Search
Search results
Merissa (12351 KP) rated Pyromancist (7 Forbidden Arts #1) in Books
May 20, 2023
This story starts with Clelia waking up in the woods. She is safe, as she has her wolf dogs protecting her, but she is worried that she may be the cause behind the multitude of fires that have started recently. There is a strong bond between her and Erwan, her grandfather. The story takes a twist when it is Erwan who is suspected of causing the fires. More than just the police are interested, and Erwan makes the decision that both he and Clelia are going to disappear. Clelia doesn't get very far before Josselin meets up with her, although she had already seen him, but he doesn't remember it.
This is a fast-paced action/adventure with a splash of paranormal. There is plenty of Alpha Male growling going on whenever anyone else looks at Clelia, but Josselin isn't prepared to admit his own feelings. The scenes between Clelia and Josselin are very intense, and steamy in places. The difference between Clelia and Josselin is very obvious - in the fact that Clelia has a quiet strength that grows throughout the book, but is very submissive towards Josselin himself. As for him, I personally found his possessiveness/jealousy a bit much, but Clelia seemed happy with it, so that's all good đ
A steamy adventure with parts of paranormal, I would definitely recommend it to anyone who wants a different take on action/pnr.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 23, 2016
This is a fast-paced action/adventure with a splash of paranormal. There is plenty of Alpha Male growling going on whenever anyone else looks at Clelia, but Josselin isn't prepared to admit his own feelings. The scenes between Clelia and Josselin are very intense, and steamy in places. The difference between Clelia and Josselin is very obvious - in the fact that Clelia has a quiet strength that grows throughout the book, but is very submissive towards Josselin himself. As for him, I personally found his possessiveness/jealousy a bit much, but Clelia seemed happy with it, so that's all good đ
A steamy adventure with parts of paranormal, I would definitely recommend it to anyone who wants a different take on action/pnr.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 23, 2016
Mark @ Carstairs Considers (2273 KP) rated The Generalâs Gold in Books
Oct 29, 2024 (Updated Oct 29, 2024)
Hunting for a Golden Treasure
This book introduces us to Avery Turner, a new tech billionaire, and Carter Mosley, an internet famous adventure junkie. The two met when Carter taught Avery to scuba dive. But things really kick off when Avery learns of her friend, fellow tech billionaire, Mark Hawkinsâs death. The police are ruling it an accidental drug overdose. Thereâs just one problem with that â Avery has never seen Mark take anything stronger than an aspirin. She goes to investigate herself, and she finds a few puzzling things that Mark left behind. Soon, sheâs is on the trail of a rumored treasure that dates back to the 1700âs, pulling Carter in along the way. Can they find it?
Iâve heard good things about both of these authors but hadnât had a chance to read them before I picked up this book. Iâm glad I did give their collaboration a try. While I did find the series setup a bit slow, I was still entertained. Once the plot really kicked off, I was completely hooked and couldnât turn the pages fast enough. I appreciated the logic behind things when I reached the climax. I also enjoyed the main trio of characters (Avery, her assistant, and Carter). I canât wait to spend more time with them. The violence and language was kept to a minimum, which I appreciated. A couple of things felt like they got glossed over, but thatâs a minor complaint. Iâm looking forward to reading more. If you are looking for an action, adventure series, youâll be glad you picked up this book.
Iâve heard good things about both of these authors but hadnât had a chance to read them before I picked up this book. Iâm glad I did give their collaboration a try. While I did find the series setup a bit slow, I was still entertained. Once the plot really kicked off, I was completely hooked and couldnât turn the pages fast enough. I appreciated the logic behind things when I reached the climax. I also enjoyed the main trio of characters (Avery, her assistant, and Carter). I canât wait to spend more time with them. The violence and language was kept to a minimum, which I appreciated. A couple of things felt like they got glossed over, but thatâs a minor complaint. Iâm looking forward to reading more. If you are looking for an action, adventure series, youâll be glad you picked up this book.
Mark @ Carstairs Considers (2273 KP) rated Murder at Mallowan Hall in Books
Jan 22, 2025 (Updated Jan 22, 2025)
Murder in Agatha Christieâs Library
Agatha Christie and her second husband, Max Mallowan, are throwing a house party when an unexpected guest arrives in the middle of a summer storm. The man says he is a reporter who has an interview lined up with the famous author. While Agatha doesnât remember it, she instructs Phyllida Bright, her housekeeper, to set him up in one of the guest rooms, at least for tonight. But the next morning, Phyllida finds the man dead in the library. She doesnât think the police are up to solving the crime, so she jumps in to find a few clues for them. But who was the victim? And who would want to kill him?
