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Emma @ The Movies (1786 KP) rated Queen & Slim (2019) in Movies
Feb 2, 2020
Queen and Slim share a nice, if odd, first date. Driving her home after dinner their night takes a turn as they're pulled over by a police officer. It's clear that he's less than happy, and when he asks Slim to step out of the car with no real reason Queen, as a lawyer, tries to stand for what's right. What happens next leaves them both changed and they need to escape what's coming, but neither are prepared for what it'll lead them to.
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Queen and Slim was interesting and yet at times boring. The basic idea is that these two are on the run after committing a crime, that can be a thrilling ride to be on, but between the thrilling, there was a lot of filler. It wasn't bad, it's artistically shot, but at some point that doesn't make up for the lack of scene.
There's also a technique employed that really didn't sit well with me. In those in-between bits when we're shown characters there's a voiceover when they're sitting looking intense. The first time it happened I honestly thought something had gone wrong with the audio but it all went back to normal fairly quickly. Then it happened a second time and I suddenly realised... this is a thing. I didn't feel like it added anything to the film, rather it took me out of the scenes every time.
Our peripheral characters are all solid and I was particularly impressed with the lad playing the mechanics son, Jahi Di'Allo Winston. While he wasn't in a lot of the film his moments were important and held an interesting message about what was occurring in the film.
With our main characters there was a big issue I had from the very beginning. I didn't particularly like Queen as a character. Even considering the events that take place for her outside of the film's main timeline I found her actions to be unbelievable compared to the image of her as a person that we'd already gleaned. In turn, I found the reactions of Slim to be against character too. This led to a lot of other similar issues through the whole film.
Jodie Turner-Smith's performance felt a little flat, while some of that will be to do with the way Queen was written I didn't get any flashes of something unique to latch on to. Daniel Kaluuya also might not have had the best writing to deal with but his performance was much more impressive.
While the story was an interesting one and brings up a lot to think about when it comes to social justice I was almost instantly taken out of it by Queen's actions, and then put off again by the strange voiceovers. I don't think I will need to watch this one again, while there are good bits in Queen and Slim there was way too much that was just okay between them.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/queen-slim-movie-review.html
Emma @ The Movies (1786 KP) rated Richard Jewell (2019) in Movies
Mar 2, 2020
Richard longs to work in law enforcement, but his eagerness to make the best impression doesn't endear him to his employers or the people he's bound to protect.
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
Veronica Pena (690 KP) rated Rope (1948) in Movies
Mar 12, 2020
did i speak too soon?
Contains spoilers, click to show
If you've read my other reviews, you know that I'm currently in a Hitchcock film class. I've been dreading watching his films because of the ones I've seen, with the exception of Psycho, have been the same story told in different ways. I was equally as dreadful when it came to watching this film. However, I was pleasantly surprised.
In Psycho, while we saw a serial killer, it was almost as if Norman had no choice because he'd been overtaken, so to speak, by Norma Bates. Norman knew what had been done, what his mother had done, and he cleaned up after her, defended her, took care of her. In Shadow of a Doubt, while Uncle Charlie was also a killer, Hitchcock played with the likable villain scenario that we talked about last week. He was this dapper, well-liked, well-respected man that seemed like he could never be capable of the things he was accused. And even when he did die, only little Charly and the detective really knew the truth of who Uncle Charlie was. In Sabotage, we saw murder but it wasn't purposeful. The bomb that was meant to explode, wasn't meant to explode where it did - on a public bus, killing not only the nephew but several strangers and a puppy.
