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Lee (2222 KP) rated Spies in Disguise (2019) in Movies
Jan 1, 2020
I’m not exactly complaining, but Tom Holland does seem to literally be in everything right now. As I sat ready to watch Spies in Disguise, which features the voice of Tom Holland, there was a trailer for upcoming Pixar movie Onward, featuring the voice of Tom Holland. Then a trailer for Dolittle, starring Robert Downey Jr and featuring the voice of Tom Holland as loyal dog Jip. On top of starring in 2019s highest grossing movie, as everyone’s favourite neighbourhood webslinger, he’s certainly having quite the year right now. And well deserved it is too.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.
Darren (1599 KP) rated I Am Wrath (2016) in Movies
Jul 25, 2019
Story: I Am Wrath starts as we learn the war on crime was getting out of hand, but the Governor has started winning against the gangs. Stanley (Travolta) returns home after a business trip meeting his wife Vivian (De Mornay) where the two are attack with Vivian murdered.
With the police not getting the suspects, Stanley turns to a previous life working his former partner Dennis (Meloni) as a black-ops soldier that will stop at nothing to extract revenge on the people who murdered his wife.
Thoughts on I Am Wrath
Characters – Stanley is a mile-mannered businessman working in the car industry. When is wife is murdered in a senseless crime, he returns to a former life on a warpath with the gang involved as the cold-hearted killer. Dennis is the former partner of Stanley’s that still has the connections in the underworld, he helps Stanley in his revenge mission, he supplies the weapons and details of who were responsible. Abbie is the daughter of Stanley that tries to be there for her father while continue on her adult life. Detective Gibson is the lead on the case, he is forced to let the suspect go believing he will get himself killed soon enough.
Performances – John Travolta is solid enough in this leading role, we do get to see a large number of 50+ year old actors going into this action films, he isn’t the best, but he isn’t the worst. Christopher Meloni plays the best character in the film and is easily the one you want to see more of in this film. Amanda Schull is fine in her role, we need a figure that isn’t involved in the action and she offers it. The rest of the cast bring us the targets for the most part and give us generic bad guy performances.
Story – The story follows one man that goes to war on the gangs of his city to learn who killed his wife and get revenge. When it comes to the story this isn’t the most original, it is extremely watchable for a time killing hour and half, it doesn’t test the audience and doesn’t have any twists along the way. This is one of those stories that is mostly forgettable over bad and checks all the boxes needed to make the audience watch.
Action/Crime – The action is filled with old man action style that Liam Neeson made famous, it works for the film with Meloni getting the best sequence. The crime throws us into the world where gangs are controlling the streets with drug sales going through the roof and one man doing anything to get revenge.
Settings – The film takes us to a city overrun by crime and shows us how people can be forced into actions to get revenge for the lost loved one.
Scene of the Movie – Dennis versus the thugs in the shop.
That Moment That Annoyed Me – We have seen this before.
Final Thoughts – This is a basic action film that will keep you entertained through the whole film without being anything overly original.
Overall: Easy to watch action film.
With the police not getting the suspects, Stanley turns to a previous life working his former partner Dennis (Meloni) as a black-ops soldier that will stop at nothing to extract revenge on the people who murdered his wife.
Thoughts on I Am Wrath
Characters – Stanley is a mile-mannered businessman working in the car industry. When is wife is murdered in a senseless crime, he returns to a former life on a warpath with the gang involved as the cold-hearted killer. Dennis is the former partner of Stanley’s that still has the connections in the underworld, he helps Stanley in his revenge mission, he supplies the weapons and details of who were responsible. Abbie is the daughter of Stanley that tries to be there for her father while continue on her adult life. Detective Gibson is the lead on the case, he is forced to let the suspect go believing he will get himself killed soon enough.
Performances – John Travolta is solid enough in this leading role, we do get to see a large number of 50+ year old actors going into this action films, he isn’t the best, but he isn’t the worst. Christopher Meloni plays the best character in the film and is easily the one you want to see more of in this film. Amanda Schull is fine in her role, we need a figure that isn’t involved in the action and she offers it. The rest of the cast bring us the targets for the most part and give us generic bad guy performances.
Story – The story follows one man that goes to war on the gangs of his city to learn who killed his wife and get revenge. When it comes to the story this isn’t the most original, it is extremely watchable for a time killing hour and half, it doesn’t test the audience and doesn’t have any twists along the way. This is one of those stories that is mostly forgettable over bad and checks all the boxes needed to make the audience watch.
