Search
Search results
Emma @ The Movies (1786 KP) rated Better Watch Out (2016) in Movies
Sep 25, 2019
A Christmas film... a horror film... also described as a comedy and a thriller on IMDb, although I find both of those a little inaccurate. If you asked me to sum up the genre I'd say "it's a Christmas horror..?" and then scrunch up my face in uncertain disgust.
It's difficult to sum this one up without exposing the end of the movie. I would like everyone to have the same confused experience watching this as I did.
I sat down at home to this DVD. I'd excitedly purchased this when I found out about it. With the tagline of "you might be home but you're not alone" you know exactly what you're getting. Or at least that's what you think. Everything promises to make this Home Alone for adults... Home Alone is for adults too of course. No one should deprive themselves of that Christmas wonder.
Not going to lie, when I saw Patrick Warburton pop up on screen it was like a Christmas miracle. I love him. He can do no wrong, and thankfully he didn't disappoint.
Olivia DeJonge made a great job of the role of Ashley. It felt like the serious sort of acting that the film needed to make it a horror film and not more of a comedy. Alongside Levi Miller as Luke we were given an interesting, if awkward on screen leading pair. Miller didn't quite hit the same notes for me as DeJonge did. I think that is more to do with the way the character is written than the acting, as he certainly puts everything into his scenes.
So... I sat down (I know, that was a way back now!) with my pad and pen waiting to jot some notes as I watched. I made a few scribblngs every now and then... until it happened... and you'll know it when it does. At that point I threw my pen across the room and told the film to f*** off.
The first part of the film had so much potential and I was really enjoying it but after "the moment" I just lost all interest in the way they'd taken it. I really wanted a more serious horror film than the unbelieveable thing that was given to us. What we were left with was cringeworthy and uncomfortable to watch, but I will give it credit for its Home Alone moments.
I really would like to know what you guys thought of the end of this film if you saw it.
Being that I was at home watching this on DVD that meant that I got some extras, well, extra. Singular. The fairly subtantial "making of" featurette was quite interesting and reveals just how hardcore DeJonge is when it came to this film.
What you should do
It's potentially drinking game material, but it definitely won't be making it into my Christmas movie rotation.
Movie thing you wish you could take home
Without a doubt I would like Patrick Warburton please. If he could be delivered to me in a Christmas tie, even better.
It's difficult to sum this one up without exposing the end of the movie. I would like everyone to have the same confused experience watching this as I did.
I sat down at home to this DVD. I'd excitedly purchased this when I found out about it. With the tagline of "you might be home but you're not alone" you know exactly what you're getting. Or at least that's what you think. Everything promises to make this Home Alone for adults... Home Alone is for adults too of course. No one should deprive themselves of that Christmas wonder.
Not going to lie, when I saw Patrick Warburton pop up on screen it was like a Christmas miracle. I love him. He can do no wrong, and thankfully he didn't disappoint.
Olivia DeJonge made a great job of the role of Ashley. It felt like the serious sort of acting that the film needed to make it a horror film and not more of a comedy. Alongside Levi Miller as Luke we were given an interesting, if awkward on screen leading pair. Miller didn't quite hit the same notes for me as DeJonge did. I think that is more to do with the way the character is written than the acting, as he certainly puts everything into his scenes.
So... I sat down (I know, that was a way back now!) with my pad and pen waiting to jot some notes as I watched. I made a few scribblngs every now and then... until it happened... and you'll know it when it does. At that point I threw my pen across the room and told the film to f*** off.
The first part of the film had so much potential and I was really enjoying it but after "the moment" I just lost all interest in the way they'd taken it. I really wanted a more serious horror film than the unbelieveable thing that was given to us. What we were left with was cringeworthy and uncomfortable to watch, but I will give it credit for its Home Alone moments.
I really would like to know what you guys thought of the end of this film if you saw it.
Being that I was at home watching this on DVD that meant that I got some extras, well, extra. Singular. The fairly subtantial "making of" featurette was quite interesting and reveals just how hardcore DeJonge is when it came to this film.
What you should do
It's potentially drinking game material, but it definitely won't be making it into my Christmas movie rotation.
Movie thing you wish you could take home
Without a doubt I would like Patrick Warburton please. If he could be delivered to me in a Christmas tie, even better.
Bong Mines Entertainment (15 KP) rated Taped - Single by Naaz in Music
Jul 10, 2019
Naaz is a 21-year old Kurdish singer-songwriter based in The Netherlands. Not too long ago, she released a lovely music video for her “Taped” single.
“Sometimes, people will hear your pain but not actually listen. It’s like their ears are taped to whatever they don’t want to hear. I told my friend about my never-ending nightmares that sometimes can feel so real that they’ve been altering the way I see the world. His reply was that he wouldn’t want to have my mind. So I wrote a song about it.” – Naaz
‘Taped’ tells an interesting tale of a young woman who tends to overshare what she thinks to people close to her.
But she feels awkward the moment she stops talking, not understanding why she thinks the way she thinks. Therefore, she shuts her thoughts up and feels less human whenever someone doesn’t appreciate her mind.
What she really wants is for people to relate to what she has to say, and for them to not feel alienated by her thoughts.
‘Taped’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation created by Naaz & Soulsearchin’.
“When I was 15-years-old, I had taught myself to stop speaking as it often brought me in trouble. I’ve always had such strong opinions that it ended up in me being bullied for years. Once I turned 18, I had to start socializing again as I was putting out music. I felt like my mind, ears, and mouth were TAPED shut for years. Therefore, I became an extremely open person just to make up for all the years before where I mistreated myself with my mindset. I realized my way of thinking was not too realistic, not everyone will leave me when I cry because everybody cries. I hope this song inspires you to be open and dare to scream out your feelings. Seriously, it will change everything. Allow yourself to be inspired by the struggle. Don’t let yourself be TAPED.” – Naaz
Naaz feels that honesty online could be the therapy that we all need, along with helping a few others along the way. Therefore, she practices what she preaches.
