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Gareth von Kallenbach (980 KP) rated Turning Red (2022) in Movies
Mar 7, 2022
The digital animation geniuses at Pixar are back with “Turning Red” and it marks a departure for the studio known for the “Toy Story” and “Cars”, franchises.
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.
Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.
Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.
Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.
The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it. That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.
The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.
The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.
It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows. However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.
3 stars out of 5
“Turning Red” will debut on Disney+ on March 11th
Gareth von Kallenbach (980 KP) rated The little mermaid (2023) in Movies
May 26, 2023
(By my wife Genevieve)I must admit that I may be biased about this movie, being a huge fan of all things Disney. However, the popular and beloved original The Little Mermaid was released in November 1989, about 6 months before I graduated high school. Not really the age to be that interested in an animated movie about a mermaid who trades her voice away to be able to live where the people are. But of course, I still watched it and I, like many, definitely loved the songs. The storyline? Not so much.
When I first heard a live-action version was in the works, my initial response was tepid, "That's nice." Only when I heard a person of color would play Ariel was my curiosity really piqued. As a minority, when many asked, "Why?", I thought, "Why not?" I was very moved when I saw the videos of young Black girls reacting excitedly to the first trailer when they discovered Ariel looked like them, further answering the many still asking "Why?" with "This. This is why."
If you've seen the animated version, then you know the gist of the story - young mermaid Ariel, played beautifully by Halle Bailey, is fascinated by the world above the water and collects all the human thingamabobs that litter the sea floor. She rebels against her father, King Triton, the handsome Javier Bardem, by giving in to her curiosity and ends up rescuing the merchant Prince Eric from drowning when the ship he's sailing is caught in a treacherous storm. Ariel is instantly smitten and Prince Eric, played by the perfectly-cast Jonah Hauer-King, is equally obsessed with the voice he heard as he was revived by Ariel’s siren song.
While obviously geared towards a younger audience, I found much to love about this movie. Jodi Benson’s original version will always be perfection, but Halle Bailey’s emotional rendition of “Part of Your World”, coupled with her luminous and expressive face, was just phenomenal. I had to temper my applause after her performance while a few appreciative “Whooo!” sounded through the audience. Melissa McCarthy’s Ursula and her iconic “Poor Unfortunate Souls” was definitely a highlight. Daveed Diggs as Sebastian (also inspired casting) and Awkwafina as Scuttle need their own spinoff. They’re hilarious together.
Alan Menken’s classic songs from the original were given new life by McCarthy, Bailey, and Diggs, and Lin Manuel Miranda’s signature touch is easily identifiable in the new ballads for Ariel and Prince Eric, and a Hamilton-style rap by Awkwafina and Diggs.
I appreciated the parallel stories with the prince just as curious about the world beyond his island as Ariel is about the world beyond her ocean, both bound by duty to their parents and their people, while yearning to explore the great “out there”. In all my Disney and Pixar movie-watching experiences, it has consistently been Pixar movies that get me emotionally compromised, so I was a bit surprised to find myself reaching for a napkin at the end of this movie, after a scene between Ariel and her dad. I will blame it on the nostalgia.
4 out of 5 stars just for the musical performances alone.
When I first heard a live-action version was in the works, my initial response was tepid, "That's nice." Only when I heard a person of color would play Ariel was my curiosity really piqued. As a minority, when many asked, "Why?", I thought, "Why not?" I was very moved when I saw the videos of young Black girls reacting excitedly to the first trailer when they discovered Ariel looked like them, further answering the many still asking "Why?" with "This. This is why."
If you've seen the animated version, then you know the gist of the story - young mermaid Ariel, played beautifully by Halle Bailey, is fascinated by the world above the water and collects all the human thingamabobs that litter the sea floor. She rebels against her father, King Triton, the handsome Javier Bardem, by giving in to her curiosity and ends up rescuing the merchant Prince Eric from drowning when the ship he's sailing is caught in a treacherous storm. Ariel is instantly smitten and Prince Eric, played by the perfectly-cast Jonah Hauer-King, is equally obsessed with the voice he heard as he was revived by Ariel’s siren song.