Action/Crime – The action is filled with old man action style that Liam Neeson made famous, it works for the film with Meloni getting the best sequence. The crime throws us into the world where gangs are controlling the streets with drug sales going through the roof and one man doing anything to get revenge.
Settings – The film takes us to a city overrun by crime and shows us how people can be forced into actions to get revenge for the lost loved one.
Scene of the Movie – Dennis versus the thugs in the shop.
That Moment That Annoyed Me – We have seen this before.
Final Thoughts – This is a basic action film that will keep you entertained through the whole film without being anything overly original.
Overall: Easy to watch action film.
Ivana A. | Diary of Difference (1171 KP) rated The Stranger Game in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-14.png"/>;
When Rebecca's boyfriend Ezra goes missing, she knows something is not quite right. But when she reports it to the police, they don't seem to really care. They suspect he's been playing ''The Stranger Game'', a game that went viral, where people take social media behaviour on the streets and start following each other in real life.
<b><i>The rules of the game are simple:</i></b>
<i>* You must choose a random person.
* You cannot make contact with other people (or tell them you're playing the game)
* You mustn't follow the same person twice.</i>
But as the game spreads, the rules start to change, and people start disappearing without a trace.
In hope that she she can find her man, Rebecca starts playing the game herself. But the more she gets involved, the bigger the risk is.
<b>When I read the synopsis about ''The Stranger Game'' by Peter Gadol, I knew I had to read the book. It is a plot that intrigues me and I am always up for reading more psychological thrillers.
But this book's delivery was weak. I found the story very slow and unintriguing, with no exceptional plot twists and with a disappointing and rather predictable ending. </b>
Rebecca was a difficult character to begin with. The writing in the chapters felt different, even though it was the same character's point of view. I was left very confused. I just wanted to get a better glance at ''The Stranger Game''. And I did, but the game scenario was so much different compared to the synopsis - which was only slightly annoying. But to top up the annoyance, there was a huge lack of mystery and suspense throughout the book. I just stopped caring whether Rebecca was going to find Ezra or not. I did not care whether her life was in danger. I was that unbothered.
<b><i>On a positive note,</i></b>
I did enjoy the psychological theme and people's behaviour. I always want to know more about how and why people behave in a certain way and this book definitely opened some interesting discussion points.
<b><i>Do I recommend it? Yes.
If you like human psychology and behaviour, this is a good book to have on your stack. But will this be the next mystery and suspense hit? Probably not...</i></b>
Thank you to team at HQ (Harper Collins Publishers), for sending me a copy of this book in exchange for my honest review.
<i>''The Stranger Game'' comes out on 5th September 2019.</i>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-14.png"/>;
When Rebecca's boyfriend Ezra goes missing, she knows something is not quite right. But when she reports it to the police, they don't seem to really care. They suspect he's been playing ''The Stranger Game'', a game that went viral, where people take social media behaviour on the streets and start following each other in real life.
<b><i>The rules of the game are simple:</i></b>
<i>* You must choose a random person.
* You cannot make contact with other people (or tell them you're playing the game)
* You mustn't follow the same person twice.</i>
But as the game spreads, the rules start to change, and people start disappearing without a trace.
In hope that she she can find her man, Rebecca starts playing the game herself. But the more she gets involved, the bigger the risk is.
<b>When I read the synopsis about ''The Stranger Game'' by Peter Gadol, I knew I had to read the book. It is a plot that intrigues me and I am always up for reading more psychological thrillers.
But this book's delivery was weak. I found the story very slow and unintriguing, with no exceptional plot twists and with a disappointing and rather predictable ending. </b>
Rebecca was a difficult character to begin with. The writing in the chapters felt different, even though it was the same character's point of view. I was left very confused. I just wanted to get a better glance at ''The Stranger Game''. And I did, but the game scenario was so much different compared to the synopsis - which was only slightly annoying. But to top up the annoyance, there was a huge lack of mystery and suspense throughout the book. I just stopped caring whether Rebecca was going to find Ezra or not. I did not care whether her life was in danger. I was that unbothered.
<b><i>On a positive note,</i></b>
I did enjoy the psychological theme and people's behaviour. I always want to know more about how and why people behave in a certain way and this book definitely opened some interesting discussion points.