“This is the artwork. You see 3 generations of Naaz. This portrays the evolution of me, my music, and my life. A new era. Old and young Naaz is taping their eyes shut to what they don’t want to see. But I decide to confront myself and open up. I will no longer be TAPED.” – Naaz
Making music to Naaz is like having conversations with herself and others. She unfolds this in every song she’s ever written and communicated with her fanbase.
Not too long ago, her career skyrocketed shortly after releasing her debut EP, entitled, “Bits of Naaz”.
Since then, the bubbly pop star has won two Dutch Grammies (Edisons) and was nominated for Best Act at MTV’s EMAs. Also, she supported Arcade Fire, Jessie J, and Hayley Kiyoko.
Naaz will play across Europe towards the end of the year before ending in Amsterdam.
“Sometimes, people will hear your pain but not actually listen. It’s like their ears are taped to whatever they don’t want to hear. I told my friend about my never-ending nightmares that sometimes can feel so real that they’ve been altering the way I see the world. His reply was that he wouldn’t want to have my mind. So I wrote a song about it.” – Naaz
‘Taped’ tells an interesting tale of a young woman who tends to overshare what she thinks to people close to her.
But she feels awkward the moment she stops talking, not understanding why she thinks the way she thinks. Therefore, she shuts her thoughts up and feels less human whenever someone doesn’t appreciate her mind.
What she really wants is for people to relate to what she has to say, and for them to not feel alienated by her thoughts.
‘Taped’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation created by Naaz & Soulsearchin’.
“When I was 15-years-old, I had taught myself to stop speaking as it often brought me in trouble. I’ve always had such strong opinions that it ended up in me being bullied for years. Once I turned 18, I had to start socializing again as I was putting out music. I felt like my mind, ears, and mouth were TAPED shut for years. Therefore, I became an extremely open person just to make up for all the years before where I mistreated myself with my mindset. I realized my way of thinking was not too realistic, not everyone will leave me when I cry because everybody cries. I hope this song inspires you to be open and dare to scream out your feelings. Seriously, it will change everything. Allow yourself to be inspired by the struggle. Don’t let yourself be TAPED.” – Naaz
Naaz feels that honesty online could be the therapy that we all need, along with helping a few others along the way. Therefore, she practices what she preaches.
“This is the artwork. You see 3 generations of Naaz. This portrays the evolution of me, my music, and my life. A new era. Old and young Naaz is taping their eyes shut to what they don’t want to see. But I decide to confront myself and open up. I will no longer be TAPED.” – Naaz
Making music to Naaz is like having conversations with herself and others. She unfolds this in every song she’s ever written and communicated with her fanbase.
Not too long ago, her career skyrocketed shortly after releasing her debut EP, entitled, “Bits of Naaz”.
Since then, the bubbly pop star has won two Dutch Grammies (Edisons) and was nominated for Best Act at MTV’s EMAs. Also, she supported Arcade Fire, Jessie J, and Hayley Kiyoko.
Naaz will play across Europe towards the end of the year before ending in Amsterdam.
Bong Mines Entertainment (15 KP) rated Rose Coloured - Single by Celine Love in Music
Jul 10, 2019
Celine Love is a London-based singer-songwriter from Hamburg. Not too long ago, she released a music video for her debut single, entitled, “Rose Coloured”.
“The music video (directed by Sylvia Hong) explores how that darkness we are shielded from as children were always there. A lot of us may think back to our childhood as perfect when truly we have blocked out the negative we might have seen or experienced. If we do not confront these issues from the past, it can drive you insane.” – Celine Love
‘Rose Coloured’ tells an interesting tale of a happy young girl who wants to use love to erase darkness.
Apparently, her caramel skin differs from her friends’ vanilla skin tone. But she doesn’t see the difference between her and them.
Even though they trust each other, she still has to look at life through a rose-colored filter.
‘Rose Coloured’ contains a relatable storyline, pleasing vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
“The idea behind ‘Rose Coloured’ was to capture memories, moments and situations that describe the blissful ignorance of my childhood. The desire to put a rose-colored filter on everything that is bad in the world. Before racism, insecurities, heartbreak, or stress became part of life. The world is not only on your side but shields you from the negativity.” – Celine Love
“The imagery in ‘Rose Coloured’ is taken directly from my childhood. The song describes both joy and pain in wanting to relive these moments. Not having to confront the real world with all its social pressures and evils. Growing up in Germany there was a time when I saw my skin color as nothing but ‘caramel’, everyone else was simply ‘vanilla’. The chorus goes ‘I wanna live in a fool’s paradise, show me what love is and we can erase all the darkness.’ The music video reflects this inner conflict.” – Celine Love
A few milestones in Celine Love’s young career include a full scholarship to the music school BIMM Berlin & London.
Not too long ago, she performed at the 2000 Trees in Cheltenham, Kings Jam in Gloucester, Deichbrand and Reeperbahn Festival in Germany, and supported the electro-pop band Years & Years in Hamburg for NRJ Radio.
She composes music with expressionism and self-discovery at its core with a hint of socio-critical commentary.
“The imagery within the song is directly taken from my memories. Writing and recording it left me feeling very nostalgic. So I dug out old photos and songs and reached out to my childhood best friend. It reminded me of a pivotal time as a child, before I became aware of the differences in skin color and hair structure. Not only did I look different from most of the German kids surrounding my life but I would be treated differently too. It wasn’t always negative, but always in a way that made me feel excluded. There was a time before I became aware that my skin color was nothing but ‘caramel’ and everyone else was simply ‘vanilla’. Nothing more. ‘Rose Coloured’ is an almost desperate wish to have that mindset back. The wish to live in a ‘fool’s paradise’. – Celine Love
“The music video (directed by Sylvia Hong) explores how that darkness we are shielded from as children were always there. A lot of us may think back to our childhood as perfect when truly we have blocked out the negative we might have seen or experienced. If we do not confront these issues from the past, it can drive you insane.” – Celine Love
‘Rose Coloured’ tells an interesting tale of a happy young girl who wants to use love to erase darkness.
