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Mark @ Carstairs Considers (2579 KP) rated Live, Local, and Dead in Books
Oct 15, 2022
Politics Makes for a Bad Cozy Mystery
Jaye Jordan is making a go of it at the local Vermont radio station she has bought. However, some of the changes she has made haven’t been hits with all her neighbors. When she finally has enough with two of them protesting outside her station, she takes their gun and fires it into a snowman. Unfortunately, the snowman was hiding the dead body of Edwin Anger, a conservative talk show host whose syndicated show Jaye had just taken off her station. How did he get there?
A body in a snowman is an intriguing premise, so I went into this book with high hopes. Sadly, it was obvious fairly early on the book wasn’t going to deliver on them. The problem starts with the characters. While Jaye and the rest of the obvious series regulars are fun characters, the cast is filled with conservative stereotypes that are the worst examples of liberal views of conservatives. Meanwhile the main characters said some things that made me roll my eyes. The plot was a series of events with hardly any investigation at all. More specific complaints would get into spoiler territory. There was quite a bit of (mostly mild) foul language as well. While the book does have some genuinely funny moments, they felt at odds with some of the things that were going on in the story. I kept reading, hoping the author had something up her sleeve that would redeem the book, but it never happened. I recommend you avoid this book.
A body in a snowman is an intriguing premise, so I went into this book with high hopes. Sadly, it was obvious fairly early on the book wasn’t going to deliver on them. The problem starts with the characters. While Jaye and the rest of the obvious series regulars are fun characters, the cast is filled with conservative stereotypes that are the worst examples of liberal views of conservatives. Meanwhile the main characters said some things that made me roll my eyes. The plot was a series of events with hardly any investigation at all. More specific complaints would get into spoiler territory. There was quite a bit of (mostly mild) foul language as well. While the book does have some genuinely funny moments, they felt at odds with some of the things that were going on in the story. I kept reading, hoping the author had something up her sleeve that would redeem the book, but it never happened. I recommend you avoid this book.
Chaos & Flame
Justina Ireland and Tessa Gratton
7.0
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Darling Seabreak cannot remember anything before the murder of her family at the hands of House...
Hazel (1853 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
And I Darken</i> is the first book in a brand new saga, <i>The Conquerors</i>, by bestselling author Kiersten White. Aimed at young adults, it is set at the time of the Ottoman Empire, providing a brief historical lesson as well as an entertaining story.
Inspired by Vlad the Impaler, the tale begins in Transylvania, 1453 with the birth of Lada, a daughter for the ruler of Wallachia, Vlad Dracula (no relation to the vampire). Despite the expectation that women are quiet, docile and mere possessions, Lada grows up with a vicious temper, as wild and fierce as a boar, unlike her younger brother, Radu, who is very cautious by nature. The siblings, caught up in their father’s politics, are sent away to another city. Lada however cannot be tamed, and is quick to insult or physically assault anyone who tries to put her in her place, even her new friend who so happens to be in line to become sultan of the Ottoman Empire.
As the children grow up they begin to involve themselves in the running of the empire, providing advice and companionship to the new sultan. Both Lada and Radu experience strong feelings for their friend, which they try to suppress - Radu, because it is improper (for that time period), and Lada, because she wants to be a strong, independent warrior with the same rights as all men.
<i>And I Darken</i> is extremely political but not in the same vein as politics today. Back in the 1400s, constitutional disagreements lead directly to wars, usually caused by the greed of the ever-expanding empire. Whilst these events are taking place, the true story line surfaces, exploring three very strong relationships. Despite Lada’s façade she is a young woman who cares deeply but does not let her feelings get in the way of achieving greatness. Jealousies and misunderstandings challenge the bonds between friends and siblings, resulting in a cliffhanger to encourage the read to eagerly await the next installment.
Although based on true events, <i>And I Darken</i> is mostly a fantasy. Lada has the characteristics and behaviour of Vlad the Impaler, something that would not have been possible at the time for a woman, but other than references to various battles, there are no other correlations.
The relationships focused on in the narrative can be frustrating at times, and it is easy to become annoyed at the key characters’ actions. Often I felt like giving up on the book, as I was not interesting in the gruesome fighting scenes, and not particularly keen on either Lada or Radu. Although I can admire Lada for her strengths and aspirations and agree that she is right to want more in her life as a woman, I found her malicious behavior difficult to respect.