<b><i>Do I recommend it? Yes.
If you like human psychology and behaviour, this is a good book to have on your stack. But will this be the next mystery and suspense hit? Probably not...</i></b>
Thank you to team at HQ (Harper Collins Publishers), for sending me a copy of this book in exchange for my honest review.
<i>''The Stranger Game'' comes out on 5th September 2019.</i>
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Emma @ The Movies (1786 KP) rated Bad Boys for Life (2020) in Movies
Feb 2, 2020
Bad Boys, Bad Boys II, what ya gonna do? Go and watch Bad Boys For Life, that's what you're gonna do.
Mike and Marcus are still going strong but Marcus wants to slow down and ease into retirement. His life is changing and it's time to realise he's not a boy anymore. When their celebrations are rudely interrupted a hunt begins, good against bad, old school police work versus new. Will this be the end of the road for our Bad Boys?
I rewatched the original movies before this because of course you have to! Something I loved about this is that they managed to bring the series up to date while still keeping some of the key elements that added fun to the first two instalments. There's nostalgia here that I absolutely love, more on that later.
There were times while watching Bad Boys For Life that I pondered if it was still a Michael Bay film, there are quite a few glossy moments that feel like they have a touch of Bayhem about them.
I love that the original cast are back with the same great chemistry. I wasn't overly keen on the additional cast they brought in. With an established universe it's difficult to bring in that many new characters. There was a solid effort to get their backstories and personalities in but with so much other story happening it often felt out of place or tacked on. A quicker way might have been to have them introduced from their files with montage shots and be done with. I did at one point assume it was just a set up for the next film.
One of the little surprises for me was DJ Khaled, I didn't know he was in it and his part was just great, he played it so well that I was a little sad there wasn't more.
Everything has a very crisp feel to it, which was another reason my brain kept saying Bay. Vibrant surrounding, costumes and sets all perfectly matched together. I liked the contrasts between Mike and Marcus' lives, though the montage just made me think of Hobbs and Shaw and how that felt better.
There are lots of holes to pick in this, the script isn't great and I wasn't fond of the way the main storyline came together at the end but this is one of those instances where I don't think it matters. I have never watched a Bad Boys movie for its Shakespearean drama, I watch it for the banter and the action. Bad Boys For Life has that in spade, as well as an incredible amount of emotion and heart.
This is the sort of film I like to watch to have a break from the stress, I will definitely be buying this one when it comes out. It's got that chicken soup feel to it, it's familiar and it's fun... and sometimes that's what you need.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/bad-boys-for-life-movie-review.html
Mike and Marcus are still going strong but Marcus wants to slow down and ease into retirement. His life is changing and it's time to realise he's not a boy anymore. When their celebrations are rudely interrupted a hunt begins, good against bad, old school police work versus new. Will this be the end of the road for our Bad Boys?
I rewatched the original movies before this because of course you have to! Something I loved about this is that they managed to bring the series up to date while still keeping some of the key elements that added fun to the first two instalments. There's nostalgia here that I absolutely love, more on that later.
There were times while watching Bad Boys For Life that I pondered if it was still a Michael Bay film, there are quite a few glossy moments that feel like they have a touch of Bayhem about them.
I love that the original cast are back with the same great chemistry. I wasn't overly keen on the additional cast they brought in. With an established universe it's difficult to bring in that many new characters. There was a solid effort to get their backstories and personalities in but with so much other story happening it often felt out of place or tacked on. A quicker way might have been to have them introduced from their files with montage shots and be done with. I did at one point assume it was just a set up for the next film.
One of the little surprises for me was DJ Khaled, I didn't know he was in it and his part was just great, he played it so well that I was a little sad there wasn't more.
Everything has a very crisp feel to it, which was another reason my brain kept saying Bay. Vibrant surrounding, costumes and sets all perfectly matched together. I liked the contrasts between Mike and Marcus' lives, though the montage just made me think of Hobbs and Shaw and how that felt better.
There are lots of holes to pick in this, the script isn't great and I wasn't fond of the way the main storyline came together at the end but this is one of those instances where I don't think it matters. I have never watched a Bad Boys movie for its Shakespearean drama, I watch it for the banter and the action. Bad Boys For Life has that in spade, as well as an incredible amount of emotion and heart.
