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Why should the chicken get all the fun? From Hipster Whale, the makers of the original Crossy...
Chris Sawin (602 KP) rated Up (2009) in Movies
Jun 22, 2019
Carl Fredricksen is a balloon salesman who has always wanted to have that one big adventure ever since he was a little boy. As a boy, he idolized the then famous explorer, Charles Muntz. He's now 78-years-old and the odds are against him in having that adventure this late in his life until one fateful day. When Carl is left with no other option than to leave his home, he ties thousands of balloons to his house and literally floats away. He heads to South America just like a certain special someone who used to be in Carl's life would've wanted it. A wilderness explorer named Russell who's looking to get his "helping the elderly" badge is accidentally brought along on Carl's adventure. Carl soon figures out that even though keeping his word and going on an adventure he promised to take (crossed his heart) is something to be proud of, that particular adventure will eventually end and he'll have to rummage out on his own.
Pixar always seems to release one of the best films each and every year. This year is no exception. Up is able to take its audience through so many ups and downs throughout its running time. It makes your heart heavy in the first ten to fifteen minutes before the actual story begins, then the rest of the film seems to juggle its audience between humor, excitement, and being genuinely heartfelt. Pixar films seem to have this ability to accomplish more than other films. The writing is always extremely solid and the film is always built around an incredibly creative idea. It's like a Pixar film holds your emotions in the palm of its hand. Every emotion you have is a labeled button on the remote in this imaginary hand and Pixar can access these emotions at the simple push of a button. In fact, Pixar is at its strongest when there is no dialogue at all. The first half of WALL-E is a perfect example, but the short shown before Up (Partly Cloudy) is another great example. There's no dialogue at all, but my eyes were welling up before it was all said and done. When the credits roll to a Pixar film, a sense of fulfillment washes over its viewers. They're left with that warm fuzzy feeling that many films only dream of leaving their audience with.
There's nothing else that can really be said about the animation in this film that people aren't already expecting. It's top notch as the animation is fluid, character features (such as hair) look realistic (Carl grows a five o'clock shadow by the time the third day in Paradise Falls rolls around), and everything is just so colorful and vibrant. While knowing full well it's an animated feature, characters seem to jump off the screen and scenery looks like what would be found in actual wildlife. The 3-D was a nice touch, but isn't necessary to enjoying the film to its full extent. Although seeing 3-D animated characters in a 3-D world in actual 3-D really seemed to fit like a glove.
Each character is given just the right amount of screen time in the film to make its audience really care about them. Russell has this whole back story as to why he wants his "helping the elderly" badge, "Kevin" (the giant, colorful snipe) really just squawks and makes weird noises but is actually just trying to get home to serve its real purpose, and Dug (the dog with the collar that enables it to talk) is the outcast of his pack but pretty much steals whatever scene he is in. The whole story is built around Carl, so caring about him is pretty much a given after that heartbreaking opening that was mentioned earlier. The whole film is filled with oddball characters that all have their own quirks and gags (SQUIRREL!) that you really want nothing more than to see more of each and every one of them.
Up is one of the year's best films and will more than likely be on most best of lists by the time this year comes to a close. It is a family film, but it generally has something to offer for everybody. It is definitely the type of film to see to put anyone in a better mood and put a smile on your face. Up is a whimsical and heartwarming animated feature that's incredibly fun for anyone.
Pixar always seems to release one of the best films each and every year. This year is no exception. Up is able to take its audience through so many ups and downs throughout its running time. It makes your heart heavy in the first ten to fifteen minutes before the actual story begins, then the rest of the film seems to juggle its audience between humor, excitement, and being genuinely heartfelt. Pixar films seem to have this ability to accomplish more than other films. The writing is always extremely solid and the film is always built around an incredibly creative idea. It's like a Pixar film holds your emotions in the palm of its hand. Every emotion you have is a labeled button on the remote in this imaginary hand and Pixar can access these emotions at the simple push of a button. In fact, Pixar is at its strongest when there is no dialogue at all. The first half of WALL-E is a perfect example, but the short shown before Up (Partly Cloudy) is another great example. There's no dialogue at all, but my eyes were welling up before it was all said and done. When the credits roll to a Pixar film, a sense of fulfillment washes over its viewers. They're left with that warm fuzzy feeling that many films only dream of leaving their audience with.
There's nothing else that can really be said about the animation in this film that people aren't already expecting. It's top notch as the animation is fluid, character features (such as hair) look realistic (Carl grows a five o'clock shadow by the time the third day in Paradise Falls rolls around), and everything is just so colorful and vibrant. While knowing full well it's an animated feature, characters seem to jump off the screen and scenery looks like what would be found in actual wildlife. The 3-D was a nice touch, but isn't necessary to enjoying the film to its full extent. Although seeing 3-D animated characters in a 3-D world in actual 3-D really seemed to fit like a glove.