Fans of Agatha Christie will get a kick out of the wink and nods in the set up. But everyone will be hooked on this mystery, which had the clues and red herrings well layered to keep me guessing until the ending. While we got to know Phyllida and a few other characters well, I did feel like we got too much of her thoughts, which slowed things down and kept us from getting to know the suspects better. Only a handful of scenes were told from someone other than Phyllidaâs point of view, but when it happened, it always made sense. And one of those scenes was absolutely perfect that way. While current events donât play a big part in this 1930âs set book, it does give us a clear picture of what life was like for servants during that time. Iâm hoping to get to the next book soon.
Fans of Agatha Christie will get a kick out of the wink and nods in the set up. But everyone will be hooked on this mystery, which had the clues and red herrings well layered to keep me guessing until the ending. While we got to know Phyllida and a few other characters well, I did feel like we got too much of her thoughts, which slowed things down and kept us from getting to know the suspects better. Only a handful of scenes were told from someone other than Phyllidaâs point of view, but when it happened, it always made sense. And one of those scenes was absolutely perfect that way. While current events donât play a big part in this 1930âs set book, it does give us a clear picture of what life was like for servants during that time. Iâm hoping to get to the next book soon.
Purple Phoenix Games (2266 KP) rated The Bloody Inn in Tabletop Games
Feb 12, 2022
Itâs cliche to post a game review like this so near to Halloween, so I will probably hold off on that. However, what a perfect game to go along with the macabre tone of the Halloween season! Get this: you and your family own a motel in a small town where many travelers stop to rest. You are strapped for cash, so what is a logical step in achieving wealth? Of course! Murdering and robbing your customers upon their stays! No? Not a typical business model? Unsustainable? Pfft. You just arenât robbing the right customersâŚ
The Bloody Inn is a card-drafting, hand management, horror game of recruiting accomplices and having them carry out dastardly deeds to secure the most money at the end of the game. In it, players take on the roles of one of the innâs staff members and control pawns in their evil schemes in order to swindle and kill for mountains of francs (itâs set in France, pre-Euro).
To setup, place the main board on the table, give each player the components of their color choice, two Peasant cards, a 10 franc (f) check, and a player aid card. The âtraveler deckâ is assembled and shuffled per the rules, and placed on the Entrance side of the board. Players choose one room to place a key token in their color, and several gray neutral key tokens are placed in other rooms. Unsuspecting travelers will be staying in these rooms each night. Per the rules, the greediest player is given the first player card and the mischief may begin!
The Bloody Inn is played over several rounds, and each round has players completing three phases: Welcome Travelers, Player Actions, and End of Round. Players will Welcome Travelers to signify the start of the round by the first player drawing one card from the deck at a time and choosing in which room they will be placed.
After Travelers have been welcomed and turn in for the evening, the second phase may begin: Player Actions. In turn order players will be able to perform two actions each round. Players may choose from five different actions, and actions can be repeated for the second action of the round. Players may Bribe a Guest by discarding cards from hand equal to the printed value on the target cardâs front. Initially all players simply employ the two starter Peasants, so Bribing is only performed on cards that show a value of 0-2. When a player Bribes a guest, they essentially spend cards from hand to recruit the new guest to their employ. These new employees (accomplices) are then available to be used on future actions. One or two Peasants may also be Bribed from the bistro, adding to a playerâs hand of usable human resources.
A player may instead choose to Kill a Guest by similarly discarding the appropriate number of accomplices and adding the freshly-slain guest to their tableau, face-down. The card backs feature a coffin with their ârankâ (action number) printed on it. Corpses normally cause no issues, but they will need to be buried under an Annex in order to collect the money in their pockets. Players may use an action to Build an Annex by discarding the appropriate number of accomplices and using a card from hand to build and staff the Annex. Annexes can be used for the action printed on the card bottom, and/or as a housing for corpses, with the Corpses being sent to any playerâs Annex via the Bury a Corpse action. Discard the requisite number of accomplices to bury a corpse, and avoid suspicion from the Law.
If none of these actions are attractive to the player, or if they simply wish, they may instead Pass and launder money from the village notary. To do this, either reduce the number of francs from the Wealth Track on the main board in order to gain a 10f check, or turn in a check for 10f on the Wealth Track.
Once all players have taken their two actions, the End of Round is performed. Firstly, if any Travelers remain belonging to the Police type (signified by pistol icons on the top of the card), they will conduct an investigation, finding any unburied corpses. Should a corpse be found in this way, the owning player will need to pay 10f for the local undertaker to dispose of the body respectfully. This not only costs the player 10f, but also the amount of money that could have been gained if they had only buried them or dealt with the Police traveler prior. Next, the Travelers who remain all wake up feeling refreshed and leave the inn by being placed in the discard pile. Once the board has been cleared of all Travelers, accomplices must be paid their wages for their help. For each accomplice in hand, the players must pay 1f from the Wealth Track.