This is the sort of film I like to watch to have a break from the stress, I will definitely be buying this one when it comes out. It's got that chicken soup feel to it, it's familiar and it's fun... and sometimes that's what you need.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/bad-boys-for-life-movie-review.html
Picking up after the harrowing events of book one, NO MERCY finds Officer Ellery Hathaway on leave. She's going to mandated therapy, attending a group for victims of violent crime. This isn't exactly Ellery's "cup of tea," as she's not one for sharing her feelings. In group, she meets Myra, a victim of a deadly fire years ago that killed her young son. Ellery quickly gets caught up in Myra's case and becomes convinced that the wrong man--who is up for parole--was convicted of the crime. Another group member, Wendy, was brutally raped, and she asks Ellery for help finding her rapist, who is still on the loose, leaving Wendy a shadow of her once vibrant self. Ellery turns to her friend, FBI agent Reed Markham, the man who rescued her so many years ago. Reed comes, of course; he can never say no to Ellery. But Reed is also in line for a big promotion, and his boss doesn't want him near Ellery. As the two start digging, they uncover secrets: lots of them.
"You kill one guy, one time, and suddenly everyone thinks you need therapy..."
I picked up this book immediately after reading book one, because I was so captivated by Reed and Ellery. They are an amazing duo, with wonderful chemistry, both for solving crimes and in the "will they, won't they" department. Schaffhausen writes in this steady, easy-to-read way that effortlessly brings her characters to life and makes it so easy to flip the pages. Just like the first book, I tore through this one in less than 24 hours.
There are plenty of twists and turns and lots of drama. But there's also a personal and touching element to these books. Ellery and Reed have such a connection. He supposedly rescued her all those years ago, pulling near-dead Ellery from the clutches of a serial killer. But, of course, that experience has formed and hardened her in so many ways. She's a tough cookie. And it's truly just Reed who can see past her outer shell. Ellery will only allow Reed to see little glimpses of her actual self.
The mystery in this book is exemplary. We go back in time to a series of fires in Boston. Even better, it has some ties to Reed's boss, McGreevy, who worked the Boston beat back in the day (see, everything is personal). The more present-day case, Wendy's rapist, fuels Ellery, who feels as if perhaps she is worthless, unable to affect change as a police officer. It's also personal, on a whole different level. Both are compelling. Each kept me guessing and while I had some inkling about the fires, nothing would stop me from frantically turning the pages!
In the end, this was an excellent book. I love the relationship between Ellery and Reed and how it's developing. Both cases were intriguing and kept me hooked from the beginning. I immediately turned to book three, and I'm so sad it's the last one (hopefully just for now)! 4 stars.
"You kill one guy, one time, and suddenly everyone thinks you need therapy..."
I picked up this book immediately after reading book one, because I was so captivated by Reed and Ellery. They are an amazing duo, with wonderful chemistry, both for solving crimes and in the "will they, won't they" department. Schaffhausen writes in this steady, easy-to-read way that effortlessly brings her characters to life and makes it so easy to flip the pages. Just like the first book, I tore through this one in less than 24 hours.
There are plenty of twists and turns and lots of drama. But there's also a personal and touching element to these books. Ellery and Reed have such a connection. He supposedly rescued her all those years ago, pulling near-dead Ellery from the clutches of a serial killer. But, of course, that experience has formed and hardened her in so many ways. She's a tough cookie. And it's truly just Reed who can see past her outer shell. Ellery will only allow Reed to see little glimpses of her actual self.
The mystery in this book is exemplary. We go back in time to a series of fires in Boston. Even better, it has some ties to Reed's boss, McGreevy, who worked the Boston beat back in the day (see, everything is personal). The more present-day case, Wendy's rapist, fuels Ellery, who feels as if perhaps she is worthless, unable to affect change as a police officer. It's also personal, on a whole different level. Both are compelling. Each kept me guessing and while I had some inkling about the fires, nothing would stop me from frantically turning the pages!
In the end, this was an excellent book. I love the relationship between Ellery and Reed and how it's developing. Both cases were intriguing and kept me hooked from the beginning. I immediately turned to book three, and I'm so sad it's the last one (hopefully just for now)! 4 stars.