Each character is given just the right amount of screen time in the film to make its audience really care about them. Russell has this whole back story as to why he wants his "helping the elderly" badge, "Kevin" (the giant, colorful snipe) really just squawks and makes weird noises but is actually just trying to get home to serve its real purpose, and Dug (the dog with the collar that enables it to talk) is the outcast of his pack but pretty much steals whatever scene he is in. The whole story is built around Carl, so caring about him is pretty much a given after that heartbreaking opening that was mentioned earlier. The whole film is filled with oddball characters that all have their own quirks and gags (SQUIRREL!) that you really want nothing more than to see more of each and every one of them.
Up is one of the year's best films and will more than likely be on most best of lists by the time this year comes to a close. It is a family film, but it generally has something to offer for everybody. It is definitely the type of film to see to put anyone in a better mood and put a smile on your face. Up is a whimsical and heartwarming animated feature that's incredibly fun for anyone.
Suswatibasu (1702 KP) rated Aladdin (1992) in Movies
Sep 15, 2017
Robin Williams is fantastic in Aladdin during the 1990's Disney Renaissance
This film just makes me melancholic now watching the sheer genius Robin Williams as the Genie. To improvise the character to such an extent just goes to show Williams' incredible talent.
The animation itself is the first time to feature a non-white Disney princess, hence it is important to show the significance of characters from BAME backgrounds. It's disappointing to hear that the movie version is going to be whitewashed.
It is funny, clever, and is part of the 'Disney Renaissance' - a hip new sensibility to animated features and which still stands up in the age of Pixar and DreamWorks thanks largely to RW.
The animation itself is the first time to feature a non-white Disney princess, hence it is important to show the significance of characters from BAME backgrounds. It's disappointing to hear that the movie version is going to be whitewashed.
It is funny, clever, and is part of the 'Disney Renaissance' - a hip new sensibility to animated features and which still stands up in the age of Pixar and DreamWorks thanks largely to RW.
Mark Halpern (153 KP) rated Toy Story (1995) in Movies
Jan 22, 2018 (Updated Jan 22, 2018)
you got a fiend in me
What really happens when we aren't playing with our toys when we are out. In this Pixar movie they come to life and live among each other and are like a family. Woody is the head toy and Andy's favorite but, when a brand new toy gets given to Andy for his birthday is there a new king of the castle. Toys are always evolving and just like the new hot girl transferring to a new school and taking over the roost from the current popular one there is competition for top dog. Will Andy's toys get along or does one get discarded for newer additions.
Elli H Burton (1288 KP) rated Help I'm a Fish (2000) in Movies
Nov 3, 2019 (Updated Nov 4, 2019)
It's funny (2 more)
It's one of a kind
It has some seriously catchy music
Not enough people have seen this!
Not many people I know have seen this so I tell everyone to give it a go.
A kids film, completely off the radar, as it's not branded (not pixar or disney etc) it's a German, Danish and Irish creation, about 3 children that take get into all sorts of problems. It bombed at the box office but it definitely didn't deserve the bad press, it's about family, loyalty, the importance of intelligence and a hint of magic.
It has funny, scary (for young kids anyway) , tense, lovable scenes that everyone can enjoy.
A kids film, completely off the radar, as it's not branded (not pixar or disney etc) it's a German, Danish and Irish creation, about 3 children that take get into all sorts of problems. It bombed at the box office but it definitely didn't deserve the bad press, it's about family, loyalty, the importance of intelligence and a hint of magic.
It has funny, scary (for young kids anyway) , tense, lovable scenes that everyone can enjoy.
FunToys Collector Disney Toys Review
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｡◕‿◕｡ Welcome to Playtime Disneycollector Toys Review for toddlers, babies, infants and...
Movie Metropolis (309 KP) rated Inside Out (2015) in Movies
Jun 10, 2019
A delightful treat
If there’s one thing Pixar knows how to do, it’s create memorable films. Long after you’ve walked out the cinema, the likes of Wall.E and Finding Nemo stay with you.
2015 marks the first time the studio will release two films in the same year, with The Good Dinosaur coming to cinemas in December and the subject of this review, Inside Out, in this year’s busy summer season.
But has this increased workload for Pixar’s animators resulted in a poorer quality movie?
Inside Out follows the story of young Riley, an eleven-year-old girl coming to terms with growing up in a new home away from her friends and the neighbourhood she knows and loves.
Deep inside her head, however, we find a whole host of colourful characters controlling Riley’s emotions. Joy, Sadness, Fear, Anger and Disgust all play a part in keeping her level-headed. Unfortunately, after a near disaster it falls on upbeat Joy and ever-blue Sadness to bring Riley back to who she once was.