Play continues in this fashion until the main Traveler deck has been depleted twice. Then, players add up their francs and the player with the most in francs and checks is the winner, and just the greatest little murderer/robber/briber in all the land!
Components. This game really has a modest amount of components, but they are all similarly great quality. The main board acts as the innâs room display, the Wealth Track, AND the bistro (where Peasants are discarded, as opposed to being placed in the normal discard pile). I love when components pull double or triple duty. That said, the player aids not only remind the players of the phases and actions from which they may choose, but it also provides the player with a starter Annex that can be used to bury their first corpse! HOW COOL IS THAT?! However, the greatest thing that stands out in regards to the components is the overall look and feel of the game. The character artist for this one is Weberson Santiago, and he has also illustrated games such as the new Quest (the new version of The Resistance: Avalon), Coup, and the new Whirling Witchcraft. I adore his art style, even though I shouldnât. My typical preference of character art is semi-realism (like that of Kwanchai Moriya), but this style is really unique and perfectly applied to the theme. Great matchup of artist and game here. I do have one silly wish for this game: PLEASE change the player colors. I mean, I am so tired of having the choice between red, blue, green, and yellow. Take a Cue from my good friend Scott Brady and use one of the more interesting color choices. I mean, even to fit in with the theme here a more appropriate palette could include a brown, black, orange, and yellow or something. Be bold!!
I knew right away that this was a great game for me. Yes, the theme is super dark and macabre, which is rare for me to enjoy, but I would only play this with adults anyway so I am unbothered by it. However, the puzzle that lies within this box is one that I thoroughly enjoy solving every round. What I neglected to mention up top is the fact that when actions are taken (Bribing, Killing, Building Annexes, and Burying Corpses) if you happen to have certain card types in hand, then the cost of discards is reduced by the number of cards present. For example, if I were to Bribe a Police card from the rooms in my first action, they have an affinity for killing (messed up, I know) and will thus help me to perform a Kill action on the next turn by reducing the number of accomplices I would need to discard for that action. Side benefit: by taking the Police Travelers off the board, they then will not perform their investigations in the morning.
Another aspect I truly enjoy about The Bloody Inn is that many cards have that dual-purpose mechanic I appreciate. The player aid is also an Annex. Brilliant! Many of the Annex cards can also offer one-time or recurring powers. Itâs just so satisfying to grab cards that can combo well with each other in order to fulfill your evil plans. Every card is important, and when they can offer more than one benefit, I am a happy gamer.
I cannot express how happy I am to have decided to purchase this one. I have seen the BGG ratings and rankings, but always thought I wouldnât like it due to its very adult theme, but boy was I wrong! This is one of the best games I have played recently and I hope to even bling it out a bit, maybe even with new player colors like I suggested earlier. Laura and my wife were able to join me for this one and they agree with me â this one is excellent and definitely worth consideration into anyoneâs collection. Purple Phoenix Games gives this one a dastardly 15 / 18. Yeah, itâs perfect for Halloweentime, but also for ANY time. If you are looking for something a little grim and grisly with lighter rules and lots of interesting choices, you need to check out The Bloody Inn. Grab lots of Police cards and go on a killing spree for me!
The Bloody Inn is a card-drafting, hand management, horror game of recruiting accomplices and having them carry out dastardly deeds to secure the most money at the end of the game. In it, players take on the roles of one of the innâs staff members and control pawns in their evil schemes in order to swindle and kill for mountains of francs (itâs set in France, pre-Euro).
To setup, place the main board on the table, give each player the components of their color choice, two Peasant cards, a 10 franc (f) check, and a player aid card. The âtraveler deckâ is assembled and shuffled per the rules, and placed on the Entrance side of the board. Players choose one room to place a key token in their color, and several gray neutral key tokens are placed in other rooms. Unsuspecting travelers will be staying in these rooms each night. Per the rules, the greediest player is given the first player card and the mischief may begin!
The Bloody Inn is played over several rounds, and each round has players completing three phases: Welcome Travelers, Player Actions, and End of Round. Players will Welcome Travelers to signify the start of the round by the first player drawing one card from the deck at a time and choosing in which room they will be placed.
After Travelers have been welcomed and turn in for the evening, the second phase may begin: Player Actions. In turn order players will be able to perform two actions each round. Players may choose from five different actions, and actions can be repeated for the second action of the round. Players may Bribe a Guest by discarding cards from hand equal to the printed value on the target cardâs front. Initially all players simply employ the two starter Peasants, so Bribing is only performed on cards that show a value of 0-2. When a player Bribes a guest, they essentially spend cards from hand to recruit the new guest to their employ. These new employees (accomplices) are then available to be used on future actions. One or two Peasants may also be Bribed from the bistro, adding to a playerâs hand of usable human resources.