Rope is glaringly different in comparison. We see Brandon who is ecstatic, almost euphoric about what he and Phillip had done. He almost gets off on the idea that they just killed a man, a friend of theirs, and invited that man's family, friends, and fiance over for a party while that man's dead body lying there, unbeknownst to the guests. Brandon was excited by that. In contrast, Phillip is paranoid, drinking rapidly and in excess trying to calm himself down, but really only making himself more suspicious. The nuance and the contrast of Brandon and Phillip's characters are different than anything we've seen from Hitchcock thus far, but even further than that, we see Rupert come in and kind of save the day. He puts the pieces together, observant of both Brandon and Phillip's awkwardness and behavior throughout the party, then noticing the hat and the rope, he comes back and realizes what they have done. Instead of taking vengeance into his own hands, something that we saw in Sabotage, he fires 3 shots out of the window, causing passersby and neighbors to call the police. Rupert than sits next to the chest that holds David's body, almost protecting him, while he waits for the authorities to arrive for Brandon and Phillip.
This film, more than any other one besides Psycho, has been my favorite to watch and the one that kept me drawn in. This film does not fit the original narrative I've held. It's in a completely different game entirely.
In Psycho, while we saw a serial killer, it was almost as if Norman had no choice because he'd been overtaken, so to speak, by Norma Bates. Norman knew what had been done, what his mother had done, and he cleaned up after her, defended her, took care of her. In Shadow of a Doubt, while Uncle Charlie was also a killer, Hitchcock played with the likable villain scenario that we talked about last week. He was this dapper, well-liked, well-respected man that seemed like he could never be capable of the things he was accused. And even when he did die, only little Charly and the detective really knew the truth of who Uncle Charlie was. In Sabotage, we saw murder but it wasn't purposeful. The bomb that was meant to explode, wasn't meant to explode where it did - on a public bus, killing not only the nephew but several strangers and a puppy.
Rope is glaringly different in comparison. We see Brandon who is ecstatic, almost euphoric about what he and Phillip had done. He almost gets off on the idea that they just killed a man, a friend of theirs, and invited that man's family, friends, and fiance over for a party while that man's dead body lying there, unbeknownst to the guests. Brandon was excited by that. In contrast, Phillip is paranoid, drinking rapidly and in excess trying to calm himself down, but really only making himself more suspicious. The nuance and the contrast of Brandon and Phillip's characters are different than anything we've seen from Hitchcock thus far, but even further than that, we see Rupert come in and kind of save the day. He puts the pieces together, observant of both Brandon and Phillip's awkwardness and behavior throughout the party, then noticing the hat and the rope, he comes back and realizes what they have done. Instead of taking vengeance into his own hands, something that we saw in Sabotage, he fires 3 shots out of the window, causing passersby and neighbors to call the police. Rupert than sits next to the chest that holds David's body, almost protecting him, while he waits for the authorities to arrive for Brandon and Phillip.
This film, more than any other one besides Psycho, has been my favorite to watch and the one that kept me drawn in. This film does not fit the original narrative I've held. It's in a completely different game entirely.
Night Reader Reviews (683 KP) rated When Darkness Falls in Books
Mar 13, 2020
Honest Review for Free Copy of Book
When Darkness Falls by Kathleen Harryman is an extremely gripping thriller that will have readers up all night. This psychological murder mystery is uniquely written from the killer’s perspective and will have you making conclusions only to find out that you are oh so very wrong.
Tracy Bennett seems to be an average young woman. She has a typical and relatively boring job at a store and leads a typical life. Tracy has her own apartment which she shares with the mysterious Lauren. In her free time Tracy hangs out with her tow best friends Susie and Abigal. For as normal and mundane as Tracy’s life is there are things going on that are directly related to her, yet just like everyone else she remains oblivious.
There is someone terrorizing the city, though the police have prevented an all out panic. This person is suspected to be a large and rather muscular man, the press has named The Slasher. The real Slasher hates this name as they see their murders as artwork. This is the killer’s story and they take great pride in what they do. The killer is extremely aware of how forensic teams work and finds it funny playing mind games with them. The killers is also aware of how society labels them and often debates the characteristics of these traits and personality types. But just who is The Slasher? What makes them choose the seemingly random victims and how will all this affect Tracy?
