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Cartooner: The Fast & Furious Game of Drawing Comics
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Cartooner is a new experience in drawing games, a game that combines storytelling and drawing. It is...
Movie Metropolis (309 KP) rated Tomorrowland (2015) in Movies
Jun 11, 2019
A CGI disaster
Disney has an intriguing track record when it comes to movies. The multi-billion dollar company has produced some incredible films and some absolute stinkers, with its live-action department bearing the brunt of this misfortune.
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Captain Hippocampus Learns To Read
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Haley Mathiot (9 KP) rated The Making of a Duchess (The Sons of the Revolution, #1) in Books
Apr 27, 2018
Sarah Smith is just a governess… but then her employer sends her off to spy on the French Duc de Valère, Julien. Sarah takes on an identity of someone who died years ago. Insecure and out of her comfort zone, she does her best to figure out if Julien is a traitor… but gets nearly swept away by him. Being discovered as a spy doesn't help her situation any, either. But Julien isn't going to turn her out on the streets. He's going to use her to keep himself safe from the men trying to catch him… and he might just marry her.
Julien knows it's his duty to ask Serafina Artoris to marry him, and after seeing her once and being astounded by her beauty, he's fully prepared to marry her—but she rejects him. He tries his best to keep his head on straight as he continues his search for his brothers, who he is convinced are alive. But he never counted on Serafina being so attractive, so unique, so different… and discovers that he is willing to give her a second chance.
Both Julien and Sarah struggle with their feelings about each other, but unite in a common cause: to prove that Julien is not a traitor to his country, by finding his brother who may or may not be alive, using information from a man who may or may not be luring them into a trap. But there are many mysteries and complications along the way, such as compromised reputations, jail breaks, at least three marriage proposals, and pirates… and a Duc madly in love with a governess.
The Making of a Duchess was romantic, exciting, and sweet. It kept me reading and sat in the forefront of my mind.
The plot was exciting near the end when the action took place, but there wasn't much happening through the rest besides a lot of sneaking and a lot of kissing. I figured out a key element of the story the second the hint was dropped, in one of the first chapters, and I was a little disappointed that the mystery didn't get unveiled later. And, again with the last-page love confession… is it a requirement for men in romance novels to put off saying "I love you" for as long as they can? It was the only thing that bugged me about Julien. He was such a bright man, but he didn't even tell her that he loved her. Not until it was quite obvious. At least he said it, though.
I liked the characters a lot: I felt really bad for poor Sarah—although her repetition of doubts did get annoying after a while—and I cared a lot for her happy ending. She had so many doubts about who she was, her family, what was right and what was wrong, and even whom she was loyal to. Julien was just one of those heroes that everyone wants but nobody can seem to get their hands on, so there was no way to not love him. He was brave, courageous, had his priorities set straight, a hard worker, and a romantic (and extremely good looking). Their relationship was a little fast paced, and it was hard to see what it was based off of at first. Sarah had a hard time figuring out what was desire, and what was love… but I think she got it right in the end.
Content/Recommendation: little language, some sex. Ages 18+
Julien knows it's his duty to ask Serafina Artoris to marry him, and after seeing her once and being astounded by her beauty, he's fully prepared to marry her—but she rejects him. He tries his best to keep his head on straight as he continues his search for his brothers, who he is convinced are alive. But he never counted on Serafina being so attractive, so unique, so different… and discovers that he is willing to give her a second chance.
Both Julien and Sarah struggle with their feelings about each other, but unite in a common cause: to prove that Julien is not a traitor to his country, by finding his brother who may or may not be alive, using information from a man who may or may not be luring them into a trap. But there are many mysteries and complications along the way, such as compromised reputations, jail breaks, at least three marriage proposals, and pirates… and a Duc madly in love with a governess.
The Making of a Duchess was romantic, exciting, and sweet. It kept me reading and sat in the forefront of my mind.
The plot was exciting near the end when the action took place, but there wasn't much happening through the rest besides a lot of sneaking and a lot of kissing. I figured out a key element of the story the second the hint was dropped, in one of the first chapters, and I was a little disappointed that the mystery didn't get unveiled later. And, again with the last-page love confession… is it a requirement for men in romance novels to put off saying "I love you" for as long as they can? It was the only thing that bugged me about Julien. He was such a bright man, but he didn't even tell her that he loved her. Not until it was quite obvious. At least he said it, though.