A player may instead choose to Kill a Guest by similarly discarding the appropriate number of accomplices and adding the freshly-slain guest to their tableau, face-down. The card backs feature a coffin with their ârankâ (action number) printed on it. Corpses normally cause no issues, but they will need to be buried under an Annex in order to collect the money in their pockets. Players may use an action to Build an Annex by discarding the appropriate number of accomplices and using a card from hand to build and staff the Annex. Annexes can be used for the action printed on the card bottom, and/or as a housing for corpses, with the Corpses being sent to any playerâs Annex via the Bury a Corpse action. Discard the requisite number of accomplices to bury a corpse, and avoid suspicion from the Law.
If none of these actions are attractive to the player, or if they simply wish, they may instead Pass and launder money from the village notary. To do this, either reduce the number of francs from the Wealth Track on the main board in order to gain a 10f check, or turn in a check for 10f on the Wealth Track.
Once all players have taken their two actions, the End of Round is performed. Firstly, if any Travelers remain belonging to the Police type (signified by pistol icons on the top of the card), they will conduct an investigation, finding any unburied corpses. Should a corpse be found in this way, the owning player will need to pay 10f for the local undertaker to dispose of the body respectfully. This not only costs the player 10f, but also the amount of money that could have been gained if they had only buried them or dealt with the Police traveler prior. Next, the Travelers who remain all wake up feeling refreshed and leave the inn by being placed in the discard pile. Once the board has been cleared of all Travelers, accomplices must be paid their wages for their help. For each accomplice in hand, the players must pay 1f from the Wealth Track.
Play continues in this fashion until the main Traveler deck has been depleted twice. Then, players add up their francs and the player with the most in francs and checks is the winner, and just the greatest little murderer/robber/briber in all the land!
Components. This game really has a modest amount of components, but they are all similarly great quality. The main board acts as the innâs room display, the Wealth Track, AND the bistro (where Peasants are discarded, as opposed to being placed in the normal discard pile). I love when components pull double or triple duty. That said, the player aids not only remind the players of the phases and actions from which they may choose, but it also provides the player with a starter Annex that can be used to bury their first corpse! HOW COOL IS THAT?! However, the greatest thing that stands out in regards to the components is the overall look and feel of the game. The character artist for this one is Weberson Santiago, and he has also illustrated games such as the new Quest (the new version of The Resistance: Avalon), Coup, and the new Whirling Witchcraft. I adore his art style, even though I shouldnât. My typical preference of character art is semi-realism (like that of Kwanchai Moriya), but this style is really unique and perfectly applied to the theme. Great matchup of artist and game here. I do have one silly wish for this game: PLEASE change the player colors. I mean, I am so tired of having the choice between red, blue, green, and yellow. Take a Cue from my good friend Scott Brady and use one of the more interesting color choices. I mean, even to fit in with the theme here a more appropriate palette could include a brown, black, orange, and yellow or something. Be bold!!
I knew right away that this was a great game for me. Yes, the theme is super dark and macabre, which is rare for me to enjoy, but I would only play this with adults anyway so I am unbothered by it. However, the puzzle that lies within this box is one that I thoroughly enjoy solving every round. What I neglected to mention up top is the fact that when actions are taken (Bribing, Killing, Building Annexes, and Burying Corpses) if you happen to have certain card types in hand, then the cost of discards is reduced by the number of cards present. For example, if I were to Bribe a Police card from the rooms in my first action, they have an affinity for killing (messed up, I know) and will thus help me to perform a Kill action on the next turn by reducing the number of accomplices I would need to discard for that action. Side benefit: by taking the Police Travelers off the board, they then will not perform their investigations in the morning.
Another aspect I truly enjoy about The Bloody Inn is that many cards have that dual-purpose mechanic I appreciate. The player aid is also an Annex. Brilliant! Many of the Annex cards can also offer one-time or recurring powers. Itâs just so satisfying to grab cards that can combo well with each other in order to fulfill your evil plans. Every card is important, and when they can offer more than one benefit, I am a happy gamer.
I cannot express how happy I am to have decided to purchase this one. I have seen the BGG ratings and rankings, but always thought I wouldnât like it due to its very adult theme, but boy was I wrong! This is one of the best games I have played recently and I hope to even bling it out a bit, maybe even with new player colors like I suggested earlier. Laura and my wife were able to join me for this one and they agree with me â this one is excellent and definitely worth consideration into anyoneâs collection. Purple Phoenix Games gives this one a dastardly 15 / 18. Yeah, itâs perfect for Halloweentime, but also for ANY time. If you are looking for something a little grim and grisly with lighter rules and lots of interesting choices, you need to check out The Bloody Inn. Grab lots of Police cards and go on a killing spree for me!