Overall, <i>And I Darken</i> is a bold attempt by Kiersten White to combine history, romance and young adult fiction, particularly as the characters who would be considered teenagers today, were deemed adults during that time period, resulting in them being much more mature than many of today’s readers. This series is suitable for male and female readers alike as it contains an equal measure of bloody action and budding romance. Sadly, despite my high hopes, this book was not for me.
And I Darken</i> is the first book in a brand new saga, <i>The Conquerors</i>, by bestselling author Kiersten White. Aimed at young adults, it is set at the time of the Ottoman Empire, providing a brief historical lesson as well as an entertaining story.
Inspired by Vlad the Impaler, the tale begins in Transylvania, 1453 with the birth of Lada, a daughter for the ruler of Wallachia, Vlad Dracula (no relation to the vampire). Despite the expectation that women are quiet, docile and mere possessions, Lada grows up with a vicious temper, as wild and fierce as a boar, unlike her younger brother, Radu, who is very cautious by nature. The siblings, caught up in their father’s politics, are sent away to another city. Lada however cannot be tamed, and is quick to insult or physically assault anyone who tries to put her in her place, even her new friend who so happens to be in line to become sultan of the Ottoman Empire.
As the children grow up they begin to involve themselves in the running of the empire, providing advice and companionship to the new sultan. Both Lada and Radu experience strong feelings for their friend, which they try to suppress - Radu, because it is improper (for that time period), and Lada, because she wants to be a strong, independent warrior with the same rights as all men.
<i>And I Darken</i> is extremely political but not in the same vein as politics today. Back in the 1400s, constitutional disagreements lead directly to wars, usually caused by the greed of the ever-expanding empire. Whilst these events are taking place, the true story line surfaces, exploring three very strong relationships. Despite Lada’s façade she is a young woman who cares deeply but does not let her feelings get in the way of achieving greatness. Jealousies and misunderstandings challenge the bonds between friends and siblings, resulting in a cliffhanger to encourage the read to eagerly await the next installment.
Although based on true events, <i>And I Darken</i> is mostly a fantasy. Lada has the characteristics and behaviour of Vlad the Impaler, something that would not have been possible at the time for a woman, but other than references to various battles, there are no other correlations.
The relationships focused on in the narrative can be frustrating at times, and it is easy to become annoyed at the key characters’ actions. Often I felt like giving up on the book, as I was not interesting in the gruesome fighting scenes, and not particularly keen on either Lada or Radu. Although I can admire Lada for her strengths and aspirations and agree that she is right to want more in her life as a woman, I found her malicious behavior difficult to respect.
Overall, <i>And I Darken</i> is a bold attempt by Kiersten White to combine history, romance and young adult fiction, particularly as the characters who would be considered teenagers today, were deemed adults during that time period, resulting in them being much more mature than many of today’s readers. This series is suitable for male and female readers alike as it contains an equal measure of bloody action and budding romance. Sadly, despite my high hopes, this book was not for me.
Gareth von Kallenbach (980 KP) rated Syriana (2005) in Movies
Aug 14, 2019
Oil, is perhaps the most precious natural resource on the planet and also one of the most controversial. It powers industry and the economies of many nations, yet the regions that contain the largest amounts are often the most unstable, and this instability often results from the influences of the very nations that purchase the oil.
It is a tenuous situation where buyer and seller are wary of one another and at times regard the other as a necessary evil. The money paid for the oil has made suppliers and handlers rich and powerful, but many on the outside of this privileged circle believe that greed has caused both sides to lose focus on what is most important for the people of their nations.
In the film Syriana viewers follow the paths of different people from various walks of life who for the most part do not know one another, yet are all linked by the same cause, oil.
There is the C.I.A. agent Bob Barnes (George Clooney), who spends time in locales such as Iran and Beirut eliminating threats to national security.
A lawyer, (Jeffrey Wright), who is caught in the middle as he attempts to find, and if need be eliminate damaging material that can prevent a pending merger between two oil companies.
There is the grieving energy analyst Bryan Woodman (Matt Damon), who deals with his loss by siding up with a powerful Prince, (Alexander Siddig), even at the alienation of his family.
There is also a displaced Pakistani worker who after losing his job when a Chinese company acquires the refinery where he worked, falls in with a group of radicals with a militant agenda.
The above is just a small sampling of the characters as there are numerous business, political, and Middle Eastern citizens who all play very prominent parts in the story.
The main focus of the film is not only to illustrate the connectivity between the characters but to show how politics and big business influence policy in oil rich nations and how through secret deals, political intrigue, and treachery policy in and towards the same oil producing nations are set into place and maintained.