Apparently, her caramel skin differs from her friends’ vanilla skin tone. But she doesn’t see the difference between her and them.
Even though they trust each other, she still has to look at life through a rose-colored filter.
‘Rose Coloured’ contains a relatable storyline, pleasing vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
“The idea behind ‘Rose Coloured’ was to capture memories, moments and situations that describe the blissful ignorance of my childhood. The desire to put a rose-colored filter on everything that is bad in the world. Before racism, insecurities, heartbreak, or stress became part of life. The world is not only on your side but shields you from the negativity.” – Celine Love
“The imagery in ‘Rose Coloured’ is taken directly from my childhood. The song describes both joy and pain in wanting to relive these moments. Not having to confront the real world with all its social pressures and evils. Growing up in Germany there was a time when I saw my skin color as nothing but ‘caramel’, everyone else was simply ‘vanilla’. The chorus goes ‘I wanna live in a fool’s paradise, show me what love is and we can erase all the darkness.’ The music video reflects this inner conflict.” – Celine Love
A few milestones in Celine Love’s young career include a full scholarship to the music school BIMM Berlin & London.
Not too long ago, she performed at the 2000 Trees in Cheltenham, Kings Jam in Gloucester, Deichbrand and Reeperbahn Festival in Germany, and supported the electro-pop band Years & Years in Hamburg for NRJ Radio.
She composes music with expressionism and self-discovery at its core with a hint of socio-critical commentary.
“The imagery within the song is directly taken from my memories. Writing and recording it left me feeling very nostalgic. So I dug out old photos and songs and reached out to my childhood best friend. It reminded me of a pivotal time as a child, before I became aware of the differences in skin color and hair structure. Not only did I look different from most of the German kids surrounding my life but I would be treated differently too. It wasn’t always negative, but always in a way that made me feel excluded. There was a time before I became aware that my skin color was nothing but ‘caramel’ and everyone else was simply ‘vanilla’. Nothing more. ‘Rose Coloured’ is an almost desperate wish to have that mindset back. The wish to live in a ‘fool’s paradise’. – Celine Love
Emma @ The Movies (1786 KP) rated Santa Jaws (2018) in Movies
Aug 7, 2020
It really shouldn't have been such a challenge for me to see this film. Nearly two years after its release I finally managed to see it... and spoiler alert for my conclusion... it was fintastic.
Cody makes a Christmas wish to be alone, little does he know that his Christmas present is going to make that wish come true in a very festive and gruesome way.
I very quickly want to get a negative out of the way first. There is very noticeable music playing throughout the film. Now, I'm one of those terrible people that doesn't notice music unless it's brilliantly placed or horrendous, and while this music isn't horrendous it does suffer from being way too familiar. You've got Christmas tunes which work fine but the film has the Home Alone theme/feel about it and I think most people can identify those songs when they pop up anywhere.
This film has a little Inception moment at the beginning and we get a representation of the comic the boys are writing. I'm honestly a little disappointed that we didn't get to see that as a whole film of its own when it brings us the amazing line "See you in jingle hell!" spoken with such heart.
Once we get down to our regular programming it's very easy to sink into the ideas at work, there's nothing over complicated and the characters are easy to place. You get the chance to make predictors/wishes early on for who you want to die, and I was not disappointed... at the same time though I was super angry about Santa Jaws' first kill, BAD SHARK!
The acting isn't bad overall, there are some bits that come across a little cheesy and forced when we keep getting Home Alone-esque pieces thrown in, but at the same time... it's a movie about a Christmas themed shark sooooooo.
I'm not entirely sure that the comic book shop was a necessary inclusion on the whole but I can't argue with the choices the owner made... kudos... I wouldn't have wanted those missed out of the final piece.
Shark movie logic abounds and characters make tremendous leaps in deductions that further the plot. My favourite being about the Christmassy nature of the shark. I don't know how the shark's powers and weaknesses came about it the storyline but, standing ovation to you, I loved it.
I ended up getting an imported shark DVD box set so I could see this, it was definitely worth the effort. (Not the stress of trying to play it, but that's another story.) I can only hope this one hits our screens on SyFy or the Horror Channel, I'm honestly surprised it hasn't already. Santa Jaws is an amusing romp in the creature feature genre, it's a great twist on the classics (shark or Christmas film, take your pick) and for the brave I'm sure you could make a drinking game out of Christmas puns and Home Alone references... though maybe not with anything too strong, you might not make it to the end.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/santa-jaws-movie-review.html
Cody makes a Christmas wish to be alone, little does he know that his Christmas present is going to make that wish come true in a very festive and gruesome way.
I very quickly want to get a negative out of the way first. There is very noticeable music playing throughout the film. Now, I'm one of those terrible people that doesn't notice music unless it's brilliantly placed or horrendous, and while this music isn't horrendous it does suffer from being way too familiar. You've got Christmas tunes which work fine but the film has the Home Alone theme/feel about it and I think most people can identify those songs when they pop up anywhere.
This film has a little Inception moment at the beginning and we get a representation of the comic the boys are writing. I'm honestly a little disappointed that we didn't get to see that as a whole film of its own when it brings us the amazing line "See you in jingle hell!" spoken with such heart.
Once we get down to our regular programming it's very easy to sink into the ideas at work, there's nothing over complicated and the characters are easy to place. You get the chance to make predictors/wishes early on for who you want to die, and I was not disappointed... at the same time though I was super angry about Santa Jaws' first kill, BAD SHARK!
The acting isn't bad overall, there are some bits that come across a little cheesy and forced when we keep getting Home Alone-esque pieces thrown in, but at the same time... it's a movie about a Christmas themed shark sooooooo.
I'm not entirely sure that the comic book shop was a necessary inclusion on the whole but I can't argue with the choices the owner made... kudos... I wouldn't have wanted those missed out of the final piece.
Shark movie logic abounds and characters make tremendous leaps in deductions that further the plot. My favourite being about the Christmassy nature of the shark. I don't know how the shark's powers and weaknesses came about it the storyline but, standing ovation to you, I loved it.