Jamie Towell Cook (13 KP) rated the PlayStation 4 version of Resident Evil 2 (Remake) in Video Games
Apr 6, 2020
September 29th 1998
Raccoon City, home to the worlds leading pharmaceutical company, the Umbrella Corporation. This is the day that the city and its inhabitants would never forget.
It's been 21 years since the original release of the second installment of the Resident Evil franchise and I can honestly say time (and Capcom) have been incredibly kind to this game. Using the new RE engine that we saw in Resident Evil 7, this remake of what was already a legend of a game, gets a complete modern makeover. Now it's not just the graphics that have been pushed into the modern era: Capcom are a company who grows and learns and they have obviously listened to a lot of fan feedback. The controls are very similar to early installments of the game such as RE4, RE5 and RE6, giving you the over the shoulder perspective and the ability to aim freely, unlike RE5 and 6 though they have managed to amp up the scare tactics, taking Resident evil all they way back to its roots of being a survival horror game and not an action game (*cough, cough* RE4, 5 & 6).
The game story, if you don't already know, or are just too young to have been around for its original release, centres on two characters who by chance both meet at a gas station on that fateful night just outside the city limits. There is the rookie cop, Leon S. Kennedy, who, unluckily for him has decided to enroll into the RPD (Raccoon Police Department) or you can choose College student, motorcyclist and all round badass Claire Redfield, who has gone to Raccon City to find her brother, Chris. Who fans are bound to know if they have played basically any of the other titles out there.
Soon after Leon and Claire arrive this gas station (separately), both soon realize that there is something very strange happening. Upon investigating, they soon find out what that is.
Yep, zombies!
Now any normal people out there at this point would be running as far away as possible leaving a trail of wee behind them as they did so, that is if you aren't eaten first. However Leon and Claire hop in a car a decide heading into the city is the best course of action (SERIOUSLY??) Anyways, that's how the story sets its pace and trust me when I say, wear clean underwear when you start this game and maybe change them a few times because Capcom have learnt how to use those scare tactics quite effectively now. So fasten your seat belts, kids, it's going to be a bumpy night!
The story remains essentially the same as the original from 1998: things have been moved around slightly and some cut scenes extended but it does stay true to the masterpiece that it was for its day and age. Obviously now though, the graphics are just a beauty to behold; both Claire and Leon look amazing in their HD splendour, and the police station entrance, which has got to be the most iconic moment of the game, will take your breath away.
Although why Raccoon City has the world's most fancy police station is beyond me...
Not only have our protagonists and surroundings had the HD makeover but so have all the enemies too. Zombies, zombie dogs (Why just dogs though) and other abominable creatures that are lurking in the shadows also look truly amazing as well.
Now back in the day when Resident Evil 2 first came out it was spread out over two discs. One disc solely focused on Leon's series of events and the other on Claire's. The game's story was split into two different versions: you had Scenario A and Scenario B. Basically if you played A as either character then B would be what the other character was doing at that same time. The remake follows the same principle, allowing you to play through two different sequences of events. Completing all scenarios will give you access to the true ending and the fourth survivor mini story. The fourth survivor follows the story of an Umbrella secret service agent known as HUNK. The fourth survivors tale begins in the sewers of the forsaken city and is essentially a mini mission to escape to an extraction point and flee the city.
In addition to the main game and fourth survivor mode, there is also another mode called Ghost Survivors. Ghost survivors tells the story of different characters that are encountered in one way or another throughout the main games story and is a `what if` telling of events from their perspectives. The game play itself follows the same principles as fourth survivor mode in that timed, get from point A to point B kind of style. By playing through these modes you can unlock some extremely random accessories to make the modes more interesting.
For me, Resident Evil 2 was one of the first survival horror games i had ever played back on the PS1. I have some very fond memories of playing this game and of teaching my little brother how to play this game as well. I had my doubts when a remake was announced but i can honestly say without a shadow of a doubt that this remake is a work of art. Doing more than justice to its original and even surpassing it.
This is a title that should most definatley be in any gamers arsenal.
Raccoon City, home to the worlds leading pharmaceutical company, the Umbrella Corporation. This is the day that the city and its inhabitants would never forget.