While this is not much of a shock to people who follow the news, it is the way that director Stephen Gaghan uses ordinary and in some ways unremarkable people to tell the story and how it affects those who deal with oil.
Even those who are supposed the big players are often simply being played by forces outside their control in a world where reality and perceptions are often miles apart. The complex nature of the story is actually a model of simplicity as cause and effect, as well as the ability of big business to influence lawmakers is what drives the film.
The cast is strong especially Clooney and Siddig who make their characters sympathetic while at the same time captivating. The contrast of the men who are a Prince and an agent, yet whose destinies often cause them to walk along the same paths is amazing.
Syriana is an amazing film that is so complex in its simplicity. The basic message is very clear, yet the layers that must be uncovered like a tangled web of lies in telling the story is a far reaching journey that will shock and anger most viewers.
Some may find fault with a so called liberal agenda to the film, but politics aside, Syriana is a very captivating and entertaining film that makes you think.
It is a tenuous situation where buyer and seller are wary of one another and at times regard the other as a necessary evil. The money paid for the oil has made suppliers and handlers rich and powerful, but many on the outside of this privileged circle believe that greed has caused both sides to lose focus on what is most important for the people of their nations.
In the film Syriana viewers follow the paths of different people from various walks of life who for the most part do not know one another, yet are all linked by the same cause, oil.
There is the C.I.A. agent Bob Barnes (George Clooney), who spends time in locales such as Iran and Beirut eliminating threats to national security.
A lawyer, (Jeffrey Wright), who is caught in the middle as he attempts to find, and if need be eliminate damaging material that can prevent a pending merger between two oil companies.
There is the grieving energy analyst Bryan Woodman (Matt Damon), who deals with his loss by siding up with a powerful Prince, (Alexander Siddig), even at the alienation of his family.
There is also a displaced Pakistani worker who after losing his job when a Chinese company acquires the refinery where he worked, falls in with a group of radicals with a militant agenda.
The above is just a small sampling of the characters as there are numerous business, political, and Middle Eastern citizens who all play very prominent parts in the story.
The main focus of the film is not only to illustrate the connectivity between the characters but to show how politics and big business influence policy in oil rich nations and how through secret deals, political intrigue, and treachery policy in and towards the same oil producing nations are set into place and maintained.
While this is not much of a shock to people who follow the news, it is the way that director Stephen Gaghan uses ordinary and in some ways unremarkable people to tell the story and how it affects those who deal with oil.
Even those who are supposed the big players are often simply being played by forces outside their control in a world where reality and perceptions are often miles apart. The complex nature of the story is actually a model of simplicity as cause and effect, as well as the ability of big business to influence lawmakers is what drives the film.
The cast is strong especially Clooney and Siddig who make their characters sympathetic while at the same time captivating. The contrast of the men who are a Prince and an agent, yet whose destinies often cause them to walk along the same paths is amazing.
Syriana is an amazing film that is so complex in its simplicity. The basic message is very clear, yet the layers that must be uncovered like a tangled web of lies in telling the story is a far reaching journey that will shock and anger most viewers.
Some may find fault with a so called liberal agenda to the film, but politics aside, Syriana is a very captivating and entertaining film that makes you think.
Gareth von Kallenbach (980 KP) rated The Front Runner (2018) in Movies
Jul 2, 2019
At the end of the 1984 Democratic Primaries a relative unknown Senator from Colorado, Gary Hart (Hugh Jackman), concedes victory to Walter Mondale. But being the runner up to the Democratic Party Presidential nominee catapults Hart to the national stage. Fast forward to 1988 and Hart is the overwhelming front runner to be not only the Democratic nominee but most likely the next President of the United States. He is a progressive and has a knack for explaining politics so that everyone can understand. He’s well spoken, has popular policies, a clear message for the future and is a handsome man to boot. It seems like nothing can stand in his way. That is until three weeks into the primary elections reporters from the Miami Herald, Tom Fiedler (Steve Zissis) and Pete Murphy (Bill Burr), get wind of a story of Hart and a young woman from Miami spending time together at yacht party. Since Hart is very much married to his wife, Lee Hart (Vera Farmiga), they decide to investigate. They find out that the two may be meeting in Washington D.C. at Hart’s townhouse. They follow the young woman, Donna Rice (Sara Paxton), from Miami to D.C. There they take photos of the two together and print a story. The media blitz is on and the story explodes. Hart now faces one of the first personal political scandals. He must try and navigate a new media age to not see his political career slip away.
