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Kristy H (1252 KP) rated The Wrong Side of Goodbye (Harry Bosch #19) in Books
Feb 13, 2018
Harry Bosch is retired from his days as a detective with the LAPD, but certainly not from his days investigating crime. Bosch is working for himself, as a private investigator on a referrals only basis, and he's also a reservist with a small police department with a limited budget in San Fernando Valley. When Bosch gets word that a new client, Whitney Vance, wants to hire him, he can't help but be intrigued. Vance is a billionaire and heir to a fortune via his family's company, Advance Engineering. The aging man wants Bosch to track down a supposed heir: when Vance was in college, he had a fling with a young Mexican woman, and believes she had a child. If so, somewhere out there could be a heir to Vance's vast fortune (besides his eager, greedy board). Vance swears Bosch to secrecy, as no one associated with Advance Engineering and the board would be too keen to hear about someone standing in the way of their potential fortune. Meanwhile, in his work at the police department, Bosch is helping his colleagues track down a serial rapist. The suspect seems to be getting more and more bold; can they stop him before he strikes again?
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars
Picking up a Harry Bosch book is always like coming home again, and this one was no exception. Bosch is a well-loved, nuanced, and wonderful character. He is complex and well-written, and I will forever be saddened when Connelly stops writing about him, or Bosch decides to stop investigating crime. I sincerely love him dearly. This novel is Bosch and Connelly at their best: a well-plotted mystery novel backed by Bosch's backstory and ruminating. Bosch is amusing, stubborn, and familiar, and he's also wonderful at his job.
Connelly does an excellent job of telling the tale with Bosch's two disparate cases (Vance and the Screen Cutter rapist); neither seem to overshadow the other, and you don't get confused with both threads going on simultaneously. Both are interesting cases, and Bosch is torn finding time to devote to each, much as the reader is. The story features appearances from Bosch's daughter and Mickey Haller (Bosch's half-brother, and a key character in the Lincoln Lawyer series), which is always fun, too. I was very intrigued by both of Bosch's cases, and Connelly kept me guessing until the end. I find it amazing that he's managed to keep Bosch so relevant and in the game all this time, but I suppose that's a testament to Bosch's skill (and Connelly's).
Overall, this isn't some amazing beyond words mystery, but it's just so well-done, with its dual cases, and features such a wonderful character, that I really loved it. If you haven't read any of Connelly's books, I highly recommend them. I started at the beginning with the Bosch series and certainly didn't regret it. But you could always start with this one, too. 4.5 stars
Lee (2222 KP) rated Next Gen (2018) in Movies
Oct 15, 2018 (Updated Oct 15, 2018)
Beautiful Animation (1 more)
John Krasinski
Fantastic Family Movie
We're in the futuristic city of Grainland and robots are everywhere, helping humans with all aspects of life. From robotic teachers and police, right the way down to the smaller, task orientated robots. Friendly robot hairbrushes leap on kids heads and start brushing their messy hair while robot toothbrushes, programmed by mum to ensure their kids regularly brush their teeth, seek out the children who are trying to avoid them. It's all done in good humour, even if in reality it would all be just a little bit creepy. The opening credits introduce us to Mai Su, whose parents split following an argument. As Mai grows up, her mother compensates for her loss by filling her life with servant robots called Q-Bots, making Mai feel neglected and eventually resentful towards all robots. She's a very unhappy teenager, bullied at school for being different.
At the big launch of the next generation of Q-Bots, Mai breaks free from her excited mum and, following a run in with some security robots, finds herself in a hidden lab. There, Dr Rice, who is the technical brains behind the Q-Bots, has been developing a robot of his own: Project 7723 (voiced by John Krasinski). As the curious Mai goes to investigate the robot, security bots catch up with her once more and she has to leave quickly, leaving behind her backpack. Project 7723 picks up the backpack and sets about returning it to its rightful owner at all costs. As 7723 travels along the highway, following the car that is transporting Mai home, we begin to discover just how technologically advanced 7723 is - packing some serious weaponry, which it uses to effectively take out the police robots that are in pursuit. Nothing stands in its way.
The backpack is eventually returned, but Mai is initially disinterested in the robot. That is, until it takes out the annoying robot toothbrush with a laser! The pair form a friendship, and Mai hides 7723 away in her garage at night. Unfortunately though, 7723 sustained damage to his core memory during the earlier chase and each night has to decide which of the memories he made with Mai that day he can delete in order to prevent his storage from reaching critical capacity. As they have fun together and become good friends, this gets harder to do each day, and you just know that eventually this isn't going to end well.
