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Hazel (2934 KP) rated Bury Them Deep (Inspector McLean #10) in Books
Feb 16, 2020
Engrossing
I have said this before and I will say it again ... once more, this is a treat for crime fiction, with a hint of "other", lovers the world over ... Mr Oswald has provided yet another gripping story.
DCI Tony McLean is a Detective Chief Inspector and, as such, should not be on the front line of policing however, he just can't help himself particularly when a trusted colleague, Anya Renfrew, goes missing under suspicious circumstances. Is this connected to a massive multi-agency enquiry that is just about to get underway and which is so hush-hush, that most people involved don't know the full story? Was she just unfortunate to be in the wrong place at the wrong time? Or is this connected to numerous missing persons cases that have remained unsolved for many years? When it transpires why Anya was where she was when she disappeared and her address is not where she actually lives, the mystery deepens.
It's clear that Tony is at his happiest when in the thick of things rather than sitting at his desk reading reports and directing operations and this theme is strong throughout the book. Mr Oswald is able to effortlessly portray the enthusiasm and passion Tony has for investigating and solving the apparently unsolvable crimes whilst trying to appease the top brass and having a life outside of the Police. This ability brings Tony to life and makes him believable and "human".
It's not just Tony who is brought to life, this book is littered with excellent characters ... Grumpy Bob, Norman Bates, Gav, Bobby, Professor Harriet Turner, etc., etc., etc. Ex Detective Superintendent Grace Ramsey was a particular favourite of mine who is described as "a slim, middleaged woman in a severe dark suit with a face like licking piss off a nettle" ... that one line caused a laugh-out-loud moment and conjured up an image that has stuck with me and one that captures a few people I know!! I will definitely be using that one in the future 😎
The opening chapter had me hooked and wondering what the heck it would have to do with a crime in the 21st century however, the subtly of how this was woven and developed into the story was excellent and had me thinking that it isn't something that's beyond what is possible in these times unfortunately.
This is an engrossing read and one in which I was completely drawn into and enjoyed immensely from start to finish and, once again, I am thankful to Headline and NetGalley for my copy in return for an honest and unbiased review.
DCI Tony McLean is a Detective Chief Inspector and, as such, should not be on the front line of policing however, he just can't help himself particularly when a trusted colleague, Anya Renfrew, goes missing under suspicious circumstances. Is this connected to a massive multi-agency enquiry that is just about to get underway and which is so hush-hush, that most people involved don't know the full story? Was she just unfortunate to be in the wrong place at the wrong time? Or is this connected to numerous missing persons cases that have remained unsolved for many years? When it transpires why Anya was where she was when she disappeared and her address is not where she actually lives, the mystery deepens.
It's clear that Tony is at his happiest when in the thick of things rather than sitting at his desk reading reports and directing operations and this theme is strong throughout the book. Mr Oswald is able to effortlessly portray the enthusiasm and passion Tony has for investigating and solving the apparently unsolvable crimes whilst trying to appease the top brass and having a life outside of the Police. This ability brings Tony to life and makes him believable and "human".
It's not just Tony who is brought to life, this book is littered with excellent characters ... Grumpy Bob, Norman Bates, Gav, Bobby, Professor Harriet Turner, etc., etc., etc. Ex Detective Superintendent Grace Ramsey was a particular favourite of mine who is described as "a slim, middleaged woman in a severe dark suit with a face like licking piss off a nettle" ... that one line caused a laugh-out-loud moment and conjured up an image that has stuck with me and one that captures a few people I know!! I will definitely be using that one in the future 😎
The opening chapter had me hooked and wondering what the heck it would have to do with a crime in the 21st century however, the subtly of how this was woven and developed into the story was excellent and had me thinking that it isn't something that's beyond what is possible in these times unfortunately.
This is an engrossing read and one in which I was completely drawn into and enjoyed immensely from start to finish and, once again, I am thankful to Headline and NetGalley for my copy in return for an honest and unbiased review.
LEGO® City game
Games and Entertainment
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The Wheel '77
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The Wheel '77 is a historic novelty for those clinicians who remember the 70's and those plastic,...
Death of an Assassin: The True Story of the German Murderer Who Died Defending Robert E. Lee
10.0
Rate It
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From the depths of German and American archives comes a story one soldier never wanted told. The...
Justice Denied: Extraordinary Miscarriages of Justice
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An incisive examination by the bestselling author of The Mammoth Book of Gangs of some of the many...
An Englishman Aboard: Discovering France in a Rowing Boat
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From the author of Pardon My French and A Certain Je Ne Sais Quoi, this is the charming and...
Three Graves Full
Jon Gray and Jamie Mason
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Hitchcock meets the Coen Brothers in a darkly comic suspense novel with the tense pacing of a...
Emma @ The Movies (1786 KP) rated Playmobil: The Movie (2019) in Movies
Jun 20, 2020
What can I say about Playmobil The Movie? You know how in real life Playmobil is naff when you compare it to Lego? ... Yeah.
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
Charlie Cobra Reviews (1840 KP) rated The Dead Don't Die (2019) in Movies
Jul 7, 2020 (Updated Oct 25, 2020)
An All Star Cast Couldn't Get This Film To Rise From The Grave
Contains spoilers, click to show
I was greatly disappointed in this movie. I thought it was a little funny in the beginning with Adam Driver's character breaking the fourth wall and talking about the theme song for the movie but a lot of the humor was kind or dry and fell flat for me. Bill Murray's character was too serious and Chloe Sevigny's too emotional but they were good in contrast to each other and I guess the police force in general were ok. What threw me off too was that it took so long for anything to happen. The pacing was off in this movie and nothing really happened for a long time. I was hoping that it was setting something up and that it would pay off but I can't say that it did in a successful way. The first scene with the zombies at the dinner attacking the workers there was pretty good and I thought it was funny with the whole "coffee" thing sure. But too many characters and scenes were wasted. I thought the Selena Gomez's car group were wasted and could have been utilized better and would have made the movie/story more interesting. The same with Danny Glover and Caleb Landy Jones who try their best to survive but are overtaken by zombies because the cops don't have the balls to leave their car to even check on them. Even Tom Waits character Hermit Bob was wasted because he never really does anything except hide in the woods and look at people through binoculars. I don't know i really don't, I mean I see such wasted potential in a movie having so many good actors. Makes me wonder what they think about the film if any of them have seen it. The only character I really liked was Tilda Swinton as the creepy mortician/undertaker and how she kicked ass with that samurai sword. Another thing that bothered me was when the zombies got their heads cut off or shot there was just this weaird black ash or sand that came out and no blood or anything. It was kind of a cool effect at first but then it was never explained or anything so it started bothering the crap out of me. There were a couple of other parts that were funny for me and one or two scenes of action but I have to say this was a below normal zombie comedy movie. Nothing like Zombieland. I give The Dead Don't Die a 4/10.
Jesters_folly (230 KP) rated The Fast and the Furious (2001) in Movies
May 18, 2021
Contains spoilers, click to show
So this is the first time I've seen 'The Fast and the Furious' and the only other film in the franchise I've seen is 'Hobbs and Shaw', Which I knew was a (slightly) different beast but, with the new film out soon I thought I may as well start from the beginning.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.