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Ben Foster recommended Dr. Strangelove (1964) in Movies (curated)
Amiable With Big Teeth
Book
A monumental literary event: the newly discovered final novel by seminal Harlem Renaissance writer...
Fiction
The Water Babies
6.0
Rate It
Book
Shamed by his grimy appearance in the presence of an immaculate little girl, ten-year-old Tom — an...
Crazy is the New Normal
Book
Return to...tomorrow as Tom Tomorrow's unique and celebrated perspective on American lunacy, This...
The Speaker's Wife
Book
The Rev Tom Ross's quiet and semi-alcoholic life as chaplain to the Speaker of the House of Commons...
LoganCrews (2861 KP) rated Anchorman 2: The Legend Continues (2013) in Movies
Sep 21, 2020
On par with the first movie, with the added benefit of looking like an actual film production and not a basement eyesore. Maintains the loose schema but ups the joke consistency and jovial absurdity at least five, maybe ten-fold. So if you had to pull me on it, I'd say this one is better. My biggest quibble is that it needed to shave off around fifteen minutes, and truthfully I have less qualms about the actual length as opposed to the steam all but fizzling out in the last act. Also helps that this leans much more into its setting and subject matter, aiming for some admittedly broad satire but no less accurate. A way better comedy movie let alone sequel than it has any right to be, and you all scared McKay away to mostly dull-arrowed political farces because he had the heart to offer us this. For shame. Funny as fuck most of the time, and I just love how lived-in and learned these performances are by actors who know their characters inside and out.
BankofMarquis (1832 KP) rated Don't Look Up (2021) in Movies
Jan 9, 2022
A Brilliant Satire
Satire is a tricky thing to get right, there is a balance between humor and pathos that must be struck in order to drive home the point.
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Netflix Original Satire, DON’T LOOK UP, Directed by Adam McKay (THE BIG SHORT) finds the right line, beautifully.
A send-up of the Climate Change debate (but also, a condemnation of the reaction to the current Global Virus), DON’T LOOK UP has a who’s who of performers that are at the top of their game and delivers a top-notch entertainment that also makes you think.
The plot of the film is simple enough - a PhD Student (Jennifer Lawrence) discovers a “planet killing” comet that is on a collision course with Earth and, joined by her Professor (Leonardo DiCaprio), tries to get the “powers-that-be” to listen to the threat.
DiCaprio (in essence, in the Anthony Fauci role) is superb as the Professor that tries to convince the Politicians about the Science of the threat. His frustration at hitting the brick wall of “political spin” crescendos in an absurdly bravura performance.
Meryl Streep is brilliant (of course) as the President who is more interested in how this situation affects her, politically, than how it affects the populace. She is joined by a sychophantic Jonah Hill (as her son and Chief of Staff). Hill has never been better and understands the nature of this character and mines it for comedic gold.
Cate Blanchette and Tyler Perry are also strong as the Cable News Anchors who are more interested in keeping the conversation “light and fun” and they actually have good “co-anchor” chemistry with each other.
Timothee Chalamet, Mark Rylance, Rob Morgan, Ron Perlman and, yes, Ariana Grande are also strong in smaller, almost cameo, roles.
But the standout star of this film is Jennifer Lawrence as PhD student Kate DiBiasky, the person who discovers the comet (and for whom the comet is named). It is easy to forget just how strong of a performer that Lawrence is but she goes toe-to-toe with Streep/DiCaprio/Blanchette et al and more than holds her own. Her character/performance is the backbone - and conscience - that holds this film together.
Of course, credit for all of this must go to Writer/Director Adam McKay who showed in THE BIG SHORT that he is more than “the comedy Director” of such films like ANCHORMAN and he puts that ability to work, strongly, in this film. He clearly had a vision of what he wanted to put across in this film and straddles the line between humor and seriousness in such a way that no matter what side of the “Global Change” and “Global Pandemic” crisis you are on, you will think that this film skewers you and favors the other side.
Which is the sign of a terrific satire.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
LeftSideCut (3778 KP) rated The Hunt (2020) in Movies
Oct 13, 2020
In short, The Hunt is an action heavy, Battle Royale inspired semi-horror that attempts to satire political leanings, conspiracy theorists, keyboard warriors, and the rich elite.
The main issue I had was that all of the satire is very on the nose, possibly a purposeful choice? Either way, it gives the impression that The Hunt thinks it's cleverer than it actually is. This is constantly present within the unbalanced dialogue. Some of it is genuinely funny, some of it comes across as try hard, attempting to cram in as many messages as possible resulting in none of these commentaries being particularly clear cut.
Then again, it's not a film to be taken seriously and this could actually be a non-point - hard to tell!
It would be a an altogether worse movie if it wasn't for lead actress Betty Gilpin. Her character Crystal is the picture perfect no bullshit, badass final girl, and her performance elevates The Hunt as a whole.
I could be wrong, but it also seems like she did her own stunts, which is particularly badass considering the ridiculous fight scene near the films end. Same can be said for the always reliable Hilary Swank. Pretty sure the two of them were just going at it, and it's easily the films best scene.
The whole film is actually a more gory experience than I expected, and is pretty effective, even if a lot of it is obvious CGI.
The Hunt is a loud and obnoxious experience that is frequently muddied by it's own smugness, but the stand out performance from Gilpin, and some genuinely great set pieces ensure that it's an entertaining action-horror that's worth a watch.
The main issue I had was that all of the satire is very on the nose, possibly a purposeful choice? Either way, it gives the impression that The Hunt thinks it's cleverer than it actually is. This is constantly present within the unbalanced dialogue. Some of it is genuinely funny, some of it comes across as try hard, attempting to cram in as many messages as possible resulting in none of these commentaries being particularly clear cut.
Then again, it's not a film to be taken seriously and this could actually be a non-point - hard to tell!
It would be a an altogether worse movie if it wasn't for lead actress Betty Gilpin. Her character Crystal is the picture perfect no bullshit, badass final girl, and her performance elevates The Hunt as a whole.
I could be wrong, but it also seems like she did her own stunts, which is particularly badass considering the ridiculous fight scene near the films end. Same can be said for the always reliable Hilary Swank. Pretty sure the two of them were just going at it, and it's easily the films best scene.
The whole film is actually a more gory experience than I expected, and is pretty effective, even if a lot of it is obvious CGI.
The Hunt is a loud and obnoxious experience that is frequently muddied by it's own smugness, but the stand out performance from Gilpin, and some genuinely great set pieces ensure that it's an entertaining action-horror that's worth a watch.
Tom Tomorrow: 25 Years of Tomorrow
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25 years ago Tom Tomorrow rose from the primordial ooze of 1991 and set about documenting the...
The 1980s: A Decade of Contemporary British Fiction
Philip Tew, Emily Horton and Leigh Wilson
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How did social, cultural and political events in Britain during the 1980s shape contemporary British...