I ended up getting an imported shark DVD box set so I could see this, it was definitely worth the effort. (Not the stress of trying to play it, but that's another story.) I can only hope this one hits our screens on SyFy or the Horror Channel, I'm honestly surprised it hasn't already. Santa Jaws is an amusing romp in the creature feature genre, it's a great twist on the classics (shark or Christmas film, take your pick) and for the brave I'm sure you could make a drinking game out of Christmas puns and Home Alone references... though maybe not with anything too strong, you might not make it to the end.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/santa-jaws-movie-review.html
BankofMarquis (1832 KP) rated Moulin Rouge! (2001) in Movies
Apr 15, 2020
In My "ALL TIME TOP 10"
If one would look at the BankofMarquis "All Time Top 10" film list, you will see such stalwarts as THE GODFATHER, SINGIN' IN THE RAIN and CITIZEN KANE. It also would contain a "more modern" film that doesn't, necessarily, find itself on these types of lists - Baz Luhrman's MOULIN ROUGE from 2001.
Yes...it's that good.
Set at the turn of the century (the 19th to the 20th century) during the Bohemian Revolution in Paris, MOULIN ROUGE tells the tale of the...you guessed it...the Moulin Rouge theater/club where a young writer (Ewan McGregor) gets pulled into the lives of the artists and others trying to make a living, falling in love with a young courtesan, Satine (Nicole Kidman) all under the watchful eye of Harold Zidler (Jim Broadbent).
But it is not the story, but the telling of the story that sets this film apart. It is chaotic, wild, colorful, sexy, grimy, loving, alcoholic and spectacular - all things that not only describe this film, but the Moulin Rouge itself. Directer Baz Luhrman really shines in his vision of this picture that juxtaposes colorful sets and costumes, unique characters and songs and dance and music that tells the tale in a a unique way.
Oh...did I mention that most of this music is MODERN music? From Elton John's YOUR SONG to Roger's and Hammerstein's THE SOUND OF MUSIC to LADY MARMALADE to the ingenious use of Sting's ROXANNE (in a tango scene no less), this film is an amalgam of song that fits each scene perfectly. At what first seems incongruous, upon further viewings, the songs are slyly picked to accent the emotions and dramatic purpose of each scene.
As for the acting, McGregor and Kidman are beautifully cast (pun intended) as the young lovers. Their good looks radiate across the screen and I thought they had great chemistry. John Leguzamo and the other "Bohemians" pop in and out and are uniquely outrageous without being annoying. Richard Roxburgh's antagonist, "the Duke", came across in this viewing as not nearly as annoying as I have found him to be previously. Maybe there is more to this character/performance than meets the eye.
But it is Jim Broadbent's portrayal of the Master Shoman, Harold Zidler, that steals this film for me. He is a cunning and ingenious showman who (more than once) proves that he will stop at nothing for the "show to go on", but there are many notes to Zidler, at once in control and at the same time trying to KEEP control of events spiraling out of his control that actually shows a desperate man doing whatever he can to survive.
Add all these ingredients up and you have a film that gets deeper and richer with each subsequent viewing. I have yet to get tired of this film - and I am looking forward to the next time I immerse myself into this world.
Letter Grade: A +
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Yes...it's that good.
Set at the turn of the century (the 19th to the 20th century) during the Bohemian Revolution in Paris, MOULIN ROUGE tells the tale of the...you guessed it...the Moulin Rouge theater/club where a young writer (Ewan McGregor) gets pulled into the lives of the artists and others trying to make a living, falling in love with a young courtesan, Satine (Nicole Kidman) all under the watchful eye of Harold Zidler (Jim Broadbent).
But it is not the story, but the telling of the story that sets this film apart. It is chaotic, wild, colorful, sexy, grimy, loving, alcoholic and spectacular - all things that not only describe this film, but the Moulin Rouge itself. Directer Baz Luhrman really shines in his vision of this picture that juxtaposes colorful sets and costumes, unique characters and songs and dance and music that tells the tale in a a unique way.
Oh...did I mention that most of this music is MODERN music? From Elton John's YOUR SONG to Roger's and Hammerstein's THE SOUND OF MUSIC to LADY MARMALADE to the ingenious use of Sting's ROXANNE (in a tango scene no less), this film is an amalgam of song that fits each scene perfectly. At what first seems incongruous, upon further viewings, the songs are slyly picked to accent the emotions and dramatic purpose of each scene.
As for the acting, McGregor and Kidman are beautifully cast (pun intended) as the young lovers. Their good looks radiate across the screen and I thought they had great chemistry. John Leguzamo and the other "Bohemians" pop in and out and are uniquely outrageous without being annoying. Richard Roxburgh's antagonist, "the Duke", came across in this viewing as not nearly as annoying as I have found him to be previously. Maybe there is more to this character/performance than meets the eye.
But it is Jim Broadbent's portrayal of the Master Shoman, Harold Zidler, that steals this film for me. He is a cunning and ingenious showman who (more than once) proves that he will stop at nothing for the "show to go on", but there are many notes to Zidler, at once in control and at the same time trying to KEEP control of events spiraling out of his control that actually shows a desperate man doing whatever he can to survive.
Add all these ingredients up and you have a film that gets deeper and richer with each subsequent viewing. I have yet to get tired of this film - and I am looking forward to the next time I immerse myself into this world.