Inside Out continues Pixar’s trend of creating beautifully animated films that really strike a chord with audiences. The sheer amount of colour is absolutely breath-taking and children will find much to enjoy in both the central characters and the numerous environments inside Riley’s head, while adults will love the stunning recreation of San Francisco in all its bustling glory.
The cast, which includes voice work by Bill Hader (Monsters University), Kyle MacLachlan (Desperate Housewives) and Diane Lane (Man of Steel) all do sterling jobs in bringing their characters to life but it is in Phyllis Smith, who plays Sadness, that we find the best portrayal.
A relatively unknown actress with few film credits to her name, Smith is truly wonderful as the little blue lady who keeps a check on the more upsetting moments in Riley’s life.
Elsewhere, Pixar has once again created a story that really focuses on the themes of growth, family bonding and what it means to grow up in today’s society with numerous cultural references that children and adults alike will enjoy.
However, it’s important to note that Inside Out is one of the more emotional films Pixar has created. At numerous points throughout the movie there were a couple of children in the cinema wiping away the tears – though this shows how heavily invested in the characters they became.
Unfortunately, despite being 94 minutes in length, Inside Out does feel a little drawn out in places and lacks the deeper storytelling elements that has made some of the studios other films so charming. This isn’t to say it lacks charm, but it’s in slightly shorter supply here.
Overall, Pixar has added another cracking film to its ever-increasing roster. Whilst not hitting the heights of Wall.E or Toy Story, it makes for a memorable and sensible film for the whole family to enjoy.
It’s the perfect start to the summer holidays. Roll on The Good Dinosaur.
https://moviemetropolis.net/2015/07/26/a-delightful-treat-inside-out-review/
2015 marks the first time the studio will release two films in the same year, with The Good Dinosaur coming to cinemas in December and the subject of this review, Inside Out, in this year’s busy summer season.
But has this increased workload for Pixar’s animators resulted in a poorer quality movie?
Inside Out follows the story of young Riley, an eleven-year-old girl coming to terms with growing up in a new home away from her friends and the neighbourhood she knows and loves.
Deep inside her head, however, we find a whole host of colourful characters controlling Riley’s emotions. Joy, Sadness, Fear, Anger and Disgust all play a part in keeping her level-headed. Unfortunately, after a near disaster it falls on upbeat Joy and ever-blue Sadness to bring Riley back to who she once was.
Inside Out continues Pixar’s trend of creating beautifully animated films that really strike a chord with audiences. The sheer amount of colour is absolutely breath-taking and children will find much to enjoy in both the central characters and the numerous environments inside Riley’s head, while adults will love the stunning recreation of San Francisco in all its bustling glory.
The cast, which includes voice work by Bill Hader (Monsters University), Kyle MacLachlan (Desperate Housewives) and Diane Lane (Man of Steel) all do sterling jobs in bringing their characters to life but it is in Phyllis Smith, who plays Sadness, that we find the best portrayal.
A relatively unknown actress with few film credits to her name, Smith is truly wonderful as the little blue lady who keeps a check on the more upsetting moments in Riley’s life.
Elsewhere, Pixar has once again created a story that really focuses on the themes of growth, family bonding and what it means to grow up in today’s society with numerous cultural references that children and adults alike will enjoy.
However, it’s important to note that Inside Out is one of the more emotional films Pixar has created. At numerous points throughout the movie there were a couple of children in the cinema wiping away the tears – though this shows how heavily invested in the characters they became.
Unfortunately, despite being 94 minutes in length, Inside Out does feel a little drawn out in places and lacks the deeper storytelling elements that has made some of the studios other films so charming. This isn’t to say it lacks charm, but it’s in slightly shorter supply here.
Overall, Pixar has added another cracking film to its ever-increasing roster. Whilst not hitting the heights of Wall.E or Toy Story, it makes for a memorable and sensible film for the whole family to enjoy.
It’s the perfect start to the summer holidays. Roll on The Good Dinosaur.
https://moviemetropolis.net/2015/07/26/a-delightful-treat-inside-out-review/
Lee (2222 KP) rated Coco (2017) in Movies
Jan 17, 2018
Outstanding animation (1 more)
Attention to detail
Beautiful, Pixar on top form
Coco is one of those movies where I feel the trailer doesn't really do it justice. Even now, having actually seen it, I still feel the trailer makes it look like another average animated movie. But similar to previous Pixar offering 'Inside Out', this goes so much deeper than that. And it turns out to be just as brilliant too.
For the first half hour or so though, the movie didn't really grab my attention. The animation and the attention to detail is certainly superb as we're introduced to young boy Miguel, his large family and the vibrantly colourful Mexican town where they live. During the annual day of the dead celebrations, Miguel finds himself trapped in the land of the dead, another vibrant and beautifully detailed world. Rules are introduced as to how this land works and how the dead are able to visit their living loved ones. But it still left me fidgeting in my seat a little.