I really enjoyed Next Gen. It's very reminiscent of movies like Big Hero 6 and The Iron Giant and John Krasinski brings 7723 to life brilliantly. The animation is of such a high standard, beautifully detailed, and there are some fantastic action sequences, along with plenty of good humour throughout. And, as suspected, it does manage to pack a real emotional punch at times too. I sat and watched this with my daughter and it really is just a great family movie.
At the big launch of the next generation of Q-Bots, Mai breaks free from her excited mum and, following a run in with some security robots, finds herself in a hidden lab. There, Dr Rice, who is the technical brains behind the Q-Bots, has been developing a robot of his own: Project 7723 (voiced by John Krasinski). As the curious Mai goes to investigate the robot, security bots catch up with her once more and she has to leave quickly, leaving behind her backpack. Project 7723 picks up the backpack and sets about returning it to its rightful owner at all costs. As 7723 travels along the highway, following the car that is transporting Mai home, we begin to discover just how technologically advanced 7723 is - packing some serious weaponry, which it uses to effectively take out the police robots that are in pursuit. Nothing stands in its way.
The backpack is eventually returned, but Mai is initially disinterested in the robot. That is, until it takes out the annoying robot toothbrush with a laser! The pair form a friendship, and Mai hides 7723 away in her garage at night. Unfortunately though, 7723 sustained damage to his core memory during the earlier chase and each night has to decide which of the memories he made with Mai that day he can delete in order to prevent his storage from reaching critical capacity. As they have fun together and become good friends, this gets harder to do each day, and you just know that eventually this isn't going to end well.
I really enjoyed Next Gen. It's very reminiscent of movies like Big Hero 6 and The Iron Giant and John Krasinski brings 7723 to life brilliantly. The animation is of such a high standard, beautifully detailed, and there are some fantastic action sequences, along with plenty of good humour throughout. And, as suspected, it does manage to pack a real emotional punch at times too. I sat and watched this with my daughter and it really is just a great family movie.
BackToTheMovies (56 KP) rated The Captor (2019) in Movies
Jun 21, 2019
2019 certainly seems to be the year of Ethan Hawke slaying it in movies! The Kid was a powerhouse performance enough to warrant and the year off but then The Captor is released and once again. Wow. Ethan Hawke only goes and blows the bloody doors off this real-life true story about a bank robbery in Stockholm. This is our The Captor review.
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
Darren (1599 KP) rated The Veil (TBD) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Darren (1599 KP) rated Wounds (2019) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Darren (1599 KP) rated Taking Lives (2004) in Movies
Jul 25, 2019
Story: Taking Lives starts as we see a young man kill another young man to steal his identity, years later a body is discovered in Canada which leads to the local French-Canadian police to call in FBI profiler Illeana (Jolie) to help with the new mystery body. Things take a turn when a man Costa (Hawke) believes he interrupted the next attempted murder before the killer is finished dealing with the body.
When the police learn this killer has been killing and stealing identities the case takes a turn and now they must figure out who the latest victim is and who he has become.
Thoughts on Taking Lives
Characters – Illeane Scott is an FBI Profiler bought in to help with the case of a killer that is stealing identities of the people he is murdering, she gets the profile correct and wants to had home after starting to become interested in one of the key witnesses. Costa is a key witness who interrupts one of the murders before the killer can complete his plan, he gives the information to track the killer. Hart is a man that soon enters Costa’s life after the incident making him the prime suspect as the killer.
Performances – Angelina Jolie is solid enough in this leading role which disappoints because we know she can be a fantastic cop figure. Ethan Hawke struggles with his role too which is only really filled with disappointment as he never convinces in his witness role. Kiefer Sutherland disappoints because we know how good he can be and want to see him more often in a film.
Story – The story is a FBI agent needing to help track down a serial killer who steals identity, yeah these are usually entertaining to watch but this just doesn’t reach the levels of mystery it needs, this might be because this is a repeat viewing and I know the ending, but there are never really any hints or suspects to work with through the film. the film lacks the true tension needed in a film that is filled with twisted crimes going on.
Crime/Mystery – The crime is interesting for a killer to be acting the way they do, the weakest part is the mystery as we just don’t meet enough potential suspects.
Settings – The film is sent in a big city which plays into the idea that someone could steal and identity and kill someone without people noticing someone going missing.