I don’t know where to start when talking about what I liked best about this book. The perspective this book was written from was refreshing in how unique it was. Even once I figured out what was going on I did not want to accept it and the book always had me second guessing myself. While it may be a little confusing at times it is all explained in the end. What I liked least about this book is that there is not currently a sequel (thought I truly hope Kathleen Harryman writes one). This is one of those books that once you finish it you are left wanting more.
This book is ideal for adults and young adults who can handle reading graphic descriptions of blood and gore. Other than that there are mentions of a rape but nothing in detail. It could however, potentially give younger readers nightmares. I rate this book 4 out of 4. A word of warning, be careful when you start to read this book because you won't want to stop until its done. There was nothing in this book that I truly did not like and that alone is rare and impressive.
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Tracy Bennett seems to be an average young woman. She has a typical and relatively boring job at a store and leads a typical life. Tracy has her own apartment which she shares with the mysterious Lauren. In her free time Tracy hangs out with her tow best friends Susie and Abigal. For as normal and mundane as Tracy’s life is there are things going on that are directly related to her, yet just like everyone else she remains oblivious.
There is someone terrorizing the city, though the police have prevented an all out panic. This person is suspected to be a large and rather muscular man, the press has named The Slasher. The real Slasher hates this name as they see their murders as artwork. This is the killer’s story and they take great pride in what they do. The killer is extremely aware of how forensic teams work and finds it funny playing mind games with them. The killers is also aware of how society labels them and often debates the characteristics of these traits and personality types. But just who is The Slasher? What makes them choose the seemingly random victims and how will all this affect Tracy?
I don’t know where to start when talking about what I liked best about this book. The perspective this book was written from was refreshing in how unique it was. Even once I figured out what was going on I did not want to accept it and the book always had me second guessing myself. While it may be a little confusing at times it is all explained in the end. What I liked least about this book is that there is not currently a sequel (thought I truly hope Kathleen Harryman writes one). This is one of those books that once you finish it you are left wanting more.
This book is ideal for adults and young adults who can handle reading graphic descriptions of blood and gore. Other than that there are mentions of a rape but nothing in detail. It could however, potentially give younger readers nightmares. I rate this book 4 out of 4. A word of warning, be careful when you start to read this book because you won't want to stop until its done. There was nothing in this book that I truly did not like and that alone is rare and impressive.
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Debbiereadsbook (1551 KP) rated Hunter's Desire (Dark Reserves #2) in Books
Apr 27, 2020
bloody LOVED this!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
Okay then!
Daddy kink has been very hit and miss for me, some okay, some good, but not ever so many being so bloody good, but this one??
So Bloody Good!!
Hunter is a Dom, through and through but is disillusioned with the scene and wants to step away. He wants to retire for the police force. He wants. . . . something else. Colsen is a train wreck waiting to happen, after the death of his mother, he is wracked with guilt for not answering the phone and now he has been suspended from work. The weekend in Vegas to celebrate his best friend's up-coming wedding is the last thing he needs but he won't let his friend down. Hunter and Colsen come together, and it's not a matter of if they will butt heads, it's purely a matter of when. Can what happens in Vegas really STAY in Vegas?
I think what makes this one work so well for ME was this was a Daddy/boy relationship, rather than a Daddy/little one. Yes, Hunter buys Lego kits for Colsen, but thats more to focus his mind on something else. And Hunter wasn't really a Daddy before Colsen, either. A Dom, yes, but not a Daddy. There is an age gap, yes, but Hunter is approaching 50 (much to his disgust!) and Colsen is in his 30's. They are both working their way through what they need from the other, even if they hate each other.
And they work through their way spectactularly! Heads butt, yes indeed, and fists almost, but what gets to Colsen the most? Words. Words Hunter says in a certain tone, that pushes all kinds of his buttons he didn't know needed pushing. I LOVED how much Colsen fought Hunter, I really did. It doesn't take much for Hunter to find out why Colson is drinking so much, and once he does, he changes tactics to get Colson. Because Hunter WANTS Colsen like he never wanted before, and Colsen will be his boy, even if only for the weekend in Vegas.