Letter Grade: A +
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Daniel Boyd (1066 KP) rated Never Mind The Bollocks, Here's The Sex Pistols by The Sex Pistols in Music
Nov 2, 2017
The ultimate reset switch on the musical chart machine
This album changed everything and brought rock ‘n roll music back down to ground level where it belongs. It perfectly captured the mindset of a generation and it was the turning point that was so badly needed at that point in musical history. These four lads were saying exactly what they meant and we could hear their pain and frustration through Lydon’s voice as he screamed down the microphone at us. This album is gripping from start to finish and full of strikingly relevant lyrics even today. Without Never Mind The Bollocks, you can forget Oasis or Nirvana or Green Day or any punk band to come after ’77 for that matter. This album had to happen as it totally changed the course of rock ‘n roll history for the better and gave us all what we wanted again. This band is as important to rock ‘n roll music and British culture as the Beatles or the Rolling Stones and they only ever released the one album, that is how important this record is. This album affected the style of an entire generation, it affected the politicians and it gave the how the majority of the country was feeling a united voice. The Tory government and the Royal Family may be scum, but it is hard to argue the fact that they have inspired some of the best music over the last 50 years. This album defines what it means to be young and pissed off and overlooked by the older generations who hold the power. It is an attack launched at anyone who has ever looked down their nose at anyone else. It is the quintessential lesson in how to compose a legendary rock n’ roll album and it reminded the world that you don’t need a bunch of overcomplicated instrumentals or 16 minute long interludes to make a great record, all you need is a few instruments, some raw talent and a determination to tell people how it really is. The Pistols wear their hearts on their sleeve in this record, both through their instruments and their lyrics, there is so much feeling and passion and genuine dissatisfaction on this record, yet it is also so careless and spur of the moment and that combination results in one of the greatest albums of the last half century in my opinion.
If American Idiot is a slap on the wrist of the government and a nudge to change things, Never Mind The Bollocks is the Pistols grabbing the man by the throat and squeezing until he is forced to listen to them. In the years prior to this record coming out, the charts were dominated by songs that were being played on a minimum of 15 different instruments per song. There hadn’t been a record composed solely of a guitar, a drumkit, a bass and a vocal in far too long and The Sex Pistols hit the reset button on rock ‘n roll music going forward. This record had to happen, without it bands like Oasis and Nirvana would never have came to be, or if they did they would sound vastly different to what they do today. This record has an undeniable feeling to it that no other record does, it is fury, frustration, desperation and sadness all at once and for me, there is nothing else in musical history that quite captures that feeling in the same way. This is simply four bored lads with pure raw talent telling us exactly how they feel and making sure not to leave out any of the gory details. Every riff on this album is a violent wake up call, every drum beat feels like a well deserved punch to the face and with Lydon’s voice and lyrics topping it all off, it is a beautifully ugly piece of pop culture that is relevant even today. The Pistols take on everybody in this album, from the Queen, to politics, to record labels and all of it is so well composed and yet so spur of the moment simultaneously. It’s like Lydon is spitting at you but in perfect time and in the most unique way that has ever been put to record. The band had a flair that lit Britain on fire, especially the middle classes, this record got banned out of fear that it would cause the man on the street to rise up and see through the bullshit that politicians and the government try to spin us day in and day out. Every song points out what is wrong with the country and its ethics and policies and it defines the reasons that the public are fed up of it. The whole thing flows so well and even though it takes just under 40 minutes to listen to the entire album from start to finish, it goes by in a flash and leaves such a strong impression that causes you to be left thinking about what you have just heard for hours afterwards. This is a fleeting moment in modern history captured in the most brief, yet poignant way and without it the very culture of Britain would be entirely different. This album is so important, not just for it’s anti establishment themes or its musical reasons, but because it actually altered the course of history beyond just the musical ecosystem. There was never an album before Never The Bollocks that sounded anything like it and there hasn’t been one since and sadly, there probably never will be. The last great rock n’ roll band that the world really took notice of were Oasis and since then there has been nothing significant enough to capture the world’s attention. If you ask me what we need right now is another band like the Sex Pistols to swagger up and take the spotlight away from the dance/pop garbage that is dominating today’s charts. We need a band that can reset the musical machine and show the youth of today that all you need to make it is raw talent, a few instruments and a sprinkle of determination and the world can be yours. I am hopeful it will eventually happen, it has to and in my mind it is inevitable and is more a question of when rather than a question of if. That album is what will resurrect rock n’ roll music and bring it back to the forefront and the group that manages it will be the band that defines their respective generation. Since Oasis split the crown has been up for the taking and all we need is a band with enough balls and talent and who actually have something to say, to reach out and grab it.
If American Idiot is a slap on the wrist of the government and a nudge to change things, Never Mind The Bollocks is the Pistols grabbing the man by the throat and squeezing until he is forced to listen to them. In the years prior to this record coming out, the charts were dominated by songs that were being played on a minimum of 15 different instruments per song. There hadn’t been a record composed solely of a guitar, a drumkit, a bass and a vocal in far too long and The Sex Pistols hit the reset button on rock ‘n roll music going forward. This record had to happen, without it bands like Oasis and Nirvana would never have came to be, or if they did they would sound vastly different to what they do today. This record has an undeniable feeling to it that no other record does, it is fury, frustration, desperation and sadness all at once and for me, there is nothing else in musical history that quite captures that feeling in the same way. This is simply four bored lads with pure raw talent telling us exactly how they feel and making sure not to leave out any of the gory details. Every riff on this album is a violent wake up call, every drum beat feels like a well deserved punch to the face and with Lydon’s voice and lyrics topping it all off, it is a beautifully ugly piece of pop culture that is relevant even today. The Pistols take on everybody in this album, from the Queen, to politics, to record labels and all of it is so well composed and yet so spur of the moment simultaneously. It’s like Lydon is spitting at you but in perfect time and in the most unique way that has ever been put to record. The band had a flair that lit Britain on fire, especially the middle classes, this record got banned out of fear that it would cause the man on the street to rise up and see through the bullshit that politicians and the government try to spin us day in and day out. Every song points out what is wrong with the country and its ethics and policies and it defines the reasons that the public are fed up of it. The whole thing flows so well and even though it takes just under 40 minutes to listen to the entire album from start to finish, it goes by in a flash and leaves such a strong impression that causes you to be left thinking about what you have just heard for hours afterwards. This is a fleeting moment in modern history captured in the most brief, yet poignant way and without it the very culture of Britain would be entirely different. This album is so important, not just for it’s anti establishment themes or its musical reasons, but because it actually altered the course of history beyond just the musical ecosystem. There was never an album before Never The Bollocks that sounded anything like it and there hasn’t been one since and sadly, there probably never will be. The last great rock n’ roll band that the world really took notice of were Oasis and since then there has been nothing significant enough to capture the world’s attention. If you ask me what we need right now is another band like the Sex Pistols to swagger up and take the spotlight away from the dance/pop garbage that is dominating today’s charts. We need a band that can reset the musical machine and show the youth of today that all you need to make it is raw talent, a few instruments and a sprinkle of determination and the world can be yours. I am hopeful it will eventually happen, it has to and in my mind it is inevitable and is more a question of when rather than a question of if. That album is what will resurrect rock n’ roll music and bring it back to the forefront and the group that manages it will be the band that defines their respective generation. Since Oasis split the crown has been up for the taking and all we need is a band with enough balls and talent and who actually have something to say, to reach out and grab it.
