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Gareth von Kallenbach (971 KP) rated Flight (2012) in Movies
Aug 7, 2019
I’m not good with dramas. I like to watch movies to escape reality and dramas are all about reminding you of the turmoil and awkwardness and unpredictability that is reality. But, only if they’re good. Dramas require an emotional response from the viewer, which can only be achieved through great performances, enhanced by story, music and editing. (don’t quote me I could be missing one). If one or more elements are missing, at best it’s an unexpected comedy, at worst you’ve just wasted time and money that you’ll never get back.
Flight in my opinion delivered. We start off with gratuitous nudity (for me it didn’t add to the story but guys will like it) from flight attendant Katerina Marquez (Nadine Valazquez) and a man, Captain Whip Whitacker (Denzel Washington) who’s about to hit his rock bottom. After a night of drinking and snorting some cocaine, together they take to the skies only for it to go horribly wrong, the plane begins an uncontrolled nose dive. Lot’s of close up shots put you right into the aircraft and you almost feel as if you’re on the flight as it’s going down (seriously my heart involuntarily started pounding faster).
Afterwards, the movie really hits its’ stride and gets into the gritty reality of what life can become. Denzel does an excellent job of bringing you in to the internal struggles with his demons; he’s so good in his denial. John Goodman plays a drug dealer Harling Mays, almost as a comic relief which actually works. Don Cheadle plays Hugh Lang, a criminal attorney sent to help Cpt Whitacker as questions arise about what really caused the plane to crash. He plays a great attorney, not smarmy, not slick, but intelligent and sharp, and in his own way, caring.
Nicole Maggen (Kelly Reilly), a drug addict who we witness goes through a relapse that puts her into the path of Cpt Whitacker. Co-pilot Ken Evans (Brian Geraghty) was a convincingly green pilot whom I would not want flying any plane I’m in. And flight attendant Margaret Tomason (Tamara Tunie), a good friend of Whitackers for several years and Pilots union rep Charlie Anderson (Bruce Greenwood) a long time military buddy who comes back into his life because of the crash. I liked both their performances, they really did great in their supporting rolls; you couldn’t have one without the other.
There is a question of devine intervention and redemption, but I think the movie steers clear of being overly religious. (I could have done without Ken Evans wife, overkill in my opinion and not necessary to the story). Anything more I say will spill the beans on the ending, so I’ll leave you with this; it really is unpredictable, you never quite know what Cpt Whitacker’s going to do until he does it. There are beautiful moments and bittersweet moments that create a powerful, emotional ride that I would recommend to someone who likes a good drama. And, even to people like me, who generally try to avoid them.
Flight in my opinion delivered. We start off with gratuitous nudity (for me it didn’t add to the story but guys will like it) from flight attendant Katerina Marquez (Nadine Valazquez) and a man, Captain Whip Whitacker (Denzel Washington) who’s about to hit his rock bottom. After a night of drinking and snorting some cocaine, together they take to the skies only for it to go horribly wrong, the plane begins an uncontrolled nose dive. Lot’s of close up shots put you right into the aircraft and you almost feel as if you’re on the flight as it’s going down (seriously my heart involuntarily started pounding faster).
Afterwards, the movie really hits its’ stride and gets into the gritty reality of what life can become. Denzel does an excellent job of bringing you in to the internal struggles with his demons; he’s so good in his denial. John Goodman plays a drug dealer Harling Mays, almost as a comic relief which actually works. Don Cheadle plays Hugh Lang, a criminal attorney sent to help Cpt Whitacker as questions arise about what really caused the plane to crash. He plays a great attorney, not smarmy, not slick, but intelligent and sharp, and in his own way, caring.
Nicole Maggen (Kelly Reilly), a drug addict who we witness goes through a relapse that puts her into the path of Cpt Whitacker. Co-pilot Ken Evans (Brian Geraghty) was a convincingly green pilot whom I would not want flying any plane I’m in. And flight attendant Margaret Tomason (Tamara Tunie), a good friend of Whitackers for several years and Pilots union rep Charlie Anderson (Bruce Greenwood) a long time military buddy who comes back into his life because of the crash. I liked both their performances, they really did great in their supporting rolls; you couldn’t have one without the other.