But they can't leave it in Vegas, and it is great reading when Colsen finds out what Hunter did, and when Hunter comes into Colsen's space for the first time, discovering he kept some things going.
I loved it, when they finally, FINALLY, admit those three little words to each other! Very in keeping with these guys, and I loved the little epilogue.
I was to go back and read Dan and Theo's story now, too. It's their wedding they are in Vegas to celebrate. I want to continue with this series too, some interesting characters!
It's been a while since I had a one sitting read, and this one just nailed it, for me.
5 sparkling Vegas stars
**same worded review will appear elsewhere**
Okay then!
Daddy kink has been very hit and miss for me, some okay, some good, but not ever so many being so bloody good, but this one??
So Bloody Good!!
Hunter is a Dom, through and through but is disillusioned with the scene and wants to step away. He wants to retire for the police force. He wants. . . . something else. Colsen is a train wreck waiting to happen, after the death of his mother, he is wracked with guilt for not answering the phone and now he has been suspended from work. The weekend in Vegas to celebrate his best friend's up-coming wedding is the last thing he needs but he won't let his friend down. Hunter and Colsen come together, and it's not a matter of if they will butt heads, it's purely a matter of when. Can what happens in Vegas really STAY in Vegas?
I think what makes this one work so well for ME was this was a Daddy/boy relationship, rather than a Daddy/little one. Yes, Hunter buys Lego kits for Colsen, but thats more to focus his mind on something else. And Hunter wasn't really a Daddy before Colsen, either. A Dom, yes, but not a Daddy. There is an age gap, yes, but Hunter is approaching 50 (much to his disgust!) and Colsen is in his 30's. They are both working their way through what they need from the other, even if they hate each other.
And they work through their way spectactularly! Heads butt, yes indeed, and fists almost, but what gets to Colsen the most? Words. Words Hunter says in a certain tone, that pushes all kinds of his buttons he didn't know needed pushing. I LOVED how much Colsen fought Hunter, I really did. It doesn't take much for Hunter to find out why Colson is drinking so much, and once he does, he changes tactics to get Colson. Because Hunter WANTS Colsen like he never wanted before, and Colsen will be his boy, even if only for the weekend in Vegas.
But they can't leave it in Vegas, and it is great reading when Colsen finds out what Hunter did, and when Hunter comes into Colsen's space for the first time, discovering he kept some things going.
I loved it, when they finally, FINALLY, admit those three little words to each other! Very in keeping with these guys, and I loved the little epilogue.
I was to go back and read Dan and Theo's story now, too. It's their wedding they are in Vegas to celebrate. I want to continue with this series too, some interesting characters!
It's been a while since I had a one sitting read, and this one just nailed it, for me.
5 sparkling Vegas stars
**same worded review will appear elsewhere**
Lonely Planet East Timor Phrasebook and Dictionary
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Lonely Planet: The world's #1 phrasebook publisher* Lonely Planet East Timor Phrasebook & Dictionary...
Where Are You Now?
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From America's Queen of Suspense comes a gripping tale of a young woman trying to unravel the...
Charlie Cobra Reviews (1840 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 3, 2020
Amazingly Spectacular Again - 9/10
Spider-Man: Into the Spider-Verse is a computer animated superhero film based off of the Spider-Man comics and movie franchise focusing on the Miles Morales/Spider-Man. Produced by Colombia Pictures and Sony Pictures Animation, it's set in a shared multiverse, which has alternate universes, called, the "Spider-Verse". The movie was directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman from a screenplay by Phil Lord and Rodney Rothman and story by Phil Lord. Starring Shameik Moore, Jake Johnson, Hailee Steinfield, and Mahershala Ali.