Even though this is a true story and some of you may already know the facts I will put the disclaimer of spoilers ahead. This is the story of Senator Hart and his fall from grace as a sure fire Presidential Nominee to out of politics in the blink of an eye, in one of the first “tabloid” political scandals. The Jason Reitman (Up in the Air, Thank you for Smoking) directed film focuses heavily on the interaction between politicians and reporters. It shows, and touches on, how this relationship evolves/devolves so quickly. There are plenty of moments that you can tie into today’s media and how maybe this instance influenced how the media reported on the private lives of politicians.
Overall I thought the film was good. I thought that telling the story from the side of the media and the people on the campaign was really interesting. I just thought that it was not overly compelling. You can’t feel bad for Hart because it was his actions and how he handled the situation that led to the eventual result. Also yeah the media maybe went too far at some point but also you could see how the reporters were just trying to do their jobs. The film has a large ensemble cast. J.K Simmons, Molly Ephraim, Chris Coy, Alfred Molina, Kevin Pollak, Mamoudou Athie and the list goes on. They all do okay but really this is all about Jackman. His performance is outstanding. The story did drag a little at points but for a political drama it was not overboard. I think it could have been a little shorter.
To use a real story that had such a media spotlight on it was ambitious and I give the filmmakers credit for that. But you can see some of the limitation on screen. Not really a theater must see but definitely if this is a story you are not familiar with it is worth the watch. Again it draws a lot of parallels and makes a lot of nods to today’s media and political climate.
Even though this is a true story and some of you may already know the facts I will put the disclaimer of spoilers ahead. This is the story of Senator Hart and his fall from grace as a sure fire Presidential Nominee to out of politics in the blink of an eye, in one of the first “tabloid” political scandals. The Jason Reitman (Up in the Air, Thank you for Smoking) directed film focuses heavily on the interaction between politicians and reporters. It shows, and touches on, how this relationship evolves/devolves so quickly. There are plenty of moments that you can tie into today’s media and how maybe this instance influenced how the media reported on the private lives of politicians.
Overall I thought the film was good. I thought that telling the story from the side of the media and the people on the campaign was really interesting. I just thought that it was not overly compelling. You can’t feel bad for Hart because it was his actions and how he handled the situation that led to the eventual result. Also yeah the media maybe went too far at some point but also you could see how the reporters were just trying to do their jobs. The film has a large ensemble cast. J.K Simmons, Molly Ephraim, Chris Coy, Alfred Molina, Kevin Pollak, Mamoudou Athie and the list goes on. They all do okay but really this is all about Jackman. His performance is outstanding. The story did drag a little at points but for a political drama it was not overboard. I think it could have been a little shorter.
To use a real story that had such a media spotlight on it was ambitious and I give the filmmakers credit for that. But you can see some of the limitation on screen. Not really a theater must see but definitely if this is a story you are not familiar with it is worth the watch. Again it draws a lot of parallels and makes a lot of nods to today’s media and political climate.
Creating a Lean Culture: Tools to Sustain Lean Conversions
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Bob Mann (459 KP) rated Judas and the Black Messiah (2021) in Movies
Apr 25, 2021
Kaluuya and Stanfield excel (1 more)
Great US history lesson on the Black Panther movement
"Politics is war without bloodshed"
The ‘Judas’ in “Judas and the Black Messiah” is Bill O’Neil (LaKeith Stanfield). He works as an informer for FBI man Mitchell (Jesse Plemons), who has him over a barrel for impersonating an FBI officer. Fred Hampton (Daniel Kaluuya) runs the Chicago chapter of the Black Panther party and O’Neil is a trusted comrade on the inside.
Will O’Neil – always concerned that ‘snitches get stiches’ – stay on the side of ‘the pigs’, or be influenced by the ideals and good deeds of Chairman Fred?
Positives:
- Before this movie, I really had no idea what the Black Panthers were or how they operated. (If pushed, I would have tagged them as “internal terrorists” or similar). So this movie was really valuable to me in further understanding their role as a political movement. And their use of community programmes – focused, for example, around child nutrition and health improvements in inner cities – was a revelation.
- Given the BLM movement, and further ‘blue-on-black’ shootings, the film is timely. (Even more so for me, since the George Floyd trial verdict came out last night). “The United States vs Billie Holiday” showed how brutally the civil rights movement was put down by the authorities in the 40’s. This shows the same thing happened in the 70’s too. It’s again a movie that leaves you angry and frustrated at how poorly the black community have been abused in America. I guess counter to that is the positive view that things HAVE evidently improved significantly since then, albeit that the US is still on this journey.