It's been 21 years since the original release of the second installment of the Resident Evil franchise and I can honestly say time (and Capcom) have been incredibly kind to this game. Using the new RE engine that we saw in Resident Evil 7, this remake of what was already a legend of a game, gets a complete modern makeover. Now it's not just the graphics that have been pushed into the modern era: Capcom are a company who grows and learns and they have obviously listened to a lot of fan feedback. The controls are very similar to early installments of the game such as RE4, RE5 and RE6, giving you the over the shoulder perspective and the ability to aim freely, unlike RE5 and 6 though they have managed to amp up the scare tactics, taking Resident evil all they way back to its roots of being a survival horror game and not an action game (*cough, cough* RE4, 5 & 6).
The game story, if you don't already know, or are just too young to have been around for its original release, centres on two characters who by chance both meet at a gas station on that fateful night just outside the city limits. There is the rookie cop, Leon S. Kennedy, who, unluckily for him has decided to enroll into the RPD (Raccoon Police Department) or you can choose College student, motorcyclist and all round badass Claire Redfield, who has gone to Raccon City to find her brother, Chris. Who fans are bound to know if they have played basically any of the other titles out there.
Soon after Leon and Claire arrive this gas station (separately), both soon realize that there is something very strange happening. Upon investigating, they soon find out what that is.
Yep, zombies!
Now any normal people out there at this point would be running as far away as possible leaving a trail of wee behind them as they did so, that is if you aren't eaten first. However Leon and Claire hop in a car a decide heading into the city is the best course of action (SERIOUSLY??) Anyways, that's how the story sets its pace and trust me when I say, wear clean underwear when you start this game and maybe change them a few times because Capcom have learnt how to use those scare tactics quite effectively now. So fasten your seat belts, kids, it's going to be a bumpy night!
The story remains essentially the same as the original from 1998: things have been moved around slightly and some cut scenes extended but it does stay true to the masterpiece that it was for its day and age. Obviously now though, the graphics are just a beauty to behold; both Claire and Leon look amazing in their HD splendour, and the police station entrance, which has got to be the most iconic moment of the game, will take your breath away.
Although why Raccoon City has the world's most fancy police station is beyond me...
Not only have our protagonists and surroundings had the HD makeover but so have all the enemies too. Zombies, zombie dogs (Why just dogs though) and other abominable creatures that are lurking in the shadows also look truly amazing as well.
Now back in the day when Resident Evil 2 first came out it was spread out over two discs. One disc solely focused on Leon's series of events and the other on Claire's. The game's story was split into two different versions: you had Scenario A and Scenario B. Basically if you played A as either character then B would be what the other character was doing at that same time. The remake follows the same principle, allowing you to play through two different sequences of events. Completing all scenarios will give you access to the true ending and the fourth survivor mini story. The fourth survivor follows the story of an Umbrella secret service agent known as HUNK. The fourth survivors tale begins in the sewers of the forsaken city and is essentially a mini mission to escape to an extraction point and flee the city.
In addition to the main game and fourth survivor mode, there is also another mode called Ghost Survivors. Ghost survivors tells the story of different characters that are encountered in one way or another throughout the main games story and is a `what if` telling of events from their perspectives. The game play itself follows the same principles as fourth survivor mode in that timed, get from point A to point B kind of style. By playing through these modes you can unlock some extremely random accessories to make the modes more interesting.
For me, Resident Evil 2 was one of the first survival horror games i had ever played back on the PS1. I have some very fond memories of playing this game and of teaching my little brother how to play this game as well. I had my doubts when a remake was announced but i can honestly say without a shadow of a doubt that this remake is a work of art. Doing more than justice to its original and even surpassing it.
This is a title that should most definatley be in any gamers arsenal.
Bob Mann (459 KP) rated The Hate U Give (2018) in Movies
Sep 28, 2021
Itâs a turf war on a global scale.
I saw this as part of a âSecret Cinemaâ event by Cineworld cinemas in the UK. Thatâs where you go to see a pre-release movie without knowing what it is going to be. Itâs an interesting litmus test for a) a movieâs upfront marketing appeal (how many people get up and walk out when the BBFC title appears) and b) the âgrab âem earlyâ appeal of the movie itself (how many people get up and walk out during the first 20 minutes of so).
Iâm afraid this movie didnât do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. Thereâs a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, âFencesâ) and Lisa (Regina Hall) are devoting all of their energies to âbreak the cycleâ and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starrâs anonymous world is about to get a national focus shone onto it.
Man⌠I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (âBlah, blah, blah..â): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one thatâs well done with kissing (âBlah, blah, blah..â) while the local Mean Girls look on (âBlah, blahâ) then with Starrâs friends trying to act street (âblah, blahâ) while Starr tries not to be street, all to the constant droning of Starrâs voiceover (âBlah, blah, blah..â). (I never walk out of moviesâŚ. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato âthoughtsâ, before storming back for a âblah, blahâ finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent âThe Darkest Mindsâ. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. Thereâs also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starrâs perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starrâs police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldnât feel like that⌠and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, thereâs a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. âYou donât SEE meâ wails Starr. âI see youâ replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starrâs perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., itâs undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad⌠it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in todayâs America. Jackson sang âIt doesnât matter if youâre black or whiteâ: and it really shouldnât, but actually in some quarters, it clearly still does.