Miles Morales, (Shameik Moore) is a normal regular teenager from Brooklyn, whose parents, police officer Jefferson Davis (Brian Tyree Henry) and nurse Rio Morales (Luna Lauren Velez); have enrolled him in a new school. He visits his estranged Uncle Aaron Davis (Mahershala Ali) to vent and deal with pressures of living up to his parents expectations and making friends at a new school. His Uncle Aaron takes him to blow off steam to an abandoned subway station where he can paint graffiti and Miles is unknowingly bitten by "the Spider-Man" spider. After discovering his new powers, he returns to the subway searching for the spider and uncovers a secret lab where Spider-Man is in battle with the Green Goblin and the Prowler. Wilson Fisk, a.k.a. the Kingpin, is using the lab to test a particle accelerator which Spider-Man says could destroy the city. During the battle Spider-Man finds Miles hiding and entrusts him with a USB drive, when things don't go as planned. And that's just the beginning.
This movie is a must see. If you haven't seen this movie you are definitely missing out. My only complaints would be some of the Spider-Man felt unnecessary; also the style of movie was very dynamic and hard to adjust to, particularly the opening/intro. Once you get past that it's totally fine. The writers created a clear and captivating plot that truly encompasses the struggle of the "Spider-Man" character; such as dealing with normal problems like school, girls, parents, and hero problems like adjusting to powers, bad guys, and saving the city. This movie was rated PG so was made for kids but has a message and themes where it can be enjoyed by all ages and doesn't feel like a kid movie. This movie has quite a few entertaining characters including some of the alternate version spider men like, Spider-Woman/Gwen Stacy (Hailee Steinfield), Peter Porker/Spider-Ham (John Mulaney), and Peter Parker/Spider-Man Noir (Nicolas Cage). Although light hearted and funny, this movie definitely touched on more serious issues like loss, death, betrayal, responsibility and finding one's self. Probably the best Spider-Man movie, undoubtedly the best since Sam Raimi's first Spider-Man. I give it a 9/10.
Miles Morales, (Shameik Moore) is a normal regular teenager from Brooklyn, whose parents, police officer Jefferson Davis (Brian Tyree Henry) and nurse Rio Morales (Luna Lauren Velez); have enrolled him in a new school. He visits his estranged Uncle Aaron Davis (Mahershala Ali) to vent and deal with pressures of living up to his parents expectations and making friends at a new school. His Uncle Aaron takes him to blow off steam to an abandoned subway station where he can paint graffiti and Miles is unknowingly bitten by "the Spider-Man" spider. After discovering his new powers, he returns to the subway searching for the spider and uncovers a secret lab where Spider-Man is in battle with the Green Goblin and the Prowler. Wilson Fisk, a.k.a. the Kingpin, is using the lab to test a particle accelerator which Spider-Man says could destroy the city. During the battle Spider-Man finds Miles hiding and entrusts him with a USB drive, when things don't go as planned. And that's just the beginning.
This movie is a must see. If you haven't seen this movie you are definitely missing out. My only complaints would be some of the Spider-Man felt unnecessary; also the style of movie was very dynamic and hard to adjust to, particularly the opening/intro. Once you get past that it's totally fine. The writers created a clear and captivating plot that truly encompasses the struggle of the "Spider-Man" character; such as dealing with normal problems like school, girls, parents, and hero problems like adjusting to powers, bad guys, and saving the city. This movie was rated PG so was made for kids but has a message and themes where it can be enjoyed by all ages and doesn't feel like a kid movie. This movie has quite a few entertaining characters including some of the alternate version spider men like, Spider-Woman/Gwen Stacy (Hailee Steinfield), Peter Porker/Spider-Ham (John Mulaney), and Peter Parker/Spider-Man Noir (Nicolas Cage). Although light hearted and funny, this movie definitely touched on more serious issues like loss, death, betrayal, responsibility and finding one's self. Probably the best Spider-Man movie, undoubtedly the best since Sam Raimi's first Spider-Man. I give it a 9/10.