Daniel Boyd (1066 KP) rated Ready Player One (2018) in Movies
Sep 20, 2018 (Updated Sep 20, 2018)
Not Quite Ready
I saw this movie in the cinema back when it came out in March earlier this year and I honestly didn't feel ready to review it after a single viewing because of all of the references etc that there was to take in. After watching the movie a couple more times and watching a bunch of Easter Egg videos on Youtube, I feel more equipped to discuss the film.
Up top, I never read the book that this film is based on. It has been recommended to me quite a few times, but I have never gotten around to reading it, so I was going into this with no pre-conceived ideas of what it was going to be other than what I had seen in the various trailers for the movie.
Let's start with the good stuff. Although I have some issues with the overabundance of CGI onscreen, as a 3d animator myself I was extremely impressed at the sheer quality of the animation in the movie. I know that this thing had a pretty high budget behind it, but still the level of quality in the animation is really high throughout the film. The references are also pretty cool, at least for the first third of the movie but the novelty of seeing some of your favourite pop culture characters does wear off after a while and ends up feeling like a cheap gimmick before too long. Finally, if all you are looking for is a big dumb fun blockbuster, then this movie provides that in spades.
Ok, onto the stuff that bothered me. As I said above, although the quality of the CGI is pretty incredible, the vast amount of it gets tiresome after a while. I also don't like the character designs at all, Parzival looks like a rejected piece of Final Fantasy artwork, Art3mis looks like a stereotypical version of a what a middle aged man thinks a cool hacker looks like with a weird resemblance to a feline, Aech just looked chunky and awkward, like something from a last-gen Gears Of War game, I-R0k's weird, edgy, fantasy-based design didn't fit his voice or the tone of the scenes he appeared in and Sorrento's avatar just looked distractingly like a dastardly Clark Kent for some reason. Also, these original character designs seemed oddly out of place being surrounded by other characters from franchises that we already know like DC and Mortal Kombat, none of it meshed well.
From this point on I am going to delve into some mid-movie spoilers, so here's your warning.
It really annoyed me how they kept touching on the idea that someone in the Oasis might not necessarily look the same as they do in real life and if you ever met them in real life you would be sorely disappointed, only for the reason for all of this to be a birthmark on Olivia Cooke's character's face. The way that they make her out to some sort of beast-like monster because of a slight skin-irregularity is ridiculous and also kinda offensive. Also, we are told during the movie's opening sequence that the Oasis is a worldwide thing, where people from anywhere on the planet can meet up online and fight together or kill each other for coins, then halfway through the movie, all of the characters meet up in a small ice cream truck in the real world and it turns out that they all live within a few miles of each other. It just made the whole thing feel really small scale. Another issue is that the movie is only 6 months old at this point and it already feels slightly dated. I don't see this movie ageing very well at all and this is both due to the CGI and the references that they choose to include.
Lastly, as I said earlier, if what you want out of this movie is mindless fun, then you'll walk away satisfied, the problem with that is that the movie seems to want to be more than that. The way that the movie treats itself and the way it was marketed along with the fact that it's got Spielberg in the director's chair, signifies that the filmmakers were intending for this to be this generation's Back To The Future or Star Wars and on that front it totally fails. In these other movies that this film is aspiring to be, you care about what happens to the characters and want to see where they go, whereas here the audience cares way more about seeing the next popular franchise references than anything that happens to the main characters at the heart of this story and once you've seen the film, you are going to leave talking about the characters that appeared from outside franchises rather than the ones created for this story. The characters are also instantly forgettable, for example I have seen this film three times now and still couldn't tell you the real world names of any of the characters other than Wade Watts and Sorrento and that's only because he has the same name in the real world as he does in the Oasis. I also don't care if I ever see any of these characters again if I'm being honest. I'm sure there is probably a sequel to this already being planned seeing as it made a bunch of money at the box office and there is apparently a sequel book in the works, but frankly I wouldn't care if I never saw any of these characters again and I don't care where the story is going either.
In conclusion, Ready Player One doesn't achieve the goal that it sets for itself of being a modern sci-fi classic, but there is a lot of fun to be had here along with some impressive animation to boot. The movie has a fairly shallow, hollow feel to it throughout, as if we are scratching the surface of something potentially engaging and worth investing in, but the filmmakers constantly keep distracting us with flashy visuals and obscure pop culture references. If the movie committed to telling a more original story rather than being obsessed with the 80's classics it is exploiting, then it may be more worthwhile. Also, it's definitely not Spielberg's best, this may be a bit harsh but it's probably closer to Kingdom Of The Crystal Skull than Raiders Of The Lost Ark. I wish that Smashbomb had a half star rating system, because although I feel that the movie was better than a 6, I don't like it enough to give it a 7, so a 6.5 would sum up how I felt about the film more accurately.
Up top, I never read the book that this film is based on. It has been recommended to me quite a few times, but I have never gotten around to reading it, so I was going into this with no pre-conceived ideas of what it was going to be other than what I had seen in the various trailers for the movie.
Let's start with the good stuff. Although I have some issues with the overabundance of CGI onscreen, as a 3d animator myself I was extremely impressed at the sheer quality of the animation in the movie. I know that this thing had a pretty high budget behind it, but still the level of quality in the animation is really high throughout the film. The references are also pretty cool, at least for the first third of the movie but the novelty of seeing some of your favourite pop culture characters does wear off after a while and ends up feeling like a cheap gimmick before too long. Finally, if all you are looking for is a big dumb fun blockbuster, then this movie provides that in spades.