Kristy H (1252 KP) rated The Honey-Don't List in Books
Mar 26, 2020
Carey Douglas is looking forward to a much-needed vacation. She's spent nearly ten years serving as an assistant--and much more--to Melissa Tripp, one half of Melissa and Rusty Tripp. The Tripps are co-owners of the store Comb+Honey and best known for their home renovation TV shows and books. They have a new solo show, Home Sweet Home, about to launch on Netflix, accompanied by a book about their happy marriage. The only issue: Melissa and Rusty can't stand each other. So instead of giving their assistants--Carey and Rusty's assistant/engineer, James--a break while they go on book tour, the couple's behavior requires they be babysat so their mutual self-hatred does not go viral. Suddenly Carey and James find themselves stuck together on a tour bus, watching over two very irritable and often hateful people. James needs the engineering contacts and a job where everything is on the up-and-up--something his last couldn't offer. Carey requires health insurance and believes Melissa needs her more than anyone else. And who knows, the more time James and Carey spend together, the more they might wind up finding some good in all this mess.
"You wouldn't know from scrolling through their idyllic Instagram feed that Melly and Rusty aren't quite as sweet on each other anymore. Looking back, I'm not really sure when they decided their marriage mattered less than their brand."
This was a fun and engaging Christina Lauren read. I'd rank Carey and James as one of their good couples, though not perhaps in the great category. They are cute, however, with plenty of chemistry and lots of sexy banter.
"Your only job for the next ten days is to keep the Tripps from falling apart."
I enjoyed the HGTV feel of this book and the Tripps had a "Chip and Joanna Gaines" feel, if the Gaines went off the rails, or we were able to see their dark side. Things get a little repetitive in the middle, as the Tripps fight and Carey and James struggle with the "oh but we need our jobs" piece, but overall the book is humorous, tender, and fun. Sure, Carey and James are desperately thrown together and you have NO IDEA what will happen, right? It's all good; it's why I love a good romance. Their journey is enjoyable and the side characters--mainly the Tripps--are, well, a trip. Let me tell you, Melissa (Melly) is downright scary at times.
We also get the story told from both Carey and James' point of view, which I like, plus some police report excerpts (oh yeah) and parts of blogger and tabloid pieces. Our fabulous duo does a great job at putting us in the middle of the Tripps' scandal, and one of my favorite things about this one was that not only did we get to enjoy Carey and James' romance, but we felt like we were a part of the trainwreck sensation that was Melly and Rusty.
Overall, this is a fun read with a sexy romance and enjoyable characters. 3.75 stars, rounded to 4 stars here.
"You wouldn't know from scrolling through their idyllic Instagram feed that Melly and Rusty aren't quite as sweet on each other anymore. Looking back, I'm not really sure when they decided their marriage mattered less than their brand."
This was a fun and engaging Christina Lauren read. I'd rank Carey and James as one of their good couples, though not perhaps in the great category. They are cute, however, with plenty of chemistry and lots of sexy banter.
"Your only job for the next ten days is to keep the Tripps from falling apart."
I enjoyed the HGTV feel of this book and the Tripps had a "Chip and Joanna Gaines" feel, if the Gaines went off the rails, or we were able to see their dark side. Things get a little repetitive in the middle, as the Tripps fight and Carey and James struggle with the "oh but we need our jobs" piece, but overall the book is humorous, tender, and fun. Sure, Carey and James are desperately thrown together and you have NO IDEA what will happen, right? It's all good; it's why I love a good romance. Their journey is enjoyable and the side characters--mainly the Tripps--are, well, a trip. Let me tell you, Melissa (Melly) is downright scary at times.
We also get the story told from both Carey and James' point of view, which I like, plus some police report excerpts (oh yeah) and parts of blogger and tabloid pieces. Our fabulous duo does a great job at putting us in the middle of the Tripps' scandal, and one of my favorite things about this one was that not only did we get to enjoy Carey and James' romance, but we felt like we were a part of the trainwreck sensation that was Melly and Rusty.
Overall, this is a fun read with a sexy romance and enjoyable characters. 3.75 stars, rounded to 4 stars here.
156Reviews (7 KP) rated True History of the Kelly Gang (2019) in Movies
May 1, 2020
One of the main things that divides opinion on Ned Kelly is was he on the side of good or bad? Some see him as a kind of freedom fighter, standing up to the British, who at the time that looked to suppress and demean the Australian people. Some see him as a criminal, who murdered innocent people for reasons known only to him. Both of these opinions may be true, neither of them might be, but it's one hell of a gamble to base a film on someone that divides opinion that much.