I liked the characters a lot: I felt really bad for poor Sarah—although her repetition of doubts did get annoying after a while—and I cared a lot for her happy ending. She had so many doubts about who she was, her family, what was right and what was wrong, and even whom she was loyal to. Julien was just one of those heroes that everyone wants but nobody can seem to get their hands on, so there was no way to not love him. He was brave, courageous, had his priorities set straight, a hard worker, and a romantic (and extremely good looking). Their relationship was a little fast paced, and it was hard to see what it was based off of at first. Sarah had a hard time figuring out what was desire, and what was love… but I think she got it right in the end.
Content/Recommendation: little language, some sex. Ages 18+
Alice (12 KP) rated The Silver Tide (The Copper Cat, #3) in Books
Jul 3, 2018
My 200th book of the year was the final installment in Jen Williams’ The Copper Cat trilogy The Silver Tide and was it a doozie! The Copper Cat trilogy has got to be the best series I’ve read this year, so much so that I devoured it easily. It was without a doubt the best book of the trilogy with characters we’d only heard passing mentions of in the previous ones coming full circle and smacking us in the face. Devinia the Red? FTW!
The Silver Tide brought several running story arcs to a close nicely with just the right amount of action, drama and hate. Now I use the term hate lightly because it wasn’t hate from me but hate of some of the characters who originally I thought were good people – boy was I wrong.
The Silver Tide was the best title and I waited until right near the end to find out what the relevance of that was. Oh it was so good! I tweeted Jen Williams just before I got there grumbling because Sebastian was being abused in the book as a character and then I read the ending and my decision changed entirely.
This book had the same easy flow of dialogue and prose with character descriptions and world building in abundance – by world building, I don’t mean the standard Ede but a new “world” called Euriale where all sorts of weird and wonderful beasties and plants to die for – literally. This new world had some wonderful if slightly psychotic characters in it and there were pirates everywhere, several of those were psychotic as well.
The storyline for this book was based around Euriale and involved time travel, long dead gods and characters who have died and been reborn; Estenn a character who is half-mad at the beginning of the book and completely mad by the time Wydrin kicked her psycho butt is a new one, she’s entirely consumed by the Twins – Res’ni and Res’na – and believes herself to the their Emissary and it is because of Estenn that things happen in this book: good and innocent people die for her cause and Y’Gria followed by Y’Ruen, Res’ni and Res’na aid her in slaughtering the mages in a time gone by.
The ending, although sad because it ended, was brilliant. It was lovely seeing Sebastian finally get his happily ever after especially after the few disastrous attempts he made in the first two books – Oster and Sebastian I ship it. Dragon with dragon-kin oh yes! There was also a major overabundance of dragons and dragon-kin in this book and some pretty sweet new magical powers for Frith which was super.
Wydrin had her moments as always and this book was fantastically British in a lot of ways; including copious use of the words “fuck” and “mum” which I liked. I really can’t fault Wydrin Threefellows character in any way, shape or form and she went through some particularly freaky things in this book (when comparing the other books to this one, definitely freaky-deaky).
In all, this series was brilliant, it was a fantastic read all round and I’ve already got two people I know wanting to steal the series from me so they can read it on their own.
The Silver Tide brought several running story arcs to a close nicely with just the right amount of action, drama and hate. Now I use the term hate lightly because it wasn’t hate from me but hate of some of the characters who originally I thought were good people – boy was I wrong.
The Silver Tide was the best title and I waited until right near the end to find out what the relevance of that was. Oh it was so good! I tweeted Jen Williams just before I got there grumbling because Sebastian was being abused in the book as a character and then I read the ending and my decision changed entirely.
This book had the same easy flow of dialogue and prose with character descriptions and world building in abundance – by world building, I don’t mean the standard Ede but a new “world” called Euriale where all sorts of weird and wonderful beasties and plants to die for – literally. This new world had some wonderful if slightly psychotic characters in it and there were pirates everywhere, several of those were psychotic as well.
The storyline for this book was based around Euriale and involved time travel, long dead gods and characters who have died and been reborn; Estenn a character who is half-mad at the beginning of the book and completely mad by the time Wydrin kicked her psycho butt is a new one, she’s entirely consumed by the Twins – Res’ni and Res’na – and believes herself to the their Emissary and it is because of Estenn that things happen in this book: good and innocent people die for her cause and Y’Gria followed by Y’Ruen, Res’ni and Res’na aid her in slaughtering the mages in a time gone by.