Matthew Krueger (10051 KP) rated Lethal Weapon 2 (1989) in Movies
Jul 9, 2020
Protect Joe Pesci
Lethal Weapon 2- adds more action, drama, suspense, thrills, comedy, lots of comedy and more chemistry.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
Kristy H (1252 KP) rated What's Done in Darkness: A Novel in Books
Jun 24, 2021
An excellent dark and foreboding mystery
Sarabeth is seventeen when she's held captive for nearly a week and then dumped along the side of the road, bound and blindfolded. She doesn't know who took her, or where. The police doubt her story and her parents do not even report her missing from their rural Arkansas farm . Sarabeth had argued with her religious parents, who insisted she follow their strict rules and marry someone of their choosing. As she returns home and finds her family appalled by her kidnapping, she realizes something good may come from the abduction: she can escape life on the farm for good. Five years later, she's now known as Sara when investigator Nick Farrow asks her to help with the missing persons case of another girl--one incredibly similar to Sara's. Reluctantly, Sara returns home, where she must face her darkest fears (and her family) to assist in bringing this girl home.
"Sarabeth had come to think of her time on the farm as a sentence that she had to serve, one with an end date. Now it seemed like she'd have to plan an escape."
I adore Laura McHugh's writing at this point. She's an excellent writer, and this is a great mystery in her deft hands. The religious, almost cult-like aspect of Sarabeth's family seems extremely timely in this era. We see how they narrow her options, forcing her to choose between her family and her own life. Religion and darkness are major themes in this book, with darkness playing not just in the title but across the entire novel. McHugh weaves it in and out of her story--Sara being afraid of the dark, darkness and shadows lurking at every turn. And it's a dark book to read too, even if it has its light moments. Still there's hope here as well.
I loved how Sara was a complicated heroine, with a complex past and many scars. She reminded me of Joanna Schaffhausen's Ellery Hathaway in that sense--a troubled soul who must overcome her own darkness to try to save others. Her interactions with Nick were an excellent respite, and I certainly could see myself reading about these two again.
"A piece of me was still there in Arkansas, but I was gone. No one in my new life knew who I was, what had happened to me, and I wanted to keep it that way."
The book is atmospheric, sucking us into both the deep religious aspect of the Ozarks and the Arkansas countryside. The Arkansas hills seem to play their own role in the book--another character so to speak. This one kept me guessing and even as I worked out some pieces, there were plenty of twists and turns. It's a fairly quick read, but an excellent one. Certainly recommend to mystery fans and those who enjoy a character-driven read.
"Sarabeth had come to think of her time on the farm as a sentence that she had to serve, one with an end date. Now it seemed like she'd have to plan an escape."
I adore Laura McHugh's writing at this point. She's an excellent writer, and this is a great mystery in her deft hands. The religious, almost cult-like aspect of Sarabeth's family seems extremely timely in this era. We see how they narrow her options, forcing her to choose between her family and her own life. Religion and darkness are major themes in this book, with darkness playing not just in the title but across the entire novel. McHugh weaves it in and out of her story--Sara being afraid of the dark, darkness and shadows lurking at every turn. And it's a dark book to read too, even if it has its light moments. Still there's hope here as well.
I loved how Sara was a complicated heroine, with a complex past and many scars. She reminded me of Joanna Schaffhausen's Ellery Hathaway in that sense--a troubled soul who must overcome her own darkness to try to save others. Her interactions with Nick were an excellent respite, and I certainly could see myself reading about these two again.
"A piece of me was still there in Arkansas, but I was gone. No one in my new life knew who I was, what had happened to me, and I wanted to keep it that way."
The book is atmospheric, sucking us into both the deep religious aspect of the Ozarks and the Arkansas countryside. The Arkansas hills seem to play their own role in the book--another character so to speak. This one kept me guessing and even as I worked out some pieces, there were plenty of twists and turns. It's a fairly quick read, but an excellent one. Certainly recommend to mystery fans and those who enjoy a character-driven read.