But then there's a twist, and a real race against time adventure kicks off. And I also started to get the impression that things were heading towards a pretty emotional ending too. From then on I was loving it. This turned out to be a brilliantly beautiful movie about life and death and the importance of family.
And sure enough, come the end of the movie I'd managed to get some dust in my eyes or something...
For the first half hour or so though, the movie didn't really grab my attention. The animation and the attention to detail is certainly superb as we're introduced to young boy Miguel, his large family and the vibrantly colourful Mexican town where they live. During the annual day of the dead celebrations, Miguel finds himself trapped in the land of the dead, another vibrant and beautifully detailed world. Rules are introduced as to how this land works and how the dead are able to visit their living loved ones. But it still left me fidgeting in my seat a little.
But then there's a twist, and a real race against time adventure kicks off. And I also started to get the impression that things were heading towards a pretty emotional ending too. From then on I was loving it. This turned out to be a brilliantly beautiful movie about life and death and the importance of family.
And sure enough, come the end of the movie I'd managed to get some dust in my eyes or something...
LeftSideCut (3776 KP) rated Inside Out (2015) in Movies
Sep 25, 2020
Standard Pixar affair - easy to look at, appealing to a younger audience whilst simultaneously bludgeoning adults with relatable emotional moments that make you want to curl up in a corner somewhere and weep.
Inside Out ticks all these boxes without a shadow of a doubt.
The animation is wonderful as usual and is arguably Pixar's most colourful film to date. The concept of emotions can be complex at the best of times. It's a concept that most people will struggle with for their whole lives and is something that will truly never be understood. Inside Out tackles this with aplomb, using colour coding to make it accessible to kids, and exploring just how complicated feelings can become especially as puberty begins to hit. It's very clever in its execution as well.
The majority of the story takes place in Riley's head, as her emotions Joy, Sadness, Fear, Anger, and Disgust all struggle to keep everything balanced as she starts to hit roadblocks in her life. One thing leads to another before Joy and Sadness are ejected out of the "control centre" and desperately try to find their way back, leaving the other emotions to handle the pains of growing up.
It's one part emotional family drama, and one part bonkers sci-fi adventure, and it works really well with the help of a great voice cast.
Inside Out doesn't quite hit the lofty heights of the best Pixar efforts for me, but it's still damn good and surely will appeal to everyone in some way, no matter what age your are.
Inside Out ticks all these boxes without a shadow of a doubt.
The animation is wonderful as usual and is arguably Pixar's most colourful film to date. The concept of emotions can be complex at the best of times. It's a concept that most people will struggle with for their whole lives and is something that will truly never be understood. Inside Out tackles this with aplomb, using colour coding to make it accessible to kids, and exploring just how complicated feelings can become especially as puberty begins to hit. It's very clever in its execution as well.
The majority of the story takes place in Riley's head, as her emotions Joy, Sadness, Fear, Anger, and Disgust all struggle to keep everything balanced as she starts to hit roadblocks in her life. One thing leads to another before Joy and Sadness are ejected out of the "control centre" and desperately try to find their way back, leaving the other emotions to handle the pains of growing up.
It's one part emotional family drama, and one part bonkers sci-fi adventure, and it works really well with the help of a great voice cast.
Inside Out doesn't quite hit the lofty heights of the best Pixar efforts for me, but it's still damn good and surely will appeal to everyone in some way, no matter what age your are.
David McK (3508 KP) rated The Boss Baby (2017) in Movies
Dec 31, 2019
Hmmm … that was a weird one.
Ever since Bruce Willis doing the voice of the baby in 'Looks who's talking' I kind of feel that a load of Hollywood actors have wanted to get in the same gig: enter Alec Baldwin in this.
Made mostly for kids, this lacks the sophistication of a Pixar movie (which also has stuff to keep the adults amused), and is pretty much what it says on the tin (and poster): a be-suited baby giving orders to his older (and jealous) sibling while trying to stop the evil plans of the CEO of a Puppy corporation where his parents work.
You can see from the off right where this is going, and how it is going to end up ...
Ever since Bruce Willis doing the voice of the baby in 'Looks who's talking' I kind of feel that a load of Hollywood actors have wanted to get in the same gig: enter Alec Baldwin in this.
Made mostly for kids, this lacks the sophistication of a Pixar movie (which also has stuff to keep the adults amused), and is pretty much what it says on the tin (and poster): a be-suited baby giving orders to his older (and jealous) sibling while trying to stop the evil plans of the CEO of a Puppy corporation where his parents work.
You can see from the off right where this is going, and how it is going to end up ...