Special Effects – The effects are good because we get to see practical effects when it comes to the kills and aftermath from them.
Scene of the Movie – The lift opening.
That Moment That Annoyed Me – Not enough suspects.
Final Thoughts – This is a crime thriller that lacks the punch to make it stand out from the crowded market, we always need a large group of suspects, but this didn’t give us enough, while it did create a great killer.
Overall: Lacklustre crime thriller
When the police learn this killer has been killing and stealing identities the case takes a turn and now they must figure out who the latest victim is and who he has become.
Thoughts on Taking Lives
Characters – Illeane Scott is an FBI Profiler bought in to help with the case of a killer that is stealing identities of the people he is murdering, she gets the profile correct and wants to had home after starting to become interested in one of the key witnesses. Costa is a key witness who interrupts one of the murders before the killer can complete his plan, he gives the information to track the killer. Hart is a man that soon enters Costa’s life after the incident making him the prime suspect as the killer.
Performances – Angelina Jolie is solid enough in this leading role which disappoints because we know she can be a fantastic cop figure. Ethan Hawke struggles with his role too which is only really filled with disappointment as he never convinces in his witness role. Kiefer Sutherland disappoints because we know how good he can be and want to see him more often in a film.
Story – The story is a FBI agent needing to help track down a serial killer who steals identity, yeah these are usually entertaining to watch but this just doesn’t reach the levels of mystery it needs, this might be because this is a repeat viewing and I know the ending, but there are never really any hints or suspects to work with through the film. the film lacks the true tension needed in a film that is filled with twisted crimes going on.
Crime/Mystery – The crime is interesting for a killer to be acting the way they do, the weakest part is the mystery as we just don’t meet enough potential suspects.
Settings – The film is sent in a big city which plays into the idea that someone could steal and identity and kill someone without people noticing someone going missing.
Special Effects – The effects are good because we get to see practical effects when it comes to the kills and aftermath from them.
Scene of the Movie – The lift opening.
That Moment That Annoyed Me – Not enough suspects.
Final Thoughts – This is a crime thriller that lacks the punch to make it stand out from the crowded market, we always need a large group of suspects, but this didn’t give us enough, while it did create a great killer.
Overall: Lacklustre crime thriller
Gareth von Kallenbach (980 KP) rated Spiral: From the Book of Saw (2021) in Movies
May 12, 2021
Detective Zeke Banks (Chris Rock); is a man under stress. His decision to report a corrupt cop has made him enemies within his precinct and set him at odds with his father Marcus (Samuel L. Jackson); who also happens to be the former Chief of Police.
This tension has caused Zeke to be shot in the line of duty when fellow officers refused to respond to his calls for backup which even further inflamed a tense situation and made Zeke a Lone Wolf who is hesitant to work with others and has cost him his marriage.
Unfortunately for Zeke; a grisly murder happens and he is assigned a new partner named William Schenk (Max Minghella); to investigate what appears to be a copycat of the long-dead Jigsaw.
The fact that the victim is a fellow cop inflames the office and when Zeke is sent a package from the killer which promises more killings to follow as the corruption within his department needs to be stopped.
As the victims begin to mount; Zeke and William find themselves in a race against time to discover the identity of the killer and stop the killings.
“Spiral: From The Book Of SAW”; is an interesting new entry into the franchise and in keeping with “Jigsaw:’ was more engaging than several of the last films in the main franchise as it gives audiences deeper characters and scenarios than normally shown in the series.
While the traps are as clever and gruesome as fans of the series would expect; the decision to target cops is an interesting choice and in many ways reflects the growing cries for reforming the Police but does it in an extreme way and balances out that there are good cops in the mix who serve and protect.
Chris Rock also served as a Producer was good in the role and it was refreshing to see him play a darker and more dramatic character. While he still has moments of clever riffs; they are appropriately placed within the film and do not take away from the fact that Zeke is a troubled and driven individual.
The supporting cast is solid and while I was able to identify the individual behind the killings fairly early; there were enough Red Herrings along the way that may keep audiences guessing.
Director Darren Lynn Bousman who directed the second to the fourth film in the series has made a solid return to the franchise and keeps the dark and dirty look of the film’s trap sequences and while they are gory; there is a cleverness to them that should delight fans of the series.
In the end “Spiral” has enough of what fans of the franchise expect and infuses some interesting new characters and scenarios to make one of the more complete and enjoyable entries in the series.