It's a gamble that doesn't pay off, the team behind the film try to sell it as a punk-esque, spit in the face of authority tale of a guy standing up against the establishment. The soundtrack is on-point, but that's about it. George Mackay (as Ned Kelly) does his best to sell it, but the film-makers never truly drive home the idea that this was a man of the people, someone speaking up for the downtrodden, instead Ned spends most of the films run-time with his family in their home, seemingly away from civilisation entirely, taking away from the Robin Hood-like mythology of the man. Without any other characters, Robin Hood is just a man who steals from people. A story about a thief, who becomes a murderer, who becomes a gang leader who incites others to kill, doesn't exactly evoke much sympathy, especially as these are based on real life events. Even if the film denies this by stating “Nothing you are about to see is true” at the start, despite “True History” being in the title of the film.
Some of the cast do their best to with what they are given, but some fall short, and some are just wilfully underused, Thomasin McKenzie, who has been great in recent films such as JoJo Rabbit and Leave No Trace is barely given anything to do other than play “The Woman” despite many important events revolving around her, opposite to this is Charlie Hunnam, who is given ample things to do, but seems to still be playing the same character from his recent The Gentleman performance. George Mackay is a force to be reckoned with, but its a performance that would be better placed in a sex pistols biopic than in 1800's Australia. The shining performance in this is Nicolas Hoult, shaking off his nice guy image to play the corrupt Constable Fitzpatrick, who seems to delight in the power he has and when events stop going Fitzpatrick's way, Hoult commits to playing a man on the edge of completely losing control with surprising conviction and menace, his interrogation scenes being and uncomfortable highlight in an otherwise unconvincing film.
With no mention of the two years Kelly spent on the run, being hidden from the police by a network of sympathisers, and by showing his plight as a very personal experience instead of showing it as an example of the culture at the time, the film misses an opportunity to make a legend of the man, and instead falls short of greatness.
It's a gamble that doesn't pay off, the team behind the film try to sell it as a punk-esque, spit in the face of authority tale of a guy standing up against the establishment. The soundtrack is on-point, but that's about it. George Mackay (as Ned Kelly) does his best to sell it, but the film-makers never truly drive home the idea that this was a man of the people, someone speaking up for the downtrodden, instead Ned spends most of the films run-time with his family in their home, seemingly away from civilisation entirely, taking away from the Robin Hood-like mythology of the man. Without any other characters, Robin Hood is just a man who steals from people. A story about a thief, who becomes a murderer, who becomes a gang leader who incites others to kill, doesn't exactly evoke much sympathy, especially as these are based on real life events. Even if the film denies this by stating “Nothing you are about to see is true” at the start, despite “True History” being in the title of the film.
Some of the cast do their best to with what they are given, but some fall short, and some are just wilfully underused, Thomasin McKenzie, who has been great in recent films such as JoJo Rabbit and Leave No Trace is barely given anything to do other than play “The Woman” despite many important events revolving around her, opposite to this is Charlie Hunnam, who is given ample things to do, but seems to still be playing the same character from his recent The Gentleman performance. George Mackay is a force to be reckoned with, but its a performance that would be better placed in a sex pistols biopic than in 1800's Australia. The shining performance in this is Nicolas Hoult, shaking off his nice guy image to play the corrupt Constable Fitzpatrick, who seems to delight in the power he has and when events stop going Fitzpatrick's way, Hoult commits to playing a man on the edge of completely losing control with surprising conviction and menace, his interrogation scenes being and uncomfortable highlight in an otherwise unconvincing film.
With no mention of the two years Kelly spent on the run, being hidden from the police by a network of sympathisers, and by showing his plight as a very personal experience instead of showing it as an example of the culture at the time, the film misses an opportunity to make a legend of the man, and instead falls short of greatness.
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Matthew Krueger (10051 KP) rated Targets (1968) in Movies
Jun 18, 2020
Targeting Frankenstein: A Horror Icon
Targets- is a very suspenseful film that stars a old boris Karloff. His performance in this film is different. Usually he is type-cast in a horror movie. Targets is not the cast, its a more serious role for Karloff and I liked it alot. He is dramatic in Targets. It was Karloff's last appearance in a marjor american film, before he passed away in 1968.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.