There is a question of devine intervention and redemption, but I think the movie steers clear of being overly religious. (I could have done without Ken Evans wife, overkill in my opinion and not necessary to the story). Anything more I say will spill the beans on the ending, so I’ll leave you with this; it really is unpredictable, you never quite know what Cpt Whitacker’s going to do until he does it. There are beautiful moments and bittersweet moments that create a powerful, emotional ride that I would recommend to someone who likes a good drama. And, even to people like me, who generally try to avoid them.
FilmIntuition (33 KP) rated How to Walk Away in Books
Jul 26, 2018
The kind of book you're enjoying so much that you can't wait to finish it but at the same time will hate to see it end, author Katherine Center managed to such a feat in How to Walk Away.
While as a disabled individual, I'm often disappointed by the way that popular culture portrays disabled characters as either saintly, pitiable, or evil, I was impressed by the way that Center creates a fully three dimensional heroine who goes through a wide range of emotions after surviving a horrific plane crash.
And although on the surface, the thought of adding a romantic comedy subplot to the novel seemed way out of left field, because Center kept the protagonist so firmly grounded in reality, it wound up working really well.
The second recent upbeat romance involving a disabled lead to be chosen as an official selection by Book of the Month alongside Helen Hoang's sexier title The Kiss Quotient, while some of the contrivances in How to Walk Away's final fifty or so pages move it into cliched romcom territory, it's such a sweet, well-earned finale that it's easy to forgive.
A terrific disabled centric beach read, this one will walk away with your heart.
While as a disabled individual, I'm often disappointed by the way that popular culture portrays disabled characters as either saintly, pitiable, or evil, I was impressed by the way that Center creates a fully three dimensional heroine who goes through a wide range of emotions after surviving a horrific plane crash.
And although on the surface, the thought of adding a romantic comedy subplot to the novel seemed way out of left field, because Center kept the protagonist so firmly grounded in reality, it wound up working really well.
The second recent upbeat romance involving a disabled lead to be chosen as an official selection by Book of the Month alongside Helen Hoang's sexier title The Kiss Quotient, while some of the contrivances in How to Walk Away's final fifty or so pages move it into cliched romcom territory, it's such a sweet, well-earned finale that it's easy to forgive.
A terrific disabled centric beach read, this one will walk away with your heart.
Merissa (11800 KP) rated Shadow of Deception (The Kazumi Chronicles #1) in Books
Dec 17, 2018
There is so much that goes on in this book, but that is not a bad thing. In fact, even when it had finished, I still needed more!!
You get a prologue with a young child, then it skips forward ten years and she is the sole survivor of a plane crash. You don't know how or why, and you stay with "Gabi" as she tries to figure out who she is and where she belongs. She is taken to a secret location where there is a specialised group of people called Sarcomeres.
I won't go into the story any further as I hate giving away spoilers. Suffice it to say, I loved every word. It is full of action and intrigue, with snippets of memory surfacing occasionally. There is certainly more than enough to keep your attention! With a hint of romance between Finn and Gabi/Kazumi as well, this is a well-rounded story with full-bodied and believable characters.
This is certainly an author I will be following and I really hope that she brings out more books in general, but specifically with this world and characters. Highly recommended.
* I received this book from Xpresso Book Tours in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
You get a prologue with a young child, then it skips forward ten years and she is the sole survivor of a plane crash. You don't know how or why, and you stay with "Gabi" as she tries to figure out who she is and where she belongs. She is taken to a secret location where there is a specialised group of people called Sarcomeres.
I won't go into the story any further as I hate giving away spoilers. Suffice it to say, I loved every word. It is full of action and intrigue, with snippets of memory surfacing occasionally. There is certainly more than enough to keep your attention! With a hint of romance between Finn and Gabi/Kazumi as well, this is a well-rounded story with full-bodied and believable characters.
This is certainly an author I will be following and I really hope that she brings out more books in general, but specifically with this world and characters. Highly recommended.
* I received this book from Xpresso Book Tours in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Hazel (1853 KP) rated Unremembered (Unremembered, #1) in Books
Dec 17, 2018
<i>Unremembered</i> is the first in a young adult, science-fiction trilogy by American author, Jessica Brody. Set in current day California, <i>Unremembered</i> is told from the point of view of a sixteen-year-old girl, Seraphina, who has no memories of anything prior to the first page of the book.
