"Homecoming tells the story behind Beyoncé’s 2018 Coachella show, which makes a huge statement about the importance of African American education and the college experience. It cuts through the idea of pop stars just arriving into culture, being presented to the world as if they’re just naturally talented and what they do is absolutely no effort. Beyoncé works so hard! She’s on top of every detail – the choreography, the costumes, the lighting, the staging – and it’s so great seeing a woman so much in charge of her ideas. It makes you want to work harder."

"This is just one of those movies that leaves you feeling queasy all over. Eating Raoul plays on all the stereotypical shock/schlock clichés typical of so-called B culture, which at the time (the early 1980s) was also being probed by Paul Bartel’s fellow Angelenos Mike Kelley and Jim Shaw (and perhaps further up the coast by the Kuchar brothers), who were also fascinated with and inspired by the prudish 1950s. Is there a moral here? Does there need to be? Why, exactly, is this film in the Criterion Collection? All questions better to put out of your mind when you pop it in."