While obviously geared towards a younger audience, I found much to love about this movie. Jodi Benson’s original version will always be perfection, but Halle Bailey’s emotional rendition of “Part of Your World”, coupled with her luminous and expressive face, was just phenomenal. I had to temper my applause after her performance while a few appreciative “Whooo!” sounded through the audience. Melissa McCarthy’s Ursula and her iconic “Poor Unfortunate Souls” was definitely a highlight. Daveed Diggs as Sebastian (also inspired casting) and Awkwafina as Scuttle need their own spinoff. They’re hilarious together.
Alan Menken’s classic songs from the original were given new life by McCarthy, Bailey, and Diggs, and Lin Manuel Miranda’s signature touch is easily identifiable in the new ballads for Ariel and Prince Eric, and a Hamilton-style rap by Awkwafina and Diggs.
I appreciated the parallel stories with the prince just as curious about the world beyond his island as Ariel is about the world beyond her ocean, both bound by duty to their parents and their people, while yearning to explore the great “out there”. In all my Disney and Pixar movie-watching experiences, it has consistently been Pixar movies that get me emotionally compromised, so I was a bit surprised to find myself reaching for a napkin at the end of this movie, after a scene between Ariel and her dad. I will blame it on the nostalgia.
4 out of 5 stars just for the musical performances alone.
MotorCo Guide Virtuel de Disneyland Paris
Travel and Entertainment
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Le Guide de Virtual Reality de MotorCo à Disneyland Paris est un guide étendu de localisation et...
Gareth von Kallenbach (980 KP) rated Onward (2020) in Movies
Feb 23, 2020
The magicians at PIXAR have returned with the new animated film “Onward”. The film stars Chris Pratt as Barley and Tom Holland as his younger brother Ian. The two brothers live with their mother Laurel (Julia Louis-Dreyfus), following the loss of their father before Ian was even born.
This has resulted in Ian being unsure of himself as on his 16th Birthday he still lacks confidence, cannot drive, and is embarrassed by his over the top brother.
The fact that both Ian and Barley are Elves who live in a modern world filled with mythical creatures is what makes this such an interesting premise.
When a gift is revealed that will be able to give Ian and Barley a chance to temporarily reunite with their father to give them both the closure they seek, the duo are forced to take on an epic adventure in a race against time.
Naturally the impulsive Barley and the cautious Ian must overcome many obstacles both physical and emotional along the way as they bond and face a myriad of creatures in a race against time to complete their quest.
The film is an enjoyable enough tale and the cast is very strong. The biggest Issue I had is that the plot is fairly linear and may not have enough twists and variation to sustain an older audience during the full run time.
Thankfully there is some amazing animation to go with the great cast and the abundance of Medieval gags in a modern setting make this one that the entire family could enjoy and hopefully will start a new franchise for the studio.
4 stars out of 5
This has resulted in Ian being unsure of himself as on his 16th Birthday he still lacks confidence, cannot drive, and is embarrassed by his over the top brother.
The fact that both Ian and Barley are Elves who live in a modern world filled with mythical creatures is what makes this such an interesting premise.
When a gift is revealed that will be able to give Ian and Barley a chance to temporarily reunite with their father to give them both the closure they seek, the duo are forced to take on an epic adventure in a race against time.
Naturally the impulsive Barley and the cautious Ian must overcome many obstacles both physical and emotional along the way as they bond and face a myriad of creatures in a race against time to complete their quest.
The film is an enjoyable enough tale and the cast is very strong. The biggest Issue I had is that the plot is fairly linear and may not have enough twists and variation to sustain an older audience during the full run time.
Thankfully there is some amazing animation to go with the great cast and the abundance of Medieval gags in a modern setting make this one that the entire family could enjoy and hopefully will start a new franchise for the studio.
4 stars out of 5
Timmy Tickle
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Emma @ The Movies (1786 KP) rated Coco (2017) in Movies
Sep 25, 2019
Aspiring musician Miguel, confronted with his family's ancestral ban on music, enters the Land of the Dead to find his great-great-grandfather, a legendary singer.
This film really does deserve all the excitement around it, and oh my god how I cried.
As a way of not ruining films for me this year I'm trying not to read anything about them before I actually go and see them. The most I'm doing is seeing trailers while I'm at the cinema and then possibly catching the odd synopsis. When it comes to Disney Pixar though it's difficult not to be engulfed in a wave of information months before they're due out. I was however successful on this occasion, and I'm grateful that I got to enjoy it without any more information than had been in the trailer.
For something with a slightly morbid edge to it I thought it was done really well, and while the topic of death is obviously a potential pitfall you're reassured with the warmth and humour throughout the film.