Whilst it may be imagined that a first person narrative of someone who does not know anything may hinder the telling of the story, it actually connects the audience with the main character. As readers we also have no knowledge of what happened before the first page of the story. We learn everything as Seraphina does, the only difference being that we are aware of what certain items are – particularly technological ones – as well as being able to communicate and understand other people, not just through words but also with sarcasm and body language.
What we learn at the start is that there has been a plane crash into the Pacific Ocean with only one survivor, an unidentifiable girl with serious amnesia. Further on it transpires that there was never any record of her being on the plane in the first place. This is where all the question and mysteries begin. Temporarily given the name Violet, she is placed with a foster family, the Carson family, whose thirteen-year-old son Cody is intimidated by her flawless beauty. He begins to connect with her more after it emerges that she is a mathematical genius. So yet another question arises, how comes she can remembered how to solve complicated equations yet cannot even remember who she is?
There are also mysteries surrounding a peculiar tattoo on her wrist; a boy named Lyzender who keeps appearing, claiming to know who Violet, or should we say Sera, is; her uncanny ability to speak fluently in a range of languages; and the number 1609. What is the significance of this number? Not only is it the year Sera believes it is after recovering from the crash, it is also engraved onto a locket she was wearing along with the initials “S + Z”.
<i>Unremembered</i> is a fast paced novel whose mysteries get solved at the same time as more questions develop. It shows us how people with no experience of the modern world would struggle to understand the things we take for granted. It also poses the question of what it truly makes a human human.
I definitely recommend this novel and believe that it is something young adult girls would certainly enjoy. I am looking forward to reading the next book in the trilogy to find out what happens to Seraphina next.
Whilst it may be imagined that a first person narrative of someone who does not know anything may hinder the telling of the story, it actually connects the audience with the main character. As readers we also have no knowledge of what happened before the first page of the story. We learn everything as Seraphina does, the only difference being that we are aware of what certain items are – particularly technological ones – as well as being able to communicate and understand other people, not just through words but also with sarcasm and body language.
What we learn at the start is that there has been a plane crash into the Pacific Ocean with only one survivor, an unidentifiable girl with serious amnesia. Further on it transpires that there was never any record of her being on the plane in the first place. This is where all the question and mysteries begin. Temporarily given the name Violet, she is placed with a foster family, the Carson family, whose thirteen-year-old son Cody is intimidated by her flawless beauty. He begins to connect with her more after it emerges that she is a mathematical genius. So yet another question arises, how comes she can remembered how to solve complicated equations yet cannot even remember who she is?
There are also mysteries surrounding a peculiar tattoo on her wrist; a boy named Lyzender who keeps appearing, claiming to know who Violet, or should we say Sera, is; her uncanny ability to speak fluently in a range of languages; and the number 1609. What is the significance of this number? Not only is it the year Sera believes it is after recovering from the crash, it is also engraved onto a locket she was wearing along with the initials “S + Z”.
<i>Unremembered</i> is a fast paced novel whose mysteries get solved at the same time as more questions develop. It shows us how people with no experience of the modern world would struggle to understand the things we take for granted. It also poses the question of what it truly makes a human human.
I definitely recommend this novel and believe that it is something young adult girls would certainly enjoy. I am looking forward to reading the next book in the trilogy to find out what happens to Seraphina next.
Doesn't tax the brain too much
This book is a pretty successful debut and follows the struggles for both Allison, who miraculously survived a plane crash, and her mum Maggie, who, along with everyone else, thinks she didn't. Told from both the perspectives of Allison and Maggie, covering the past and the present, the story is not only of survival but one of the sometimes difficult relationship between a mother and her daughter.
Written at good pace, I raced through this book helped by short chapters. I admit it wasn't the most unpredictable of endings however, the drip-drip of suspense and gradual revealing of secrets makes this a compelling read.
The two main characters of Allison and Maggie are very well developed with Maggie being a particular favourite of mine. The story captures both of their strengths and weaknesses extremely well together with their determination and resilience.
There are a few flaws with the plot that have been mentioned in other reviews but although these were a little annoying, they didn't detract too much from my overall enjoyment of this book.
Overall, I would recommend this to people who enjoy an easy and quick mystery that doesn't tax the brain too much.
Thank you to Random House UK, Vintage Publishing via NetGalley for my copy in return for an honest review.
