a family argument overwhelms you with guilt. It was a bit annoying in some ways, though; no fault of the author, of course, I just get a bit annoyed at kids taking things too seriously. I look back at myself and think how stupid it was to get so caught up in such little issues. So the things that Jess gets so worked up over just seemed a bit trivial to me, like she was exaggerating too much. But as I said, this creates the teenage voice really well in my opinion.
The things that both these girls have gone through are massive, though - Jess was attacked and Eden's sister killed. That's pretty hard for a young girl to deal with, and these are not the problems I'm saying are trivial. These are hugely important and emotional issues and I think it's great to talk about. I love books with these real, albeit sad, events. I think it is so good to discuss all the feelings and situations that follow, and also emphasise how it is not the end of the world if something bad happens. life will continue. Eden says how she feels her sister's death becoming more distant, more bearable, and how she doesn't want that to happen. She feels guilty, as if she's forgetting her and moving on. This is so important. She also thinks about killing herself due to guilt - which I won't ruin too much - but then realises how she shouldn't take life for granted. Her sister would've given anything to be alive still, and she shouldn't be throwing that away.
It was a really good read and I found myself wondering what was going to be revealed next. It was wel written and perfectly captured the young voice of Jess. If I read this when I was younger, I think I would've adored it. I would've understood it and connected to Jess more than I did now I'm older. 4 stars, definitely worth a read.

Into the Snow: A Stella and Sam Adventure
Games and Education
App
(Description en français plus bas.) Play alongside Stella and Sam and their dog Fred as they go...

Real Cake Maker 3D Bakery
Games and Entertainment
App
~~> Hungry? Get baking! Become the best cake baker in town and create the yummiest cakes! ~~> This...

Debbiereadsbook (1398 KP) rated Restrained Desires (Rehoboth Pact #3) in Books
Apr 9, 2022
Saved the best for last!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the final book in the Rehoboth Pact trilogy. It CAN be read as a stand alone, however I STRONGLY recommend you read the other two books first. It will give you a better picture of Kyle and how, up to now, she has been kind of in the background. Confined got 4 stars, Opposed crept up to 4.5 stars.
But this one? Knocked it out the park, baby, and it gets the full and shiny 5 star rating! Saving the best for last was the right thing to do!
Chelsea is Aubrey's sister (from Opposed) and is newly divorced from her husband. Kyle is, well, at best, plodding along. Her mother (and I use the term very loosely!) pushes Kyle to say she is bringing a date to the family gathering and then panics because she doesn't have one. Chelsea, being all single, steps up to the plate to help Kyle. And there follows a journey of self discovery, and learning to love yourself, and that found families can be so much more than blood families.
Kyle. . .oh! i wanted to wrap her up and give her a big cuddle cos that parental female unit was not a nice person! Wanted to punch the b*tch a time or two! But Chelsea? She really SEES Kyle, and Kyle does struggle a bit with that, at first. Once she and Chelsea take their fake relationship up a notch, Kyle really benefits for having someone in her corner. And Chelsea? She's different to Aubs, but not less a force to be reckoned with. Once she gets her hands on Kyle, there was no going back.
Til someone does something stoopid and then there is a fight to be had.
Aubs nearly got a punch, here, along with that parental unit. She didn't take too well to Chelsea and Kyle getting together and deals with it badly. She DOES redeem herself, giving Chelsea the means to win the fight for Kyle, but still.
It is again, HEAVY on the emotional aspect, but for Kyle dealing with that parental unit b*tch and feelings of inadequacy, and Chelsea, dealing with her divorce, but her father's betrayal cuts deep. He does come out the other side, but faced with losing both his daughters will make anyone turnaround rapidly!
The smexy stuff? Oh! My! Days! steamiest of the three. Mostly because Kyle pushes every single button of Chelsea's and then some. And Chelsea pushes buttons in Kyle she never knew she needed pushing!
Obviously, Aubs and Selina play a part here, but also Mia and Sky, and it was lovely to catch up with them all.
I again commend Ms McIntyre on her writing skills. Switching from MF, to MM and then to FF can't be easy, but McIntyre NAILS it with the final book in this trilogy. Keep 'em coming, please!
As I said . .
5 full and shiny stars!
*same worded review will appear elsewhere
This is the final book in the Rehoboth Pact trilogy. It CAN be read as a stand alone, however I STRONGLY recommend you read the other two books first. It will give you a better picture of Kyle and how, up to now, she has been kind of in the background. Confined got 4 stars, Opposed crept up to 4.5 stars.
But this one? Knocked it out the park, baby, and it gets the full and shiny 5 star rating! Saving the best for last was the right thing to do!
Chelsea is Aubrey's sister (from Opposed) and is newly divorced from her husband. Kyle is, well, at best, plodding along. Her mother (and I use the term very loosely!) pushes Kyle to say she is bringing a date to the family gathering and then panics because she doesn't have one. Chelsea, being all single, steps up to the plate to help Kyle. And there follows a journey of self discovery, and learning to love yourself, and that found families can be so much more than blood families.
Kyle. . .oh! i wanted to wrap her up and give her a big cuddle cos that parental female unit was not a nice person! Wanted to punch the b*tch a time or two! But Chelsea? She really SEES Kyle, and Kyle does struggle a bit with that, at first. Once she and Chelsea take their fake relationship up a notch, Kyle really benefits for having someone in her corner. And Chelsea? She's different to Aubs, but not less a force to be reckoned with. Once she gets her hands on Kyle, there was no going back.
Til someone does something stoopid and then there is a fight to be had.
Aubs nearly got a punch, here, along with that parental unit. She didn't take too well to Chelsea and Kyle getting together and deals with it badly. She DOES redeem herself, giving Chelsea the means to win the fight for Kyle, but still.
It is again, HEAVY on the emotional aspect, but for Kyle dealing with that parental unit b*tch and feelings of inadequacy, and Chelsea, dealing with her divorce, but her father's betrayal cuts deep. He does come out the other side, but faced with losing both his daughters will make anyone turnaround rapidly!
The smexy stuff? Oh! My! Days! steamiest of the three. Mostly because Kyle pushes every single button of Chelsea's and then some. And Chelsea pushes buttons in Kyle she never knew she needed pushing!
Obviously, Aubs and Selina play a part here, but also Mia and Sky, and it was lovely to catch up with them all.
I again commend Ms McIntyre on her writing skills. Switching from MF, to MM and then to FF can't be easy, but McIntyre NAILS it with the final book in this trilogy. Keep 'em coming, please!
As I said . .
5 full and shiny stars!
*same worded review will appear elsewhere