If the songs in a film are good then I'll always be won over, and these ones gave me goosebumps. They bring a smile, and a tear, and that warm feeling inside that makes you sigh.
My last passing comment would be the tears... because I wasn't exaggerating. I cried A LOT. Even though I came out of the film loving the whole thing I was still crying as I drove home. *calming breath* I can feel myself losing my mind right now just thinking about it. It's a beautiful film, everyone should go and see it.
This film really does deserve all the excitement around it, and oh my god how I cried.
As a way of not ruining films for me this year I'm trying not to read anything about them before I actually go and see them. The most I'm doing is seeing trailers while I'm at the cinema and then possibly catching the odd synopsis. When it comes to Disney Pixar though it's difficult not to be engulfed in a wave of information months before they're due out. I was however successful on this occasion, and I'm grateful that I got to enjoy it without any more information than had been in the trailer.
For something with a slightly morbid edge to it I thought it was done really well, and while the topic of death is obviously a potential pitfall you're reassured with the warmth and humour throughout the film.
If the songs in a film are good then I'll always be won over, and these ones gave me goosebumps. They bring a smile, and a tear, and that warm feeling inside that makes you sigh.
My last passing comment would be the tears... because I wasn't exaggerating. I cried A LOT. Even though I came out of the film loving the whole thing I was still crying as I drove home. *calming breath* I can feel myself losing my mind right now just thinking about it. It's a beautiful film, everyone should go and see it.
Gareth von Kallenbach (980 KP) rated Moana (2016) in Movies
Jul 12, 2019
Moana (pronounced MoWAHnah) is a spirited and determined young daughter of an overprotective father who happens to be the chief of Motunui Island.
On this idyllic, mystical Polynesian island, Moana (voiced by Hawaiian actress Auli’i Cravalho),grew up listening to her grandmother’s stories about the legendary demigod Maui and how he stole the Heart of Te Fiti, condemning his people to an uncertain fate.
Ever since she was an adorable toddler, the ocean has called to her. Her name means “ocean” after all. However her father forbids her from even considering the notion of sailing beyond the reef that protects Motunui.
But when Moana’s island starts showing signs of disease that threatens her people’s livelihood, she is convinced she can save her island by returning the Heart of Te Fiti. Against her father’s wishes she sets sail in search of Maui (voiced by Dwayne Johnson)in hopes of saving her people.
Pixar and Disney have long mastered the art of emotionally compromising their audience with characters and storylines that pluck at your heartstrings. Yet I was still surprised at how much Moana moved me. With her touching relationship with her grandmother, her deep respect of her culture, and her dauntless temperment, Moana quickly became my favorite Disney heroine.
From the gorgeous animation, the pitch perfect voice acting and the beautiful music, I really believe Disney has made something special with Moana that will deeply resonate with islanders and those who love the islander culture.
If you’re a Hamilton fan, you’ll easily recognize Lin-Manuel Miranda’s voice and his lyrical signature in the many memorable songs. So don’t be surprised if you leave the theatre singing “You’re welcome.”
On this idyllic, mystical Polynesian island, Moana (voiced by Hawaiian actress Auli’i Cravalho),grew up listening to her grandmother’s stories about the legendary demigod Maui and how he stole the Heart of Te Fiti, condemning his people to an uncertain fate.
Ever since she was an adorable toddler, the ocean has called to her. Her name means “ocean” after all. However her father forbids her from even considering the notion of sailing beyond the reef that protects Motunui.
But when Moana’s island starts showing signs of disease that threatens her people’s livelihood, she is convinced she can save her island by returning the Heart of Te Fiti. Against her father’s wishes she sets sail in search of Maui (voiced by Dwayne Johnson)in hopes of saving her people.
Pixar and Disney have long mastered the art of emotionally compromising their audience with characters and storylines that pluck at your heartstrings. Yet I was still surprised at how much Moana moved me. With her touching relationship with her grandmother, her deep respect of her culture, and her dauntless temperment, Moana quickly became my favorite Disney heroine.
From the gorgeous animation, the pitch perfect voice acting and the beautiful music, I really believe Disney has made something special with Moana that will deeply resonate with islanders and those who love the islander culture.
If you’re a Hamilton fan, you’ll easily recognize Lin-Manuel Miranda’s voice and his lyrical signature in the many memorable songs. So don’t be surprised if you leave the theatre singing “You’re welcome.”