The ending, although sad because it ended, was brilliant. It was lovely seeing Sebastian finally get his happily ever after especially after the few disastrous attempts he made in the first two books – Oster and Sebastian I ship it. Dragon with dragon-kin oh yes! There was also a major overabundance of dragons and dragon-kin in this book and some pretty sweet new magical powers for Frith which was super.
Wydrin had her moments as always and this book was fantastically British in a lot of ways; including copious use of the words “fuck” and “mum” which I liked. I really can’t fault Wydrin Threefellows character in any way, shape or form and she went through some particularly freaky things in this book (when comparing the other books to this one, definitely freaky-deaky).
In all, this series was brilliant, it was a fantastic read all round and I’ve already got two people I know wanting to steal the series from me so they can read it on their own.
Night Reader Reviews (683 KP) rated Timothy Mean and the Time Machine in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Contains spoilers, click to show
Timothy Mean and the Time Machine by William A. E. Ford was a wonderful little children's book. Marcelo Simonetti also created some amazing artwork for the book. The rhymes on just about every line would hold a child's attention and the interesting locations would inspire their imagination. The book is very short, with only about ten pages with text on them. This makes it great to prevent young readers from being intimidated by the size of the book. The book also goes through the days of the week, helping to teach children the names of the days in a fun way.
Being bored one day, a young boy by the name of Timothy Mean decides to build a time machine. He visits Vikings and Pirates on their ships, causing them trouble. He visits his parents while they are children and in school themselves. At one point he even pulls the pants down on am astronaut. No trip in time would be complete without a trip into the future so that is exactly what he does. Timothy also likes playing pranks and being a trouble-maker at each location he visits.
The locations visited and Timothy's pranks open up chances for discussion with parents and slightly older children. Parents could ask their children all kinds of things about the book. They could ask about if their child would want to walk on the moon, or what they think the future will be like. Parents could ask about what their child would do if they were a pirate or maybe what they think life was like in mid-evil times. Almost any children's book that encourages children to think and use their imagination is a good one.
I loved the book. What I liked most were the fun rhymes and locations. If I absolutely had to pick something I did not like it would have to be the few lines that did not rhyme as they almost upset the flow of the passage. Though in all honesty, it is not a big issue and for a children's book writers are somewhat limited on their options to ensure a child would understand.
Target readers for this book are anyone. As a mother, I would feel comfortable reading this book to my children no matter how young. I also feel like this would be a good book for a beginning reader, maybe a page a dag. For even more fun and value, parents could have their new readers read the page that goes with the current weekday. Slightly older children and more experienced readers could sit down and read the entire book on their own.
I rate this book 4 out of 4 and plan on getting a physical copy for my own children (I reviewed a digital copy of the book). The book was wonderful and I hope it gains enough popularly that William A. E. Ford creates an entire line of rhyming Timothy Mean books
https://facebook.com/nightreaderreviews
Being bored one day, a young boy by the name of Timothy Mean decides to build a time machine. He visits Vikings and Pirates on their ships, causing them trouble. He visits his parents while they are children and in school themselves. At one point he even pulls the pants down on am astronaut. No trip in time would be complete without a trip into the future so that is exactly what he does. Timothy also likes playing pranks and being a trouble-maker at each location he visits.
The locations visited and Timothy's pranks open up chances for discussion with parents and slightly older children. Parents could ask their children all kinds of things about the book. They could ask about if their child would want to walk on the moon, or what they think the future will be like. Parents could ask about what their child would do if they were a pirate or maybe what they think life was like in mid-evil times. Almost any children's book that encourages children to think and use their imagination is a good one.
I loved the book. What I liked most were the fun rhymes and locations. If I absolutely had to pick something I did not like it would have to be the few lines that did not rhyme as they almost upset the flow of the passage. Though in all honesty, it is not a big issue and for a children's book writers are somewhat limited on their options to ensure a child would understand.
Target readers for this book are anyone. As a mother, I would feel comfortable reading this book to my children no matter how young. I also feel like this would be a good book for a beginning reader, maybe a page a dag. For even more fun and value, parents could have their new readers read the page that goes with the current weekday. Slightly older children and more experienced readers could sit down and read the entire book on their own.
I rate this book 4 out of 4 and plan on getting a physical copy for my own children (I reviewed a digital copy of the book). The book was wonderful and I hope it gains enough popularly that William A. E. Ford creates an entire line of rhyming Timothy Mean books
https://facebook.com/nightreaderreviews
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