This tension has caused Zeke to be shot in the line of duty when fellow officers refused to respond to his calls for backup which even further inflamed a tense situation and made Zeke a Lone Wolf who is hesitant to work with others and has cost him his marriage.
Unfortunately for Zeke; a grisly murder happens and he is assigned a new partner named William Schenk (Max Minghella); to investigate what appears to be a copycat of the long-dead Jigsaw.
The fact that the victim is a fellow cop inflames the office and when Zeke is sent a package from the killer which promises more killings to follow as the corruption within his department needs to be stopped.
As the victims begin to mount; Zeke and William find themselves in a race against time to discover the identity of the killer and stop the killings.
“Spiral: From The Book Of SAW”; is an interesting new entry into the franchise and in keeping with “Jigsaw:’ was more engaging than several of the last films in the main franchise as it gives audiences deeper characters and scenarios than normally shown in the series.
While the traps are as clever and gruesome as fans of the series would expect; the decision to target cops is an interesting choice and in many ways reflects the growing cries for reforming the Police but does it in an extreme way and balances out that there are good cops in the mix who serve and protect.
Chris Rock also served as a Producer was good in the role and it was refreshing to see him play a darker and more dramatic character. While he still has moments of clever riffs; they are appropriately placed within the film and do not take away from the fact that Zeke is a troubled and driven individual.
The supporting cast is solid and while I was able to identify the individual behind the killings fairly early; there were enough Red Herrings along the way that may keep audiences guessing.
Director Darren Lynn Bousman who directed the second to the fourth film in the series has made a solid return to the franchise and keeps the dark and dirty look of the film’s trap sequences and while they are gory; there is a cleverness to them that should delight fans of the series.
In the end “Spiral” has enough of what fans of the franchise expect and infuses some interesting new characters and scenarios to make one of the more complete and enjoyable entries in the series.
Jenny Houle (24 KP) rated Agatha Raisin and the Witches' Tree in Books
Jan 13, 2018
I received a free ARC of this book from NetGalley for an unbiased opinion.
Agatha Raisin is at it again. Following a hanging from tree locally infamous as "The Witches' Tree" in a neighboring Cotswold village, Agatha is hired to solve the case.
To those who've been with the series from the beginning, I found this book to be the best in awhile. Over the past few books, I've felt strongly that the changing backstory of a few primary characters (Simon and Charles specifically) was starting to detract from my enjoyment over the series. This time, while both were very present, Beaton left out the details that bothered me.
Additionally, this case truly was solved by Agatha and her agency (she's often accused of bumbling along until she stumbles upon the answer, only to need police rescue for herself as well... definitely not the case in this book).
And one more reason this book got a 5 out of 5 rating from me: Agatha doesn't fall in infatuation in this book. She does date, she does acknowledge that she's happiest when she's in love, but there was no "strong woman becomes blithering idiot" subplot this time.
Characters I wish I'd seen more of: Bill and Alice. Through the last few books, Bill's clearly been distancing himself from Agatha. Hope soon his romance with Alice will grow more and he can resume a more steady role in the books as Agatha's friend.
Agatha Raisin is at it again. Following a hanging from tree locally infamous as "The Witches' Tree" in a neighboring Cotswold village, Agatha is hired to solve the case.
To those who've been with the series from the beginning, I found this book to be the best in awhile. Over the past few books, I've felt strongly that the changing backstory of a few primary characters (Simon and Charles specifically) was starting to detract from my enjoyment over the series. This time, while both were very present, Beaton left out the details that bothered me.
Additionally, this case truly was solved by Agatha and her agency (she's often accused of bumbling along until she stumbles upon the answer, only to need police rescue for herself as well... definitely not the case in this book).
And one more reason this book got a 5 out of 5 rating from me: Agatha doesn't fall in infatuation in this book. She does date, she does acknowledge that she's happiest when she's in love, but there was no "strong woman becomes blithering idiot" subplot this time.
Characters I wish I'd seen more of: Bill and Alice. Through the last few books, Bill's clearly been distancing himself from Agatha. Hope soon his romance with Alice will grow more and he can resume a more steady role in the books as Agatha's friend.
Midge (525 KP) rated Before She Knew Him in Books
Mar 18, 2019
An Exceptional Psychological Thriller!
This exceptional psychological thriller from Peter Swanson (author of ‘The Kind Worth Killing’), is an absolute masterpiece!