- Nominated for Best Supporting Actor Oscars are both Stanfield and Kaluuya. (This is a highly debatable point, since arguably both of these gents are lead actors in the movie!) Both of them deliver outstanding performances, and Kaluuya has already picked up the BAFTA. Kaluuya demonstrates a huge amount of energy and charisma, particularly during the delivery of his stirring speeches. But Stanfield delivers a superbly nuanced performance, and perhaps impressed me even more.
- Also deserved, in a movie predominantly featuring a black cast, is recognition of the ever-excellent Jesse Plemons. As the steely-eyed FBI family man, he’s chilling to watch.
Negatives:
- I had issues with the sound mixing here. I found some of the dialogue – already hard for me to follow sometimes due to the speed of delivery and the accents – drowned out by background music and foley sounds.
- Martin Sheen’s make-up as J. Edgar Hoover was rather over-the-top and detracted from the role. (Sheen is in little more than a few cameo scenes).
Summary Thoughts:
I’m pleased I’ve managed to see this impressive Oscar contender before Sunday’s Academy Awards event. Interestingly, I noticed that historical advisors on the movie were Deborah Johnson (played here beautifully by Dominique Fishback) and the baby she was carrying (now Fred Hampton Jnr.).
As well as the two Supporting Actor nominations, it’s also up for Best Film, Best Original Screenplay, Best Cinematography (Sean Bobbitt) and Best Song (for “Fight for You”, played over the end titles, and very good).
(For the full graphical review, please check out One Mann's Movies here https://bob-the-movie-man.com/2021/04/21/judas-and-the-black-messiah-war-is-politics-with-bloodshed/. Thanks.)
Will O’Neil – always concerned that ‘snitches get stiches’ – stay on the side of ‘the pigs’, or be influenced by the ideals and good deeds of Chairman Fred?
Positives:
- Before this movie, I really had no idea what the Black Panthers were or how they operated. (If pushed, I would have tagged them as “internal terrorists” or similar). So this movie was really valuable to me in further understanding their role as a political movement. And their use of community programmes – focused, for example, around child nutrition and health improvements in inner cities – was a revelation.
- Given the BLM movement, and further ‘blue-on-black’ shootings, the film is timely. (Even more so for me, since the George Floyd trial verdict came out last night). “The United States vs Billie Holiday” showed how brutally the civil rights movement was put down by the authorities in the 40’s. This shows the same thing happened in the 70’s too. It’s again a movie that leaves you angry and frustrated at how poorly the black community have been abused in America. I guess counter to that is the positive view that things HAVE evidently improved significantly since then, albeit that the US is still on this journey.
- Nominated for Best Supporting Actor Oscars are both Stanfield and Kaluuya. (This is a highly debatable point, since arguably both of these gents are lead actors in the movie!) Both of them deliver outstanding performances, and Kaluuya has already picked up the BAFTA. Kaluuya demonstrates a huge amount of energy and charisma, particularly during the delivery of his stirring speeches. But Stanfield delivers a superbly nuanced performance, and perhaps impressed me even more.
- Also deserved, in a movie predominantly featuring a black cast, is recognition of the ever-excellent Jesse Plemons. As the steely-eyed FBI family man, he’s chilling to watch.
Negatives:
- I had issues with the sound mixing here. I found some of the dialogue – already hard for me to follow sometimes due to the speed of delivery and the accents – drowned out by background music and foley sounds.
- Martin Sheen’s make-up as J. Edgar Hoover was rather over-the-top and detracted from the role. (Sheen is in little more than a few cameo scenes).
Summary Thoughts:
I’m pleased I’ve managed to see this impressive Oscar contender before Sunday’s Academy Awards event. Interestingly, I noticed that historical advisors on the movie were Deborah Johnson (played here beautifully by Dominique Fishback) and the baby she was carrying (now Fred Hampton Jnr.).
As well as the two Supporting Actor nominations, it’s also up for Best Film, Best Original Screenplay, Best Cinematography (Sean Bobbitt) and Best Song (for “Fight for You”, played over the end titles, and very good).
(For the full graphical review, please check out One Mann's Movies here https://bob-the-movie-man.com/2021/04/21/judas-and-the-black-messiah-war-is-politics-with-bloodshed/. Thanks.)
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