Iâm afraid this movie didnât do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. Thereâs a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, âFencesâ) and Lisa (Regina Hall) are devoting all of their energies to âbreak the cycleâ and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starrâs anonymous world is about to get a national focus shone onto it.
Man⌠I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (âBlah, blah, blah..â): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one thatâs well done with kissing (âBlah, blah, blah..â) while the local Mean Girls look on (âBlah, blahâ) then with Starrâs friends trying to act street (âblah, blahâ) while Starr tries not to be street, all to the constant droning of Starrâs voiceover (âBlah, blah, blah..â). (I never walk out of moviesâŚ. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato âthoughtsâ, before storming back for a âblah, blahâ finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent âThe Darkest Mindsâ. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. Thereâs also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starrâs perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starrâs police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldnât feel like that⌠and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, thereâs a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. âYou donât SEE meâ wails Starr. âI see youâ replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starrâs perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., itâs undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad⌠it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in todayâs America. Jackson sang âIt doesnât matter if youâre black or whiteâ: and it really shouldnât, but actually in some quarters, it clearly still does.
Daniel Boyd (1066 KP) rated Straight Outta Compton by NWA in Music
Nov 2, 2017 (Updated Nov 2, 2017)
Something To Say
I still remember the first time I heard this record and I listened to it all the way through lying in bed. Eminem was my gateway into rap music when I was in my early teens, which inevitably led onto Tupac, Snoop Dogg, Biggie, Public Enemy and the like, but when I first heard Straight Outta Compton it was like being taken on a journey in the back seat of some banged up car around the burnt out, bullet ridden streets of Compton, CA. Some people may sneer at the inclusion of this album and claim that it doesnât deserve to be admired due to its glorification of gang violence, sexual abuse and murder. However this album isnât glorious in any way, NWA arenât boasting about this kind of behaviour taking place in their hometown, theyâre condemning it. This is an album born out of frustration, dissatisfaction and fury for the kind of environment that these guys were brought up in and it is actually inspiring in a lot of ways to kids that come from areas where their friends are getting shot night after night and with the current situation in some American states, this album is probably more relevant than ever. The album does generalise, but it also speaks the truth, there is no denying that the US police were and still are largely made up of racist bigots that abuse the power that they are given. Drugs, sexism and violence are simply a part of the culture in some of the poorer parts of modern America and this album doesnât shy away from that, it wears its heart on its sleeve and I think that it is one of the most powerful statements to come out of modern music and one that is unfortunately still just as relevant today, 29 years later.
Hazel (2934 KP) rated The Hanged Man (The Bone Field #2) in Books
Jan 12, 2018
Once again, I am not disappointed by one of SimonÂs books. This, the second in this series, is another gritty and exciting read but I would recommend you read the first otherwise I think you will feel a little lost but itÂs not totally essential as there are enough recaps to help you keep up with the story.
The books does contain a lot of violence  you have been warned  however, it does deal with a particularly distasteful subject and equally distasteful people so you canÂt expect it to be all warm and fluffy!
I know I have said it before but, I think, one of SimonÂs strengths is the creation of believable characters that you begin to care about  DI Ray Mason is one of those however, heÂs not all sweetness and light as you will see in this book and so begins the struggle in my head about whether I should be rooting for him or not! I cannot question his dedication and drive to bring miscreants to justice however, the way he does it is questionable and, if IÂm honest, a little OTT.
Private Investigator and former Police Officer Tina Boyd is another returning character  she is my all-time favourite female protagonist being loyal, brave, feisty and determined and she delivers on all fronts in this book.
Overall, this book is packed with action throughout; it may not be the complex of story lines in the world but it kept me reading with enthusiasm and going back for more and I definitely look forward to the next in the series.
A big thanks to the publisher (Randomhouse UK, Cornerstone) and NetGalley for my copy in return for an honest and unbiased review.
The books does contain a lot of violence  you have been warned  however, it does deal with a particularly distasteful subject and equally distasteful people so you canÂt expect it to be all warm and fluffy!
I know I have said it before but, I think, one of SimonÂs strengths is the creation of believable characters that you begin to care about  DI Ray Mason is one of those however, heÂs not all sweetness and light as you will see in this book and so begins the struggle in my head about whether I should be rooting for him or not! I cannot question his dedication and drive to bring miscreants to justice however, the way he does it is questionable and, if IÂm honest, a little OTT.