Written at good pace, I raced through this book helped by short chapters. I admit it wasn't the most unpredictable of endings however, the drip-drip of suspense and gradual revealing of secrets makes this a compelling read.
The two main characters of Allison and Maggie are very well developed with Maggie being a particular favourite of mine. The story captures both of their strengths and weaknesses extremely well together with their determination and resilience.
There are a few flaws with the plot that have been mentioned in other reviews but although these were a little annoying, they didn't detract too much from my overall enjoyment of this book.
Overall, I would recommend this to people who enjoy an easy and quick mystery that doesn't tax the brain too much.
Thank you to Random House UK, Vintage Publishing via NetGalley for my copy in return for an honest review.
Sarah (7798 KP) rated The Rhythm Section (2019) in Movies
Nov 29, 2020
An average thriller
The Rhythm Section is a 2020 action thriller based on a book of the same name written by Mark Burnell. Directed by Reed Moreno, it stars Blake Lively as Stephanie Patrick, a young woman bent on revenge against the terrorists who orchestrated a plane crash that killed her entire family.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
Mark @ Carstairs Considers (2099 KP) rated True Fiction in Books
Apr 20, 2018
I Truly Enjoyed This Book, and that’s Not Fiction
When terrorists take control of a plane leaving Hawaii and crash it into the island, the entire country is horrified. But none more so than thriller writer Ian Ludlow. You see, he had suggested just the twist on 9/11 that happened here to the CIA a few years back during a brainstorming session to help them come up with worst case scenarios. Within a few hours, Ian is certain that the CIA is out to kill him to silence him. Using every trick in the book – tricks he knows thanks to the books he’s written, Ian flees from his book tour in Seattle with his author escort, Margo French. Will the two be able to survive?
This book doesn’t waste a minute throwing us into this thrill ride and never lets up until we reach the climax. I couldn’t turn the pages fast enough to find out what was going to happen next, and the book manages to wink at a few clinches of the genre along the way. Ian and Margo were good characters, and another we meet along the way walks the fine line of being a caricature without being unbelievable. Since this is a thriller, there is a bit more language, violence, and sex than in the books I normally read. There is plenty of humor here to help ease the tension. I already can’t wait for the sequel.
This book doesn’t waste a minute throwing us into this thrill ride and never lets up until we reach the climax. I couldn’t turn the pages fast enough to find out what was going to happen next, and the book manages to wink at a few clinches of the genre along the way. Ian and Margo were good characters, and another we meet along the way walks the fine line of being a caricature without being unbelievable. Since this is a thriller, there is a bit more language, violence, and sex than in the books I normally read. There is plenty of humor here to help ease the tension. I already can’t wait for the sequel.
RəX Regent (349 KP) rated Tarzan Finds a Son! (1939) in Movies
Feb 19, 2019 (Updated Feb 19, 2019)
Contains spoilers, click to show
I think that this must be the most heart warming of the lot, so far at least. Tarzan and Jane discover a boy who is the lone survivor of a plane crash. They adopt him as there own and five years pass as Tarzan and his son, which he has named “Boy” have become inseparable.
But his family, the heirs to the Greystoke estate come searching for him and Tarzan will not give him up. Though Jane, whilst heart broken, is prepared too, though unaware that the Boy is just a pawn to gain an Their inheritance.
The relationship between Tarzan and his son are played out beautifully, as is the betrayal of Jane as she must take the boy against Tarzan’s will.
Though Jane’s character is starting feel frumpy and and bit two dimensional by this point in the series, the trio still manage to play this out really well and this one does deliver more of an emotional punch than I was expecting.
This is no small part due to Jane’s death scene, which is resolved by one the most outrageous Ex-machina moments which I have ever seen, but still, after test audiences did not want Jane to die, she miraculously, well, doesn’t!
But this was clearly where the plot was heading throughout and even though the pay off is smothered in fantasy, it still packed a punch. But on a lighter note, the humour also feels better and less forced in this one.
But his family, the heirs to the Greystoke estate come searching for him and Tarzan will not give him up. Though Jane, whilst heart broken, is prepared too, though unaware that the Boy is just a pawn to gain an Their inheritance.
The relationship between Tarzan and his son are played out beautifully, as is the betrayal of Jane as she must take the boy against Tarzan’s will.