Ok, onto the stuff that bothered me. As I said above, although the quality of the CGI is pretty incredible, the vast amount of it gets tiresome after a while. I also don't like the character designs at all, Parzival looks like a rejected piece of Final Fantasy artwork, Art3mis looks like a stereotypical version of a what a middle aged man thinks a cool hacker looks like with a weird resemblance to a feline, Aech just looked chunky and awkward, like something from a last-gen Gears Of War game, I-R0k's weird, edgy, fantasy-based design didn't fit his voice or the tone of the scenes he appeared in and Sorrento's avatar just looked distractingly like a dastardly Clark Kent for some reason. Also, these original character designs seemed oddly out of place being surrounded by other characters from franchises that we already know like DC and Mortal Kombat, none of it meshed well.
From this point on I am going to delve into some mid-movie spoilers, so here's your warning.
It really annoyed me how they kept touching on the idea that someone in the Oasis might not necessarily look the same as they do in real life and if you ever met them in real life you would be sorely disappointed, only for the reason for all of this to be a birthmark on Olivia Cooke's character's face. The way that they make her out to some sort of beast-like monster because of a slight skin-irregularity is ridiculous and also kinda offensive. Also, we are told during the movie's opening sequence that the Oasis is a worldwide thing, where people from anywhere on the planet can meet up online and fight together or kill each other for coins, then halfway through the movie, all of the characters meet up in a small ice cream truck in the real world and it turns out that they all live within a few miles of each other. It just made the whole thing feel really small scale. Another issue is that the movie is only 6 months old at this point and it already feels slightly dated. I don't see this movie ageing very well at all and this is both due to the CGI and the references that they choose to include.
Lastly, as I said earlier, if what you want out of this movie is mindless fun, then you'll walk away satisfied, the problem with that is that the movie seems to want to be more than that. The way that the movie treats itself and the way it was marketed along with the fact that it's got Spielberg in the director's chair, signifies that the filmmakers were intending for this to be this generation's Back To The Future or Star Wars and on that front it totally fails. In these other movies that this film is aspiring to be, you care about what happens to the characters and want to see where they go, whereas here the audience cares way more about seeing the next popular franchise references than anything that happens to the main characters at the heart of this story and once you've seen the film, you are going to leave talking about the characters that appeared from outside franchises rather than the ones created for this story. The characters are also instantly forgettable, for example I have seen this film three times now and still couldn't tell you the real world names of any of the characters other than Wade Watts and Sorrento and that's only because he has the same name in the real world as he does in the Oasis. I also don't care if I ever see any of these characters again if I'm being honest. I'm sure there is probably a sequel to this already being planned seeing as it made a bunch of money at the box office and there is apparently a sequel book in the works, but frankly I wouldn't care if I never saw any of these characters again and I don't care where the story is going either.
In conclusion, Ready Player One doesn't achieve the goal that it sets for itself of being a modern sci-fi classic, but there is a lot of fun to be had here along with some impressive animation to boot. The movie has a fairly shallow, hollow feel to it throughout, as if we are scratching the surface of something potentially engaging and worth investing in, but the filmmakers constantly keep distracting us with flashy visuals and obscure pop culture references. If the movie committed to telling a more original story rather than being obsessed with the 80's classics it is exploiting, then it may be more worthwhile. Also, it's definitely not Spielberg's best, this may be a bit harsh but it's probably closer to Kingdom Of The Crystal Skull than Raiders Of The Lost Ark. I wish that Smashbomb had a half star rating system, because although I feel that the movie was better than a 6, I don't like it enough to give it a 7, so a 6.5 would sum up how I felt about the film more accurately.
Daniel Boyd (1066 KP) rated American Idiot by Green Day in Music
Nov 2, 2017
Soda Pop & Ritalin
For some reason people like to slag Green Day, they are the butt of a lot of punk music jokes and to be honest I do get why. I understand why people see their use of makeup and their whole zany persona as a farce and don’t take them seriously, but no matter what you think of them in general, it is hard to deny that their seventh album, ‘American Idiot,’ perfectly captured the zeitgeist at the time, especially in the US. The album was an unexpected maturation of any of the band’s previous efforts and capitalised on their potential. When Billie Joe Armstrong wrote the album, he chose to channel his feelings into a cast of various characters and use a concept album format to display the emotions he and his peers felt at the time. I would argue the fact that American Idiot is definitively a concept album, as it doesn’t actually tell a cohesive story with a beginning, middle and end, instead opting for the approach of latching on to a certain feeling, whether it be rage or love and assigning that to a specific character and then throwing all of these characters into the mixing pot together. We hear the album from the perspective of the protagonist in the story, Jesus Of Suburbia, a young man who is sick of a broken system and feels disillusioned and uninspired by everything that he sees around him. The reason that so many people felt this way at the time of this album’s release, 2004, was due to the Bush administration’s misguidance and outright lies and due to the fallout from the 9/11 terrorists attacks that has never really gone away in America since the incident occurred. So, fed up of his suburban, dead end town Jesus leaves home and begins a quest of self discovery that involves a great deal of substance abuse, which ends up leading to the creation of an alter ego residing in Jesus’ mind who calls himself Saint Jimmy. Think Tyler Durden in fight club, but if he had a Mohican and ear stretchers. Jimmy leads Jesus on the thinly veiled path to revolution, which simply turns out to be a path to self destruction and eventually when Jesus hits rock bottom, (just like Fight Club,) he forces Jimmy to commit suicide and rids his mind of him. At the end of the album though Jesus’ fate is left ambiguous, but what is clear is that his journey has taken its toll on him, which is signified by the fact that he forgets the name of the girl that he fell in and out of love with during his spiritual quest. This album perfectly captured the mindset of a generation of kids forgotten by the system that was put in place to help them grow. American Idiot gives the man on the street a well informed, unified voice and actually injects some form of leadership into the political and social landscape at the time, even if it probably isn’t the form of leadership that your parents had in mind, or the government had put in place for you. A wake up call that is essential and still relevant today, this album and its story and character carries the important message that we shouldn’t settle for any less than what we deserve and what we deserve is often a lot better than what we end up getting. This album is pretty much the American version of Never Mind The Bollocks.