Private Investigator and former Police Officer Tina Boyd is another returning character  she is my all-time favourite female protagonist being loyal, brave, feisty and determined and she delivers on all fronts in this book.
Overall, this book is packed with action throughout; it may not be the complex of story lines in the world but it kept me reading with enthusiasm and going back for more and I definitely look forward to the next in the series.
A big thanks to the publisher (Randomhouse UK, Cornerstone) and NetGalley for my copy in return for an honest and unbiased review.
Whatchareadin (174 KP) rated Lie to Me in Books
May 10, 2018
On the outside, Ethan and Sutton Montclair seem like the perfect couple. They are both writers and are crazy about each other. But they have secrets in their past that will soon surface. Sutton has disappeared and told her husband she didn't want to be found. Her friends are convinced, that Ethan has done something to hurt her, but the police are not convinced. When bodies turn up and secrets are revealed, will Ethan be able to maintain his innocence?
I gave this book 4.5 stars(why won't GR let us to halves). This was quite a thrilling story that kept me on the edge of my seat. But I figured out early on who the culprit was although I didn't see all the twists and turns that were coming along with it.
Ethan Montclair was the more famous of the two, but Sutton didn't mind that at all. They had agreed when they got married, that their lives were too busy and complicated for a child so they wouldn't have them, but when Ethan switches out her birth control pills and Sutton gets pregnant anyway, at first she hates him, but when their son is born, all of that changes. Not too long after though, he dies and their whole world comes crashing down. Ethan can no longer write and he spends his time bothering Sutton while she tries to. They have a few altercations and then Sutton decides she can't take it anymore and leaves. Or does she? Has she really just picked up and left without a trace? Not taking any of her belongings with her? Or has Ethan done something to her as her friends suspect? You have to read the book to find out.
I gave this book 4.5 stars(why won't GR let us to halves). This was quite a thrilling story that kept me on the edge of my seat. But I figured out early on who the culprit was although I didn't see all the twists and turns that were coming along with it.
Ethan Montclair was the more famous of the two, but Sutton didn't mind that at all. They had agreed when they got married, that their lives were too busy and complicated for a child so they wouldn't have them, but when Ethan switches out her birth control pills and Sutton gets pregnant anyway, at first she hates him, but when their son is born, all of that changes. Not too long after though, he dies and their whole world comes crashing down. Ethan can no longer write and he spends his time bothering Sutton while she tries to. They have a few altercations and then Sutton decides she can't take it anymore and leaves. Or does she? Has she really just picked up and left without a trace? Not taking any of her belongings with her? Or has Ethan done something to her as her friends suspect? You have to read the book to find out.
Whatchareadin (174 KP) rated Where They Found Her in Books
May 10, 2018
Ridgedale is a small town in New Jersey. Not much happens there. So when the body of a baby girl is found under a bridge near the University, the town is in an uproar. Molly Sanderson, usually a freelancer with the Ridgedale Reader, is given the task of reporting on this story. This is a story that really resonates with her, having lost a child herself, not too long ago. During her investigation, she meets some interesting people and learns more about this small town. The story is told from the point of view of three women from the town. Molly, the reporter, Sandy, the teenager trying to survive with an absentee parent, and Barbara, the "perfect" mother who is also the wife of the chief of police. All three of these women have a connection to this dead child, they just don't know it.
This book was very hard to put down. A thriller with three female characters you will either love or hate. Each of them has a spirit that is determined. Several times during this book, I felt my heart racing. I had to know what was going to happen next.
From the title you might deduce that the mystery is solved in the first chapter, but there are many who need to be found in this book, in more ways than one. Kimberly McCreight grabs at your heart and sold with her writing. She draws you in and keeps you engaged through the entire journey. I can't wait to read more from her in the very near future.
Also by Kimberly McCreight [bc:Reconstructing Amelia|15776309|Reconstructing Amelia|Kimberly McCreight|https://d.gr-assets.com/books/1350193583s/15776309.jpg|21488217]
This book was very hard to put down. A thriller with three female characters you will either love or hate. Each of them has a spirit that is determined. Several times during this book, I felt my heart racing. I had to know what was going to happen next.
From the title you might deduce that the mystery is solved in the first chapter, but there are many who need to be found in this book, in more ways than one. Kimberly McCreight grabs at your heart and sold with her writing. She draws you in and keeps you engaged through the entire journey. I can't wait to read more from her in the very near future.
Also by Kimberly McCreight [bc:Reconstructing Amelia|15776309|Reconstructing Amelia|Kimberly McCreight|https://d.gr-assets.com/books/1350193583s/15776309.jpg|21488217]