Though Jane’s character is starting feel frumpy and and bit two dimensional by this point in the series, the trio still manage to play this out really well and this one does deliver more of an emotional punch than I was expecting.
This is no small part due to Jane’s death scene, which is resolved by one the most outrageous Ex-machina moments which I have ever seen, but still, after test audiences did not want Jane to die, she miraculously, well, doesn’t!
But this was clearly where the plot was heading throughout and even though the pay off is smothered in fantasy, it still packed a punch. But on a lighter note, the humour also feels better and less forced in this one.
Erika (17788 KP) rated Tenet (2020) in Movies
Sep 2, 2020 (Updated Sep 5, 2020)
I saw this film, FINALLY; the first showing in IMAX on the 31st via 'Early Access'. It was completely amazing on IMAX and it definitely needs to be seen that way, since that was the film Nolan shot it on.
I was glad that a movie made me think and I gave all of my attention to it. Honestly, I was able to figure out a lot of it before it was revealed, but that wasn't a bad, Hint, whenever you think something is a weird continuity error, it's not, it's intentional. The in-camera effects (as Nolan calls it) were AMAZING, Only Nolan could convince a working airport to let him crash a real plane into a building. Directors should take note that practical effects will ALWAYS look better than CGI.
The cast was amazing, and John David Washington, holy cow does he have physical prowess. I love Robert Pattinson in almost everything, and I really liked his character.
I can't say at this point whether I absolutely loved it, or just like it. I had this same issue with Dunkirk, where I know I liked it, but not how much (BTW I loved it after the 2nd viewing). I've already booked my ticket to see Tenet again on Friday.
EDIT: I saw Tenet again, and now I know for sure, that I really liked it! I'm pretty sure Robert Pattinson is my favorite character in the whole film.
I was glad that a movie made me think and I gave all of my attention to it. Honestly, I was able to figure out a lot of it before it was revealed, but that wasn't a bad, Hint, whenever you think something is a weird continuity error, it's not, it's intentional. The in-camera effects (as Nolan calls it) were AMAZING, Only Nolan could convince a working airport to let him crash a real plane into a building. Directors should take note that practical effects will ALWAYS look better than CGI.
The cast was amazing, and John David Washington, holy cow does he have physical prowess. I love Robert Pattinson in almost everything, and I really liked his character.
I can't say at this point whether I absolutely loved it, or just like it. I had this same issue with Dunkirk, where I know I liked it, but not how much (BTW I loved it after the 2nd viewing). I've already booked my ticket to see Tenet again on Friday.
EDIT: I saw Tenet again, and now I know for sure, that I really liked it! I'm pretty sure Robert Pattinson is my favorite character in the whole film.
Kristy H (1252 KP) rated Now Is Everything in Books
Dec 24, 2017
breathtaking (3 more)
powerful
suspenseful
heartbreaking
Hadley's life looks perfect from the outside. Her family is wealthy, and she's a successful athlete and student. What you don't see is that Hadley's father works at breaking her down, day after day, forcing her into playing lacrosse and taking flying lessons (his two passions), monitoring her whereabouts and food intake, berating and belittling her constantly, and much worse. Hadley endures it all though, if it keeps the spotlight off her beloved spitfire of a little sister, Lila. Hadley would do anything to keep her father's focus off of Lila. Lila's only ten--the age her father targeted his laser beam on her. Hadley's life improves, however, when she secretly starts dating Charlie Simmons. On the surface, Charlie's life isn't anything like hers--he's the son of a poor single mom, but the two quickly find they have more in common than they realize. Even better, Charlie gives Hadley something she hasn't had in a long time: hope. Then, Hadley is in a plane crash, which tragically leaves her family is dead. Only Hadley can tell everyone what happened, but she isn't divulging the details. What happened that day in the plane? And why would it cause Hadley--the only survivor--to want to take her own life?
This book. Oh this book. Wow. I completely overlooked this one on my ARC shelf, and for that, I deeply apologize. But, I'm so, so, so glad I did pick it up! This is an amazing, powerful, and heartbreaking book and easily one of my favorite books I've read this year.