Kaysee Hood (83 KP) rated Magnus Chase and the Ship of the Dead: Magnus Chase Series Book 3 in Books
Nov 30, 2017
Magnus & Alex (5 more)
Friendship
Big Banana
Chase Space
Percabeth
Pottery Barn
Dragon Dad (3 more)
Ragnarok
A Ship Made Out of Zombie Nails (Gross)
Abusive Dads
World Ending? Not again...
Stop the end of the world. Sounds easy enough, right?
How many times are children of the Gods going to have to do this before one of them has the foretold quest to alter it where life as we know it is not in peril?
Magnus Chase and his friends have to stop Loki, ensure Naglfar doesn't sail, and prevent Ragnarok. Oh, also all while fighting giants with pottery, getting Godly blood and spit mead from giants in the hopes it'll help Magnus in an insult contest with Loki, seeing if Granddad Njord's ex-wife will help them out or let them freeze like a pre-made dinner meal supermom prepared for someone else to pop in the oven. Did I mention Floor 19 Crew has to do all these tasks without dying because not being in Hotel Valhalla equals no responding to life in their rooms. No do overs. No second chances. Simply dead. Easy as pie.
To not spoil this for those of you who have yet to read book three I'll end my sum of The Ship of the Dead and continue on with my praise.
Though there is the question of the voices, if this is the last of Magnus Chase then I have to say I'm pleased with our trilogy of the Norse Gods. In Sword of Summer, Hammer of Thor, and now The Ship of the Dead we've had the characters fleshed out. We've seen them grown. We've witness them overcome personal trails and fight through fears (can we say good job Magnus for fighting wolves even though it is clearly a phobia?). This has proved even those waiting for their day of judgement for centuries can change who they are and accept things even if they are not okay with them.
Somehow in 400 pages that pasts of Halfborn, Mallory, and T.J. were laid out to be part of the main plot, but also show development of the characters and how their own lessons would help on the quest. We were actually able to learn how far they have come from who they were before they died, after death, and who they are now. It was even written how to show they are still learning their lessons and have things to overcome now, which is perfectly okay as long as they stay strong and levelheaded.
The daughters/son of Loki had to overcome their own fears of being good enough despite what poison their fathers have caused them to believe. Even Hearthstone has to return to face the curse over his family one more time. Even Magnus has a realization he has wroth and even if some may not see it, he does and so do his friends.
The Ship of the Dead seems to be about looking at your fears and flaws, realizing they are there, and having to make the choice what you will do about them. Will you allow them to take over your life? Or will you work to be a better person? Are you going to let one moment in the past ruin your future? Or will you take the lesson and forgive yourself, forgive someone else, and live the best life you can? Will you let a parents shortcomings decide how you live? Or will you choose to look beyond their views and become a better person than they are?
How many times are children of the Gods going to have to do this before one of them has the foretold quest to alter it where life as we know it is not in peril?
Magnus Chase and his friends have to stop Loki, ensure Naglfar doesn't sail, and prevent Ragnarok. Oh, also all while fighting giants with pottery, getting Godly blood and spit mead from giants in the hopes it'll help Magnus in an insult contest with Loki, seeing if Granddad Njord's ex-wife will help them out or let them freeze like a pre-made dinner meal supermom prepared for someone else to pop in the oven. Did I mention Floor 19 Crew has to do all these tasks without dying because not being in Hotel Valhalla equals no responding to life in their rooms. No do overs. No second chances. Simply dead. Easy as pie.
To not spoil this for those of you who have yet to read book three I'll end my sum of The Ship of the Dead and continue on with my praise.
Though there is the question of the voices, if this is the last of Magnus Chase then I have to say I'm pleased with our trilogy of the Norse Gods. In Sword of Summer, Hammer of Thor, and now The Ship of the Dead we've had the characters fleshed out. We've seen them grown. We've witness them overcome personal trails and fight through fears (can we say good job Magnus for fighting wolves even though it is clearly a phobia?). This has proved even those waiting for their day of judgement for centuries can change who they are and accept things even if they are not okay with them.
Somehow in 400 pages that pasts of Halfborn, Mallory, and T.J. were laid out to be part of the main plot, but also show development of the characters and how their own lessons would help on the quest. We were actually able to learn how far they have come from who they were before they died, after death, and who they are now. It was even written how to show they are still learning their lessons and have things to overcome now, which is perfectly okay as long as they stay strong and levelheaded.
The daughters/son of Loki had to overcome their own fears of being good enough despite what poison their fathers have caused them to believe. Even Hearthstone has to return to face the curse over his family one more time. Even Magnus has a realization he has wroth and even if some may not see it, he does and so do his friends.
The Ship of the Dead seems to be about looking at your fears and flaws, realizing they are there, and having to make the choice what you will do about them. Will you allow them to take over your life? Or will you work to be a better person? Are you going to let one moment in the past ruin your future? Or will you take the lesson and forgive yourself, forgive someone else, and live the best life you can? Will you let a parents shortcomings decide how you live? Or will you choose to look beyond their views and become a better person than they are?
Daniel Boyd (1066 KP) rated Russian Doll in TV
Feb 5, 2019 (Updated Feb 5, 2019)
Natasha Lyonne carries this entire series phenomenally (2 more)
Good, tight script full of quick, witty dialogue
Short and sweet
Death Becomes Her
I watched Netflix's latest series Russian Doll over the past weekend and I loved it. Natasha Lyonne stars as a woman who on the night of her 36th birthday party, is suddenly hit by a car and dies. She then comes to and finds herself again standing in the bathroom in front of the sink back at her birthday party without a scratch. Then after dying a few more times and returning to the same spot in the bathroom, she realises that she is unable to stay dead and is going to be stuck in this loop indefinitely.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.