Heather Cranmer (2721 KP) rated Morgwel Hall in Books
Feb 20, 2019
Interesting plot (1 more)
Great setting
A bit too wordy sometimes (1 more)
Hard to get an idea of the age of main character
A Lovely Ghost Story
I love books about ghost stories, so when I got the chance to read Morgwel Hall by Michael Hutchins, I didn't think twice. The synopsis definitely piqued my interest. Luckily, I was not disappointed.
I really enjoyed the plot for Morgwel Hall. Captain Williamson sees a girl dancing on the battlements of the ruined castle he is about to purchase. He is instantly mesmerized by her. He learns her name is Anna and begins to fall in love with her. The only problem is she's a ghost. However, there's a bit more paranormal happenings going on at Morgwel Hall. Desperate to learn the history of the place, he seeks out two locals who tell him of the horrible history of Morgwel Hall and of Anna's demise. I wouldn't say the plot was scary. It was spooky and a bit creepy at times, but it wasn't overly scary which I didn't mind. It was still very interesting! I didn't really read any major plot twists, but that didn't take away from the story. All of my questions and wondering were answered by the end of the book even my questions about Williamson's cat and dog which was a nice touch. I wish there was more detail as to why Anna took a shining to Captain Williamson and what made her fall in love with him though. The world building was done very well as well. The story takes place almost completely in Cornwall not long after World War I. It was definitely believable.
The characters of Morgwel Hall were very well written and realistic. Captain Williamson is a great character although sometimes it was hard to tell if he was supposed to be an older man or a younger man. It would have been nice to know his actual age in the book because I struggled to picture him in my mind age wise. Other than that, everything about Williamson was great. It was interesting learning with Williamson about Morgwell Hall. Albert and Nancy were also fantastic characters. I really liked Nancy for some reason. I guess it was just how humble she was. Dougy was my absolute favorite though. He sounded like such a sweet dog!
The pacing in Morgwel Hall was set decently. There were a few times when the story got a bit too wordy and descriptive which would slow the pacing down a little, but for the most part, the pacing stayed strong, and I was desperate to learn more about Morgwel Hall and the history.
Trigger warnings for Morgwel Hall include alcoholism (Captain Williamson came across as being addicted to whiskey), minor profanities, death, suicide, and implied murder.
Overall, Morgwel Hall is a very interesting read. The plot is written very well, and the characters are interesting to read about. I would definitely recommend Morgwel Hall by Michael Hutchins to those aged 15+ who are fans of ghost stories but don't want to be too scared.
--
(A special thank you to the author for providing me with a paperback of Morgwel Hall in exchange for an honest and unbiased review.)
I really enjoyed the plot for Morgwel Hall. Captain Williamson sees a girl dancing on the battlements of the ruined castle he is about to purchase. He is instantly mesmerized by her. He learns her name is Anna and begins to fall in love with her. The only problem is she's a ghost. However, there's a bit more paranormal happenings going on at Morgwel Hall. Desperate to learn the history of the place, he seeks out two locals who tell him of the horrible history of Morgwel Hall and of Anna's demise. I wouldn't say the plot was scary. It was spooky and a bit creepy at times, but it wasn't overly scary which I didn't mind. It was still very interesting! I didn't really read any major plot twists, but that didn't take away from the story. All of my questions and wondering were answered by the end of the book even my questions about Williamson's cat and dog which was a nice touch. I wish there was more detail as to why Anna took a shining to Captain Williamson and what made her fall in love with him though. The world building was done very well as well. The story takes place almost completely in Cornwall not long after World War I. It was definitely believable.
The characters of Morgwel Hall were very well written and realistic. Captain Williamson is a great character although sometimes it was hard to tell if he was supposed to be an older man or a younger man. It would have been nice to know his actual age in the book because I struggled to picture him in my mind age wise. Other than that, everything about Williamson was great. It was interesting learning with Williamson about Morgwell Hall. Albert and Nancy were also fantastic characters. I really liked Nancy for some reason. I guess it was just how humble she was. Dougy was my absolute favorite though. He sounded like such a sweet dog!
The pacing in Morgwel Hall was set decently. There were a few times when the story got a bit too wordy and descriptive which would slow the pacing down a little, but for the most part, the pacing stayed strong, and I was desperate to learn more about Morgwel Hall and the history.
Trigger warnings for Morgwel Hall include alcoholism (Captain Williamson came across as being addicted to whiskey), minor profanities, death, suicide, and implied murder.
Overall, Morgwel Hall is a very interesting read. The plot is written very well, and the characters are interesting to read about. I would definitely recommend Morgwel Hall by Michael Hutchins to those aged 15+ who are fans of ghost stories but don't want to be too scared.
--
(A special thank you to the author for providing me with a paperback of Morgwel Hall in exchange for an honest and unbiased review.)