Part of the power comes via its format, which seems simple on the surface. The novel and its details are all a slow build via a "then" and "now" format plus transcripts and bits of evidence from the crash investigator. All of our "then" and "now" portions come from Hadley's point of view and leave us constantly wondering. Why is her dad all over her? What makes him so evil? You are also left in utter confusion and suspense over exactly what happened during the crash (and why it happened). I read the second half in one sitting, staying up late to finish it. I simply had to know what happened to Hadley.
I credit this to Giles' writing, which is superb. You will get sucked in by Hadley extremely early. She's a well-written, compelling character, and it's nearly impossible not to become part of her life. In fact, rarely have I felt so strongly for characters in a novel in a long time. If I could have, I would have gone and rescued those children myself! I simply loved Hadley and her wonderful, feisty sister, Lila. The hate I felt for their horrible, abusive father--and, sometimes, their apathetic, passive mother, was insane. They felt like real people. I was completely involved.
In fact, those poor kids. The book actually made me feel tense just reading about their lives. It was so well-done that I read portions of it with a knot in my stomach. (As a note, there's definitely a trigger for abuse.) Watching Hadley try to protect her sister and live up to adult expectations far beyond her teen years--seriously, guys, it was heartbreaking and yet amazing to read. You will find yourself rooting for Hadley and Lila in an inexplicable way.
The ending on this one is interesting. I'm still pondering it. The fascinating thing about this book is that you know *something* has to have happened up in that plane, but you don't know exactly what, or how it all goes down. The ending made me go "wow." I'm not exactly sure it's what I would have chosen, but it still felt right somehow. Although I was so attached to Hadley, that I wish there was a sequel of sorts, because I still feel bonded to the girl. That's how well-done this novel was!
Overall, this is just a lovely book. Very, very rarely does a book make me cry. This one did. This is not a light read, no, but there are still funny moments, beautiful moments, and heartwarming moments among all the dark ones. You will not regret reading this book. Huge kudos to Amy Giles for writing such a powerful and wonderful novel that so deftly deals with abuse and aspects of mental illness. I feel like Hadley and Lila will stay with me for a long time. 4.5 stars.
This book. Oh this book. Wow. I completely overlooked this one on my ARC shelf, and for that, I deeply apologize. But, I'm so, so, so glad I did pick it up! This is an amazing, powerful, and heartbreaking book and easily one of my favorite books I've read this year.
Part of the power comes via its format, which seems simple on the surface. The novel and its details are all a slow build via a "then" and "now" format plus transcripts and bits of evidence from the crash investigator. All of our "then" and "now" portions come from Hadley's point of view and leave us constantly wondering. Why is her dad all over her? What makes him so evil? You are also left in utter confusion and suspense over exactly what happened during the crash (and why it happened). I read the second half in one sitting, staying up late to finish it. I simply had to know what happened to Hadley.
I credit this to Giles' writing, which is superb. You will get sucked in by Hadley extremely early. She's a well-written, compelling character, and it's nearly impossible not to become part of her life. In fact, rarely have I felt so strongly for characters in a novel in a long time. If I could have, I would have gone and rescued those children myself! I simply loved Hadley and her wonderful, feisty sister, Lila. The hate I felt for their horrible, abusive father--and, sometimes, their apathetic, passive mother, was insane. They felt like real people. I was completely involved.
In fact, those poor kids. The book actually made me feel tense just reading about their lives. It was so well-done that I read portions of it with a knot in my stomach. (As a note, there's definitely a trigger for abuse.) Watching Hadley try to protect her sister and live up to adult expectations far beyond her teen years--seriously, guys, it was heartbreaking and yet amazing to read. You will find yourself rooting for Hadley and Lila in an inexplicable way.
The ending on this one is interesting. I'm still pondering it. The fascinating thing about this book is that you know *something* has to have happened up in that plane, but you don't know exactly what, or how it all goes down. The ending made me go "wow." I'm not exactly sure it's what I would have chosen, but it still felt right somehow. Although I was so attached to Hadley, that I wish there was a sequel of sorts, because I still feel bonded to the girl. That's how well-done this novel was!
Overall, this is just a lovely book. Very, very rarely does a book make me cry. This one did. This is not a light read, no, but there are still funny moments, beautiful moments, and heartwarming moments among all the dark ones. You will not regret reading this book. Huge kudos to Amy Giles for writing such a powerful and wonderful novel that so deftly deals with abuse and aspects of mental illness. I feel like Hadley and Lila will stay with me for a long time. 4.5 stars.