"Early in our marriage my husband gave me The Manuscript Books of Emily Dickinson, edited by R.W. Franklin and published by Harvard University Press. What an amazement to see her poems in her own hand, intact in their radical, astonished beauty without the many editorial interventions made after her death which silently “corrected” and altered her grammar, idiosyncratic capitalization, punctuation, and much else. I could even see the alternate word-choices she left on the page—that feeling of the mind in motion. Recently, New Directions published The Gorgeous Nothings, which beautifully reproduces her late envelope writings and includes as well a photo of the small pencil she carried in the pocket of her dress—another book to treasure"

"There’s so much great stuff in the Song Poems catalogue, but Rod Keith is a favourite of mine. Everybody has their own favourite catalogue, but ‘Little Rug Bug', that song was great. All the songs with Rodd Keith doing the chamberlain thing with a pretend orchestra on a chamberlain are amazing. It’s a keyboard with string samples built into it. It’s like a Melotron. You kind of hear it on ‘Strawberry Fields’ and ‘Flying’ on Magical Mystery Tour. It just has an unreal quality to it, with an orchestra that’s just on some fuckin' weird boogie-woogie drug. It’s like Harry Merry in a way. It just sounds like a malfunctioning pre-set."