Henrietta ‘Hen’ Mazur and her husband, Lloyd Harding, have dinner one evening with their new neighbours, Matt and Mira Dolamore, at their suburban Boston home. Following dinner, on a tour of their house, Hen notices a fencing trophy in Matt’s study that she believes was won by Dustin Miller, a college student who was murdered two years previous and who attended the high school where Matt is a history Professor. Matt claims that the trophy was bought in a sale, but Hen, who is obsessed with Dustin’s case, suspects that Matt killed Dustin. However, the next day when she visits Mira, the trophy has vanished, thereby reinforcing her suspicions. But Hen gets little support from the Police or her husband because of her history of mental health problems. An unlikely bond then develops between Hen and Matt, whose traumatic childhood adds tonnes of emotional interest to Peter Swanson’s superb narrative. Lots of twists and turns and an edge-of-your-seat plot keep the suspense in “Before She Knew Him” really high until the fulfilling and dramatic conclusion.
This brilliant psychological novel is a fabulous page-turner and a definite winner.
{Thank you to Edelweiss, HarperCollins UK/William Morrow and Peter Swanson for a free copy and for giving me the opportunity to provide an honest review.}
Henrietta ‘Hen’ Mazur and her husband, Lloyd Harding, have dinner one evening with their new neighbours, Matt and Mira Dolamore, at their suburban Boston home. Following dinner, on a tour of their house, Hen notices a fencing trophy in Matt’s study that she believes was won by Dustin Miller, a college student who was murdered two years previous and who attended the high school where Matt is a history Professor. Matt claims that the trophy was bought in a sale, but Hen, who is obsessed with Dustin’s case, suspects that Matt killed Dustin. However, the next day when she visits Mira, the trophy has vanished, thereby reinforcing her suspicions. But Hen gets little support from the Police or her husband because of her history of mental health problems. An unlikely bond then develops between Hen and Matt, whose traumatic childhood adds tonnes of emotional interest to Peter Swanson’s superb narrative. Lots of twists and turns and an edge-of-your-seat plot keep the suspense in “Before She Knew Him” really high until the fulfilling and dramatic conclusion.
This brilliant psychological novel is a fabulous page-turner and a definite winner.
{Thank you to Edelweiss, HarperCollins UK/William Morrow and Peter Swanson for a free copy and for giving me the opportunity to provide an honest review.}
Hazel (2934 KP) rated The Chestnut Man in Books
Mar 24, 2019
A great debut
If that cover doesn't draw you in and make you pick it up, you are a lost soul !!!
And if the cover doesn't do it for you, the story certainly will. It does make for uncomfortable reading at times given the subject matter but it is a story about a serial killer so some gruesome descriptions of the crimes shouldn't come as too much of a surprise.
The plot is gripping, dark and thrilling and the pace of the book is ideal with a seamless mix of murder, politics and police procedure all wrapped up in a perfect psychological thriller package. I actually don't normally like what is called Scandi-noir after having previously tried and failed to read one by a very successful author but this one is excellent.
The characters are fantastic - I know it's a good book when I can see the characters as real people and imagine who would play them if the book were made into a film or TV series - the Danish actor, Kim Bodnia, from The Bridge (Bron/Broen) and Killing Eve would be perfect for the role of Hess.
This is the debut novel by this author, although he has written the highly acclaimed series "The Killing", and a very accomplished debut it is and my thanks must go to the publisher, Penguin UK - Michael Joseph, via NetGalley for my copy in return for an honest review.
And if the cover doesn't do it for you, the story certainly will. It does make for uncomfortable reading at times given the subject matter but it is a story about a serial killer so some gruesome descriptions of the crimes shouldn't come as too much of a surprise.
The plot is gripping, dark and thrilling and the pace of the book is ideal with a seamless mix of murder, politics and police procedure all wrapped up in a perfect psychological thriller package. I actually don't normally like what is called Scandi-noir after having previously tried and failed to read one by a very successful author but this one is excellent.
The characters are fantastic - I know it's a good book when I can see the characters as real people and imagine who would play them if the book were made into a film or TV series - the Danish actor, Kim Bodnia, from The Bridge (Bron/Broen) and Killing Eve would be perfect for the role of Hess.
This is the debut novel by this author, although he has written the highly acclaimed series "The Killing", and a very accomplished debut it is and my thanks must go to the publisher, Penguin UK - Michael Joseph, via NetGalley for my copy in return for an honest review.